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Color name
RGB 53 123 16

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 123 16 it is the complementary color RGB 202 132 239. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 123 16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 123 16 shade: RGB 58 123 11, RGB 75 141 30, RGB 92 159 49, RGB 109 177 68 and RGB 126 195 87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 123 16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 123 16 shade: RGB 53 123 16, RGB 36 105 0, RGB 19 87 0, RGB 2 69 0 and RGB 0 51 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 123 16 shade: RGB 53 122 16, RGB 81 122 16, RGB 110 122 16, RGB 122 105 16 and RGB 122 77 16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 123 16 shade: RGB 53 122 16, RGB 24 122 16, RGB 16 122 36, RGB 16 122 65 and RGB 16 122 94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 123 16 shade matches the following richer shades: RGB 53 122 16 and RGB 49 133 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 123 16 shade: RGB 53 122 16, RGB 56 111 27, RGB 59 100 38, RGB 63 88 49 and RGB 66 77 60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 123 16 shade: RGB 109 122 16, RGB 81 122 16, RGB 53 122 16, RGB 25 122 16 and RGB 16 122 35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 123 16 shade: RGB 21 49 6, RGB 37 85 11, RGB 53 122 16, RGB 68 158 21 and RGB 84 195 25

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 123 16 shade: RGB 53 123 16, RGB 16 122 106 and RGB 122 16 95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 123 16 shade: RGB 53 123 16, RGB 16 53 122 and RGB 122 16 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 123 16 shade: RGB 53 123 16, RGB 16 122 106, RGB 85 16 122 and RGB 122 16 32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 123 16 shade: RGB 53 123 16, RGB 16 106 122, RGB 85 16 122 and RGB 122 32 16

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 87 / 52

HEX #357B10

RGB 53 123 16

HSL 99.25, 0.77%, 0.27%

LAB 45.58, -40.57, 46.29

 

Complementary color

CMYK 15 / 45 / 0 / 6

HEX #CA84EF

RGB 202 132 239

HSL 279.25, 0.77%, 0.73%

LAB 65.97, 45.35, -43.49

 

CMYK 53 / 0 / 91 / 52

HEX #3A7B0B

RGB 58 123 11

HSL 94.82, 0.84%, 0.26%

LAB 45.76, -39.24, 47.72

 

CMYK 47 / 0 / 79 / 45

HEX #4B8D1E

RGB 75 141 30

HSL 95.68, 0.65%, 0.34%

LAB 52.55, -40.13, 48.82

 

CMYK 42 / 0 / 69 / 38

HEX #5C9F31

RGB 92 159 49

HSL 96.55, 0.53%, 0.41%

LAB 59.24, -40.61, 48.64

 

CMYK 38 / 0 / 62 / 31

HEX #6DB144

RGB 109 177 68

HSL 97.43, 0.44%, 0.48%

LAB 65.84, -40.84, 47.86

 

CMYK 35 / 0 / 55 / 24

HEX #7EC357

RGB 126 195 87

HSL 98.33, 0.47%, 0.55%

LAB 72.33, -40.91, 46.83

 

CMYK 57 / 0 / 87 / 52

HEX #357B10

RGB 53 123 16

HSL 99.25, 0.77%, 0.27%

LAB 45.58, -40.57, 46.29

 

CMYK 66 / 0 / 100 / 59

HEX #246900

RGB 36 105 0

HSL 99.43, 1%, 0.21%

LAB 38.69, -39.11, 44.13

 

CMYK 78 / 0 / 100 / 66

HEX #135700

RGB 19 87 0

HSL 106.9, 1%, 0.17%

LAB 31.7, -36.52, 38.38

 

CMYK 97 / 0 / 100 / 73

HEX #024500

RGB 2 69 0

HSL 118.26, 1%, 0.14%

LAB 24.54, -33.27, 32.15

 

CMYK 100 / 0 / 100 / 80

HEX #003300

RGB 0 51 0

HSL 120, 1%, 0.1%

LAB 17.31, -27.67, 24.2

 

