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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 124 98 it is the complementary color RGB 202 131 157. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 124 98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 124 98 shade: RGB 58 124 93, RGB 75 142 112, RGB 92 160 131, RGB 109 178 150 and RGB 126 196 169

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 124 98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 124 98 shade: RGB 53 124 98, RGB 36 106 79, RGB 19 88 60, RGB 2 70 41 and RGB 0 52 22

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 124 98 shade: RGB 54 125 99, RGB 54 125 80, RGB 54 125 60, RGB 66 125 54 and RGB 85 125 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 124 98 shade: RGB 54 125 99, RGB 54 125 118, RGB 54 113 125, RGB 54 93 125 and RGB 54 74 125

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 124 98 shade matches the following richer shades: RGB 54 125 99, RGB 39 139 103, RGB 25 154 107 and RGB 10 168 110

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 124 98 shade: RGB 54 125 99, RGB 68 111 95, RGB 82 96 91, RGB 97 82 87 and RGB 111 67 83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 124 98 shade: RGB 54 125 61, RGB 54 125 80, RGB 54 125 99, RGB 54 125 118 and RGB 54 113 125

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 124 98 shade: RGB 29 67 53, RGB 41 96 76, RGB 54 125 99, RGB 66 154 122 and RGB 81 180 144

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 124 98 shade: RGB 53 124 98, RGB 54 65 125 and RGB 125 70 54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 124 98 shade: RGB 53 124 98, RGB 99 54 125 and RGB 125 99 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 124 98 shade: RGB 53 124 98, RGB 54 65 125, RGB 125 54 80 and RGB 125 113 54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 124 98 shade: RGB 53 124 98, RGB 63 54 125, RGB 125 54 80 and RGB 115 125 54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 21 / 51

HEX #357C62

RGB 53 124 98

HSL 158.03, 0.4%, 0.35%

LAB 47.05, -28.97, 7.56

 

Complementary color

CMYK 0 / 35 / 22 / 21

HEX #CA839D

RGB 202 131 157

HSL 338.03, 0.4%, 0.65%

LAB 62.7, 30.93, -2.48

 

CMYK 53 / 0 / 25 / 51

HEX #3A7C5D

RGB 58 124 93

HSL 151.82, 0.36%, 0.36%

LAB 47.11, -28.9, 10.61

 

CMYK 47 / 0 / 21 / 44

HEX #4B8E70

RGB 75 142 112

HSL 153.13, 0.31%, 0.43%

LAB 54.04, -28.73, 9.47

 

CMYK 43 / 0 / 18 / 37

HEX #5CA083

RGB 92 160 131

HSL 154.41, 0.27%, 0.49%

LAB 60.83, -28.51, 8.43

 

CMYK 39 / 0 / 16 / 30

HEX #6DB296

RGB 109 178 150

HSL 155.65, 0.31%, 0.56%

LAB 67.5, -28.27, 7.49

 

CMYK 36 / 0 / 14 / 23

HEX #7EC4A9

RGB 126 196 169

HSL 156.86, 0.37%, 0.63%

LAB 74.05, -28.04, 6.62

 

CMYK 57 / 0 / 21 / 51

HEX #357C62

RGB 53 124 98

HSL 158.03, 0.4%, 0.35%

LAB 47.05, -28.97, 7.56

 

CMYK 66 / 0 / 25 / 58

HEX #246A4F

RGB 36 106 79

HSL 156.86, 0.49%, 0.28%

LAB 39.99, -28.89, 8.83

 

CMYK 78 / 0 / 32 / 65

HEX #13583C

RGB 19 88 60

HSL 155.65, 0.64%, 0.21%

LAB 32.8, -28.47, 10.33

 

CMYK 97 / 0 / 41 / 73

HEX #024629

RGB 2 70 41

HSL 154.41, 0.94%, 0.14%

LAB 25.42, -27.59, 12.11

 

CMYK 100 / 0 / 58 / 80

HEX #003416

RGB 0 52 22

HSL 145.38, 1%, 0.1%

LAB 17.98, -24.71, 14.43

 

CMYK 57 / 0 / 21 / 51

HEX #367D63

RGB 54 125 99

HSL 158.03, 0.4%, 0.35%

LAB 47.43, -28.97, 7.53

 

