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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 125 50 it is the complementary color RGB 202 130 205. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 125 50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 125 50 shade: RGB 58 125 45, RGB 75 143 64, RGB 92 161 83, RGB 109 179 102 and RGB 126 197 121

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 125 50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 125 50 shade: RGB 53 125 50, RGB 36 107 31, RGB 19 89 12, RGB 2 71 0 and RGB 0 53 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 125 50 shade: RGB 52 124 49, RGB 73 124 49, RGB 93 124 49, RGB 113 124 49 and RGB 124 115 49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 125 50 shade: RGB 52 124 49, RGB 49 124 67, RGB 49 124 87, RGB 49 124 107 and RGB 49 121 124

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 125 50 shade matches the following richer shades: RGB 52 124 49, RGB 39 138 35, RGB 27 152 21 and RGB 14 166 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 125 50 shade: RGB 52 124 49, RGB 65 110 63, RGB 78 96 77, RGB 91 82 92 and RGB 104 68 106

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 125 50 shade: RGB 93 124 49, RGB 73 124 49, RGB 53 124 49, RGB 49 124 66 and RGB 49 124 85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 125 50 shade: RGB 27 65 26, RGB 40 94 38, RGB 52 124 49, RGB 65 153 61 and RGB 78 183 73

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 125 50 shade: RGB 53 125 50, RGB 49 113 124 and RGB 124 49 83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 125 50 shade: RGB 53 125 50, RGB 49 53 124 and RGB 124 49 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 125 50 shade: RGB 53 125 50, RGB 49 113 124, RGB 120 49 124 and RGB 124 61 49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 125 50 shade: RGB 53 125 50, RGB 49 90 124, RGB 120 49 124 and RGB 124 83 49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 60 / 51

HEX #357D32

RGB 53 125 50

HSL 117.6, 0.43%, 0.34%

LAB 46.52, -38.43, 33.66

 

Complementary color

CMYK 1 / 37 / 0 / 20

HEX #CA82CD

RGB 202 130 205

HSL 297.6, 0.43%, 0.66%

LAB 64.1, 39.63, -27.51

 

CMYK 54 / 0 / 64 / 51

HEX #3A7D2D

RGB 58 125 45

HSL 110.25, 0.47%, 0.33%

LAB 46.65, -37.59, 36.31

 

CMYK 48 / 0 / 55 / 44

HEX #4B8F40

RGB 75 143 64

HSL 111.65, 0.38%, 0.41%

LAB 53.5, -37.75, 35.09

 

CMYK 43 / 0 / 48 / 37

HEX #5CA153

RGB 92 161 83

HSL 113.08, 0.32%, 0.48%

LAB 60.24, -37.71, 33.79

 

CMYK 39 / 0 / 43 / 30

HEX #6DB366

RGB 109 179 102

HSL 114.55, 0.34%, 0.55%

LAB 66.86, -37.56, 32.5

 

CMYK 36 / 0 / 39 / 23

HEX #7EC579

RGB 126 197 121

HSL 116.05, 0.4%, 0.62%

LAB 73.38, -37.35, 31.26

 

CMYK 58 / 0 / 60 / 51

HEX #357D32

RGB 53 125 50

HSL 117.6, 0.43%, 0.34%

LAB 46.52, -38.43, 33.66

 

CMYK 66 / 0 / 71 / 58

HEX #246B1F

RGB 36 107 31

HSL 116.05, 0.55%, 0.27%

LAB 39.56, -37.87, 34.8

 

CMYK 79 / 0 / 87 / 65

HEX #13590C

RGB 19 89 12

HSL 114.55, 0.76%, 0.2%

LAB 32.5, -36.5, 35.12

 

CMYK 97 / 0 / 100 / 72

HEX #024700

RGB 2 71 0

HSL 118.31, 1%, 0.14%

LAB 25.32, -33.93, 32.89

 

CMYK 100 / 0 / 100 / 79

HEX #003500

RGB 0 53 0

HSL 120, 1%, 0.1%

LAB 18.13, -28.35, 25.18

 

CMYK 58 / 0 / 60 / 51

HEX #347C31

RGB 52 124 49

HSL 117.6, 0.43%, 0.34%

LAB 46.13, -38.42, 33.7

 

