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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 11 22 it is the complementary color RGB 202 244 233. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 11 22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 11 22 shade: RGB 58 11 17, RGB 75 29 36, RGB 92 47 55, RGB 109 65 74 and RGB 126 83 93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 11 22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 11 22 shade: RGB 53 11 22, RGB 36 0 3, RGB 19 0 0, RGB 2 0 0 and RGB 0 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 11 22 shade: RGB 55 11 23 and RGB 55 11 11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 11 22 shade: RGB 55 11 23, RGB 55 11 35, RGB 55 11 46, RGB 52 11 55 and RGB 40 11 55

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 11 22 shade matches the following richer shades: RGB 55 11 23, RGB 60 6 20 and RGB 66 1 18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 11 22 shade: RGB 55 11 23, RGB 50 17 25, RGB 44 22 28, RGB 39 27 30 and RGB 34 33 33

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 11 22 shade: RGB 55 11 46, RGB 55 11 35, RGB 55 11 23, RGB 55 11 11 and RGB 55 23 11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 11 22 shade: RGB 0 0 0, RGB 21 4 9, RGB 55 11 23, RGB 89 18 37 and RGB 124 25 51

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 11 22 shade: RGB 53 11 22, RGB 55 52 11 and RGB 11 40 55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 11 22 shade: RGB 53 11 22, RGB 23 55 11 and RGB 11 23 55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 11 22 shade: RGB 53 11 22, RGB 55 52 11, RGB 11 55 43 and RGB 11 14 55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 11 22 shade: RGB 53 11 22, RGB 45 55 11, RGB 11 55 43 and RGB 21 11 55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 58 / 79

HEX #350B16

RGB 53 11 22

HSL 344.29, 0.66%, 0.13%

LAB 9.43, 21.96, 3.81

 

Complementary color

CMYK 17 / 0 / 5 / 4

HEX #CAF4E9

RGB 202 244 233

HSL 164.29, 0.66%, 0.87%

LAB 93.08, -15.6, 0.8

 

CMYK 0 / 81 / 71 / 77

HEX #3A0B11

RGB 58 11 17

HSL 352.34, 0.68%, 0.14%

LAB 10.4, 23.44, 8.58

 

CMYK 0 / 61 / 52 / 71

HEX #4B1D24

RGB 75 29 36

HSL 350.87, 0.44%, 0.2%

LAB 17.93, 22.6, 6.09

 

CMYK 0 / 49 / 40 / 64

HEX #5C2F37

RGB 92 47 55

HSL 349.33, 0.32%, 0.27%

LAB 25.52, 21.45, 4.13

 

CMYK 0 / 40 / 32 / 57

HEX #6D414A

RGB 109 65 74

HSL 347.73, 0.25%, 0.34%

LAB 32.98, 20.39, 2.7

 

CMYK 0 / 34 / 26 / 51

HEX #7E535D

RGB 126 83 93

HSL 346.05, 0.21%, 0.41%

LAB 40.27, 19.46, 1.56

 

CMYK 0 / 79 / 58 / 79

HEX #350B16

RGB 53 11 22

HSL 344.29, 0.66%, 0.13%

LAB 9.43, 21.96, 3.81

 

CMYK 0 / 100 / 92 / 86

HEX #240003

RGB 36 0 3

HSL 355, 1%, 0.07%

LAB 3.45, 15.62, 4.22

 

CMYK 0 / 100 / 100 / 93

HEX #130000

RGB 19 0 0

HSL 0, 1%, 0.04%

LAB 1.25, 5.61, 1.98

 

CMYK 0 / 100 / 100 / 99

HEX #020000

RGB 2 0 0

HSL 0, 1%, 0%

LAB 0.12, 0.52, 0.18

 

CMYK 0 / 80 / 58 / 78

HEX #370B17

RGB 55 11 23

HSL 343.64, 0.67%, 0.13%

LAB 9.9, 22.84, 3.8

 

CMYK 0 / 80 / 80 / 78

HEX #370B0B

RGB 55 11 11

HSL 0, 0.67%, 0.13%

LAB 9.61, 21.8, 10.39

 

CMYK 0 / 80 / 58 / 78

HEX #370B17

RGB 55 11 23

HSL 343.64, 0.67%, 0.13%

LAB 9.9, 22.84, 3.8

 

CMYK 0 / 80 / 36 / 78

HEX #370B23

RGB 55 11 35

HSL 327.27, 0.67%, 0.13%

LAB 10.36, 24.4, -4.66

 

CMYK 0 / 80 / 16 / 78

HEX #370B2E

RGB 55 11 46

HSL 312.27, 0.67%, 0.13%

LAB 10.91, 26.24, -12

 

CMYK 5 / 80 / 0 / 78

HEX #340B37

RGB 52 11 55

HSL 295.91, 0.67%, 0.13%

LAB 10.89, 27.15, -18.64

 

CMYK 27 / 80 / 0 / 78

HEX #280B37

RGB 40 11 55

HSL 279.55, 0.67%, 0.13%

LAB 8.71, 23.86, -22.25

 

CMYK 0 / 80 / 58 / 78

HEX #370B17

RGB 55 11 23

HSL 343.64, 0.67%, 0.13%

LAB 9.9, 22.84, 3.8

 

CMYK 0 / 90 / 67 / 76

HEX #3C0614

RGB 60 6 20

HSL 344.44, 0.82%, 0.13%

LAB 10.12, 26.71, 6.38

 

CMYK 0 / 98 / 73 / 74

HEX #420112

RGB 66 1 18

HSL 344.31, 0.97%, 0.13%

LAB 10.73, 30.79, 8.72

 