CMYK 57 / 0 / 36 / 51

HEX #367D50

RGB 54 125 80

HSL 141.97, 0.4%, 0.35%

LAB 47.01, -33.21, 17.99

 

CMYK 57 / 0 / 52 / 51

HEX #367D3C

RGB 54 125 60

HSL 125.07, 0.4%, 0.35%

LAB 46.68, -36.76, 28.68

 

CMYK 47 / 0 / 57 / 51

HEX #427D36

RGB 66 125 54

HSL 109.86, 0.4%, 0.35%

LAB 47.09, -34, 32.44

 

CMYK 32 / 0 / 57 / 51

HEX #557D36

RGB 85 125 54

HSL 93.8, 0.4%, 0.35%

LAB 48.09, -27.2, 33.86

 

CMYK 57 / 0 / 21 / 51

HEX #367D63

RGB 54 125 99

HSL 158.03, 0.4%, 0.35%

LAB 47.43, -28.97, 7.53

 

CMYK 57 / 0 / 6 / 51

HEX #367D76

RGB 54 125 118

HSL 174.08, 0.4%, 0.35%

LAB 47.96, -23.97, -2.92

 

CMYK 57 / 10 / 0 / 51

HEX #36717D

RGB 54 113 125

HSL 190.14, 0.4%, 0.35%

LAB 44.34, -15.48, -12.49

 

CMYK 57 / 26 / 0 / 51

HEX #365D7D

RGB 54 93 125

HSL 207.04, 0.4%, 0.35%

LAB 38.01, -3.75, -22.19

 

CMYK 57 / 41 / 0 / 51

HEX #364A7D

RGB 54 74 125

HSL 223.1, 0.4%, 0.35%

LAB 32.17, 8.44, -31.35

 

CMYK 57 / 0 / 21 / 51

HEX #367D63

RGB 54 125 99

HSL 158.03, 0.4%, 0.35%

LAB 47.43, -28.97, 7.53

 

CMYK 72 / 0 / 26 / 45

HEX #278B67

RGB 39 139 103

HSL 158.4, 0.56%, 0.35%

LAB 51.7, -37.41, 11.16

 

CMYK 84 / 0 / 31 / 40

HEX #199A6B

RGB 25 154 107

HSL 158.14, 0.72%, 0.35%

LAB 56.47, -44.51, 15.49

 

CMYK 94 / 0 / 35 / 34

HEX #0AA86E

RGB 10 168 110

HSL 157.97, 0.89%, 0.35%

LAB 60.95, -50.3, 19.96

 

CMYK 57 / 0 / 21 / 51

HEX #367D63

RGB 54 125 99

HSL 158.03, 0.4%, 0.35%

LAB 47.43, -28.97, 7.53

 

CMYK 39 / 0 / 14 / 56

HEX #446F5F

RGB 68 111 95

HSL 157.67, 0.24%, 0.35%

LAB 43.4, -18.92, 4.22

 

CMYK 15 / 0 / 5 / 62

HEX #52605B

RGB 82 96 91

HSL 158.57, 0.08%, 0.35%

LAB 39.44, -6.5, 1.04

 

CMYK 0 / 15 / 10 / 62

HEX #615257

RGB 97 82 87

HSL 340, 0.08%, 0.35%

LAB 36.49, 7.16, -0.62

 

CMYK 0 / 40 / 25 / 56

HEX #6F4353

RGB 111 67 83

HSL 338.18, 0.25%, 0.35%

LAB 34.02, 21.41, -1.51

 

CMYK 57 / 0 / 51 / 51

HEX #367D3D

RGB 54 125 61

HSL 125.92, 0.4%, 0.35%

LAB 46.7, -36.6, 28.16

 

CMYK 57 / 0 / 36 / 51

HEX #367D50

RGB 54 125 80

HSL 141.97, 0.4%, 0.35%

LAB 47.01, -33.21, 17.99

 

CMYK 57 / 0 / 21 / 51

HEX #367D63

RGB 54 125 99

HSL 158.03, 0.4%, 0.35%

LAB 47.43, -28.97, 7.53

 

