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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 133 236 it is the complementary color RGB 202 122 19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 133 236. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 133 236 shade: RGB 58 133 231, RGB 75 151 250, RGB 92 169 255, RGB 109 187 255 and RGB 126 205 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 133 236. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 133 236 shade: RGB 53 133 236, RGB 36 115 217, RGB 19 97 198, RGB 2 79 179 and RGB 0 61 160

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 133 236 shade: RGB 54 134 236, RGB 54 85 236, RGB 73 54 236, RGB 122 54 236 and RGB 171 54 236

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 133 236 shade: RGB 54 134 236, RGB 54 85 236 and RGB 54 54 236

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 133 236 shade matches the following richer shades: RGB 54 134 236 and RGB 37 132 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 133 236 shade: RGB 54 134 236, RGB 72 136 219, RGB 90 138 201, RGB 108 141 183 and RGB 125 143 165

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 133 236 shade: RGB 54 233 236, RGB 54 185 236, RGB 54 136 236, RGB 54 88 236 and RGB 70 54 236

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 133 236 shade: RGB 18 93 190, RGB 21 112 228, RGB 54 134 236, RGB 92 157 240 and RGB 130 179 243

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 133 236 shade: RGB 53 133 236, RGB 191 54 236 and RGB 209 236 54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 133 236 shade: RGB 53 133 236, RGB 236 54 136 and RGB 136 236 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 133 236 shade: RGB 53 133 236, RGB 191 54 236, RGB 236 154 54 and RGB 100 236 54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 133 236 shade: RGB 53 133 236, RGB 236 54 227, RGB 236 154 54 and RGB 54 236 63

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 44 / 0 / 7

HEX #3585EC

RGB 53 133 236

HSL 213.77, 0.83%, 0.57%

LAB 55.67, 11.41, -58.83

 

Complementary color

CMYK 0 / 40 / 91 / 21

HEX #CA7A13

RGB 202 122 19

HSL 33.77, 0.83%, 0.43%

LAB 58.53, 24.52, 61.58

 

CMYK 75 / 42 / 0 / 9

HEX #3A85E7

RGB 58 133 231

HSL 213.99, 0.78%, 0.57%

LAB 55.53, 10.15, -56.27

 

CMYK 70 / 40 / 0 / 2

HEX #4B97FA

RGB 75 151 250

HSL 213.94, 0.95%, 0.64%

LAB 62.11, 8.32, -56.23

 

CMYK 64 / 34 / 0 / 0

HEX #5CA9FF

RGB 92 169 255

HSL 211.66, 1%, 0.68%

LAB 67.93, 2.18, -49.7

 

CMYK 57 / 27 / 0 / 0

HEX #6DBBFF

RGB 109 187 255

HSL 207.95, 1%, 0.71%

LAB 73.55, -4.78, -40.82

 

CMYK 51 / 20 / 0 / 0

HEX #7ECDFF

RGB 126 205 255

HSL 203.26, 1%, 0.75%

LAB 79.22, -10.94, -31.98

 

CMYK 78 / 44 / 0 / 7

HEX #3585EC

RGB 53 133 236

HSL 213.77, 0.83%, 0.57%

LAB 55.67, 11.41, -58.83

 

CMYK 83 / 47 / 0 / 15

HEX #2473D9

RGB 36 115 217

HSL 213.81, 0.72%, 0.5%

LAB 49.06, 13.85, -58.8

 

CMYK 90 / 51 / 0 / 22

HEX #1361C6

RGB 19 97 198

HSL 213.85, 0.82%, 0.43%

LAB 42.41, 16.85, -58.69

 

CMYK 99 / 56 / 0 / 30

HEX #024FB3

RGB 2 79 179

HSL 213.9, 0.98%, 0.35%

LAB 35.71, 20.45, -58.46

 

CMYK 100 / 62 / 0 / 37

HEX #003DA0

RGB 0 61 160

HSL 217.13, 1%, 0.31%

LAB 29.1, 24.87, -57.89

 

