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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 102 28 it is the complementary color RGB 202 153 227. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 102 28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 102 28 shade: RGB 58 102 23, RGB 75 120 42, RGB 92 138 61, RGB 109 156 80 and RGB 126 174 99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 102 28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 102 28 shade: RGB 53 102 28, RGB 36 84 9, RGB 19 66 0, RGB 2 48 0 and RGB 0 30 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 102 28 shade: RGB 52 100 27, RGB 72 100 27, RGB 91 100 27, RGB 100 89 27 and RGB 100 70 27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 102 28 shade: RGB 52 100 27, RGB 32 100 27, RGB 27 100 42, RGB 27 100 62 and RGB 27 100 81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 102 28 shade matches the following richer shades: RGB 52 100 27, RGB 49 110 17 and RGB 45 121 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 102 28 shade: RGB 52 100 27, RGB 55 90 38, RGB 59 79 48, RGB 62 69 58 and RGB 65 59 69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 102 28 shade: RGB 92 100 27, RGB 72 100 27, RGB 53 100 27, RGB 33 100 27 and RGB 27 100 41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 102 28 shade: RGB 18 35 10, RGB 35 68 19, RGB 52 100 27, RGB 69 132 36 and RGB 86 165 45

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 102 28 shade: RGB 53 102 28, RGB 27 100 89 and RGB 100 27 82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 102 28 shade: RGB 53 102 28, RGB 27 53 100 and RGB 100 27 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 102 28 shade: RGB 53 102 28, RGB 27 100 89, RGB 75 27 100 and RGB 100 27 38

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 102 28 shade: RGB 53 102 28, RGB 27 89 100, RGB 75 27 100 and RGB 100 38 27

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 73 / 60

HEX #35661C

RGB 53 102 28

HSL 99.73, 0.57%, 0.25%

LAB 38.45, -30.98, 35.16

 

Complementary color

CMYK 11 / 33 / 0 / 11

HEX #CA99E3

RGB 202 153 227

HSL 279.73, 0.57%, 0.75%

LAB 70.1, 31.48, -30.48

 

CMYK 43 / 0 / 77 / 60

HEX #3A6617

RGB 58 102 23

HSL 93.42, 0.63%, 0.25%

LAB 38.66, -29.58, 37.55

 

CMYK 38 / 0 / 65 / 53

HEX #4B782A

RGB 75 120 42

HSL 94.62, 0.48%, 0.32%

LAB 45.77, -29.9, 36.96

 

CMYK 33 / 0 / 56 / 46

HEX #5C8A3D

RGB 92 138 61

HSL 95.84, 0.39%, 0.39%

LAB 52.72, -29.99, 35.87

 

CMYK 30 / 0 / 49 / 39

HEX #6D9C50

RGB 109 156 80

HSL 97.11, 0.32%, 0.46%

LAB 59.53, -29.95, 34.65

 

CMYK 28 / 0 / 43 / 32

HEX #7EAE63

RGB 126 174 99

HSL 98.4, 0.32%, 0.54%

LAB 66.22, -29.85, 33.42

 

CMYK 48 / 0 / 73 / 60

HEX #35661C

RGB 53 102 28

HSL 99.73, 0.57%, 0.25%

LAB 38.45, -30.98, 35.16

 

CMYK 57 / 0 / 89 / 67

HEX #245409

RGB 36 84 9

HSL 98.4, 0.81%, 0.18%

LAB 31.2, -30.29, 35.08

 

CMYK 71 / 0 / 100 / 74

HEX #134200

RGB 19 66 0

HSL 102.73, 1%, 0.13%

LAB 23.79, -28.64, 31.54

 

CMYK 96 / 0 / 100 / 81

HEX #023000

RGB 2 48 0

HSL 117.5, 1%, 0.09%

LAB 16.14, -26.05, 22.77

 

CMYK 100 / 0 / 100 / 88

HEX #001E00

RGB 0 30 0

HSL 120, 1%, 0.06%

LAB 8.38, -17.11, 12.24

 

CMYK 48 / 0 / 73 / 61

HEX #34641B

RGB 52 100 27

HSL 99.45, 0.57%, 0.25%

LAB 37.7, -30.52, 34.8

 

