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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 129 113 it is the complementary color RGB 202 126 142. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 129 113. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 129 113 shade: RGB 58 129 108, RGB 75 147 127, RGB 92 165 146, RGB 109 183 165 and RGB 126 201 184

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 129 113. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 129 113 shade: RGB 53 129 113, RGB 36 111 94, RGB 19 93 75, RGB 2 75 56 and RGB 0 57 37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 129 113 shade: RGB 53 130 114, RGB 53 130 93, RGB 53 130 72, RGB 54 130 53 and RGB 75 130 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 129 113 shade: RGB 53 130 114, RGB 53 125 130, RGB 53 104 130, RGB 53 84 130 and RGB 53 63 130

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 129 113 shade matches the following richer shades: RGB 53 130 114, RGB 38 145 122, RGB 23 160 131 and RGB 8 174 139

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 129 113 shade: RGB 53 130 114, RGB 68 115 105, RGB 82 100 96, RGB 97 85 88 and RGB 112 70 79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 129 113 shade: RGB 53 130 72, RGB 53 130 93, RGB 53 130 113, RGB 53 126 130 and RGB 53 105 130

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 129 113 shade: RGB 29 71 62, RGB 41 101 88, RGB 53 130 114, RGB 65 159 139 and RGB 81 184 162

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 129 113 shade: RGB 53 129 113, RGB 53 54 130 and RGB 130 82 53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 129 113 shade: RGB 53 129 113, RGB 113 53 130 and RGB 130 113 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 129 113 shade: RGB 53 129 113, RGB 53 54 130, RGB 130 53 69 and RGB 130 129 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 129 113 shade: RGB 53 129 113, RGB 75 53 130, RGB 130 53 69 and RGB 108 130 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 12 / 49

HEX #358171

RGB 53 129 113

HSL 167.37, 0.42%, 0.36%

LAB 49.07, -27.57, 1.65

 

Complementary color

CMYK 0 / 38 / 30 / 21

HEX #CA7E8E

RGB 202 126 142

HSL 347.37, 0.42%, 0.64%

LAB 61.16, 31.51, 3.86

 

CMYK 55 / 0 / 16 / 49

HEX #3A816C

RGB 58 129 108

HSL 162.25, 0.38%, 0.37%

LAB 49.11, -27.72, 4.66

 

CMYK 49 / 0 / 14 / 42

HEX #4B937F

RGB 75 147 127

HSL 163.33, 0.32%, 0.44%

LAB 55.98, -27.64, 3.66

 

CMYK 44 / 0 / 12 / 35

HEX #5CA592

RGB 92 165 146

HSL 164.38, 0.29%, 0.5%

LAB 62.73, -27.51, 2.75

 

CMYK 40 / 0 / 10 / 28

HEX #6DB7A5

RGB 109 183 165

HSL 165.41, 0.34%, 0.57%

LAB 69.35, -27.34, 1.91

 

CMYK 37 / 0 / 8 / 21

HEX #7EC9B8

RGB 126 201 184

HSL 166.4, 0.41%, 0.64%

LAB 75.87, -27.17, 1.14

 

CMYK 59 / 0 / 12 / 49

HEX #358171

RGB 53 129 113

HSL 167.37, 0.42%, 0.36%

LAB 49.07, -27.57, 1.65

 

CMYK 68 / 0 / 15 / 56

HEX #246F5E

RGB 36 111 94

HSL 166.4, 0.51%, 0.29%

LAB 42.08, -27.35, 2.76

 

CMYK 80 / 0 / 19 / 64

HEX #135D4B

RGB 19 93 75

HSL 165.41, 0.66%, 0.22%

LAB 34.95, -26.79, 4.07

 

CMYK 97 / 0 / 25 / 71

HEX #024B38

RGB 2 75 56

HSL 164.38, 0.95%, 0.15%

LAB 27.66, -25.81, 5.62

 

CMYK 100 / 0 / 35 / 78

HEX #003925

RGB 0 57 37

HSL 158.95, 1%, 0.11%

LAB 20.28, -23.19, 7.7

 

CMYK 59 / 0 / 12 / 49

HEX #358272

RGB 53 130 114

HSL 167.53, 0.42%, 0.36%

LAB 49.42, -27.79, 1.58

 