CMYK 57 / 0 / 87 / 52

HEX #357A10

RGB 53 122 16

HSL 99.06, 0.77%, 0.27%

LAB 45.24, -40.18, 45.99

 

CMYK 34 / 0 / 87 / 52

HEX #517A10

RGB 81 122 16

HSL 83.21, 0.77%, 0.27%

LAB 46.59, -30.26, 47.69

 

CMYK 10 / 0 / 87 / 52

HEX #6E7A10

RGB 110 122 16

HSL 66.79, 0.77%, 0.27%

LAB 48.6, -17.68, 50.22

 

CMYK 0 / 14 / 87 / 52

HEX #7A6910

RGB 122 105 16

HSL 50.38, 0.77%, 0.27%

LAB 44.63, -2.59, 47.3

 

CMYK 0 / 37 / 87 / 52

HEX #7A4D10

RGB 122 77 16

HSL 34.53, 0.77%, 0.27%

LAB 36.9, 13.97, 40.7

 

CMYK 57 / 0 / 87 / 52

HEX #357A10

RGB 53 122 16

HSL 99.06, 0.77%, 0.27%

LAB 45.24, -40.18, 45.99

 

CMYK 80 / 0 / 87 / 52

HEX #187A10

RGB 24 122 16

HSL 115.47, 0.77%, 0.27%

LAB 44.45, -46.77, 44.98

 

CMYK 87 / 0 / 70 / 52

HEX #107A24

RGB 16 122 36

HSL 131.32, 0.77%, 0.27%

LAB 44.46, -46.21, 37.71

 

CMYK 87 / 0 / 47 / 52

HEX #107A41

RGB 16 122 65

HSL 147.74, 0.77%, 0.27%

LAB 44.82, -41.86, 23.41

 

CMYK 87 / 0 / 23 / 52

HEX #107A5E

RGB 16 122 94

HSL 164.15, 0.77%, 0.27%

LAB 45.41, -35.18, 7.48

 

CMYK 57 / 0 / 87 / 52

HEX #357A10

RGB 53 122 16

HSL 99.06, 0.77%, 0.27%

LAB 45.24, -40.18, 45.99

 

CMYK 63 / 0 / 96 / 48

HEX #318505

RGB 49 133 5

HSL 99.38, 0.93%, 0.27%

LAB 48.81, -45.84, 51.34

 

CMYK 57 / 0 / 87 / 52

HEX #357A10

RGB 53 122 16

HSL 99.06, 0.77%, 0.27%

LAB 45.24, -40.18, 45.99

 

CMYK 50 / 0 / 76 / 56

HEX #386F1B

RGB 56 111 27

HSL 99.29, 0.61%, 0.27%

LAB 41.67, -34, 38.94

 

CMYK 41 / 0 / 62 / 61

HEX #3B6426

RGB 59 100 38

HSL 99.68, 0.45%, 0.27%

LAB 38.17, -26.84, 30.14

 

CMYK 28 / 0 / 44 / 65

HEX #3F5831

RGB 63 88 49

HSL 98.46, 0.28%, 0.27%

LAB 34.51, -17.61, 19.63

 

CMYK 14 / 0 / 22 / 70

HEX #424D3C

RGB 66 77 60

HSL 98.82, 0.12%, 0.27%

LAB 31.33, -8.11, 8.65

 

CMYK 11 / 0 / 87 / 52

HEX #6D7A10

RGB 109 122 16

HSL 67.36, 0.77%, 0.27%

LAB 48.52, -18.14, 50.12

 

CMYK 34 / 0 / 87 / 52

HEX #517A10

RGB 81 122 16

HSL 83.21, 0.77%, 0.27%

LAB 46.59, -30.26, 47.69

 

CMYK 57 / 0 / 87 / 52

HEX #357A10

RGB 53 122 16

HSL 99.06, 0.77%, 0.27%

LAB 45.24, -40.18, 45.99

 

CMYK 80 / 0 / 87 / 52

HEX #197A10

RGB 25 122 16

HSL 114.91, 0.77%, 0.27%

LAB 44.47, -46.61, 45

 

