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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 123 87 it is the complementary color RGB 202 132 168. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 123 87. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 123 87 shade: RGB 58 123 82, RGB 75 141 101, RGB 92 159 120, RGB 109 177 139 and RGB 126 195 158

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 123 87. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 123 87 shade: RGB 53 123 87, RGB 36 105 68, RGB 19 87 49, RGB 2 69 30 and RGB 0 51 11

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 123 87 shade: RGB 54 125 88, RGB 54 125 69, RGB 57 125 54, RGB 77 125 54 and RGB 96 125 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 123 87 shade: RGB 54 125 88, RGB 54 125 107, RGB 54 123 125, RGB 54 104 125 and RGB 54 85 125

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 123 87 shade matches the following richer shades: RGB 54 125 88, RGB 39 139 88, RGB 25 154 87 and RGB 10 168 87

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 123 87 shade: RGB 54 125 88, RGB 68 111 89, RGB 82 96 89, RGB 97 82 89 and RGB 111 67 90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 123 87 shade: RGB 57 125 54, RGB 54 125 69, RGB 54 125 88, RGB 54 125 107 and RGB 54 124 125

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 123 87 shade: RGB 29 67 47, RGB 41 96 68, RGB 54 125 88, RGB 66 154 109 and RGB 81 180 129

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 123 87 shade: RGB 53 123 87, RGB 54 76 125 and RGB 125 60 54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 123 87 shade: RGB 53 123 87, RGB 88 54 125 and RGB 125 88 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 123 87 shade: RGB 53 123 87, RGB 54 76 125, RGB 125 54 90 and RGB 125 102 54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 123 87 shade: RGB 53 123 87, RGB 54 55 125, RGB 125 54 90 and RGB 125 124 54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 29 / 52

HEX #357B57

RGB 53 123 87

HSL 149.14, 0.4%, 0.35%

LAB 46.46, -31.06, 13.18

 

Complementary color

CMYK 0 / 35 / 17 / 21

HEX #CA84A8

RGB 202 132 168

HSL 329.14, 0.4%, 0.65%

LAB 63.25, 32.09, -7.92

 

CMYK 53 / 0 / 33 / 52

HEX #3A7B52

RGB 58 123 82

HSL 142.15, 0.36%, 0.35%

LAB 46.54, -30.82, 16.23

 

CMYK 47 / 0 / 28 / 45

HEX #4B8D65

RGB 75 141 101

HSL 143.64, 0.31%, 0.42%

LAB 53.48, -30.62, 14.95

 

CMYK 42 / 0 / 25 / 38

HEX #5C9F78

RGB 92 159 120

HSL 145.07, 0.27%, 0.49%

LAB 60.27, -30.37, 13.81

 

CMYK 38 / 0 / 21 / 31

HEX #6DB18B

RGB 109 177 139

HSL 146.47, 0.3%, 0.56%

LAB 66.95, -30.11, 12.76

 

CMYK 35 / 0 / 19 / 24

HEX #7EC39E

RGB 126 195 158

HSL 147.83, 0.37%, 0.63%

LAB 73.5, -29.84, 11.79

 

CMYK 57 / 0 / 29 / 52

HEX #357B57

RGB 53 123 87

HSL 149.14, 0.4%, 0.35%

LAB 46.46, -31.06, 13.18

 

CMYK 66 / 0 / 35 / 59

HEX #246944

RGB 36 105 68

HSL 147.83, 0.49%, 0.28%

LAB 39.4, -31.01, 14.6

 

CMYK 78 / 0 / 44 / 66

HEX #135731

RGB 19 87 49

HSL 146.47, 0.64%, 0.21%

LAB 32.21, -30.58, 16.25

 

CMYK 97 / 0 / 57 / 73

HEX #02451E

RGB 2 69 30

HSL 145.07, 0.94%, 0.14%

LAB 24.84, -29.59, 18.13

 

CMYK 100 / 0 / 78 / 80

HEX #00330B

RGB 0 51 11

HSL 132.94, 1%, 0.1%

LAB 17.42, -26.22, 19.84

 

CMYK 57 / 0 / 30 / 51

HEX #367D58

RGB 54 125 88

HSL 148.73, 0.4%, 0.35%

LAB 47.18, -31.53, 13.6

 