CMYK 59 / 0 / 28 / 49

HEX #35825D

RGB 53 130 93

HSL 151.17, 0.42%, 0.36%

LAB 48.9, -32.97, 13.08

 

CMYK 59 / 0 / 45 / 49

HEX #358248

RGB 53 130 72

HSL 134.81, 0.42%, 0.36%

LAB 48.5, -37.18, 24.44

 

CMYK 58 / 0 / 59 / 49

HEX #368235

RGB 54 130 53

HSL 119.22, 0.42%, 0.36%

LAB 48.27, -39.83, 34.21

 

CMYK 42 / 0 / 59 / 49

HEX #4B8235

RGB 75 130 53

HSL 102.86, 0.42%, 0.36%

LAB 49.15, -33.34, 35.47

 

CMYK 59 / 0 / 12 / 49

HEX #358272

RGB 53 130 114

HSL 167.53, 0.42%, 0.36%

LAB 49.42, -27.79, 1.58

 

CMYK 59 / 4 / 0 / 49

HEX #357D82

RGB 53 125 130

HSL 183.9, 0.42%, 0.36%

LAB 48.31, -20.68, -9.49

 

CMYK 59 / 20 / 0 / 49

HEX #356882

RGB 53 104 130

HSL 200.26, 0.42%, 0.36%

LAB 41.64, -8.94, -19.62

 

CMYK 59 / 35 / 0 / 49

HEX #355482

RGB 53 84 130

HSL 215.84, 0.42%, 0.36%

LAB 35.42, 3.43, -29.31

 

CMYK 59 / 52 / 0 / 49

HEX #353F82

RGB 53 63 130

HSL 232.21, 0.42%, 0.36%

LAB 29.22, 17.38, -39.18

 

CMYK 59 / 0 / 12 / 49

HEX #358272

RGB 53 130 114

HSL 167.53, 0.42%, 0.36%

LAB 49.42, -27.79, 1.58

 

CMYK 74 / 0 / 16 / 43

HEX #26917A

RGB 38 145 122

HSL 167.1, 0.58%, 0.36%

LAB 54.1, -35.37, 3.66

 

CMYK 86 / 0 / 18 / 37

HEX #17A083

RGB 23 160 131

HSL 167.3, 0.75%, 0.36%

LAB 58.94, -41.19, 5.48

 

CMYK 95 / 0 / 20 / 32

HEX #08AE8B

RGB 8 174 139

HSL 167.35, 0.91%, 0.36%

LAB 63.5, -45.78, 7.52

 

CMYK 59 / 0 / 12 / 49

HEX #358272

RGB 53 130 114

HSL 167.53, 0.42%, 0.36%

LAB 49.42, -27.79, 1.58

 

CMYK 41 / 0 / 9 / 55

HEX #447369

RGB 68 115 105

HSL 167.23, 0.26%, 0.36%

LAB 44.96, -18.6, 0.48

 

CMYK 18 / 0 / 4 / 61

HEX #526460

RGB 82 100 96

HSL 166.67, 0.1%, 0.36%

LAB 40.82, -7.71, -0.01

 

CMYK 0 / 12 / 9 / 62

HEX #615558

RGB 97 85 88

HSL 345, 0.07%, 0.36%

LAB 37.38, 5.49, 0.06

 

CMYK 0 / 38 / 29 / 56

HEX #70464F

RGB 112 70 79

HSL 347.14, 0.23%, 0.36%

LAB 34.78, 19.37, 2.16

 

CMYK 59 / 0 / 45 / 49

HEX #358248

RGB 53 130 72

HSL 134.81, 0.42%, 0.36%

LAB 48.5, -37.18, 24.44

 

CMYK 59 / 0 / 28 / 49

HEX #35825D

RGB 53 130 93

HSL 151.17, 0.42%, 0.36%

LAB 48.9, -32.97, 13.08

 

CMYK 59 / 0 / 13 / 49

HEX #358271

RGB 53 130 113

HSL 166.75, 0.42%, 0.36%

LAB 49.39, -28.06, 2.12

 

