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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 132 119 it is the complementary color RGB 202 123 136. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 132 119. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 132 119 shade: RGB 58 132 114, RGB 75 150 133, RGB 92 168 152, RGB 109 186 171 and RGB 126 204 190

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 132 119. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 132 119 shade: RGB 53 132 119, RGB 36 114 100, RGB 19 96 81, RGB 2 78 62 and RGB 0 60 43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 132 119 shade: RGB 52 131 118, RGB 52 131 97, RGB 52 131 76, RGB 52 131 54 and RGB 72 131 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 132 119 shade: RGB 52 131 118, RGB 52 123 131, RGB 52 102 131, RGB 52 80 131 and RGB 52 59 131

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 132 119 shade matches the following richer shades: RGB 52 131 118, RGB 37 146 128, RGB 23 161 138 and RGB 8 176 148

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 132 119 shade: RGB 52 131 118, RGB 67 116 108, RGB 82 102 98, RGB 97 87 88 and RGB 112 72 78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 132 119 shade: RGB 52 131 76, RGB 52 131 97, RGB 52 131 118, RGB 52 123 131 and RGB 52 102 131

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 132 119 shade: RGB 29 72 65, RGB 41 102 92, RGB 52 131 118, RGB 64 161 145 and RGB 81 185 168

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 132 119 shade: RGB 53 132 119, RGB 55 52 131 and RGB 131 87 52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 132 119 shade: RGB 53 132 119, RGB 118 52 131 and RGB 131 118 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 132 119 shade: RGB 53 132 119, RGB 55 52 131, RGB 131 52 65 and RGB 129 131 52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 132 119 shade: RGB 53 132 119, RGB 79 52 131, RGB 131 52 65 and RGB 105 131 52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 10 / 48

HEX #358477

RGB 53 132 119

HSL 170.13, 0.43%, 0.36%

LAB 50.21, -27.43, -0.21

 

Complementary color

CMYK 0 / 39 / 33 / 21

HEX #CA7B88

RGB 202 123 136

HSL 350.13, 0.43%, 0.64%

LAB 60.34, 32.33, 6.12

 

CMYK 56 / 0 / 14 / 48

HEX #3A8472

RGB 58 132 114

HSL 165.41, 0.39%, 0.37%

LAB 50.24, -27.66, 2.78

 

CMYK 50 / 0 / 11 / 41

HEX #4B9685

RGB 75 150 133

HSL 166.4, 0.33%, 0.44%

LAB 57.08, -27.64, 1.81

 

CMYK 45 / 0 / 10 / 34

HEX #5CA898

RGB 92 168 152

HSL 167.37, 0.3%, 0.51%

LAB 63.79, -27.54, 0.94

 

CMYK 41 / 0 / 8 / 27

HEX #6DBAAB

RGB 109 186 171

HSL 168.31, 0.36%, 0.58%

LAB 70.39, -27.41, 0.14

 

CMYK 38 / 0 / 7 / 20

HEX #7ECCBE

RGB 126 204 190

HSL 169.23, 0.43%, 0.65%

LAB 76.88, -27.26, -0.61

 

CMYK 60 / 0 / 10 / 48

HEX #358477

RGB 53 132 119

HSL 170.13, 0.43%, 0.36%

LAB 50.21, -27.43, -0.21

 

CMYK 68 / 0 / 12 / 55

HEX #247264

RGB 36 114 100

HSL 169.23, 0.52%, 0.29%

LAB 43.26, -27.14, 0.85

 

CMYK 80 / 0 / 16 / 62

HEX #136051

RGB 19 96 81

HSL 168.31, 0.67%, 0.23%

LAB 36.17, -26.5, 2.1

 

CMYK 97 / 0 / 21 / 69

HEX #024E3E

RGB 2 78 62

HSL 167.37, 0.95%, 0.16%

LAB 28.93, -25.44, 3.58

 

CMYK 100 / 0 / 28 / 76

HEX #003C2B

RGB 0 60 43

HSL 163, 1%, 0.12%

LAB 21.6, -22.86, 5.55

 