CMYK 57 / 0 / 6 / 51

HEX #367D76

RGB 54 125 118

HSL 174.08, 0.4%, 0.35%

LAB 47.96, -23.97, -2.92

 

CMYK 57 / 10 / 0 / 51

HEX #36717D

RGB 54 113 125

HSL 190.14, 0.4%, 0.35%

LAB 44.34, -15.48, -12.49

 

CMYK 57 / 0 / 21 / 74

HEX #1D4335

RGB 29 67 53

HSL 157.89, 0.4%, 0.19%

LAB 25.36, -17.56, 4.4

 

CMYK 57 / 0 / 21 / 62

HEX #29604C

RGB 41 96 76

HSL 158.18, 0.4%, 0.27%

LAB 36.67, -23.58, 5.98

 

CMYK 57 / 0 / 21 / 51

HEX #367D63

RGB 54 125 99

HSL 158.03, 0.4%, 0.35%

LAB 47.43, -28.97, 7.53

 

CMYK 57 / 0 / 21 / 40

HEX #429A7A

RGB 66 154 122

HSL 158.18, 0.4%, 0.43%

LAB 57.73, -34.34, 8.95

 

CMYK 55 / 0 / 20 / 29

HEX #51B490

RGB 81 180 144

HSL 158.18, 0.4%, 0.51%

LAB 66.83, -37.74, 9.69

 

CMYK 57 / 0 / 21 / 51

HEX #357C62

RGB 53 124 98

HSL 158.03, 0.4%, 0.35%

LAB 47.05, -28.97, 7.56

 

CMYK 57 / 48 / 0 / 51

HEX #36417D

RGB 54 65 125

HSL 230.7, 0.4%, 0.35%

LAB 29.53, 14.47, -35.56

 

CMYK 0 / 44 / 57 / 51

HEX #7D4636

RGB 125 70 54

HSL 13.52, 0.4%, 0.35%

LAB 36, 21.83, 19.83

 

CMYK 57 / 0 / 21 / 51

HEX #357C62

RGB 53 124 98

HSL 158.03, 0.4%, 0.35%

LAB 47.05, -28.97, 7.56

 

CMYK 21 / 57 / 0 / 51

HEX #63367D

RGB 99 54 125

HSL 278.03, 0.4%, 0.35%

LAB 31.28, 33.55, -32.5

 

CMYK 0 / 21 / 57 / 51

HEX #7D6336

RGB 125 99 54

HSL 38.03, 0.4%, 0.35%

LAB 43.58, 4.61, 29.29

 

CMYK 57 / 0 / 21 / 51

HEX #357C62

RGB 53 124 98

HSL 158.03, 0.4%, 0.35%

LAB 47.05, -28.97, 7.56

 

CMYK 57 / 48 / 0 / 51

HEX #36417D

RGB 54 65 125

HSL 230.7, 0.4%, 0.35%

LAB 29.53, 14.47, -35.56

 

CMYK 0 / 57 / 36 / 51

HEX #7D3650

RGB 125 54 80

HSL 338.03, 0.4%, 0.35%

LAB 33.09, 33.73, -0.71

 

CMYK 0 / 10 / 57 / 51

HEX #7D7136

RGB 125 113 54

HSL 49.86, 0.4%, 0.35%

LAB 47.54, -3.52, 34

 

CMYK 57 / 0 / 21 / 51

HEX #357C62

RGB 53 124 98

HSL 158.03, 0.4%, 0.35%

LAB 47.05, -28.97, 7.56

 

CMYK 50 / 57 / 0 / 51

HEX #3F367D

RGB 63 54 125

HSL 247.61, 0.4%, 0.35%

LAB 27.23, 23.95, -39.21

 

CMYK 0 / 57 / 36 / 51

HEX #7D3650

RGB 125 54 80

HSL 338.03, 0.4%, 0.35%

LAB 33.09, 33.73, -0.71

 

CMYK 8 / 0 / 57 / 51

HEX #737D36

RGB 115 125 54

HSL 68.45, 0.4%, 0.35%

LAB 50.19, -14.68, 36.84

 

Description

Color code: RGB 53 124 98 | qconv.com Color code: RGB 53 124 98 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 124 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 124 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 21 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 21% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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