CMYK 59 / 3 / 0 / 49

HEX #357E82

RGB 53 126 130

HSL 183.12, 0.42%, 0.36%

LAB 48.62, -21.21, -9.01

 

CMYK 59 / 19 / 0 / 49

HEX #356982

RGB 53 105 130

HSL 199.48, 0.42%, 0.36%

LAB 41.96, -9.53, -19.14

 

CMYK 59 / 0 / 13 / 72

HEX #1D473E

RGB 29 71 62

HSL 167.14, 0.42%, 0.2%

LAB 27.06, -17.24, 0.97

 

CMYK 59 / 0 / 13 / 60

HEX #296558

RGB 41 101 88

HSL 167, 0.42%, 0.28%

LAB 38.7, -22.94, 1.53

 

CMYK 59 / 0 / 12 / 49

HEX #358272

RGB 53 130 114

HSL 167.53, 0.42%, 0.36%

LAB 49.42, -27.79, 1.58

 

CMYK 59 / 0 / 13 / 38

HEX #419F8B

RGB 65 159 139

HSL 167.23, 0.42%, 0.44%

LAB 59.69, -32.69, 2.16

 

CMYK 56 / 0 / 12 / 28

HEX #51B8A2

RGB 81 184 162

HSL 167.18, 0.42%, 0.52%

LAB 68.49, -35.27, 2.18

 

CMYK 59 / 0 / 12 / 49

HEX #358171

RGB 53 129 113

HSL 167.37, 0.42%, 0.36%

LAB 49.07, -27.57, 1.65

 

CMYK 59 / 58 / 0 / 49

HEX #353682

RGB 53 54 130

HSL 239.22, 0.42%, 0.36%

LAB 26.75, 23.45, -43.16

 

CMYK 0 / 37 / 59 / 49

HEX #825235

RGB 130 82 53

HSL 22.6, 0.42%, 0.36%

LAB 39.64, 16.88, 25.18

 

CMYK 59 / 0 / 12 / 49

HEX #358171

RGB 53 129 113

HSL 167.37, 0.42%, 0.36%

LAB 49.07, -27.57, 1.65

 

CMYK 13 / 59 / 0 / 49

HEX #713582

RGB 113 53 130

HSL 286.75, 0.42%, 0.36%

LAB 33.28, 39.19, -32.32

 

CMYK 0 / 13 / 59 / 49

HEX #827135

RGB 130 113 53

HSL 46.75, 0.42%, 0.36%

LAB 48.02, -1.31, 35.21

 

CMYK 59 / 0 / 12 / 49

HEX #358171

RGB 53 129 113

HSL 167.37, 0.42%, 0.36%

LAB 49.07, -27.57, 1.65

 

CMYK 59 / 58 / 0 / 49

HEX #353682

RGB 53 54 130

HSL 239.22, 0.42%, 0.36%

LAB 26.75, 23.45, -43.16

 

CMYK 0 / 59 / 47 / 49

HEX #823545

RGB 130 53 69

HSL 347.53, 0.42%, 0.36%

LAB 33.4, 34.76, 6.95

 

CMYK 0 / 1 / 59 / 49

HEX #828135

RGB 130 129 53

HSL 59.22, 0.42%, 0.36%

LAB 52.62, -10.27, 40.43

 

CMYK 59 / 0 / 12 / 49

HEX #358171

RGB 53 129 113

HSL 167.37, 0.42%, 0.36%

LAB 49.07, -27.57, 1.65

 

CMYK 42 / 59 / 0 / 49

HEX #4B3582

RGB 75 53 130

HSL 257.14, 0.42%, 0.36%

LAB 28.52, 29.07, -40.2

 

CMYK 0 / 59 / 47 / 49

HEX #823545

RGB 130 53 69

HSL 347.53, 0.42%, 0.36%

LAB 33.4, 34.76, 6.95

 

CMYK 17 / 0 / 59 / 49

HEX #6C8235

RGB 108 130 53

HSL 77.14, 0.42%, 0.36%

LAB 51.16, -20.45, 38.3

 

Description

Color code: RGB 53 129 113 | qconv.com Color code: RGB 53 129 113 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 129 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 129 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 12 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 12% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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