CMYK 60 / 0 / 10 / 49

HEX #348376

RGB 52 131 118

HSL 170.13, 0.43%, 0.36%

LAB 49.82, -27.41, -0.19

 

CMYK 60 / 0 / 26 / 49

HEX #348361

RGB 52 131 97

HSL 154.18, 0.43%, 0.36%

LAB 49.28, -32.74, 11.29

 

CMYK 60 / 0 / 42 / 49

HEX #34834C

RGB 52 131 76

HSL 138.23, 0.43%, 0.36%

LAB 48.86, -37.14, 22.69

 

CMYK 60 / 0 / 59 / 49

HEX #348336

RGB 52 131 54

HSL 121.52, 0.43%, 0.36%

LAB 48.55, -40.63, 34.02

 

CMYK 45 / 0 / 60 / 49

HEX #488334

RGB 72 131 52

HSL 104.81, 0.43%, 0.36%

LAB 49.32, -34.93, 36.12

 

CMYK 60 / 0 / 10 / 49

HEX #348376

RGB 52 131 118

HSL 170.13, 0.43%, 0.36%

LAB 49.82, -27.41, -0.19

 

CMYK 60 / 6 / 0 / 49

HEX #347B83

RGB 52 123 131

HSL 186.08, 0.43%, 0.36%

LAB 47.67, -19.51, -11.04

 

CMYK 60 / 22 / 0 / 49

HEX #346683

RGB 52 102 131

HSL 202.03, 0.43%, 0.36%

LAB 41.01, -7.63, -21.2

 

CMYK 60 / 39 / 0 / 49

HEX #345083

RGB 52 80 131

HSL 218.73, 0.43%, 0.36%

LAB 34.2, 6.16, -31.85

 

CMYK 60 / 55 / 0 / 49

HEX #343B83

RGB 52 59 131

HSL 234.68, 0.43%, 0.36%

LAB 28.11, 20.24, -41.6

 

CMYK 60 / 0 / 10 / 49

HEX #348376

RGB 52 131 118

HSL 170.13, 0.43%, 0.36%

LAB 49.82, -27.41, -0.19

 

CMYK 75 / 0 / 12 / 43

HEX #259280

RGB 37 146 128

HSL 170.09, 0.6%, 0.36%

LAB 54.56, -34.32, 0.88

 

CMYK 86 / 0 / 14 / 37

HEX #17A18A

RGB 23 161 138

HSL 170, 0.75%, 0.36%

LAB 59.44, -39.72, 2.25

 

CMYK 95 / 0 / 16 / 31

HEX #08B094

RGB 8 176 148

HSL 170, 0.91%, 0.36%

LAB 64.36, -44.23, 3.76

 

CMYK 60 / 0 / 10 / 49

HEX #348376

RGB 52 131 118

HSL 170.13, 0.43%, 0.36%

LAB 49.82, -27.41, -0.19

 

CMYK 42 / 0 / 7 / 55

HEX #43746C

RGB 67 116 108

HSL 170.2, 0.27%, 0.36%

LAB 45.31, -18.66, -0.79

 

CMYK 20 / 0 / 4 / 60

HEX #526662

RGB 82 102 98

HSL 168, 0.11%, 0.36%

LAB 41.5, -8.42, -0.24

 

CMYK 0 / 10 / 9 / 62

HEX #615758

RGB 97 87 88

HSL 354, 0.05%, 0.36%

LAB 37.95, 4.26, 0.9

 

CMYK 0 / 36 / 30 / 56

HEX #70484E

RGB 112 72 78

HSL 351, 0.22%, 0.36%

LAB 35.26, 18, 3.49

 

CMYK 60 / 0 / 42 / 49

HEX #34834C

RGB 52 131 76

HSL 138.23, 0.43%, 0.36%

LAB 48.86, -37.14, 22.69

 

CMYK 60 / 0 / 26 / 49

HEX #348361

RGB 52 131 97

HSL 154.18, 0.43%, 0.36%

LAB 49.28, -32.74, 11.29

 

CMYK 60 / 0 / 10 / 49

HEX #348376

RGB 52 131 118

HSL 170.13, 0.43%, 0.36%

LAB 49.82, -27.41, -0.19

 

