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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 106 67 it is the complementary color RGB 202 149 188. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 106 67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 106 67 shade: RGB 58 106 62, RGB 75 124 81, RGB 92 142 100, RGB 109 160 119 and RGB 126 178 138

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 106 67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 106 67 shade: RGB 53 106 67, RGB 36 88 48, RGB 19 70 29, RGB 2 52 10 and RGB 0 34 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 106 67 shade: RGB 53 105 67, RGB 53 105 53, RGB 67 105 53, RGB 81 105 53 and RGB 95 105 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 106 67 shade: RGB 53 105 67, RGB 53 105 81, RGB 53 105 95, RGB 53 101 105 and RGB 53 87 105

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 106 67 shade matches the following richer shades: RGB 53 105 67, RGB 40 118 61, RGB 27 131 55, RGB 15 144 49 and RGB 2 156 43

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 106 67 shade: RGB 53 105 67, RGB 66 92 73, RGB 79 80 79, RGB 91 67 85 and RGB 104 54 91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 106 67 shade: RGB 68 105 53, RGB 54 105 53, RGB 53 105 66, RGB 53 105 80 and RGB 53 105 94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 106 67 shade: RGB 25 50 32, RGB 39 78 49, RGB 53 105 67, RGB 67 133 84 and RGB 81 160 102

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 106 67 shade: RGB 53 106 67, RGB 53 82 105 and RGB 105 53 61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 106 67 shade: RGB 53 106 67, RGB 66 53 105 and RGB 105 66 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 106 67 shade: RGB 53 106 67, RGB 53 82 105, RGB 105 53 92 and RGB 105 76 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 106 67 shade: RGB 53 106 67, RGB 53 66 105, RGB 105 53 92 and RGB 105 92 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 37 / 58

HEX #356A43

RGB 53 106 67

HSL 135.85, 0.33%, 0.31%

LAB 40.36, -27.2, 16.59

 

Complementary color

CMYK 0 / 26 / 7 / 21

HEX #CA95BC

RGB 202 149 188

HSL 315.85, 0.33%, 0.69%

LAB 67.79, 26.18, -12.39

 

CMYK 45 / 0 / 42 / 58

HEX #3A6A3E

RGB 58 106 62

HSL 125, 0.29%, 0.32%

LAB 40.5, -26.55, 19.74

 

CMYK 40 / 0 / 35 / 51

HEX #4B7C51

RGB 75 124 81

HSL 127.35, 0.25%, 0.39%

LAB 47.63, -26.29, 18.4

 

CMYK 35 / 0 / 30 / 44

HEX #5C8E64

RGB 92 142 100

HSL 129.6, 0.21%, 0.46%

LAB 54.6, -26.01, 17.19

 

CMYK 32 / 0 / 26 / 37

HEX #6DA077

RGB 109 160 119

HSL 131.76, 0.21%, 0.53%

LAB 61.42, -25.73, 16.08

 

CMYK 29 / 0 / 22 / 30

HEX #7EB28A

RGB 126 178 138

HSL 133.85, 0.25%, 0.6%

LAB 68.1, -25.47, 15.06

 

CMYK 50 / 0 / 37 / 58

HEX #356A43

RGB 53 106 67

HSL 135.85, 0.33%, 0.31%

LAB 40.36, -27.2, 16.59

 

CMYK 59 / 0 / 45 / 65

HEX #245830

RGB 36 88 48

HSL 133.85, 0.42%, 0.24%

LAB 33.07, -27.31, 18.07

 

CMYK 73 / 0 / 59 / 73

HEX #13461D

RGB 19 70 29

HSL 131.76, 0.57%, 0.17%

LAB 25.59, -27.06, 19.73

 

CMYK 96 / 0 / 81 / 80

HEX #02340A

RGB 2 52 10

HSL 129.6, 0.93%, 0.11%

LAB 17.88, -26.21, 20.82

 

CMYK 100 / 0 / 100 / 87

HEX #002200

RGB 0 34 0

HSL 120, 1%, 0.07%

LAB 10.14, -20.27, 14.75

 

CMYK 50 / 0 / 36 / 59

HEX #356943

RGB 53 105 67

HSL 136.15, 0.33%, 0.31%

LAB 40.02, -26.71, 16.14

 