CMYK 41 / 0 / 60 / 51

HEX #497C31

RGB 73 124 49

HSL 100.8, 0.43%, 0.34%

LAB 47.04, -31.76, 34.99

 

CMYK 25 / 0 / 60 / 51

HEX #5D7C31

RGB 93 124 49

HSL 84.8, 0.43%, 0.34%

LAB 48.21, -24.05, 36.64

 

CMYK 9 / 0 / 60 / 51

HEX #717C31

RGB 113 124 49

HSL 68.8, 0.43%, 0.34%

LAB 49.67, -15.47, 38.68

 

CMYK 0 / 7 / 60 / 51

HEX #7C7331

RGB 124 115 49

HSL 52.8, 0.43%, 0.34%

LAB 47.97, -5.53, 37.03

 

CMYK 58 / 0 / 60 / 51

HEX #347C31

RGB 52 124 49

HSL 117.6, 0.43%, 0.34%

LAB 46.13, -38.42, 33.7

 

CMYK 60 / 0 / 46 / 51

HEX #317C43

RGB 49 124 67

HSL 134.4, 0.43%, 0.34%

LAB 46.28, -36.49, 24.32

 

CMYK 60 / 0 / 30 / 51

HEX #317C57

RGB 49 124 87

HSL 150.4, 0.43%, 0.34%

LAB 46.65, -32.49, 13.43

 

CMYK 60 / 0 / 14 / 51

HEX #317C6B

RGB 49 124 107

HSL 166.4, 0.43%, 0.34%

LAB 47.14, -27.57, 2.38

 

CMYK 60 / 2 / 0 / 51

HEX #31797C

RGB 49 121 124

HSL 182.4, 0.43%, 0.34%

LAB 46.69, -21.19, -8.37

 

CMYK 58 / 0 / 60 / 51

HEX #347C31

RGB 52 124 49

HSL 117.6, 0.43%, 0.34%

LAB 46.13, -38.42, 33.7

 

CMYK 72 / 0 / 75 / 46

HEX #278A23

RGB 39 138 35

HSL 117.67, 0.6%, 0.34%

LAB 50.37, -48.25, 44.44

 

CMYK 82 / 0 / 86 / 40

HEX #1B9815

RGB 27 152 21

HSL 117.25, 0.76%, 0.34%

LAB 54.81, -55.66, 53.05

 

CMYK 92 / 0 / 96 / 35

HEX #0EA607

RGB 14 166 7

HSL 117.36, 0.92%, 0.34%

LAB 59.33, -61.53, 59.44

 

CMYK 58 / 0 / 60 / 51

HEX #347C31

RGB 52 124 49

HSL 117.6, 0.43%, 0.34%

LAB 46.13, -38.42, 33.7

 

CMYK 41 / 0 / 43 / 57

HEX #416E3F

RGB 65 110 63

HSL 117.45, 0.27%, 0.34%

LAB 42.21, -25.96, 21.46

 

CMYK 19 / 0 / 20 / 62

HEX #4E604D

RGB 78 96 77

HSL 116.84, 0.11%, 0.34%

LAB 38.76, -11.02, 8.62

 

CMYK 1 / 11 / 0 / 64

HEX #5B525C

RGB 91 82 92

HSL 294, 0.06%, 0.34%

LAB 36.04, 5.77, -4.48

 

CMYK 2 / 36 / 0 / 58

HEX #68446A

RGB 104 68 106

HSL 296.84, 0.22%, 0.34%

LAB 34.23, 22.48, -15.9

 

CMYK 25 / 0 / 60 / 51

HEX #5D7C31

RGB 93 124 49

HSL 84.8, 0.43%, 0.34%

LAB 48.21, -24.05, 36.64

 

CMYK 41 / 0 / 60 / 51

HEX #497C31

RGB 73 124 49

HSL 100.8, 0.43%, 0.34%

LAB 47.04, -31.76, 34.99

 

CMYK 57 / 0 / 60 / 51

HEX #357C31

RGB 53 124 49

HSL 116.8, 0.43%, 0.34%

LAB 46.17, -38.15, 33.75

 

