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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 130 153 it is the complementary color RGB 202 125 102. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 130 153. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 53 130 153: RGB 58 130 148, RGB 75 148 167, RGB 92 166 186, RGB 109 184 205 and RGB 126 202 224

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 130 153. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 53 130 153: RGB 53 130 153, RGB 36 112 134, RGB 19 94 115, RGB 2 76 96 and RGB 0 58 77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 15 / 0 / 40

HEX #358299

RGB 53 130 153

HSL 193.8, 0.49%, 0.4%

LAB 50.71, -16.16, -19.33

 

Complementary color

CMYK 0 / 38 / 50 / 21

HEX #CA7D66

RGB 202 125 102

HSL 13.8, 0.49%, 0.6%

LAB 60.05, 27.43, 25.12

 

CMYK 61 / 12 / 0 / 42

HEX #3A8294

RGB 58 130 148

HSL 192, 0.44%, 0.4%

LAB 50.69, -16.82, -16.43

 

CMYK 55 / 11 / 0 / 35

HEX #4B94A7

RGB 75 148 167

HSL 192.39, 0.38%, 0.47%

LAB 57.53, -17.23, -16.94

 

CMYK 51 / 11 / 0 / 27

HEX #5CA6BA

RGB 92 166 186

HSL 192.77, 0.41%, 0.55%

LAB 64.24, -17.52, -17.41

 

CMYK 47 / 10 / 0 / 20

HEX #6DB8CD

RGB 109 184 205

HSL 193.13, 0.49%, 0.62%

LAB 70.83, -17.71, -17.86

 

CMYK 44 / 10 / 0 / 12

HEX #7ECAE0

RGB 126 202 224

HSL 193.47, 0.61%, 0.69%

LAB 77.32, -17.85, -18.29

 

CMYK 65 / 15 / 0 / 40

HEX #358299

RGB 53 130 153

HSL 193.8, 0.49%, 0.4%

LAB 50.71, -16.16, -19.33

 

CMYK 73 / 16 / 0 / 47

HEX #247086

RGB 36 112 134

HSL 193.47, 0.58%, 0.33%

LAB 43.78, -15.3, -18.79

 

CMYK 83 / 18 / 0 / 55

HEX #135E73

RGB 19 94 115

HSL 193.13, 0.72%, 0.26%

LAB 36.71, -14.02, -18.16

 

CMYK 98 / 21 / 0 / 62

HEX #024C60

RGB 2 76 96

HSL 192.77, 0.96%, 0.19%

LAB 29.48, -12.24, -17.43

 

CMYK 100 / 25 / 0 / 70

HEX #003A4D

RGB 0 58 77

HSL 194.81, 1%, 0.15%

LAB 22.17, -9.13, -16.39

 

CMYK 65 / 15 / 0 / 40

HEX #358299

RGB 53 130 153

HSL 193.8, 0.49%, 0.4%

LAB 50.71, -16.16, -19.33

 

CMYK 66 / 25 / 0 / 41

HEX #347197

RGB 52 113 151

HSL 203.03, 0.49%, 0.4%

LAB 45.32, -7.33, -26.47

 

CMYK 66 / 36 / 0 / 41

HEX #346197

RGB 52 97 151

HSL 212.73, 0.49%, 0.4%

LAB 40.43, 2.44, -34.14

 

CMYK 66 / 47 / 0 / 41

HEX #345097

RGB 52 80 151

HSL 223.03, 0.49%, 0.4%

LAB 35.4, 13.45, -42.14

 

CMYK 66 / 58 / 0 / 41

HEX #343F97

RGB 52 63 151

HSL 233.33, 0.49%, 0.4%

LAB 30.69, 24.78, -49.75

 

CMYK 65 / 15 / 0 / 40

HEX #358299

RGB 53 130 153

HSL 193.8, 0.49%, 0.4%

LAB 50.71, -16.16, -19.33

 

CMYK 65 / 15 / 0 / 20

HEX #47ADCC

RGB 71 173 204

HSL 193.98, 0.57%, 0.54%

LAB 66.2, -19.89, -24.48

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 65 / 16 / 0 / 80

HEX #122B33

RGB 18 43 51

HSL 194.55, 0.48%, 0.14%

LAB 15.98, -6.81, -8.13

 

CMYK 66 / 15 / 0 / 60

HEX #235766

RGB 35 87 102

HSL 193.43, 0.49%, 0.27%

LAB 34.26, -12.17, -13.8

 

CMYK 65 / 15 / 0 / 40

HEX #358299

RGB 53 130 153

HSL 193.8, 0.49%, 0.4%

LAB 50.71, -16.16, -19.33

 

CMYK 38 / 66 / 0 / 41

HEX #5D3497

RGB 93 52 151

HSL 264.85, 0.49%, 0.4%

LAB 31.85, 39.83, -47.7

 

CMYK 0 / 12 / 66 / 41

HEX #978534

RGB 151 133 52

HSL 49.09, 0.49%, 0.4%

LAB 55.69, -3.08, 44.81

 

CMYK 65 / 15 / 0 / 40

HEX #358299

RGB 53 130 153

HSL 193.8, 0.49%, 0.4%

LAB 50.71, -16.16, -19.33

 

CMYK 0 / 66 / 14 / 41

HEX #973482

RGB 151 52 130

HSL 312.73, 0.49%, 0.4%

LAB 38.98, 50.26, -22.96

 

CMYK 14 / 0 / 66 / 41

HEX #829734

RGB 130 151 52

HSL 72.73, 0.49%, 0.4%

LAB 59.09, -21.92, 47.91

 

CMYK 65 / 15 / 0 / 40

HEX #358299

RGB 53 130 153

HSL 193.8, 0.49%, 0.4%

LAB 50.71, -16.16, -19.33

 

CMYK 38 / 66 / 0 / 41

HEX #5D3497

RGB 93 52 151

HSL 264.85, 0.49%, 0.4%

LAB 31.85, 39.83, -47.7

 

CMYK 0 / 52 / 66 / 41

HEX #974934

RGB 151 73 52

HSL 12.73, 0.49%, 0.4%

LAB 40.56, 30.92, 27.58

 

CMYK 27 / 0 / 66 / 41

HEX #6E9734

RGB 110 151 52

HSL 84.85, 0.49%, 0.4%

LAB 57.75, -30.13, 46.07

 

CMYK 65 / 15 / 0 / 40

HEX #358299

RGB 53 130 153

HSL 193.8, 0.49%, 0.4%

LAB 50.71, -16.16, -19.33

 

CMYK 19 / 66 / 0 / 41

HEX #7B3497

RGB 123 52 151

HSL 283.03, 0.49%, 0.4%

LAB 35.79, 46.85, -41.14

 

CMYK 0 / 52 / 66 / 41

HEX #974934

RGB 151 73 52

HSL 12.73, 0.49%, 0.4%

LAB 40.56, 30.92, 27.58

 

CMYK 47 / 0 / 66 / 41

HEX #509734

RGB 80 151 52

HSL 103.03, 0.49%, 0.4%

LAB 56.17, -40.93, 43.91

 

Description

Color code: RGB 53 130 153 | qconv.com Color code: RGB 53 130 153 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 130 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 130 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 15 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 15% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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