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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 123 111 it is the complementary color RGB 202 132 144. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 123 111. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 123 111 shade: RGB 58 123 106, RGB 75 141 125, RGB 92 159 144, RGB 109 177 163 and RGB 126 195 182

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 123 111. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 123 111 shade: RGB 53 123 111, RGB 36 105 92, RGB 19 87 73, RGB 2 69 54 and RGB 0 51 35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 123 111 shade: RGB 54 125 113, RGB 54 125 93, RGB 54 125 74, RGB 54 125 55 and RGB 71 125 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 123 111 shade: RGB 54 125 113, RGB 54 118 125, RGB 54 99 125, RGB 54 79 125 and RGB 54 60 125

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 123 111 shade matches the following richer shades: RGB 54 125 113, RGB 39 139 122, RGB 25 154 132 and RGB 10 168 141

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 123 111 shade: RGB 54 125 113, RGB 68 111 103, RGB 82 96 94, RGB 97 82 84 and RGB 111 67 75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 123 111 shade: RGB 54 125 74, RGB 54 125 93, RGB 54 125 112, RGB 54 119 125 and RGB 54 100 125

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 123 111 shade: RGB 29 67 61, RGB 41 96 87, RGB 54 125 113, RGB 66 154 139 and RGB 81 180 163

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 123 111 shade: RGB 53 123 111, RGB 55 54 125 and RGB 125 83 54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 123 111 shade: RGB 53 123 111, RGB 112 54 125 and RGB 125 112 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 123 111 shade: RGB 53 123 111, RGB 55 54 125, RGB 125 54 67 and RGB 124 125 54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 123 111 shade: RGB 53 123 111, RGB 76 54 125, RGB 125 54 67 and RGB 102 125 54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 10 / 52

HEX #357B6F

RGB 53 123 111

HSL 169.71, 0.4%, 0.35%

LAB 47.07, -25.11, -0.08

 

Complementary color

CMYK 0 / 35 / 29 / 21

HEX #CA8490

RGB 202 132 144

HSL 349.71, 0.4%, 0.65%

LAB 62.57, 28.52, 4.75

 

CMYK 53 / 0 / 14 / 52

HEX #3A7B6A

RGB 58 123 106

HSL 164.31, 0.36%, 0.35%

LAB 47.11, -25.25, 2.96

 

CMYK 47 / 0 / 11 / 45

HEX #4B8D7D

RGB 75 141 125

HSL 165.45, 0.31%, 0.42%

LAB 54.05, -25.15, 2.01

 

CMYK 42 / 0 / 9 / 38

HEX #5C9F90

RGB 92 159 144

HSL 166.57, 0.27%, 0.49%

LAB 60.86, -25, 1.15

 

CMYK 38 / 0 / 8 / 31

HEX #6DB1A3

RGB 109 177 163

HSL 167.65, 0.3%, 0.56%

LAB 67.53, -24.84, 0.37

 

CMYK 35 / 0 / 7 / 24

HEX #7EC3B6

RGB 126 195 182

HSL 168.7, 0.37%, 0.63%

LAB 74.09, -24.68, -0.37

 

CMYK 57 / 0 / 10 / 52

HEX #357B6F

RGB 53 123 111

HSL 169.71, 0.4%, 0.35%

LAB 47.07, -25.11, -0.08

 

CMYK 66 / 0 / 12 / 59

HEX #24695C

RGB 36 105 92

HSL 168.7, 0.49%, 0.28%

LAB 40, -24.93, 0.95

 

CMYK 78 / 0 / 16 / 66

HEX #135749

RGB 19 87 73

HSL 167.65, 0.64%, 0.21%

LAB 32.78, -24.43, 2.19

 

CMYK 97 / 0 / 22 / 73

HEX #024536

RGB 2 69 54

HSL 166.57, 0.94%, 0.14%

LAB 25.37, -23.54, 3.66

 

CMYK 100 / 0 / 31 / 80

HEX #003323

RGB 0 51 35

HSL 161.18, 1%, 0.1%

LAB 17.87, -20.93, 5.69

 

CMYK 57 / 0 / 10 / 51

HEX #367D71

RGB 54 125 113

HSL 169.86, 0.4%, 0.35%

LAB 47.81, -25.35, -0.18

 