CMYK 60 / 6 / 0 / 49

HEX #347B83

RGB 52 123 131

HSL 186.08, 0.43%, 0.36%

LAB 47.67, -19.51, -11.04

 

CMYK 60 / 22 / 0 / 49

HEX #346683

RGB 52 102 131

HSL 202.03, 0.43%, 0.36%

LAB 41.01, -7.63, -21.2

 

CMYK 60 / 0 / 10 / 72

HEX #1D4841

RGB 29 72 65

HSL 170.23, 0.43%, 0.2%

LAB 27.51, -16.91, -0.32

 

CMYK 60 / 0 / 10 / 60

HEX #29665C

RGB 41 102 92

HSL 170.16, 0.43%, 0.28%

LAB 39.15, -22.33, -0.26

 

CMYK 60 / 0 / 10 / 49

HEX #348376

RGB 52 131 118

HSL 170.13, 0.43%, 0.36%

LAB 49.82, -27.41, -0.19

 

CMYK 60 / 0 / 10 / 37

HEX #40A191

RGB 64 161 145

HSL 170.1, 0.43%, 0.44%

LAB 60.45, -32.27, -0.13

 

CMYK 56 / 0 / 9 / 27

HEX #51B9A8

RGB 81 185 168

HSL 170.19, 0.43%, 0.52%

LAB 68.95, -34.22, -0.45

 

CMYK 60 / 0 / 10 / 48

HEX #358477

RGB 53 132 119

HSL 170.13, 0.43%, 0.36%

LAB 50.21, -27.43, -0.21

 

CMYK 58 / 60 / 0 / 49

HEX #373483

RGB 55 52 131

HSL 242.28, 0.43%, 0.36%

LAB 26.47, 25.53, -44.24

 

CMYK 0 / 34 / 60 / 49

HEX #835734

RGB 131 87 52

HSL 26.58, 0.43%, 0.36%

LAB 41.04, 14.29, 27.51

 

CMYK 60 / 0 / 10 / 48

HEX #358477

RGB 53 132 119

HSL 170.13, 0.43%, 0.36%

LAB 50.21, -27.43, -0.21

 

CMYK 10 / 60 / 0 / 49

HEX #763483

RGB 118 52 131

HSL 290.13, 0.43%, 0.36%

LAB 33.87, 41.3, -31.96

 

CMYK 0 / 10 / 60 / 49

HEX #837634

RGB 131 118 52

HSL 50.13, 0.43%, 0.36%

LAB 49.53, -3.78, 37.47

 

CMYK 60 / 0 / 10 / 48

HEX #358477

RGB 53 132 119

HSL 170.13, 0.43%, 0.36%

LAB 50.21, -27.43, -0.21

 

CMYK 58 / 60 / 0 / 49

HEX #373483

RGB 55 52 131

HSL 242.28, 0.43%, 0.36%

LAB 26.47, 25.53, -44.24

 

CMYK 0 / 60 / 50 / 49

HEX #833441

RGB 131 52 65

HSL 350.13, 0.43%, 0.36%

LAB 33.27, 35.23, 9.39

 

CMYK 2 / 0 / 60 / 49

HEX #818334

RGB 129 131 52

HSL 61.52, 0.43%, 0.36%

LAB 53.11, -11.88, 41.42

 

CMYK 60 / 0 / 10 / 48

HEX #358477

RGB 53 132 119

HSL 170.13, 0.43%, 0.36%

LAB 50.21, -27.43, -0.21

 

CMYK 40 / 60 / 0 / 49

HEX #4F3483

RGB 79 52 131

HSL 260.51, 0.43%, 0.36%

LAB 28.79, 30.96, -40.37

 

CMYK 0 / 60 / 50 / 49

HEX #833441

RGB 131 52 65

HSL 350.13, 0.43%, 0.36%

LAB 33.27, 35.23, 9.39

 

CMYK 20 / 0 / 60 / 49

HEX #698334

RGB 105 131 52

HSL 79.75, 0.43%, 0.36%

LAB 51.25, -22.32, 38.83

 

Description

Color code: RGB 53 132 119 | qconv.com Color code: RGB 53 132 119 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 132 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 132 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 10 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 10% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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