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Color name
RGB 53 130 15

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 130 15 it is the complementary color RGB 202 125 240. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 130 15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 130 15 shade: RGB 58 130 10, RGB 75 148 29, RGB 92 166 48, RGB 109 184 67 and RGB 126 202 86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 130 15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 130 15 shade: RGB 53 130 15, RGB 36 112 0, RGB 19 94 0, RGB 2 76 0 and RGB 0 58 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 130 15 shade: RGB 52 128 15, RGB 83 128 15, RGB 113 128 15, RGB 128 112 15 and RGB 128 82 15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 130 15 shade: RGB 52 128 15, RGB 22 128 15, RGB 15 128 39, RGB 15 128 69 and RGB 15 128 99

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 130 15 shade matches the following richer shades: RGB 52 128 15 and RGB 48 139 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 130 15 shade: RGB 52 128 15, RGB 56 116 27, RGB 60 105 38, RGB 64 93 50 and RGB 68 82 61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 130 15 shade: RGB 113 128 15, RGB 83 128 15, RGB 53 128 15, RGB 23 128 15 and RGB 15 128 38

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 130 15 shade: RGB 22 54 6, RGB 37 91 11, RGB 52 128 15, RGB 67 165 19 and RGB 82 202 24

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 130 15 shade: RGB 53 130 15, RGB 15 128 113 and RGB 128 15 98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 130 15 shade: RGB 53 130 15, RGB 15 53 128 and RGB 128 15 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 130 15 shade: RGB 53 130 15, RGB 15 128 113, RGB 90 15 128 and RGB 128 15 30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 130 15 shade: RGB 53 130 15, RGB 15 109 128, RGB 90 15 128 and RGB 128 34 15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 88 / 49

HEX #35820F

RGB 53 130 15

HSL 100.17, 0.79%, 0.28%

LAB 47.95, -43.31, 48.65

 

Complementary color

CMYK 16 / 48 / 0 / 6

HEX #CA7DF0

RGB 202 125 240

HSL 280.17, 0.79%, 0.72%

LAB 64.58, 49.25, -46.24

 

CMYK 55 / 0 / 92 / 49

HEX #3A820A

RGB 58 130 10

HSL 96, 0.86%, 0.27%

LAB 48.12, -42.05, 49.93

 

CMYK 49 / 0 / 80 / 42

HEX #4B941D

RGB 75 148 29

HSL 96.81, 0.67%, 0.35%

LAB 54.83, -43.05, 51.3

 

CMYK 45 / 0 / 71 / 35

HEX #5CA630

RGB 92 166 48

HSL 97.63, 0.55%, 0.42%

LAB 61.45, -43.63, 51.32

 

CMYK 41 / 0 / 64 / 28

HEX #6DB843

RGB 109 184 67

HSL 98.46, 0.47%, 0.49%

LAB 67.97, -43.92, 50.68

 

CMYK 38 / 0 / 57 / 21

HEX #7ECA56

RGB 126 202 86

HSL 99.31, 0.52%, 0.56%

LAB 74.41, -44.04, 49.71

 

CMYK 59 / 0 / 88 / 49

HEX #35820F

RGB 53 130 15

HSL 100.17, 0.79%, 0.28%

LAB 47.95, -43.31, 48.65

 

CMYK 68 / 0 / 100 / 56

HEX #247000

RGB 36 112 0

HSL 100.71, 1%, 0.22%

LAB 41.16, -41.67, 46.08

 

CMYK 80 / 0 / 100 / 63

HEX #135E00

RGB 19 94 0

HSL 107.87, 1%, 0.18%

LAB 34.28, -38.96, 40.44

 

CMYK 97 / 0 / 100 / 70

HEX #024C00

RGB 2 76 0

HSL 118.42, 1%, 0.15%

LAB 27.25, -35.57, 34.64

 

CMYK 100 / 0 / 100 / 77

HEX #003A00

RGB 0 58 0

HSL 120, 1%, 0.11%

LAB 20.15, -30.03, 27.52

 