CMYK 50 / 0 / 50 / 59

HEX #356935

RGB 53 105 53

HSL 120, 0.33%, 0.31%

LAB 39.78, -29.23, 23.9

 

CMYK 36 / 0 / 50 / 59

HEX #436935

RGB 67 105 53

HSL 103.85, 0.33%, 0.31%

LAB 40.5, -24.32, 24.96

 

CMYK 23 / 0 / 50 / 59

HEX #516935

RGB 81 105 53

HSL 87.69, 0.33%, 0.31%

LAB 41.39, -18.74, 26.26

 

CMYK 10 / 0 / 50 / 59

HEX #5F6935

RGB 95 105 53

HSL 71.54, 0.33%, 0.31%

LAB 42.45, -12.69, 27.8

 

CMYK 50 / 0 / 36 / 59

HEX #356943

RGB 53 105 67

HSL 136.15, 0.33%, 0.31%

LAB 40.02, -26.71, 16.14

 

CMYK 50 / 0 / 23 / 59

HEX #356951

RGB 53 105 81

HSL 152.31, 0.33%, 0.31%

LAB 40.34, -23.66, 8.2

 

CMYK 50 / 0 / 10 / 59

HEX #35695F

RGB 53 105 95

HSL 168.46, 0.33%, 0.31%

LAB 40.71, -20.11, 0.24

 

CMYK 50 / 4 / 0 / 59

HEX #356569

RGB 53 101 105

HSL 184.62, 0.33%, 0.31%

LAB 39.72, -15.09, -7.33

 

CMYK 50 / 17 / 0 / 59

HEX #355769

RGB 53 87 105

HSL 200.77, 0.33%, 0.31%

LAB 35.19, -6.89, -14.18

 

CMYK 50 / 0 / 36 / 59

HEX #356943

RGB 53 105 67

HSL 136.15, 0.33%, 0.31%

LAB 40.02, -26.71, 16.14

 

CMYK 66 / 0 / 48 / 54

HEX #28763D

RGB 40 118 61

HSL 136.15, 0.49%, 0.31%

LAB 43.86, -37.14, 24.51

 

CMYK 79 / 0 / 58 / 49

HEX #1B8337

RGB 27 131 55

HSL 136.15, 0.66%, 0.31%

LAB 47.93, -45.52, 32.64

 

CMYK 90 / 0 / 66 / 44

HEX #0F9031

RGB 15 144 49

HSL 135.81, 0.81%, 0.31%

LAB 52.14, -52.1, 40.32

 

CMYK 99 / 0 / 72 / 39

HEX #029C2B

RGB 2 156 43

HSL 135.97, 0.97%, 0.31%

LAB 56.05, -57.32, 47.04

 

CMYK 50 / 0 / 36 / 59

HEX #356943

RGB 53 105 67

HSL 136.15, 0.33%, 0.31%

LAB 40.02, -26.71, 16.14

 

CMYK 28 / 0 / 21 / 64

HEX #425C49

RGB 66 92 73

HSL 136.15, 0.16%, 0.31%

LAB 36.54, -14.17, 7.84

 

CMYK 1 / 0 / 1 / 69

HEX #4F504F

RGB 79 80 79

HSL 120, 0.01%, 0.31%

LAB 33.91, -0.62, 0.44

 

CMYK 0 / 26 / 7 / 64

HEX #5B4355

RGB 91 67 85

HSL 315, 0.15%, 0.31%

LAB 31.57, 13.75, -6.71

 

CMYK 0 / 48 / 13 / 59

HEX #68365B

RGB 104 54 91

HSL 315.6, 0.32%, 0.31%

LAB 30.25, 27.85, -12.42

 

CMYK 35 / 0 / 50 / 59

HEX #446935

RGB 68 105 53

HSL 102.69, 0.33%, 0.31%

LAB 40.56, -23.94, 25.04

 

CMYK 49 / 0 / 50 / 59

HEX #366935

RGB 54 105 53

HSL 118.85, 0.33%, 0.31%

LAB 39.82, -28.9, 23.97

 

CMYK 50 / 0 / 37 / 59

HEX #356942

RGB 53 105 66

HSL 135, 0.33%, 0.31%

LAB 40, -26.91, 16.7

 