CMYK 77 / 43 / 0 / 7

HEX #3686EC

RGB 54 134 236

HSL 213.63, 0.83%, 0.57%

LAB 55.98, 10.9, -58.33

 

CMYK 77 / 64 / 0 / 7

HEX #3655EC

RGB 54 85 236

HSL 229.78, 0.83%, 0.57%

LAB 43.27, 41.49, -78.95

 

CMYK 69 / 77 / 0 / 7

HEX #4936EC

RGB 73 54 236

HSL 246.26, 0.83%, 0.57%

LAB 38.04, 60.48, -87.52

 

CMYK 48 / 77 / 0 / 7

HEX #7A36EC

RGB 122 54 236

HSL 262.42, 0.83%, 0.57%

LAB 42.51, 65.95, -80

 

CMYK 28 / 77 / 0 / 7

HEX #AB36EC

RGB 171 54 236

HSL 278.57, 0.83%, 0.57%

LAB 48.7, 73.44, -69.63

 

CMYK 77 / 43 / 0 / 7

HEX #3686EC

RGB 54 134 236

HSL 213.63, 0.83%, 0.57%

LAB 55.98, 10.9, -58.33

 

CMYK 77 / 64 / 0 / 7

HEX #3655EC

RGB 54 85 236

HSL 229.78, 0.83%, 0.57%

LAB 43.27, 41.49, -78.95

 

CMYK 77 / 77 / 0 / 7

HEX #3636EC

RGB 54 54 236

HSL 240, 0.83%, 0.57%

LAB 36.89, 59.06, -89.46

 

CMYK 77 / 43 / 0 / 7

HEX #3686EC

RGB 54 134 236

HSL 213.63, 0.83%, 0.57%

LAB 55.98, 10.9, -58.33

 

CMYK 85 / 48 / 0 / 0

HEX #2584FE

RGB 37 132 254

HSL 213.73, 0.99%, 0.57%

LAB 56.14, 17.35, -68.06

 

CMYK 77 / 43 / 0 / 7

HEX #3686EC

RGB 54 134 236

HSL 213.63, 0.83%, 0.57%

LAB 55.98, 10.9, -58.33

 

CMYK 67 / 38 / 0 / 14

HEX #4888DB

RGB 72 136 219

HSL 213.88, 0.67%, 0.57%

LAB 56.19, 6.02, -48.47

 

CMYK 55 / 31 / 0 / 21

HEX #5A8AC9

RGB 90 138 201

HSL 214.05, 0.51%, 0.57%

LAB 56.65, 2.2, -37.55

 

CMYK 41 / 23 / 0 / 28

HEX #6C8DB7

RGB 108 141 183

HSL 213.6, 0.34%, 0.57%

LAB 57.71, -0.56, -25.63

 

CMYK 24 / 13 / 0 / 35

HEX #7D8FA5

RGB 125 143 165

HSL 213, 0.18%, 0.57%

LAB 58.72, -1.39, -13.74

 

CMYK 77 / 1 / 0 / 7

HEX #36E9EC

RGB 54 233 236

HSL 180.99, 0.83%, 0.57%

LAB 84.54, -41.39, -14

 

CMYK 77 / 22 / 0 / 7

HEX #36B9EC

RGB 54 185 236

HSL 196.81, 0.83%, 0.57%

LAB 70.55, -18.09, -35.35

 

CMYK 77 / 42 / 0 / 7

HEX #3688EC

RGB 54 136 236

HSL 212.97, 0.83%, 0.57%

LAB 56.53, 9.69, -57.44

 

CMYK 77 / 63 / 0 / 7

HEX #3658EC

RGB 54 88 236

HSL 228.79, 0.83%, 0.57%

LAB 43.97, 39.64, -77.79

 

CMYK 70 / 77 / 0 / 7

HEX #4636EC

RGB 70 54 236

HSL 245.27, 0.83%, 0.57%

LAB 37.84, 60.23, -87.86

 