CMYK 60 / 0 / 47 / 51

HEX #317C42

RGB 49 124 66

HSL 133.6, 0.43%, 0.34%

LAB 46.26, -36.67, 24.85

 

CMYK 60 / 0 / 31 / 51

HEX #317C55

RGB 49 124 85

HSL 148.8, 0.43%, 0.34%

LAB 46.61, -32.94, 14.53

 

CMYK 58 / 0 / 60 / 75

HEX #1B411A

RGB 27 65 26

HSL 118.46, 0.43%, 0.18%

LAB 23.96, -22.98, 19.58

 

CMYK 57 / 0 / 60 / 63

HEX #285E26

RGB 40 94 38

HSL 117.86, 0.42%, 0.26%

LAB 35.2, -30.52, 26.44

 

CMYK 58 / 0 / 60 / 51

HEX #347C31

RGB 52 124 49

HSL 117.6, 0.43%, 0.34%

LAB 46.13, -38.42, 33.7

 

CMYK 58 / 0 / 60 / 40

HEX #41993D

RGB 65 153 61

HSL 117.39, 0.43%, 0.42%

LAB 56.33, -45.14, 39.79

 

CMYK 57 / 0 / 60 / 28

HEX #4EB749

RGB 78 183 73

HSL 117.27, 0.43%, 0.5%

LAB 66.5, -51.98, 46.01

 

CMYK 58 / 0 / 60 / 51

HEX #357D32

RGB 53 125 50

HSL 117.6, 0.43%, 0.34%

LAB 46.52, -38.43, 33.66

 

CMYK 60 / 9 / 0 / 51

HEX #31717C

RGB 49 113 124

HSL 188.8, 0.43%, 0.34%

LAB 44.12, -16.87, -12.25

 

CMYK 0 / 60 / 33 / 51

HEX #7C3153

RGB 124 49 83

HSL 332.8, 0.43%, 0.34%

LAB 32.05, 36.35, -4.21

 

CMYK 58 / 0 / 60 / 51

HEX #357D32

RGB 53 125 50

HSL 117.6, 0.43%, 0.34%

LAB 46.52, -38.43, 33.66

 

CMYK 60 / 57 / 0 / 51

HEX #31357C

RGB 49 53 124

HSL 236.8, 0.43%, 0.34%

LAB 25.73, 21.18, -41.06

 

CMYK 0 / 60 / 57 / 51

HEX #7C3135

RGB 124 49 53

HSL 356.8, 0.43%, 0.34%

LAB 31.2, 32.99, 14.14

 

CMYK 58 / 0 / 60 / 51

HEX #357D32

RGB 53 125 50

HSL 117.6, 0.43%, 0.34%

LAB 46.52, -38.43, 33.66

 

CMYK 60 / 9 / 0 / 51

HEX #31717C

RGB 49 113 124

HSL 188.8, 0.43%, 0.34%

LAB 44.12, -16.87, -12.25

 

CMYK 3 / 60 / 0 / 51

HEX #78317C

RGB 120 49 124

HSL 296.8, 0.43%, 0.34%

LAB 33.23, 41.94, -28.59

 

CMYK 0 / 51 / 60 / 51

HEX #7C3D31

RGB 124 61 49

HSL 9.6, 0.43%, 0.34%

LAB 33.66, 26.14, 19.89

 

CMYK 58 / 0 / 60 / 51

HEX #357D32

RGB 53 125 50

HSL 117.6, 0.43%, 0.34%

LAB 46.52, -38.43, 33.66

 

CMYK 60 / 27 / 0 / 51

HEX #315A7C

RGB 49 90 124

HSL 207.2, 0.43%, 0.34%

LAB 36.78, -3.38, -23.51

 

CMYK 3 / 60 / 0 / 51

HEX #78317C

RGB 120 49 124

HSL 296.8, 0.43%, 0.34%

LAB 33.23, 41.94, -28.59

 

CMYK 0 / 33 / 60 / 51

HEX #7C5331

RGB 124 83 49

HSL 27.2, 0.43%, 0.34%

LAB 39.06, 13.23, 26.61

 

Description

Color code: RGB 53 125 50 | qconv.com Color code: RGB 53 125 50 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 125 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 125 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 60 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 60% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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