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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 124 82 it is the complementary color RGB 202 131 173. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 124 82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 124 82 shade: RGB 58 124 77, RGB 75 142 96, RGB 92 160 115, RGB 109 178 134 and RGB 126 196 153

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 124 82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 124 82 shade: RGB 53 124 82, RGB 36 106 63, RGB 19 88 44, RGB 2 70 25 and RGB 0 52 6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 124 82 shade: RGB 54 125 83, RGB 54 125 63, RGB 63 125 54, RGB 82 125 54 and RGB 101 125 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 124 82 shade: RGB 54 125 83, RGB 54 125 102, RGB 54 125 121, RGB 54 109 125 and RGB 54 90 125

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 124 82 shade matches the following richer shades: RGB 54 125 83, RGB 39 139 80, RGB 25 154 77 and RGB 10 168 75

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 124 82 shade: RGB 54 125 83, RGB 68 111 85, RGB 82 96 88, RGB 97 82 91 and RGB 111 67 93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 124 82 shade: RGB 63 125 54, RGB 54 125 63, RGB 54 125 82, RGB 54 125 101 and RGB 54 125 120

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 124 82 shade: RGB 29 67 44, RGB 41 96 64, RGB 54 125 83, RGB 66 154 102 and RGB 81 180 121

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 124 82 shade: RGB 53 124 82, RGB 54 82 125 and RGB 125 54 54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 124 82 shade: RGB 53 124 82, RGB 82 54 125 and RGB 125 82 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 124 82 shade: RGB 53 124 82, RGB 54 82 125, RGB 125 54 96 and RGB 125 96 54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 124 82 shade: RGB 53 124 82, RGB 54 61 125, RGB 125 54 96 and RGB 125 118 54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 34 / 51

HEX #357C52

RGB 53 124 82

HSL 144.51, 0.4%, 0.35%

LAB 46.69, -32.6, 16.39

 

Complementary color

CMYK 0 / 35 / 14 / 21

HEX #CA83AD

RGB 202 131 173

HSL 324.51, 0.4%, 0.65%

LAB 63.18, 33.44, -10.85

 

CMYK 53 / 0 / 38 / 51

HEX #3A7C4D

RGB 58 124 77

HSL 137.27, 0.36%, 0.36%

LAB 46.78, -32.28, 19.41

 

CMYK 47 / 0 / 32 / 44

HEX #4B8E60

RGB 75 142 96

HSL 138.81, 0.31%, 0.43%

LAB 53.69, -32.1, 18.08

 

CMYK 43 / 0 / 28 / 37

HEX #5CA073

RGB 92 160 115

HSL 140.29, 0.27%, 0.49%

LAB 60.48, -31.85, 16.87

 

CMYK 39 / 0 / 25 / 30

HEX #6DB286

RGB 109 178 134

HSL 141.74, 0.31%, 0.56%

LAB 67.14, -31.58, 15.76

 

CMYK 36 / 0 / 22 / 23

HEX #7EC499

RGB 126 196 153

HSL 143.14, 0.37%, 0.63%

LAB 73.69, -31.31, 14.74

 

CMYK 57 / 0 / 34 / 51

HEX #357C52

RGB 53 124 82

HSL 144.51, 0.4%, 0.35%

LAB 46.69, -32.6, 16.39

 

CMYK 66 / 0 / 41 / 58

HEX #246A3F

RGB 36 106 63

HSL 143.14, 0.49%, 0.28%

LAB 39.65, -32.52, 17.88

 

CMYK 78 / 0 / 50 / 65

HEX #13582C

RGB 19 88 44

HSL 141.74, 0.64%, 0.21%

LAB 32.48, -32.01, 19.57

 

CMYK 97 / 0 / 64 / 73

HEX #024619

RGB 2 70 25

HSL 140.29, 0.94%, 0.14%

LAB 25.15, -30.86, 21.4

 

CMYK 100 / 0 / 88 / 80

HEX #003406

RGB 0 52 6

HSL 126.92, 1%, 0.1%

LAB 17.78, -27.23, 22.32

 

CMYK 57 / 0 / 34 / 51

HEX #367D53

RGB 54 125 83

HSL 144.51, 0.4%, 0.35%

LAB 47.07, -32.6, 16.35

 