CMYK 57 / 0 / 26 / 51

HEX #367D5D

RGB 54 125 93

HSL 152.96, 0.4%, 0.35%

LAB 47.29, -30.4, 10.84

 

CMYK 57 / 0 / 41 / 51

HEX #367D4A

RGB 54 125 74

HSL 136.9, 0.4%, 0.35%

LAB 46.9, -34.38, 21.25

 

CMYK 57 / 0 / 56 / 51

HEX #367D37

RGB 54 125 55

HSL 120.85, 0.4%, 0.35%

LAB 46.61, -37.49, 31.23

 

CMYK 43 / 0 / 57 / 51

HEX #477D36

RGB 71 125 54

HSL 105.63, 0.4%, 0.35%

LAB 47.33, -32.32, 32.78

 

CMYK 57 / 0 / 10 / 51

HEX #367D71

RGB 54 125 113

HSL 169.86, 0.4%, 0.35%

LAB 47.81, -25.35, -0.18

 

CMYK 57 / 6 / 0 / 51

HEX #36767D

RGB 54 118 125

HSL 185.92, 0.4%, 0.35%

LAB 45.94, -18.23, -10.08

 

CMYK 57 / 21 / 0 / 51

HEX #36637D

RGB 54 99 125

HSL 201.97, 0.4%, 0.35%

LAB 39.9, -7.4, -19.27

 

CMYK 57 / 37 / 0 / 51

HEX #364F7D

RGB 54 79 125

HSL 218.87, 0.4%, 0.35%

LAB 33.68, 5.14, -28.96

 

CMYK 57 / 52 / 0 / 51

HEX #363C7D

RGB 54 60 125

HSL 234.93, 0.4%, 0.35%

LAB 28.11, 17.85, -37.84

 

CMYK 57 / 0 / 10 / 51

HEX #367D71

RGB 54 125 113

HSL 169.86, 0.4%, 0.35%

LAB 47.81, -25.35, -0.18

 

CMYK 72 / 0 / 12 / 45

HEX #278B7A

RGB 39 139 122

HSL 169.8, 0.56%, 0.35%

LAB 52.18, -32.46, 0.88

 

CMYK 84 / 0 / 14 / 40

HEX #199A84

RGB 25 154 132

HSL 169.77, 0.72%, 0.35%

LAB 57.06, -38.14, 2.2

 

CMYK 94 / 0 / 16 / 34

HEX #0AA88D

RGB 10 168 141

HSL 169.75, 0.89%, 0.35%

LAB 61.65, -42.67, 3.75

 

CMYK 57 / 0 / 10 / 51

HEX #367D71

RGB 54 125 113

HSL 169.86, 0.4%, 0.35%

LAB 47.81, -25.35, -0.18

 

CMYK 39 / 0 / 7 / 56

HEX #446F67

RGB 68 111 103

HSL 168.84, 0.24%, 0.35%

LAB 43.62, -16.95, -0.27

 

CMYK 15 / 0 / 2 / 62

HEX #52605E

RGB 82 96 94

HSL 171.43, 0.08%, 0.35%

LAB 39.53, -5.82, -0.67

 

CMYK 0 / 15 / 13 / 62

HEX #615254

RGB 97 82 84

HSL 352, 0.08%, 0.35%

LAB 36.4, 6.58, 1.13

 

CMYK 0 / 40 / 32 / 56

HEX #6F434B

RGB 111 67 75

HSL 349.09, 0.25%, 0.35%

LAB 33.78, 20.16, 3.25

 

CMYK 57 / 0 / 41 / 51

HEX #367D4A

RGB 54 125 74

HSL 136.9, 0.4%, 0.35%

LAB 46.9, -34.38, 21.25

 

CMYK 57 / 0 / 26 / 51

HEX #367D5D

RGB 54 125 93

HSL 152.96, 0.4%, 0.35%

LAB 47.29, -30.4, 10.84

 

CMYK 57 / 0 / 10 / 51

HEX #367D70

RGB 54 125 112

HSL 169.01, 0.4%, 0.35%

LAB 47.78, -25.62, 0.37

 