CMYK 87 / 0 / 71 / 52

HEX #107A23

RGB 16 122 35

HSL 130.75, 0.77%, 0.27%

LAB 44.45, -46.32, 38.14

 

CMYK 57 / 0 / 88 / 81

HEX #153106

RGB 21 49 6

HSL 99.07, 0.78%, 0.11%

LAB 17.32, -19.87, 21.94

 

CMYK 56 / 0 / 87 / 67

HEX #25550B

RGB 37 85 11

HSL 98.92, 0.77%, 0.19%

LAB 31.61, -30.27, 34.83

 

CMYK 57 / 0 / 87 / 52

HEX #357A10

RGB 53 122 16

HSL 99.06, 0.77%, 0.27%

LAB 45.24, -40.18, 45.99

 

CMYK 57 / 0 / 87 / 38

HEX #449E15

RGB 68 158 21

HSL 99.42, 0.77%, 0.35%

LAB 57.79, -49.38, 56.08

 

CMYK 57 / 0 / 87 / 24

HEX #54C319

RGB 84 195 25

HSL 99.18, 0.77%, 0.43%

LAB 70.17, -58.27, 66.21

 

CMYK 57 / 0 / 87 / 52

HEX #357B10

RGB 53 123 16

HSL 99.25, 0.77%, 0.27%

LAB 45.58, -40.57, 46.29

 

CMYK 87 / 0 / 13 / 52

HEX #107A6A

RGB 16 122 106

HSL 170.94, 0.77%, 0.27%

LAB 45.73, -31.82, 0.83

 

CMYK 0 / 87 / 22 / 52

HEX #7A105F

RGB 122 16 95

HSL 315.28, 0.77%, 0.27%

LAB 27.67, 49.98, -18.74

 

CMYK 57 / 0 / 87 / 52

HEX #357B10

RGB 53 123 16

HSL 99.25, 0.77%, 0.27%

LAB 45.58, -40.57, 46.29

 

CMYK 87 / 57 / 0 / 52

HEX #10357A

RGB 16 53 122

HSL 219.06, 0.77%, 0.27%

LAB 23.87, 15.47, -42.88

 

CMYK 0 / 87 / 57 / 52

HEX #7A1035

RGB 122 16 53

HSL 339.06, 0.77%, 0.27%

LAB 26.06, 45.39, 7.03

 

CMYK 57 / 0 / 87 / 52

HEX #357B10

RGB 53 123 16

HSL 99.25, 0.77%, 0.27%

LAB 45.58, -40.57, 46.29

 

CMYK 87 / 0 / 13 / 52

HEX #107A6A

RGB 16 122 106

HSL 170.94, 0.77%, 0.27%

LAB 45.73, -31.82, 0.83

 

CMYK 30 / 87 / 0 / 52

HEX #55107A

RGB 85 16 122

HSL 279.06, 0.77%, 0.27%

LAB 22.68, 47.21, -44.55

 

CMYK 0 / 87 / 74 / 52

HEX #7A1020

RGB 122 16 32

HSL 350.94, 0.77%, 0.27%

LAB 25.6, 44.04, 20.68

 

CMYK 57 / 0 / 87 / 52

HEX #357B10

RGB 53 123 16

HSL 99.25, 0.77%, 0.27%

LAB 45.58, -40.57, 46.29

 

CMYK 87 / 13 / 0 / 52

HEX #106A7A

RGB 16 106 122

HSL 189.06, 0.77%, 0.27%

LAB 40.93, -18.52, -15.95

 

CMYK 30 / 87 / 0 / 52

HEX #55107A

RGB 85 16 122

HSL 279.06, 0.77%, 0.27%

LAB 22.68, 47.21, -44.55

 

CMYK 0 / 74 / 87 / 52

HEX #7A2010

RGB 122 32 16

HSL 9.06, 0.77%, 0.27%

LAB 27.32, 38.06, 32.25

 

Description

Color code: RGB 53 123 16 | qconv.com Color code: RGB 53 123 16 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 123 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 123 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 87 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 87% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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