CMYK 57 / 0 / 50 / 51

HEX #367D3F

RGB 54 125 63

HSL 127.61, 0.4%, 0.35%

LAB 46.72, -36.29, 27.12

 

CMYK 50 / 0 / 57 / 51

HEX #3F7D36

RGB 63 125 54

HSL 112.39, 0.4%, 0.35%

LAB 46.96, -34.96, 32.25

 

CMYK 34 / 0 / 57 / 51

HEX #527D36

RGB 82 125 54

HSL 96.34, 0.4%, 0.35%

LAB 47.91, -28.34, 33.61

 

CMYK 19 / 0 / 57 / 51

HEX #657D36

RGB 101 125 54

HSL 80.28, 0.4%, 0.35%

LAB 49.13, -20.72, 35.34

 

CMYK 57 / 0 / 34 / 51

HEX #367D53

RGB 54 125 83

HSL 144.51, 0.4%, 0.35%

LAB 47.07, -32.6, 16.35

 

CMYK 57 / 0 / 18 / 51

HEX #367D66

RGB 54 125 102

HSL 160.56, 0.4%, 0.35%

LAB 47.51, -28.23, 5.87

 

CMYK 57 / 0 / 3 / 51

HEX #367D79

RGB 54 125 121

HSL 176.62, 0.4%, 0.35%

LAB 48.05, -23.12, -4.55

 

CMYK 57 / 13 / 0 / 51

HEX #366D7D

RGB 54 109 125

HSL 193.52, 0.4%, 0.35%

LAB 43.07, -13.23, -14.42

 

CMYK 57 / 28 / 0 / 51

HEX #365A7D

RGB 54 90 125

HSL 209.58, 0.4%, 0.35%

LAB 37.07, -1.89, -23.65

 

CMYK 57 / 0 / 34 / 51

HEX #367D53

RGB 54 125 83

HSL 144.51, 0.4%, 0.35%

LAB 47.07, -32.6, 16.35

 

CMYK 72 / 0 / 42 / 45

HEX #278B50

RGB 39 139 80

HSL 144.6, 0.56%, 0.35%

LAB 51.24, -42.4, 23.52

 

CMYK 84 / 0 / 50 / 40

HEX #199A4D

RGB 25 154 77

HSL 144.19, 0.72%, 0.35%

LAB 55.94, -50.53, 31.1

 

CMYK 94 / 0 / 55 / 34

HEX #0AA84B

RGB 10 168 75

HSL 144.68, 0.89%, 0.35%

LAB 60.41, -56.77, 37.58

 

CMYK 57 / 0 / 34 / 51

HEX #367D53

RGB 54 125 83

HSL 144.51, 0.4%, 0.35%

LAB 47.07, -32.6, 16.35

 

CMYK 39 / 0 / 23 / 56

HEX #446F55

RGB 68 111 85

HSL 143.72, 0.24%, 0.35%

LAB 43.14, -21.2, 9.85

 

CMYK 15 / 0 / 8 / 62

HEX #526058

RGB 82 96 88

HSL 145.71, 0.08%, 0.35%

LAB 39.35, -7.16, 2.76

 

CMYK 0 / 15 / 6 / 62

HEX #61525B

RGB 97 82 91

HSL 324, 0.08%, 0.35%

LAB 36.61, 7.95, -2.94

 

CMYK 0 / 40 / 16 / 56

HEX #6F435D

RGB 111 67 93

HSL 324.55, 0.25%, 0.35%

LAB 34.36, 23.12, -7.38

 

CMYK 50 / 0 / 57 / 51

HEX #3F7D36

RGB 63 125 54

HSL 112.39, 0.4%, 0.35%

LAB 46.96, -34.96, 32.25

 

CMYK 57 / 0 / 50 / 51

HEX #367D3F

RGB 54 125 63

HSL 127.61, 0.4%, 0.35%

LAB 46.72, -36.29, 27.12

 

CMYK 57 / 0 / 34 / 51

HEX #367D52

RGB 54 125 82

HSL 143.66, 0.4%, 0.35%

LAB 47.05, -32.81, 16.9

 

