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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 122 99 it is the complementary color RGB 202 133 156. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 122 99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 122 99 shade: RGB 58 122 94, RGB 75 140 113, RGB 92 158 132, RGB 109 176 151 and RGB 126 194 170

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 122 99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 122 99 shade: RGB 53 122 99, RGB 36 104 80, RGB 19 86 61, RGB 2 68 42 and RGB 0 50 23

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 122 99 shade: RGB 53 121 98, RGB 53 121 80, RGB 53 121 61, RGB 63 121 53 and RGB 81 121 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 122 99 shade: RGB 53 121 98, RGB 53 121 116, RGB 53 107 121, RGB 53 88 121 and RGB 53 70 121

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 122 99 shade matches the following richer shades: RGB 53 121 98, RGB 39 135 103, RGB 25 149 107 and RGB 11 163 112

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 122 99 shade: RGB 53 121 98, RGB 67 106 93, RGB 81 92 89, RGB 95 78 84 and RGB 109 64 79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 122 99 shade: RGB 53 121 62, RGB 53 121 80, RGB 53 121 98, RGB 53 121 116 and RGB 53 107 121

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 122 99 shade: RGB 28 63 51, RGB 40 92 75, RGB 53 121 98, RGB 65 149 121 and RGB 78 178 144

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 122 99 shade: RGB 53 122 99, RGB 53 62 121 and RGB 121 71 53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 122 99 shade: RGB 53 122 99, RGB 98 53 121 and RGB 121 98 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 122 99 shade: RGB 53 122 99, RGB 53 62 121, RGB 121 53 75 and RGB 121 111 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 122 99 shade: RGB 53 122 99, RGB 64 53 121, RGB 121 53 75 and RGB 109 121 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 19 / 52

HEX #357A63

RGB 53 122 99

HSL 160, 0.39%, 0.34%

LAB 46.41, -27.75, 6.07

 

Complementary color

CMYK 0 / 34 / 23 / 21

HEX #CA859C

RGB 202 133 156

HSL 340, 0.39%, 0.66%

LAB 63.12, 29.7, -1.28

 

CMYK 52 / 0 / 23 / 52

HEX #3A7A5E

RGB 58 122 94

HSL 153.75, 0.36%, 0.35%

LAB 46.48, -27.7, 9.14

 

CMYK 46 / 0 / 19 / 45

HEX #4B8C71

RGB 75 140 113

HSL 155.08, 0.3%, 0.42%

LAB 53.43, -27.52, 8.03

 

CMYK 42 / 0 / 16 / 38

HEX #5C9E84

RGB 92 158 132

HSL 156.36, 0.26%, 0.49%

LAB 60.24, -27.3, 7.04

 

CMYK 38 / 0 / 14 / 31

HEX #6DB097

RGB 109 176 151

HSL 157.61, 0.3%, 0.56%

LAB 66.93, -27.08, 6.12

 

CMYK 35 / 0 / 12 / 24

HEX #7EC2AA

RGB 126 194 170

HSL 158.82, 0.36%, 0.63%

LAB 73.49, -26.85, 5.28

 

CMYK 57 / 0 / 19 / 52

HEX #357A63

RGB 53 122 99

HSL 160, 0.39%, 0.34%

LAB 46.41, -27.75, 6.07

 

CMYK 65 / 0 / 23 / 59

HEX #246850

RGB 36 104 80

HSL 158.82, 0.49%, 0.27%

LAB 39.33, -27.68, 7.3

 

CMYK 78 / 0 / 29 / 66

HEX #13563D

RGB 19 86 61

HSL 157.61, 0.64%, 0.21%

LAB 32.1, -27.29, 8.75

 

CMYK 97 / 0 / 38 / 73

HEX #02442A

RGB 2 68 42

HSL 156.36, 0.94%, 0.14%

LAB 24.68, -26.47, 10.48

 

CMYK 100 / 0 / 54 / 80

HEX #003217

RGB 0 50 23

HSL 147.6, 1%, 0.1%

LAB 17.19, -23.65, 12.79

 

CMYK 56 / 0 / 19 / 53

HEX #357962

RGB 53 121 98

HSL 159.71, 0.39%, 0.34%

LAB 46.06, -27.51, 6.16

 