CMYK 59 / 0 / 88 / 50

HEX #34800F

RGB 52 128 15

HSL 100.35, 0.79%, 0.28%

LAB 47.24, -42.83, 48.01

 

CMYK 35 / 0 / 88 / 50

HEX #53800F

RGB 83 128 15

HSL 83.89, 0.79%, 0.28%

LAB 48.65, -32.28, 49.78

 

CMYK 12 / 0 / 88 / 50

HEX #71800F

RGB 113 128 15

HSL 67.96, 0.79%, 0.28%

LAB 50.67, -19.49, 52.3

 

CMYK 0 / 13 / 88 / 50

HEX #80700F

RGB 128 112 15

HSL 51.5, 0.79%, 0.28%

LAB 47.25, -3.75, 50.01

 

CMYK 0 / 36 / 88 / 50

HEX #80520F

RGB 128 82 15

HSL 35.58, 0.79%, 0.28%

LAB 39, 13.81, 43.17

 

CMYK 59 / 0 / 88 / 50

HEX #34800F

RGB 52 128 15

HSL 100.35, 0.79%, 0.28%

LAB 47.24, -42.83, 48.01

 

CMYK 83 / 0 / 88 / 50

HEX #16800F

RGB 22 128 15

HSL 116.28, 0.79%, 0.28%

LAB 46.5, -49.05, 47.07

 

CMYK 88 / 0 / 70 / 50

HEX #0F8027

RGB 15 128 39

HSL 132.74, 0.79%, 0.28%

LAB 46.56, -47.99, 38.66

 

CMYK 88 / 0 / 46 / 50

HEX #0F8045

RGB 15 128 69

HSL 148.67, 0.79%, 0.28%

LAB 46.93, -43.45, 23.92

 

CMYK 88 / 0 / 23 / 50

HEX #0F8063

RGB 15 128 99

HSL 164.6, 0.79%, 0.28%

LAB 47.55, -36.55, 7.57

 

CMYK 59 / 0 / 88 / 50

HEX #34800F

RGB 52 128 15

HSL 100.35, 0.79%, 0.28%

LAB 47.24, -42.83, 48.01

 

CMYK 65 / 0 / 98 / 45

HEX #308B03

RGB 48 139 3

HSL 100.15, 0.96%, 0.28%

LAB 50.8, -48.28, 53.32

 

CMYK 59 / 0 / 88 / 50

HEX #34800F

RGB 52 128 15

HSL 100.35, 0.79%, 0.28%

LAB 47.24, -42.83, 48.01

 

CMYK 52 / 0 / 77 / 55

HEX #38741B

RGB 56 116 27

HSL 100.45, 0.62%, 0.28%

LAB 43.38, -36.13, 40.65

 

CMYK 43 / 0 / 64 / 59

HEX #3C6926

RGB 60 105 38

HSL 100.3, 0.47%, 0.28%

LAB 39.92, -28.85, 32.15

 

CMYK 31 / 0 / 46 / 64

HEX #405D32

RGB 64 93 50

HSL 100.47, 0.3%, 0.28%

LAB 36.27, -19.74, 21.3

 

CMYK 17 / 0 / 26 / 68

HEX #44523D

RGB 68 82 61

HSL 100, 0.15%, 0.28%

LAB 33.14, -10.05, 10.55

 

CMYK 12 / 0 / 88 / 50

HEX #71800F

RGB 113 128 15

HSL 67.96, 0.79%, 0.28%

LAB 50.67, -19.49, 52.3

 

CMYK 35 / 0 / 88 / 50

HEX #53800F

RGB 83 128 15

HSL 83.89, 0.79%, 0.28%

LAB 48.65, -32.28, 49.78

 

CMYK 59 / 0 / 88 / 50

HEX #35800F

RGB 53 128 15

HSL 99.82, 0.79%, 0.28%

LAB 47.27, -42.55, 48.05

 

CMYK 82 / 0 / 88 / 50

HEX #17800F

RGB 23 128 15

HSL 115.75, 0.79%, 0.28%

LAB 46.52, -48.91, 47.09

 

