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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 102 34 it is the complementary color RGB 202 153 221. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 102 34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 102 34 shade: RGB 58 102 29, RGB 75 120 48, RGB 92 138 67, RGB 109 156 86 and RGB 126 174 105

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 102 34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 102 34 shade: RGB 53 102 34, RGB 36 84 15, RGB 19 66 0, RGB 2 48 0 and RGB 0 30 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 102 34 shade: RGB 54 103 34, RGB 72 103 34, RGB 91 103 34, RGB 103 97 34 and RGB 103 79 34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 102 34 shade: RGB 54 103 34, RGB 35 103 34, RGB 34 103 52, RGB 34 103 71 and RGB 34 103 89

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 102 34 shade matches the following richer shades: RGB 54 103 34, RGB 49 114 23, RGB 44 126 12 and RGB 39 137 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 102 34 shade: RGB 54 103 34, RGB 59 92 46, RGB 63 81 57, RGB 68 70 68 and RGB 73 59 79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 102 34 shade: RGB 91 103 34, RGB 72 103 34, RGB 54 103 34, RGB 36 103 34 and RGB 34 103 52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 102 34 shade: RGB 22 41 14, RGB 38 72 24, RGB 54 103 34, RGB 70 134 45 and RGB 86 165 55

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 102 34 shade: RGB 53 102 34, RGB 34 103 98 and RGB 103 34 81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 102 34 shade: RGB 53 102 34, RGB 34 54 103 and RGB 103 34 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 102 34 shade: RGB 53 102 34, RGB 34 103 98, RGB 84 34 103 and RGB 103 34 40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 102 34 shade: RGB 53 102 34, RGB 34 88 103, RGB 84 34 103 and RGB 103 49 34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 67 / 60

HEX #356622

RGB 53 102 34

HSL 103.24, 0.5%, 0.27%

LAB 38.51, -30.39, 32.43

 

Complementary color

CMYK 9 / 31 / 0 / 13

HEX #CA99DD

RGB 202 153 221

HSL 283.24, 0.5%, 0.73%

LAB 69.87, 30.26, -27.53

 

CMYK 43 / 0 / 72 / 60

HEX #3A661D

RGB 58 102 29

HSL 96.16, 0.56%, 0.26%

LAB 38.71, -29.09, 35.06

 

CMYK 38 / 0 / 60 / 53

HEX #4B7830

RGB 75 120 48

HSL 97.5, 0.43%, 0.33%

LAB 45.83, -29.27, 34.11

 

CMYK 33 / 0 / 51 / 46

HEX #5C8A43

RGB 92 138 67

HSL 98.87, 0.35%, 0.4%

LAB 52.79, -29.26, 32.89

 

CMYK 30 / 0 / 45 / 39

HEX #6D9C56

RGB 109 156 86

HSL 100.29, 0.29%, 0.47%

LAB 59.62, -29.16, 31.63

 

CMYK 28 / 0 / 40 / 32

HEX #7EAE69

RGB 126 174 105

HSL 101.74, 0.3%, 0.55%

LAB 66.31, -29.01, 30.4

 

CMYK 48 / 0 / 67 / 60

HEX #356622

RGB 53 102 34

HSL 103.24, 0.5%, 0.27%

LAB 38.51, -30.39, 32.43

 

CMYK 57 / 0 / 82 / 67

HEX #24540F

RGB 36 84 15

HSL 101.74, 0.7%, 0.19%

LAB 31.23, -29.9, 33.02

 

CMYK 71 / 0 / 100 / 74

HEX #134200

RGB 19 66 0

HSL 102.73, 1%, 0.13%

LAB 23.79, -28.64, 31.54

 

CMYK 96 / 0 / 100 / 81

HEX #023000

RGB 2 48 0

HSL 117.5, 1%, 0.09%

LAB 16.14, -26.05, 22.77

 

CMYK 100 / 0 / 100 / 88

HEX #001E00

RGB 0 30 0

HSL 120, 1%, 0.06%

LAB 8.38, -17.11, 12.24

 

CMYK 48 / 0 / 67 / 60

HEX #366722

RGB 54 103 34

HSL 102.61, 0.5%, 0.27%

LAB 38.9, -30.5, 32.88

 

