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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 103 179 it is the complementary color RGB 202 152 76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 103 179. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 103 179 shade: RGB 58 103 174, RGB 75 121 193, RGB 92 139 212, RGB 109 157 231 and RGB 126 175 250

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 103 179. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 103 179 shade: RGB 53 103 179, RGB 36 85 160, RGB 19 67 141, RGB 2 49 122 and RGB 0 31 103

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 103 179 shade: RGB 53 102 177, RGB 53 69 177, RGB 70 53 177, RGB 104 53 177 and RGB 137 53 177

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 103 179 shade: RGB 53 102 177, RGB 53 69 177 and RGB 53 53 177

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 103 179 shade matches the following richer shades: RGB 53 102 177, RGB 34 98 195 and RGB 16 94 214

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 103 179 shade: RGB 53 102 177, RGB 71 106 158, RGB 90 110 140, RGB 108 113 121 and RGB 127 117 102

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 103 179 shade: RGB 53 168 177, RGB 53 135 177, RGB 53 102 177, RGB 53 69 177 and RGB 69 53 177

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 103 179 shade: RGB 34 65 113, RGB 43 84 145, RGB 53 102 177, RGB 71 122 200 and RGB 103 145 209

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 103 179 shade: RGB 53 103 179, RGB 152 53 177 and RGB 152 177 53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 103 179 shade: RGB 53 103 179, RGB 177 53 102 and RGB 102 177 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 103 179 shade: RGB 53 103 179, RGB 152 53 177, RGB 177 127 53 and RGB 78 177 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 103 179 shade: RGB 53 103 179, RGB 177 53 164, RGB 177 127 53 and RGB 53 177 65

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 42 / 0 / 30

HEX #3567B3

RGB 53 103 179

HSL 216.19, 0.54%, 0.45%

LAB 43.82, 9.06, -45.32

 

Complementary color

CMYK 0 / 25 / 62 / 21

HEX #CA984C

RGB 202 152 76

HSL 36.19, 0.54%, 0.55%

LAB 66.16, 10.57, 46.44

 

CMYK 67 / 41 / 0 / 32

HEX #3A67AE

RGB 58 103 174

HSL 216.72, 0.5%, 0.45%

LAB 43.74, 8.05, -42.52

 

CMYK 61 / 37 / 0 / 24

HEX #4B79C1

RGB 75 121 193

HSL 216.61, 0.49%, 0.53%

LAB 50.71, 6.66, -42.41

 

CMYK 57 / 34 / 0 / 17

HEX #5C8BD4

RGB 92 139 212

HSL 216.5, 0.58%, 0.6%

LAB 57.55, 5.57, -42.33

 

CMYK 53 / 32 / 0 / 9

HEX #6D9DE7

RGB 109 157 231

HSL 216.39, 0.72%, 0.67%

LAB 64.27, 4.67, -42.28

 

CMYK 50 / 30 / 0 / 2

HEX #7EAFFA

RGB 126 175 250

HSL 216.29, 0.93%, 0.74%

LAB 70.87, 3.94, -42.26

 

CMYK 70 / 42 / 0 / 30

HEX #3567B3

RGB 53 103 179

HSL 216.19, 0.54%, 0.45%

LAB 43.82, 9.06, -45.32

 

CMYK 78 / 47 / 0 / 37

HEX #2455A0

RGB 36 85 160

HSL 216.29, 0.63%, 0.38%

LAB 36.76, 11.12, -45.42

 

CMYK 87 / 52 / 0 / 45

HEX #13438D

RGB 19 67 141

HSL 216.39, 0.76%, 0.31%

LAB 29.6, 13.85, -45.45

 

CMYK 98 / 60 / 0 / 52

HEX #02317A

RGB 2 49 122

HSL 216.5, 0.97%, 0.24%

LAB 22.35, 17.37, -45.37

 

CMYK 100 / 70 / 0 / 60

HEX #001F67

RGB 0 31 103

HSL 221.94, 1%, 0.2%

LAB 15.27, 22.13, -44.7

 