CMYK 56 / 0 / 34 / 53

HEX #357950

RGB 53 121 80

HSL 143.82, 0.39%, 0.34%

LAB 45.65, -31.64, 16.14

 

CMYK 56 / 0 / 50 / 53

HEX #35793D

RGB 53 121 61

HSL 127.06, 0.39%, 0.34%

LAB 45.32, -35.15, 26.43

 

CMYK 48 / 0 / 56 / 53

HEX #3F7935

RGB 63 121 53

HSL 111.18, 0.39%, 0.34%

LAB 45.62, -33.31, 31.16

 

CMYK 33 / 0 / 56 / 53

HEX #517935

RGB 81 121 53

HSL 95.29, 0.39%, 0.34%

LAB 46.55, -26.9, 32.5

 

CMYK 56 / 0 / 19 / 53

HEX #357962

RGB 53 121 98

HSL 159.71, 0.39%, 0.34%

LAB 46.06, -27.51, 6.16

 

CMYK 56 / 0 / 4 / 53

HEX #357974

RGB 53 121 116

HSL 175.59, 0.39%, 0.34%

LAB 46.57, -22.69, -3.78

 

CMYK 56 / 12 / 0 / 53

HEX #356B79

RGB 53 107 121

HSL 192.35, 0.39%, 0.34%

LAB 42.24, -13.59, -13.27

 

CMYK 56 / 27 / 0 / 53

HEX #355879

RGB 53 88 121

HSL 209.12, 0.39%, 0.34%

LAB 36.21, -2.24, -22.54

 

CMYK 56 / 42 / 0 / 53

HEX #354679

RGB 53 70 121

HSL 225, 0.39%, 0.34%

LAB 30.68, 9.45, -31.22

 

CMYK 56 / 0 / 19 / 53

HEX #357962

RGB 53 121 98

HSL 159.71, 0.39%, 0.34%

LAB 46.06, -27.51, 6.16

 

CMYK 71 / 0 / 24 / 47

HEX #278767

RGB 39 135 103

HSL 160, 0.55%, 0.34%

LAB 50.38, -35.64, 9.31

 

CMYK 83 / 0 / 28 / 42

HEX #19956B

RGB 25 149 107

HSL 159.68, 0.71%, 0.34%

LAB 54.83, -42.48, 13.22

 

CMYK 93 / 0 / 31 / 36

HEX #0BA370

RGB 11 163 112

HSL 159.87, 0.87%, 0.34%

LAB 59.38, -47.9, 16.7

 

CMYK 56 / 0 / 19 / 53

HEX #357962

RGB 53 121 98

HSL 159.71, 0.39%, 0.34%

LAB 46.06, -27.51, 6.16

 

CMYK 37 / 0 / 12 / 58

HEX #436A5D

RGB 67 106 93

HSL 160, 0.23%, 0.34%

LAB 41.68, -17.01, 2.94

 

CMYK 12 / 0 / 3 / 64

HEX #515C59

RGB 81 92 89

HSL 163.64, 0.06%, 0.34%

LAB 38.07, -4.95, 0.27

 

CMYK 0 / 18 / 12 / 63

HEX #5F4E54

RGB 95 78 84

HSL 338.82, 0.1%, 0.34%

LAB 35.05, 8.24, -0.87

 

CMYK 0 / 41 / 28 / 57

HEX #6D404F

RGB 109 64 79

HSL 340, 0.26%, 0.34%

LAB 32.88, 21.76, -0.65

 

CMYK 56 / 0 / 49 / 53

HEX #35793E

RGB 53 121 62

HSL 127.94, 0.39%, 0.34%

LAB 45.33, -34.99, 25.9

 

CMYK 56 / 0 / 34 / 53

HEX #357950

RGB 53 121 80

HSL 143.82, 0.39%, 0.34%

LAB 45.65, -31.64, 16.14

 

CMYK 56 / 0 / 19 / 53

HEX #357962

RGB 53 121 98

HSL 159.71, 0.39%, 0.34%

LAB 46.06, -27.51, 6.16

 