CMYK 28 / 0 / 73 / 61

HEX #48641B

RGB 72 100 27

HSL 83.01, 0.57%, 0.25%

LAB 38.85, -22.65, 36.35

 

CMYK 9 / 0 / 73 / 61

HEX #5B641B

RGB 91 100 27

HSL 67.4, 0.57%, 0.25%

LAB 40.28, -14.08, 38.26

 

CMYK 0 / 11 / 73 / 61

HEX #64591B

RGB 100 89 27

HSL 50.96, 0.57%, 0.25%

LAB 37.72, -3.45, 35.94

 

CMYK 0 / 30 / 73 / 61

HEX #64461B

RGB 100 70 27

HSL 35.34, 0.57%, 0.25%

LAB 32.19, 8.11, 30.16

 

CMYK 48 / 0 / 73 / 61

HEX #34641B

RGB 52 100 27

HSL 99.45, 0.57%, 0.25%

LAB 37.7, -30.52, 34.8

 

CMYK 68 / 0 / 73 / 61

HEX #20641B

RGB 32 100 27

HSL 115.89, 0.57%, 0.25%

LAB 36.93, -36.52, 33.75

 

CMYK 73 / 0 / 58 / 61

HEX #1B642A

RGB 27 100 42

HSL 132.33, 0.57%, 0.25%

LAB 36.96, -35.72, 26.29

 

CMYK 73 / 0 / 38 / 61

HEX #1B643E

RGB 27 100 62

HSL 148.77, 0.57%, 0.25%

LAB 37.29, -31.96, 15.27

 

CMYK 73 / 0 / 19 / 61

HEX #1B6451

RGB 27 100 81

HSL 164.38, 0.57%, 0.25%

LAB 37.74, -27.22, 4.38

 

CMYK 48 / 0 / 73 / 61

HEX #34641B

RGB 52 100 27

HSL 99.45, 0.57%, 0.25%

LAB 37.7, -30.52, 34.8

 

CMYK 55 / 0 / 85 / 57

HEX #316E11

RGB 49 110 17

HSL 99.35, 0.73%, 0.25%

LAB 40.97, -36.54, 41.75

 

CMYK 63 / 0 / 94 / 53

HEX #2D7907

RGB 45 121 7

HSL 100, 0.89%, 0.25%

LAB 44.59, -42.41, 47.38

 

CMYK 48 / 0 / 73 / 61

HEX #34641B

RGB 52 100 27

HSL 99.45, 0.57%, 0.25%

LAB 37.7, -30.52, 34.8

 

CMYK 39 / 0 / 58 / 65

HEX #375A26

RGB 55 90 38

HSL 100.38, 0.41%, 0.25%

LAB 34.53, -23.45, 25.82

 

CMYK 25 / 0 / 39 / 69

HEX #3B4F30

RGB 59 79 48

HSL 98.71, 0.24%, 0.25%

LAB 31.2, -14.44, 15.87

 

CMYK 10 / 0 / 16 / 73

HEX #3E453A

RGB 62 69 58

HSL 98.18, 0.09%, 0.25%

LAB 28.34, -5.32, 5.68

 

CMYK 6 / 14 / 0 / 73

HEX #413B45

RGB 65 59 69

HSL 276, 0.08%, 0.25%

LAB 25.81, 4.84, -5.19

 

CMYK 8 / 0 / 73 / 61

HEX #5C641B

RGB 92 100 27

HSL 66.58, 0.57%, 0.25%

LAB 40.36, -13.62, 38.37

 

CMYK 28 / 0 / 73 / 61

HEX #48641B

RGB 72 100 27

HSL 83.01, 0.57%, 0.25%

LAB 38.85, -22.65, 36.35

 

CMYK 47 / 0 / 73 / 61

HEX #35641B

RGB 53 100 27

HSL 98.63, 0.57%, 0.25%

LAB 37.75, -30.17, 34.87

 

CMYK 67 / 0 / 73 / 61

HEX #21641B

RGB 33 100 27

HSL 115.07, 0.57%, 0.25%

LAB 36.96, -36.28, 33.79

 