CMYK 57 / 0 / 19 / 51

HEX #367D65

RGB 54 125 101

HSL 159.72, 0.4%, 0.35%

LAB 47.48, -28.48, 6.42

 

CMYK 57 / 0 / 4 / 51

HEX #367D78

RGB 54 125 120

HSL 175.77, 0.4%, 0.35%

LAB 48.02, -23.4, -4.01

 

CMYK 57 / 0 / 34 / 74

HEX #1D432C

RGB 29 67 44

HSL 143.68, 0.4%, 0.19%

LAB 25.13, -19.82, 9.93

 

CMYK 57 / 0 / 33 / 62

HEX #296040

RGB 41 96 64

HSL 145.09, 0.4%, 0.27%

LAB 36.38, -26.44, 12.91

 

CMYK 57 / 0 / 34 / 51

HEX #367D53

RGB 54 125 83

HSL 144.51, 0.4%, 0.35%

LAB 47.07, -32.6, 16.35

 

CMYK 57 / 0 / 34 / 40

HEX #429A66

RGB 66 154 102

HSL 144.55, 0.4%, 0.43%

LAB 57.3, -38.71, 19.56

 

CMYK 55 / 0 / 33 / 29

HEX #51B479

RGB 81 180 121

HSL 144.24, 0.4%, 0.51%

LAB 66.35, -42.61, 21.54

 

CMYK 57 / 0 / 34 / 51

HEX #357C52

RGB 53 124 82

HSL 144.51, 0.4%, 0.35%

LAB 46.69, -32.6, 16.39

 

CMYK 57 / 34 / 0 / 51

HEX #36527D

RGB 54 82 125

HSL 216.34, 0.4%, 0.35%

LAB 34.6, 3.2, -27.52

 

CMYK 0 / 57 / 57 / 51

HEX #7D3636

RGB 125 54 54

HSL 0, 0.4%, 0.35%

LAB 32.4, 30.84, 15.12

 

CMYK 57 / 0 / 34 / 51

HEX #357C52

RGB 53 124 82

HSL 144.51, 0.4%, 0.35%

LAB 46.69, -32.6, 16.39

 

CMYK 34 / 57 / 0 / 51

HEX #52367D

RGB 82 54 125

HSL 263.66, 0.4%, 0.35%

LAB 29.19, 28.81, -35.95

 

CMYK 0 / 34 / 57 / 51

HEX #7D5236

RGB 125 82 54

HSL 23.66, 0.4%, 0.35%

LAB 39, 14.73, 23.66

 

CMYK 57 / 0 / 34 / 51

HEX #357C52

RGB 53 124 82

HSL 144.51, 0.4%, 0.35%

LAB 46.69, -32.6, 16.39

 

CMYK 57 / 34 / 0 / 51

HEX #36527D

RGB 54 82 125

HSL 216.34, 0.4%, 0.35%

LAB 34.6, 3.2, -27.52

 

CMYK 0 / 57 / 23 / 51

HEX #7D3660

RGB 125 54 96

HSL 324.51, 0.4%, 0.35%

LAB 33.65, 36.03, -10.16

 

CMYK 0 / 23 / 57 / 51

HEX #7D6036

RGB 125 96 54

HSL 35.49, 0.4%, 0.35%

LAB 42.75, 6.38, 28.29

 

CMYK 57 / 0 / 34 / 51

HEX #357C52

RGB 53 124 82

HSL 144.51, 0.4%, 0.35%

LAB 46.69, -32.6, 16.39

 

CMYK 57 / 51 / 0 / 51

HEX #363D7D

RGB 54 61 125

HSL 234.08, 0.4%, 0.35%

LAB 28.39, 17.18, -37.39

 

CMYK 0 / 57 / 23 / 51

HEX #7D3660

RGB 125 54 96

HSL 324.51, 0.4%, 0.35%

LAB 33.65, 36.03, -10.16

 

CMYK 0 / 6 / 57 / 51

HEX #7D7636

RGB 125 118 54

HSL 54.08, 0.4%, 0.35%

LAB 48.99, -6.35, 35.68

 

Description

Color code: RGB 53 124 82 | qconv.com Color code: RGB 53 124 82 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 124 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 124 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 34 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 34% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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