CMYK 88 / 0 / 70 / 50

HEX #0F8026

RGB 15 128 38

HSL 132.21, 0.79%, 0.28%

LAB 46.55, -48.09, 39.09

 

CMYK 59 / 0 / 89 / 79

HEX #163606

RGB 22 54 6

HSL 100, 0.8%, 0.12%

LAB 19.32, -21.91, 24.32

 

CMYK 59 / 0 / 88 / 64

HEX #255B0B

RGB 37 91 11

HSL 100.5, 0.78%, 0.2%

LAB 33.77, -32.8, 36.82

 

CMYK 59 / 0 / 88 / 50

HEX #34800F

RGB 52 128 15

HSL 100.35, 0.79%, 0.28%

LAB 47.24, -42.83, 48.01

 

CMYK 59 / 0 / 88 / 35

HEX #43A513

RGB 67 165 19

HSL 100.27, 0.79%, 0.36%

LAB 60.02, -52.26, 58.46

 

CMYK 59 / 0 / 88 / 21

HEX #52CA18

RGB 82 202 24

HSL 100.45, 0.79%, 0.44%

LAB 72.3, -61.23, 68.22

 

CMYK 59 / 0 / 88 / 49

HEX #35820F

RGB 53 130 15

HSL 100.17, 0.79%, 0.28%

LAB 47.95, -43.31, 48.65

 

CMYK 88 / 0 / 12 / 50

HEX #0F8071

RGB 15 128 113

HSL 172.04, 0.79%, 0.28%

LAB 47.92, -32.62, -0.12

 

CMYK 0 / 88 / 23 / 50

HEX #800F62

RGB 128 15 98

HSL 315.93, 0.79%, 0.28%

LAB 28.93, 52.01, -18.64

 

CMYK 59 / 0 / 88 / 49

HEX #35820F

RGB 53 130 15

HSL 100.17, 0.79%, 0.28%

LAB 47.95, -43.31, 48.65

 

CMYK 88 / 59 / 0 / 50

HEX #0F3580

RGB 15 53 128

HSL 219.82, 0.79%, 0.28%

LAB 24.34, 17.93, -45.91

 

CMYK 0 / 88 / 59 / 50

HEX #800F35

RGB 128 15 53

HSL 339.82, 0.79%, 0.28%

LAB 27.26, 47.3, 8.91

 

CMYK 59 / 0 / 88 / 49

HEX #35820F

RGB 53 130 15

HSL 100.17, 0.79%, 0.28%

LAB 47.95, -43.31, 48.65

 

CMYK 88 / 0 / 12 / 50

HEX #0F8071

RGB 15 128 113

HSL 172.04, 0.79%, 0.28%

LAB 47.92, -32.62, -0.12

 

CMYK 30 / 88 / 0 / 50

HEX #5A0F80

RGB 90 15 128

HSL 279.82, 0.79%, 0.28%

LAB 23.91, 49.64, -46.32

 

CMYK 0 / 88 / 77 / 50

HEX #800F1E

RGB 128 15 30

HSL 352.04, 0.79%, 0.28%

LAB 26.8, 45.96, 23.74

 

CMYK 59 / 0 / 88 / 49

HEX #35820F

RGB 53 130 15

HSL 100.17, 0.79%, 0.28%

LAB 47.95, -43.31, 48.65

 

CMYK 88 / 15 / 0 / 50

HEX #0F6D80

RGB 15 109 128

HSL 190.09, 0.79%, 0.28%

LAB 42.15, -18.1, -17.72

 

CMYK 30 / 88 / 0 / 50

HEX #5A0F80

RGB 90 15 128

HSL 279.82, 0.79%, 0.28%

LAB 23.91, 49.64, -46.32

 

CMYK 0 / 73 / 88 / 50

HEX #80220F

RGB 128 34 15

HSL 10.09, 0.79%, 0.28%

LAB 28.82, 39.35, 34.55

 

Description

Color code: RGB 53 130 15 | qconv.com Color code: RGB 53 130 15 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 130 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 130 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 88 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 88% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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