CMYK 73 / 0 / 59 / 61

HEX #1B6429

RGB 27 100 41

HSL 131.51, 0.57%, 0.25%

LAB 36.94, -35.88, 26.81

 

CMYK 49 / 0 / 71 / 86

HEX #12230A

RGB 18 35 10

HSL 100.8, 0.56%, 0.09%

LAB 11.64, -13.14, 12.91

 

CMYK 49 / 0 / 72 / 73

HEX #234413

RGB 35 68 19

HSL 100.41, 0.56%, 0.17%

LAB 25.38, -22.51, 25.16

 

CMYK 48 / 0 / 73 / 61

HEX #34641B

RGB 52 100 27

HSL 99.45, 0.57%, 0.25%

LAB 37.7, -30.52, 34.8

 

CMYK 48 / 0 / 73 / 48

HEX #458424

RGB 69 132 36

HSL 99.38, 0.57%, 0.33%

LAB 49.37, -37.92, 43.34

 

CMYK 48 / 0 / 73 / 35

HEX #56A52D

RGB 86 165 45

HSL 99.5, 0.57%, 0.41%

LAB 60.85, -45.37, 51.78

 

CMYK 48 / 0 / 73 / 60

HEX #35661C

RGB 53 102 28

HSL 99.73, 0.57%, 0.25%

LAB 38.45, -30.98, 35.16

 

CMYK 73 / 0 / 11 / 61

HEX #1B6459

RGB 27 100 89

HSL 170.96, 0.57%, 0.25%

LAB 37.97, -24.92, -0.2

 

CMYK 0 / 73 / 18 / 61

HEX #641B52

RGB 100 27 82

HSL 314.79, 0.57%, 0.25%

LAB 24.01, 38.83, -16.15

 

CMYK 48 / 0 / 73 / 60

HEX #35661C

RGB 53 102 28

HSL 99.73, 0.57%, 0.25%

LAB 38.45, -30.98, 35.16

 

CMYK 73 / 47 / 0 / 61

HEX #1B3564

RGB 27 53 100

HSL 218.63, 0.57%, 0.25%

LAB 22.65, 7.68, -30.71

 

CMYK 0 / 73 / 47 / 61

HEX #641B35

RGB 100 27 53

HSL 338.63, 0.57%, 0.25%

LAB 22.83, 34.88, 1.81

 

CMYK 48 / 0 / 73 / 60

HEX #35661C

RGB 53 102 28

HSL 99.73, 0.57%, 0.25%

LAB 38.45, -30.98, 35.16

 

CMYK 73 / 0 / 11 / 61

HEX #1B6459

RGB 27 100 89

HSL 170.96, 0.57%, 0.25%

LAB 37.97, -24.92, -0.2

 

CMYK 25 / 73 / 0 / 61

HEX #4B1B64

RGB 75 27 100

HSL 279.45, 0.57%, 0.25%

LAB 20.83, 35.75, -33.39

 

CMYK 0 / 73 / 62 / 61

HEX #641B26

RGB 100 27 38

HSL 350.96, 0.57%, 0.25%

LAB 22.42, 33.46, 11.61

 

CMYK 48 / 0 / 73 / 60

HEX #35661C

RGB 53 102 28

HSL 99.73, 0.57%, 0.25%

LAB 38.45, -30.98, 35.16

 

CMYK 73 / 11 / 0 / 61

HEX #1B5964

RGB 27 89 100

HSL 189.04, 0.57%, 0.25%

LAB 34.6, -15.47, -12.06

 

CMYK 25 / 73 / 0 / 61

HEX #4B1B64

RGB 75 27 100

HSL 279.45, 0.57%, 0.25%

LAB 20.83, 35.75, -33.39

 

CMYK 0 / 62 / 73 / 61

HEX #64261B

RGB 100 38 27

HSL 9.04, 0.57%, 0.25%

LAB 24.24, 27.24, 21.24

 

Description

Color code: RGB 53 102 28 | qconv.com Color code: RGB 53 102 28 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 102 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 102 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 73 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 73% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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