CMYK 57 / 0 / 45 / 51

HEX #367D45

RGB 54 125 69

HSL 132.68, 0.4%, 0.35%

LAB 46.82, -35.28, 23.94

 

CMYK 54 / 0 / 57 / 51

HEX #397D36

RGB 57 125 54

HSL 117.46, 0.4%, 0.35%

LAB 46.72, -36.77, 31.9

 

CMYK 38 / 0 / 57 / 51

HEX #4D7D36

RGB 77 125 54

HSL 100.56, 0.4%, 0.35%

LAB 47.64, -30.2, 33.22

 

CMYK 23 / 0 / 57 / 51

HEX #607D36

RGB 96 125 54

HSL 84.51, 0.4%, 0.35%

LAB 48.79, -22.8, 34.85

 

CMYK 57 / 0 / 30 / 51

HEX #367D58

RGB 54 125 88

HSL 148.73, 0.4%, 0.35%

LAB 47.18, -31.53, 13.6

 

CMYK 57 / 0 / 14 / 51

HEX #367D6B

RGB 54 125 107

HSL 164.79, 0.4%, 0.35%

LAB 47.64, -26.95, 3.12

 

CMYK 57 / 2 / 0 / 51

HEX #367B7D

RGB 54 123 125

HSL 181.69, 0.4%, 0.35%

LAB 47.53, -20.91, -7.68

 

CMYK 57 / 17 / 0 / 51

HEX #36687D

RGB 54 104 125

HSL 197.75, 0.4%, 0.35%

LAB 41.48, -10.35, -16.84

 

CMYK 57 / 32 / 0 / 51

HEX #36557D

RGB 54 85 125

HSL 213.8, 0.4%, 0.35%

LAB 35.52, 1.27, -26.07

 

CMYK 57 / 0 / 30 / 51

HEX #367D58

RGB 54 125 88

HSL 148.73, 0.4%, 0.35%

LAB 47.18, -31.53, 13.6

 

CMYK 72 / 0 / 37 / 45

HEX #278B58

RGB 39 139 88

HSL 149.4, 0.56%, 0.35%

LAB 51.38, -40.8, 19.25

 

CMYK 84 / 0 / 44 / 40

HEX #199A57

RGB 25 154 87

HSL 148.84, 0.72%, 0.35%

LAB 56.09, -48.74, 26

 

CMYK 94 / 0 / 48 / 34

HEX #0AA857

RGB 10 168 87

HSL 149.24, 0.89%, 0.35%

LAB 60.57, -54.83, 31.71

 

CMYK 57 / 0 / 30 / 51

HEX #367D58

RGB 54 125 88

HSL 148.73, 0.4%, 0.35%

LAB 47.18, -31.53, 13.6

 

CMYK 39 / 0 / 20 / 56

HEX #446F59

RGB 68 111 89

HSL 149.3, 0.24%, 0.35%

LAB 43.24, -20.32, 7.59

 

CMYK 15 / 0 / 7 / 62

HEX #526059

RGB 82 96 89

HSL 150, 0.08%, 0.35%

LAB 39.38, -6.94, 2.19

 

CMYK 0 / 15 / 8 / 62

HEX #615259

RGB 97 82 89

HSL 332, 0.08%, 0.35%

LAB 36.55, 7.55, -1.78

 

CMYK 0 / 40 / 19 / 56

HEX #6F435A

RGB 111 67 90

HSL 328.64, 0.25%, 0.35%

LAB 34.26, 22.59, -5.63

 

CMYK 54 / 0 / 57 / 51

HEX #397D36

RGB 57 125 54

HSL 117.46, 0.4%, 0.35%

LAB 46.72, -36.77, 31.9

 

CMYK 57 / 0 / 45 / 51

HEX #367D45

RGB 54 125 69

HSL 132.68, 0.4%, 0.35%

LAB 46.82, -35.28, 23.94

 

CMYK 57 / 0 / 30 / 51

HEX #367D58

RGB 54 125 88

HSL 148.73, 0.4%, 0.35%

LAB 47.18, -31.53, 13.6

 