CMYK 30 / 0 / 67 / 60

HEX #486722

RGB 72 103 34

HSL 86.96, 0.5%, 0.27%

LAB 39.9, -23.58, 34.27

 

CMYK 12 / 0 / 67 / 60

HEX #5B6722

RGB 91 103 34

HSL 70.43, 0.5%, 0.27%

LAB 41.28, -15.23, 36.16

 

CMYK 0 / 6 / 67 / 60

HEX #676122

RGB 103 97 34

HSL 54.78, 0.5%, 0.27%

LAB 40.49, -6.22, 35.63

 

CMYK 0 / 23 / 67 / 60

HEX #674F22

RGB 103 79 34

HSL 39.13, 0.5%, 0.27%

LAB 35.18, 4.52, 29.83

 

CMYK 48 / 0 / 67 / 60

HEX #366722

RGB 54 103 34

HSL 102.61, 0.5%, 0.27%

LAB 38.9, -30.5, 32.88

 

CMYK 66 / 0 / 67 / 60

HEX #236722

RGB 35 103 34

HSL 119.13, 0.5%, 0.27%

LAB 38.15, -36.2, 31.84

 

CMYK 67 / 0 / 50 / 60

HEX #226734

RGB 34 103 52

HSL 135.65, 0.5%, 0.27%

LAB 38.36, -33.78, 22.52

 

CMYK 67 / 0 / 31 / 60

HEX #226747

RGB 34 103 71

HSL 152.17, 0.5%, 0.27%

LAB 38.72, -29.85, 11.86

 

CMYK 67 / 0 / 14 / 60

HEX #226759

RGB 34 103 89

HSL 167.83, 0.5%, 0.27%

LAB 39.18, -25.17, 1.58

 

CMYK 48 / 0 / 67 / 60

HEX #366722

RGB 54 103 34

HSL 102.61, 0.5%, 0.27%

LAB 38.9, -30.5, 32.88

 

CMYK 57 / 0 / 80 / 55

HEX #317217

RGB 49 114 23

HSL 102.86, 0.66%, 0.27%

LAB 42.38, -37.78, 41.07

 

CMYK 65 / 0 / 90 / 51

HEX #2C7E0C

RGB 44 126 12

HSL 103.16, 0.83%, 0.27%

LAB 46.29, -44.32, 47.77

 

CMYK 72 / 0 / 99 / 46

HEX #278901

RGB 39 137 1

HSL 103.24, 0.99%, 0.27%

LAB 49.89, -49.64, 52.86

 

CMYK 48 / 0 / 67 / 60

HEX #366722

RGB 54 103 34

HSL 102.61, 0.5%, 0.27%

LAB 38.9, -30.5, 32.88

 

CMYK 36 / 0 / 50 / 64

HEX #3B5C2E

RGB 59 92 46

HSL 103.04, 0.33%, 0.27%

LAB 35.56, -21.79, 22.65

 

CMYK 22 / 0 / 30 / 68

HEX #3F5139

RGB 63 81 57

HSL 105, 0.17%, 0.27%

LAB 32.34, -12.3, 11.89

 

CMYK 3 / 0 / 3 / 73

HEX #444644

RGB 68 70 68

HSL 120, 0.01%, 0.27%

LAB 29.48, -1.27, 0.91

 

CMYK 8 / 25 / 0 / 69

HEX #493B4F

RGB 73 59 79

HSL 282, 0.14%, 0.27%

LAB 27.04, 10.44, -9.84

 

CMYK 12 / 0 / 67 / 60

HEX #5B6722

RGB 91 103 34

HSL 70.43, 0.5%, 0.27%

LAB 41.28, -15.23, 36.16

 

CMYK 30 / 0 / 67 / 60

HEX #486722

RGB 72 103 34

HSL 86.96, 0.5%, 0.27%

LAB 39.9, -23.58, 34.27

 

CMYK 48 / 0 / 67 / 60

HEX #366722

RGB 54 103 34

HSL 102.61, 0.5%, 0.27%

LAB 38.9, -30.5, 32.88

 