CMYK 57 / 5 / 0 / 51

HEX #36777D

RGB 54 119 125

HSL 185.07, 0.4%, 0.35%

LAB 46.26, -18.77, -9.6

 

CMYK 57 / 20 / 0 / 51

HEX #36647D

RGB 54 100 125

HSL 201.13, 0.4%, 0.35%

LAB 40.21, -7.99, -18.79

 

CMYK 57 / 0 / 9 / 74

HEX #1D433D

RGB 29 67 61

HSL 170.53, 0.4%, 0.19%

LAB 25.6, -15.28, -0.5

 

CMYK 57 / 0 / 9 / 62

HEX #296057

RGB 41 96 87

HSL 170.18, 0.4%, 0.27%

LAB 36.98, -20.6, -0.36

 

CMYK 57 / 0 / 10 / 51

HEX #367D71

RGB 54 125 113

HSL 169.86, 0.4%, 0.35%

LAB 47.81, -25.35, -0.18

 

CMYK 57 / 0 / 10 / 40

HEX #429A8B

RGB 66 154 139

HSL 169.77, 0.4%, 0.43%

LAB 58.16, -30.1, -0.06

 

CMYK 55 / 0 / 9 / 29

HEX #51B4A3

RGB 81 180 163

HSL 169.7, 0.4%, 0.51%

LAB 67.3, -33.15, -0.1

 

CMYK 57 / 0 / 10 / 52

HEX #357B6F

RGB 53 123 111

HSL 169.71, 0.4%, 0.35%

LAB 47.07, -25.11, -0.08

 

CMYK 56 / 57 / 0 / 51

HEX #37367D

RGB 55 54 125

HSL 240.85, 0.4%, 0.35%

LAB 26.54, 22.12, -40.36

 

CMYK 0 / 34 / 57 / 51

HEX #7D5336

RGB 125 83 54

HSL 24.51, 0.4%, 0.35%

LAB 39.26, 14.13, 23.98

 

CMYK 57 / 0 / 10 / 52

HEX #357B6F

RGB 53 123 111

HSL 169.71, 0.4%, 0.35%

LAB 47.07, -25.11, -0.08

 

CMYK 10 / 57 / 0 / 51

HEX #70367D

RGB 112 54 125

HSL 289.01, 0.4%, 0.35%

LAB 33.06, 37.29, -29.57

 

CMYK 0 / 10 / 57 / 51

HEX #7D7036

RGB 125 112 54

HSL 49.01, 0.4%, 0.35%

LAB 47.25, -2.95, 33.66

 

CMYK 57 / 0 / 10 / 52

HEX #357B6F

RGB 53 123 111

HSL 169.71, 0.4%, 0.35%

LAB 47.07, -25.11, -0.08

 

CMYK 56 / 57 / 0 / 51

HEX #37367D

RGB 55 54 125

HSL 240.85, 0.4%, 0.35%

LAB 26.54, 22.12, -40.36

 

CMYK 0 / 57 / 46 / 51

HEX #7D3643

RGB 125 54 67

HSL 349.01, 0.4%, 0.35%

LAB 32.71, 32.15, 7.16

 

CMYK 1 / 0 / 57 / 51

HEX #7C7D36

RGB 124 125 54

HSL 60.85, 0.4%, 0.35%

LAB 50.94, -10.69, 37.9

 

CMYK 57 / 0 / 10 / 52

HEX #357B6F

RGB 53 123 111

HSL 169.71, 0.4%, 0.35%

LAB 47.07, -25.11, -0.08

 

CMYK 39 / 57 / 0 / 51

HEX #4C367D

RGB 76 54 125

HSL 258.59, 0.4%, 0.35%

LAB 28.53, 27.21, -37.06

 

CMYK 0 / 57 / 46 / 51

HEX #7D3643

RGB 125 54 67

HSL 349.01, 0.4%, 0.35%

LAB 32.71, 32.15, 7.16

 

CMYK 18 / 0 / 57 / 51

HEX #667D36

RGB 102 125 54

HSL 79.44, 0.4%, 0.35%

LAB 49.2, -20.3, 35.44

 

Description

Color code: RGB 53 123 111 | qconv.com Color code: RGB 53 123 111 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 123 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 123 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 10 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 10% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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