CMYK 57 / 0 / 14 / 51

HEX #367D6B

RGB 54 125 107

HSL 164.79, 0.4%, 0.35%

LAB 47.64, -26.95, 3.12

 

CMYK 57 / 1 / 0 / 51

HEX #367C7D

RGB 54 124 125

HSL 180.85, 0.4%, 0.35%

LAB 47.85, -21.44, -7.21

 

CMYK 57 / 0 / 30 / 74

HEX #1D432F

RGB 29 67 47

HSL 148.42, 0.4%, 0.19%

LAB 25.2, -19.1, 8.09

 

CMYK 57 / 0 / 29 / 62

HEX #296044

RGB 41 96 68

HSL 149.45, 0.4%, 0.27%

LAB 36.47, -25.53, 10.61

 

CMYK 57 / 0 / 30 / 51

HEX #367D58

RGB 54 125 88

HSL 148.73, 0.4%, 0.35%

LAB 47.18, -31.53, 13.6

 

CMYK 57 / 0 / 29 / 40

HEX #429A6D

RGB 66 154 109

HSL 149.32, 0.4%, 0.43%

LAB 57.44, -37.27, 15.86

 

CMYK 55 / 0 / 28 / 29

HEX #51B481

RGB 81 180 129

HSL 149.09, 0.4%, 0.51%

LAB 66.5, -41.01, 17.43

 

CMYK 57 / 0 / 29 / 52

HEX #357B57

RGB 53 123 87

HSL 149.14, 0.4%, 0.35%

LAB 46.46, -31.06, 13.18

 

CMYK 57 / 39 / 0 / 51

HEX #364C7D

RGB 54 76 125

HSL 221.41, 0.4%, 0.35%

LAB 32.77, 7.11, -30.4

 

CMYK 0 / 52 / 57 / 51

HEX #7D3C36

RGB 125 60 54

HSL 5.07, 0.4%, 0.35%

LAB 33.69, 27.56, 16.82

 

CMYK 57 / 0 / 29 / 52

HEX #357B57

RGB 53 123 87

HSL 149.14, 0.4%, 0.35%

LAB 46.46, -31.06, 13.18

 

CMYK 30 / 57 / 0 / 51

HEX #58367D

RGB 88 54 125

HSL 268.73, 0.4%, 0.35%

LAB 29.9, 30.45, -34.79

 

CMYK 0 / 30 / 57 / 51

HEX #7D5836

RGB 125 88 54

HSL 28.73, 0.4%, 0.35%

LAB 40.58, 11.14, 25.63

 

CMYK 57 / 0 / 29 / 52

HEX #357B57

RGB 53 123 87

HSL 149.14, 0.4%, 0.35%

LAB 46.46, -31.06, 13.18

 

CMYK 57 / 39 / 0 / 51

HEX #364C7D

RGB 54 76 125

HSL 221.41, 0.4%, 0.35%

LAB 32.77, 7.11, -30.4

 

CMYK 0 / 57 / 28 / 51

HEX #7D365A

RGB 125 54 90

HSL 329.58, 0.4%, 0.35%

LAB 33.43, 35.12, -6.65

 

CMYK 0 / 18 / 57 / 51

HEX #7D6636

RGB 125 102 54

HSL 40.56, 0.4%, 0.35%

LAB 44.42, 2.85, 30.3

 

CMYK 57 / 0 / 29 / 52

HEX #357B57

RGB 53 123 87

HSL 149.14, 0.4%, 0.35%

LAB 46.46, -31.06, 13.18

 

CMYK 57 / 56 / 0 / 51

HEX #36377D

RGB 54 55 125

HSL 239.15, 0.4%, 0.35%

LAB 26.73, 21.23, -40.06

 

CMYK 0 / 57 / 28 / 51

HEX #7D365A

RGB 125 54 90

HSL 329.58, 0.4%, 0.35%

LAB 33.43, 35.12, -6.65

 

CMYK 0 / 1 / 57 / 51

HEX #7D7C36

RGB 125 124 54

HSL 59.15, 0.4%, 0.35%

LAB 50.74, -9.69, 37.69

 

Description

Color code: RGB 53 123 87 | qconv.com Color code: RGB 53 123 87 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 123 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 123 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 29 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 29% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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