CMYK 56 / 0 / 4 / 53

HEX #357974

RGB 53 121 116

HSL 175.59, 0.39%, 0.34%

LAB 46.57, -22.69, -3.78

 

CMYK 56 / 12 / 0 / 53

HEX #356B79

RGB 53 107 121

HSL 192.35, 0.39%, 0.34%

LAB 42.24, -13.59, -13.27

 

CMYK 56 / 0 / 19 / 75

HEX #1C3F33

RGB 28 63 51

HSL 159.43, 0.38%, 0.18%

LAB 23.81, -16.17, 3.49

 

CMYK 57 / 0 / 18 / 64

HEX #285C4B

RGB 40 92 75

HSL 160.38, 0.39%, 0.26%

LAB 35.23, -22.04, 4.54

 

CMYK 56 / 0 / 19 / 53

HEX #357962

RGB 53 121 98

HSL 159.71, 0.39%, 0.34%

LAB 46.06, -27.51, 6.16

 

CMYK 56 / 0 / 19 / 42

HEX #419579

RGB 65 149 121

HSL 160, 0.39%, 0.42%

LAB 56.09, -32.48, 7.18

 

CMYK 56 / 0 / 19 / 30

HEX #4EB290

RGB 78 178 144

HSL 159.6, 0.39%, 0.5%

LAB 66.12, -37.5, 8.66

 

CMYK 57 / 0 / 19 / 52

HEX #357A63

RGB 53 122 99

HSL 160, 0.39%, 0.34%

LAB 46.41, -27.75, 6.07

 

CMYK 56 / 49 / 0 / 53

HEX #353E79

RGB 53 62 121

HSL 232.06, 0.39%, 0.34%

LAB 28.33, 14.85, -34.96

 

CMYK 0 / 41 / 56 / 53

HEX #794735

RGB 121 71 53

HSL 15.88, 0.39%, 0.34%

LAB 35.65, 19.4, 19.89

 

CMYK 57 / 0 / 19 / 52

HEX #357A63

RGB 53 122 99

HSL 160, 0.39%, 0.34%

LAB 46.41, -27.75, 6.07

 

CMYK 19 / 56 / 0 / 53

HEX #623579

RGB 98 53 121

HSL 279.71, 0.39%, 0.34%

LAB 30.7, 32.87, -30.92

 

CMYK 0 / 19 / 56 / 53

HEX #796235

RGB 121 98 53

HSL 39.71, 0.39%, 0.34%

LAB 42.85, 3.26, 28.86

 

CMYK 57 / 0 / 19 / 52

HEX #357A63

RGB 53 122 99

HSL 160, 0.39%, 0.34%

LAB 46.41, -27.75, 6.07

 

CMYK 56 / 49 / 0 / 53

HEX #353E79

RGB 53 62 121

HSL 232.06, 0.39%, 0.34%

LAB 28.33, 14.85, -34.96

 

CMYK 0 / 56 / 38 / 53

HEX #79354B

RGB 121 53 75

HSL 340.59, 0.39%, 0.34%

LAB 32.08, 32.14, 0.98

 

CMYK 0 / 8 / 56 / 53

HEX #796F35

RGB 121 111 53

HSL 51.18, 0.39%, 0.34%

LAB 46.57, -4.3, 33.29

 

CMYK 57 / 0 / 19 / 52

HEX #357A63

RGB 53 122 99

HSL 160, 0.39%, 0.34%

LAB 46.41, -27.75, 6.07

 

CMYK 47 / 56 / 0 / 53

HEX #403579

RGB 64 53 121

HSL 249.71, 0.39%, 0.34%

LAB 26.78, 23.55, -37.4

 

CMYK 0 / 56 / 38 / 53

HEX #79354B

RGB 121 53 75

HSL 340.59, 0.39%, 0.34%

LAB 32.08, 32.14, 0.98

 

CMYK 10 / 0 / 56 / 53

HEX #6D7935

RGB 109 121 53

HSL 70.59, 0.39%, 0.34%

LAB 48.49, -15.26, 35.26

 

Description

Color code: RGB 53 122 99 | qconv.com Color code: RGB 53 122 99 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 122 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 122 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 19 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 19% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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