CMYK 65 / 0 / 67 / 60

HEX #246722

RGB 36 103 34

HSL 118.26, 0.5%, 0.27%

LAB 38.18, -35.95, 31.88

 

CMYK 67 / 0 / 50 / 60

HEX #226734

RGB 34 103 52

HSL 135.65, 0.5%, 0.27%

LAB 38.36, -33.78, 22.52

 

CMYK 46 / 0 / 66 / 84

HEX #16290E

RGB 22 41 14

HSL 102.22, 0.49%, 0.11%

LAB 14.33, -14.22, 14.74

 

CMYK 47 / 0 / 67 / 72

HEX #264818

RGB 38 72 24

HSL 102.5, 0.5%, 0.19%

LAB 27.05, -22.76, 24.46

 

CMYK 48 / 0 / 67 / 60

HEX #366722

RGB 54 103 34

HSL 102.61, 0.5%, 0.27%

LAB 38.9, -30.5, 32.88

 

CMYK 48 / 0 / 66 / 47

HEX #46862D

RGB 70 134 45

HSL 103.15, 0.5%, 0.35%

LAB 50.15, -37.64, 40.32

 

CMYK 48 / 0 / 67 / 35

HEX #56A537

RGB 86 165 55

HSL 103.09, 0.5%, 0.43%

LAB 60.93, -44.54, 47.84

 

CMYK 48 / 0 / 67 / 60

HEX #356622

RGB 53 102 34

HSL 103.24, 0.5%, 0.27%

LAB 38.51, -30.39, 32.43

 

CMYK 67 / 0 / 5 / 60

HEX #226762

RGB 34 103 98

HSL 175.65, 0.5%, 0.27%

LAB 39.45, -22.52, -3.52

 

CMYK 0 / 67 / 21 / 60

HEX #672251

RGB 103 34 81

HSL 319.13, 0.5%, 0.27%

LAB 25.63, 36.45, -12.94

 

CMYK 48 / 0 / 67 / 60

HEX #356622

RGB 53 102 34

HSL 103.24, 0.5%, 0.27%

LAB 38.51, -30.39, 32.43

 

CMYK 67 / 48 / 0 / 60

HEX #223667

RGB 34 54 103

HSL 222.61, 0.5%, 0.27%

LAB 23.53, 9.51, -31.23

 

CMYK 0 / 67 / 48 / 60

HEX #672236

RGB 103 34 54

HSL 342.61, 0.5%, 0.27%

LAB 24.62, 32.8, 3.78

 

CMYK 48 / 0 / 67 / 60

HEX #356622

RGB 53 102 34

HSL 103.24, 0.5%, 0.27%

LAB 38.51, -30.39, 32.43

 

CMYK 67 / 0 / 5 / 60

HEX #226762

RGB 34 103 98

HSL 175.65, 0.5%, 0.27%

LAB 39.45, -22.52, -3.52

 

CMYK 18 / 67 / 0 / 60

HEX #542267

RGB 84 34 103

HSL 283.48, 0.5%, 0.27%

LAB 23.7, 35.19, -30.67

 

CMYK 0 / 67 / 61 / 60

HEX #672228

RGB 103 34 40

HSL 354.78, 0.5%, 0.27%

LAB 24.26, 31.44, 12.8

 

CMYK 48 / 0 / 67 / 60

HEX #356622

RGB 53 102 34

HSL 103.24, 0.5%, 0.27%

LAB 38.51, -30.39, 32.43

 

CMYK 67 / 15 / 0 / 60

HEX #225867

RGB 34 88 103

HSL 193.04, 0.5%, 0.27%

LAB 34.6, -12.61, -13.91

 

CMYK 18 / 67 / 0 / 60

HEX #542267

RGB 84 34 103

HSL 283.48, 0.5%, 0.27%

LAB 23.7, 35.19, -30.67

 

CMYK 0 / 52 / 67 / 60

HEX #673122

RGB 103 49 34

HSL 13.04, 0.5%, 0.27%

LAB 27.29, 22.82, 20.59

 

Description

Color code: RGB 53 102 34 | qconv.com Color code: RGB 53 102 34 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 102 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 102 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 67 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 67% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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