CMYK 91 / 51 / 0 / 25

HEX #125DBE

RGB 18 93 190

HSL 213.84, 0.83%, 0.41%

LAB 40.69, 16.23, -56.82

 

CMYK 91 / 51 / 0 / 11

HEX #1570E4

RGB 21 112 228

HSL 213.62, 0.83%, 0.49%

LAB 48.7, 19.06, -65.62

 

CMYK 77 / 43 / 0 / 7

HEX #3686EC

RGB 54 134 236

HSL 213.63, 0.83%, 0.57%

LAB 55.98, 10.9, -58.33

 

CMYK 62 / 35 / 0 / 6

HEX #5C9DF0

RGB 92 157 240

HSL 213.65, 0.83%, 0.65%

LAB 63.9, 4.15, -47.86

 

CMYK 47 / 26 / 0 / 5

HEX #82B3F3

RGB 130 179 243

HSL 213.98, 0.82%, 0.73%

LAB 71.86, 0.61, -36.9

 

CMYK 78 / 44 / 0 / 7

HEX #3585EC

RGB 53 133 236

HSL 213.77, 0.83%, 0.57%

LAB 55.67, 11.41, -58.83

 

CMYK 19 / 77 / 0 / 7

HEX #BF36EC

RGB 191 54 236

HSL 285.16, 0.83%, 0.57%

LAB 51.58, 76.89, -64.84

 

CMYK 11 / 0 / 77 / 7

HEX #D1EC36

RGB 209 236 54

HSL 68.9, 0.83%, 0.57%

LAB 88.83, -30.33, 78.07

 

CMYK 78 / 44 / 0 / 7

HEX #3585EC

RGB 53 133 236

HSL 213.77, 0.83%, 0.57%

LAB 55.67, 11.41, -58.83

 

CMYK 0 / 77 / 42 / 7

HEX #EC3688

RGB 236 54 136

HSL 332.97, 0.83%, 0.57%

LAB 54.29, 72.83, -2.03

 

CMYK 42 / 0 / 77 / 7

HEX #88EC36

RGB 136 236 54

HSL 92.97, 0.83%, 0.57%

LAB 84.74, -56.99, 72.79

 

CMYK 78 / 44 / 0 / 7

HEX #3585EC

RGB 53 133 236

HSL 213.77, 0.83%, 0.57%

LAB 55.67, 11.41, -58.83

 

CMYK 19 / 77 / 0 / 7

HEX #BF36EC

RGB 191 54 236

HSL 285.16, 0.83%, 0.57%

LAB 51.58, 76.89, -64.84

 

CMYK 0 / 35 / 77 / 7

HEX #EC9A36

RGB 236 154 54

HSL 32.97, 0.83%, 0.57%

LAB 70.32, 22.78, 61.79

 

CMYK 58 / 0 / 77 / 7

HEX #64EC36

RGB 100 236 54

HSL 104.84, 0.83%, 0.57%

LAB 83.42, -67.07, 71.08

 

CMYK 78 / 44 / 0 / 7

HEX #3585EC

RGB 53 133 236

HSL 213.77, 0.83%, 0.57%

LAB 55.67, 11.41, -58.83

 

CMYK 0 / 77 / 4 / 7

HEX #EC36E3

RGB 236 54 227

HSL 302.97, 0.83%, 0.57%

LAB 58.05, 83.83, -49.01

 

CMYK 0 / 35 / 77 / 7

HEX #EC9A36

RGB 236 154 54

HSL 32.97, 0.83%, 0.57%

LAB 70.32, 22.78, 61.79

 

CMYK 77 / 0 / 73 / 7

HEX #36EC3F

RGB 54 236 63

HSL 122.97, 0.83%, 0.57%

LAB 82.45, -75.03, 66.92

 

Description

Color code: RGB 53 133 236 | qconv.com Color code: RGB 53 133 236 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 133 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 133 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 44 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 44% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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