CMYK 70 / 42 / 0 / 31

HEX #3566B1

RGB 53 102 177

HSL 216.29, 0.54%, 0.45%

LAB 43.41, 8.95, -44.8

 

CMYK 70 / 61 / 0 / 31

HEX #3545B1

RGB 53 69 177

HSL 232.26, 0.54%, 0.45%

LAB 34.37, 30.42, -59.4

 

CMYK 60 / 70 / 0 / 31

HEX #4635B1

RGB 70 53 177

HSL 248.23, 0.54%, 0.45%

LAB 31.86, 42.68, -63.46

 

CMYK 41 / 70 / 0 / 31

HEX #6835B1

RGB 104 53 177

HSL 264.68, 0.54%, 0.45%

LAB 35.33, 48.46, -57.64

 

CMYK 23 / 70 / 0 / 31

HEX #8935B1

RGB 137 53 177

HSL 280.65, 0.54%, 0.45%

LAB 39.65, 55.17, -50.45

 

CMYK 70 / 42 / 0 / 31

HEX #3566B1

RGB 53 102 177

HSL 216.29, 0.54%, 0.45%

LAB 43.41, 8.95, -44.8

 

CMYK 70 / 61 / 0 / 31

HEX #3545B1

RGB 53 69 177

HSL 232.26, 0.54%, 0.45%

LAB 34.37, 30.42, -59.4

 

CMYK 70 / 70 / 0 / 31

HEX #3535B1

RGB 53 53 177

HSL 240, 0.54%, 0.45%

LAB 30.59, 40.45, -65.59

 

CMYK 70 / 42 / 0 / 31

HEX #3566B1

RGB 53 102 177

HSL 216.29, 0.54%, 0.45%

LAB 43.41, 8.95, -44.8

 

CMYK 83 / 50 / 0 / 24

HEX #2262C3

RGB 34 98 195

HSL 216.15, 0.7%, 0.45%

LAB 42.79, 16.07, -56.32

 

CMYK 93 / 56 / 0 / 16

HEX #105ED6

RGB 16 94 214

HSL 216.36, 0.86%, 0.45%

LAB 42.72, 25, -67.39

 

CMYK 70 / 42 / 0 / 31

HEX #3566B1

RGB 53 102 177

HSL 216.29, 0.54%, 0.45%

LAB 43.41, 8.95, -44.8

 

CMYK 55 / 33 / 0 / 38

HEX #476A9E

RGB 71 106 158

HSL 215.86, 0.38%, 0.45%

LAB 44.4, 3.24, -32

 

CMYK 36 / 21 / 0 / 45

HEX #5A6E8C

RGB 90 110 140

HSL 216, 0.22%, 0.45%

LAB 45.93, 0.37, -18.84

 

CMYK 11 / 7 / 0 / 53

HEX #6C7179

RGB 108 113 121

HSL 216.92, 0.06%, 0.45%

LAB 47.47, -0.16, -5.07

 

CMYK 0 / 8 / 20 / 50

HEX #7F7566

RGB 127 117 102

HSL 36, 0.11%, 0.45%

LAB 49.73, 1.19, 9.67

 

CMYK 70 / 5 / 0 / 31

HEX #35A8B1

RGB 53 168 177

HSL 184.35, 0.54%, 0.45%

LAB 63.29, -28.37, -13.93

 

CMYK 70 / 24 / 0 / 31

HEX #3587B1

RGB 53 135 177

HSL 200.32, 0.54%, 0.45%

LAB 53.23, -10.92, -29.33

 

CMYK 70 / 42 / 0 / 31

HEX #3566B1

RGB 53 102 177

HSL 216.29, 0.54%, 0.45%

LAB 43.41, 8.95, -44.8

 

CMYK 70 / 61 / 0 / 31

HEX #3545B1

RGB 53 69 177

HSL 232.26, 0.54%, 0.45%

LAB 34.37, 30.42, -59.4

 