CMYK 0 / 80 / 58 / 78

HEX #370B17

RGB 55 11 23

HSL 343.64, 0.67%, 0.13%

LAB 9.9, 22.84, 3.8

 

CMYK 0 / 66 / 50 / 80

HEX #321119

RGB 50 17 25

HSL 345.45, 0.49%, 0.13%

LAB 10.18, 17.7, 2.53

 

CMYK 0 / 50 / 36 / 83

HEX #2C161C

RGB 44 22 28

HSL 343.64, 0.33%, 0.13%

LAB 10.51, 12.14, 0.61

 

CMYK 0 / 31 / 23 / 85

HEX #271B1E

RGB 39 27 30

HSL 345, 0.18%, 0.13%

LAB 11.34, 6.54, 0.24

 

CMYK 0 / 3 / 3 / 87

HEX #222121

RGB 34 33 33

HSL 0, 0.01%, 0.13%

LAB 12.85, 0.47, 0.16

 

CMYK 0 / 80 / 16 / 78

HEX #370B2E

RGB 55 11 46

HSL 312.27, 0.67%, 0.13%

LAB 10.91, 26.24, -12

 

CMYK 0 / 80 / 36 / 78

HEX #370B23

RGB 55 11 35

HSL 327.27, 0.67%, 0.13%

LAB 10.36, 24.4, -4.66

 

CMYK 0 / 80 / 58 / 78

HEX #370B17

RGB 55 11 23

HSL 343.64, 0.67%, 0.13%

LAB 9.9, 22.84, 3.8

 

CMYK 0 / 80 / 80 / 78

HEX #370B0B

RGB 55 11 11

HSL 0, 0.67%, 0.13%

LAB 9.61, 21.8, 10.39

 

CMYK 0 / 58 / 80 / 78

HEX #37170B

RGB 55 23 11

HSL 16.36, 0.67%, 0.13%

LAB 12.28, 14.8, 14.11

 

CMYK 0 / 81 / 57 / 92

HEX #150409

RGB 21 4 9

HSL 342.35, 0.68%, 0.05%

LAB 2.4, 6.11, 0.01

 

CMYK 0 / 80 / 58 / 78

HEX #370B17

RGB 55 11 23

HSL 343.64, 0.67%, 0.13%

LAB 9.9, 22.84, 3.8

 

CMYK 0 / 80 / 58 / 65

HEX #591225

RGB 89 18 37

HSL 343.94, 0.66%, 0.21%

LAB 18.76, 33.32, 6.95

 

CMYK 0 / 80 / 59 / 51

HEX #7C1933

RGB 124 25 51

HSL 344.24, 0.66%, 0.29%

LAB 27.35, 43.19, 10.25

 

CMYK 0 / 79 / 58 / 79

HEX #350B16

RGB 53 11 22

HSL 344.29, 0.66%, 0.13%

LAB 9.43, 21.96, 3.81

 

CMYK 0 / 5 / 80 / 78

HEX #37340B

RGB 55 52 11

HSL 55.91, 0.67%, 0.13%

LAB 21.18, -4.66, 25.06

 

CMYK 80 / 27 / 0 / 78

HEX #0B2837

RGB 11 40 55

HSL 200.45, 0.67%, 0.13%

LAB 14.76, -4.81, -12.84

 

CMYK 0 / 79 / 58 / 79

HEX #350B16

RGB 53 11 22

HSL 344.29, 0.66%, 0.13%

LAB 9.43, 21.96, 3.81

 

CMYK 58 / 0 / 80 / 78

HEX #17370B

RGB 23 55 11

HSL 103.64, 0.67%, 0.13%

LAB 19.8, -21.52, 22.83

 

CMYK 80 / 58 / 0 / 78

HEX #0B1737

RGB 11 23 55

HSL 223.64, 0.67%, 0.13%

LAB 8.65, 7.99, -22.51

 

CMYK 0 / 79 / 58 / 79

HEX #350B16

RGB 53 11 22

HSL 344.29, 0.66%, 0.13%

LAB 9.43, 21.96, 3.81

 

CMYK 0 / 5 / 80 / 78

HEX #37340B

RGB 55 52 11

HSL 55.91, 0.67%, 0.13%

LAB 21.18, -4.66, 25.06

 

CMYK 80 / 0 / 22 / 78

HEX #0B372B

RGB 11 55 43

HSL 163.64, 0.67%, 0.13%

LAB 19.96, -18.33, 3.26

 

CMYK 80 / 75 / 0 / 78

HEX #0B0E37

RGB 11 14 55

HSL 235.91, 0.67%, 0.13%

LAB 5.97, 14.29, -26.84

 

CMYK 0 / 79 / 58 / 79

HEX #350B16

RGB 53 11 22

HSL 344.29, 0.66%, 0.13%

LAB 9.43, 21.96, 3.81

 

CMYK 18 / 0 / 80 / 78

HEX #2D370B

RGB 45 55 11

HSL 73.64, 0.67%, 0.13%

LAB 21.26, -11.74, 24.87

 

CMYK 80 / 0 / 22 / 78

HEX #0B372B

RGB 11 55 43

HSL 163.64, 0.67%, 0.13%

LAB 19.96, -18.33, 3.26

 

CMYK 62 / 80 / 0 / 78

HEX #150B37

RGB 21 11 55

HSL 253.64, 0.67%, 0.13%

LAB 6.09, 18.5, -26.6

 

Description

Color code: RGB 53 11 22 | qconv.com Color code: RGB 53 11 22 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 11 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 11 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 58 yellow and 79 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 58% 79% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to PANTONE®

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