CMYK 50 / 0 / 24 / 59

HEX #356950

RGB 53 105 80

HSL 151.15, 0.33%, 0.31%

LAB 40.31, -23.89, 8.76

 

CMYK 50 / 0 / 10 / 59

HEX #35695E

RGB 53 105 94

HSL 167.31, 0.33%, 0.31%

LAB 40.68, -20.38, 0.81

 

CMYK 50 / 0 / 36 / 80

HEX #193220

RGB 25 50 32

HSL 136.8, 0.33%, 0.15%

LAB 18.33, -14.65, 8.51

 

CMYK 50 / 0 / 37 / 69

HEX #274E31

RGB 39 78 49

HSL 135.38, 0.33%, 0.23%

LAB 29.67, -21.27, 13

 

CMYK 50 / 0 / 36 / 59

HEX #356943

RGB 53 105 67

HSL 136.15, 0.33%, 0.31%

LAB 40.02, -26.71, 16.14

 

CMYK 50 / 0 / 37 / 48

HEX #438554

RGB 67 133 84

HSL 135.45, 0.33%, 0.39%

LAB 50.23, -32.53, 20.11

 

CMYK 49 / 0 / 36 / 37

HEX #51A066

RGB 81 160 102

HSL 135.95, 0.33%, 0.47%

LAB 59.75, -37.48, 22.96

 

CMYK 50 / 0 / 37 / 58

HEX #356A43

RGB 53 106 67

HSL 135.85, 0.33%, 0.31%

LAB 40.36, -27.2, 16.59

 

CMYK 50 / 22 / 0 / 59

HEX #355269

RGB 53 82 105

HSL 206.54, 0.33%, 0.31%

LAB 33.59, -3.8, -16.64

 

CMYK 0 / 50 / 42 / 59

HEX #69353D

RGB 105 53 61

HSL 350.77, 0.33%, 0.31%

LAB 29.12, 24.08, 5.55

 

CMYK 50 / 0 / 37 / 58

HEX #356A43

RGB 53 106 67

HSL 135.85, 0.33%, 0.31%

LAB 40.36, -27.2, 16.59

 

CMYK 37 / 50 / 0 / 59

HEX #423569

RGB 66 53 105

HSL 255, 0.33%, 0.31%

LAB 25.93, 19.1, -28.54

 

CMYK 0 / 37 / 50 / 59

HEX #694235

RGB 105 66 53

HSL 15, 0.33%, 0.31%

LAB 32.16, 15.27, 14.9

 

CMYK 50 / 0 / 37 / 58

HEX #356A43

RGB 53 106 67

HSL 135.85, 0.33%, 0.31%

LAB 40.36, -27.2, 16.59

 

CMYK 50 / 22 / 0 / 59

HEX #355269

RGB 53 82 105

HSL 206.54, 0.33%, 0.31%

LAB 33.59, -3.8, -16.64

 

CMYK 0 / 50 / 12 / 59

HEX #69355C

RGB 105 53 92

HSL 315, 0.33%, 0.31%

LAB 30.21, 28.97, -13.1

 

CMYK 0 / 28 / 50 / 59

HEX #694C35

RGB 105 76 53

HSL 26.54, 0.33%, 0.31%

LAB 34.86, 9.11, 18.45

 

CMYK 50 / 0 / 37 / 58

HEX #356A43

RGB 53 106 67

HSL 135.85, 0.33%, 0.31%

LAB 40.36, -27.2, 16.59

 

CMYK 50 / 37 / 0 / 59

HEX #354269

RGB 53 66 105

HSL 225, 0.33%, 0.31%

LAB 28.57, 6.59, -24.44

 

CMYK 0 / 50 / 12 / 59

HEX #69355C

RGB 105 53 92

HSL 315, 0.33%, 0.31%

LAB 30.21, 28.97, -13.1

 

CMYK 0 / 12 / 50 / 59

HEX #695C35

RGB 105 92 53

HSL 45, 0.33%, 0.31%

LAB 39.44, -0.6, 24.28

 

Description

Color code: RGB 53 106 67 | qconv.com Color code: RGB 53 106 67 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 106 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 106 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 37 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 37% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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