CMYK 61 / 70 / 0 / 31

HEX #4535B1

RGB 69 53 177

HSL 247.74, 0.54%, 0.45%

LAB 31.77, 42.54, -63.6

 

CMYK 70 / 42 / 0 / 56

HEX #224171

RGB 34 65 113

HSL 216.46, 0.54%, 0.29%

LAB 27.61, 5.79, -31.13

 

CMYK 70 / 42 / 0 / 43

HEX #2B5491

RGB 43 84 145

HSL 215.88, 0.54%, 0.37%

LAB 35.79, 6.99, -37.92

 

CMYK 70 / 42 / 0 / 31

HEX #3566B1

RGB 53 102 177

HSL 216.29, 0.54%, 0.45%

LAB 43.41, 8.95, -44.8

 

CMYK 65 / 39 / 0 / 22

HEX #477AC8

RGB 71 122 200

HSL 216.28, 0.54%, 0.53%

LAB 51.19, 7.72, -45.67

 

CMYK 51 / 31 / 0 / 18

HEX #6791D1

RGB 103 145 209

HSL 216.23, 0.54%, 0.61%

LAB 59.65, 3.52, -37.31

 

CMYK 70 / 42 / 0 / 30

HEX #3567B3

RGB 53 103 179

HSL 216.19, 0.54%, 0.45%

LAB 43.82, 9.06, -45.32

 

CMYK 14 / 70 / 0 / 31

HEX #9835B1

RGB 152 53 177

HSL 287.9, 0.54%, 0.45%

LAB 41.84, 58.42, -46.81

 

CMYK 14 / 0 / 70 / 31

HEX #98B135

RGB 152 177 53

HSL 72.1, 0.54%, 0.45%

LAB 68.3, -25.53, 57.48

 

CMYK 70 / 42 / 0 / 30

HEX #3567B3

RGB 53 103 179

HSL 216.19, 0.54%, 0.45%

LAB 43.82, 9.06, -45.32

 

CMYK 0 / 70 / 42 / 31

HEX #B13566

RGB 177 53 102

HSL 336.29, 0.54%, 0.45%

LAB 42.54, 53.75, 0.22

 

CMYK 42 / 0 / 70 / 31

HEX #66B135

RGB 102 177 53

HSL 96.29, 0.54%, 0.45%

LAB 65.38, -44.5, 53.57

 

CMYK 70 / 42 / 0 / 30

HEX #3567B3

RGB 53 103 179

HSL 216.19, 0.54%, 0.45%

LAB 43.82, 9.06, -45.32

 

CMYK 14 / 70 / 0 / 31

HEX #9835B1

RGB 152 53 177

HSL 287.9, 0.54%, 0.45%

LAB 41.84, 58.42, -46.81

 

CMYK 0 / 28 / 70 / 31

HEX #B17F35

RGB 177 127 53

HSL 35.81, 0.54%, 0.45%

LAB 56.86, 12.01, 46.42

 

CMYK 56 / 0 / 70 / 31

HEX #4EB135

RGB 78 177 53

HSL 107.9, 0.54%, 0.45%

LAB 64.42, -51.71, 52.28

 

CMYK 70 / 42 / 0 / 30

HEX #3567B3

RGB 53 103 179

HSL 216.19, 0.54%, 0.45%

LAB 43.82, 9.06, -45.32

 

CMYK 0 / 70 / 7 / 31

HEX #B135A4

RGB 177 53 164

HSL 306.29, 0.54%, 0.45%

LAB 45.04, 61.89, -33.76

 

CMYK 0 / 28 / 70 / 31

HEX #B17F35

RGB 177 127 53

HSL 35.81, 0.54%, 0.45%

LAB 56.86, 12.01, 46.42

 

CMYK 70 / 0 / 63 / 31

HEX #35B141

RGB 53 177 65

HSL 125.81, 0.54%, 0.45%

LAB 63.82, -56.16, 46.4

 

Description

Color code: RGB 53 103 179 | qconv.com Color code: RGB 53 103 179 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 103 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 103 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 42 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 42% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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