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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 100 99 it is the complementary color RGB 202 155 156. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 100 99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 100 99 shade: RGB 58 100 94, RGB 75 118 113, RGB 92 136 132, RGB 109 154 151 and RGB 126 172 170

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 100 99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 100 99 shade: RGB 53 100 99, RGB 36 82 80, RGB 19 64 61, RGB 2 46 42 and RGB 0 28 23

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 100 99 shade: RGB 53 100 99, RGB 53 100 86, RGB 53 100 74, RGB 53 100 61 and RGB 58 100 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 100 99 shade: RGB 53 100 99, RGB 53 88 100, RGB 53 76 100, RGB 53 63 100 and RGB 53 53 100

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 100 99 shade matches the following richer shades: RGB 53 100 99, RGB 40 113 111, RGB 28 125 123, RGB 16 137 135 and RGB 3 150 147

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 100 99 shade: RGB 53 100 99, RGB 65 88 87, RGB 78 75 76, RGB 90 63 64 and RGB 102 51 52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 100 99 shade: RGB 53 100 73, RGB 53 100 86, RGB 53 100 99, RGB 53 89 100 and RGB 53 77 100

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 100 99 shade: RGB 24 46 46, RGB 39 73 72, RGB 53 100 99, RGB 67 127 126 and RGB 81 154 153

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 100 99 shade: RGB 53 100 99, RGB 61 53 100 and RGB 100 80 53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 100 99 shade: RGB 53 100 99, RGB 99 53 100 and RGB 100 99 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 100 99 shade: RGB 53 100 99, RGB 61 53 100, RGB 100 53 54 and RGB 92 100 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 100 99 shade: RGB 53 100 99, RGB 75 53 100, RGB 100 53 54 and RGB 78 100 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 1 / 61

HEX #356463

RGB 53 100 99

HSL 178.72, 0.31%, 0.3%

LAB 39.19, -16.28, -4.44

 

Complementary color

CMYK 0 / 23 / 23 / 21

HEX #CA9B9C

RGB 202 155 156

HSL 358.72, 0.31%, 0.7%

LAB 68.31, 17.65, 6.25

 

CMYK 42 / 0 / 6 / 61

HEX #3A645E

RGB 58 100 94

HSL 171.43, 0.27%, 0.31%

LAB 39.28, -16.24, -1.22

 

CMYK 36 / 0 / 4 / 54

HEX #4B7671

RGB 75 118 113

HSL 173.02, 0.22%, 0.38%

LAB 46.51, -16.1, -1.98

 

CMYK 32 / 0 / 3 / 47

HEX #5C8884

RGB 92 136 132

HSL 174.55, 0.19%, 0.45%

LAB 53.55, -15.96, -2.68

 

CMYK 29 / 0 / 2 / 40

HEX #6D9A97

RGB 109 154 151

HSL 176, 0.18%, 0.52%

LAB 60.42, -15.83, -3.34

 

CMYK 27 / 0 / 1 / 33

HEX #7EACAA

RGB 126 172 170

HSL 177.39, 0.22%, 0.58%

LAB 67.16, -15.71, -3.96

 

CMYK 47 / 0 / 1 / 61

HEX #356463

RGB 53 100 99

HSL 178.72, 0.31%, 0.3%

LAB 39.19, -16.28, -4.44

 

CMYK 56 / 0 / 2 / 68

HEX #245250

RGB 36 82 80

HSL 177.39, 0.39%, 0.23%

LAB 31.78, -16.23, -3.64

 

CMYK 70 / 0 / 5 / 75

HEX #13403D

RGB 19 64 61

HSL 176, 0.54%, 0.16%

LAB 24.14, -15.97, -2.7

 

CMYK 96 / 0 / 9 / 82

HEX #022E2A

RGB 2 46 42

HSL 174.55, 0.92%, 0.09%

LAB 16.18, -15.54, -1.58

 

CMYK 100 / 0 / 18 / 89

HEX #001C17

RGB 0 28 23

HSL 169.29, 1%, 0.05%

LAB 8.06, -11.4, 0.27

 

CMYK 47 / 0 / 1 / 61

HEX #356463

RGB 53 100 99

HSL 178.72, 0.31%, 0.3%

LAB 39.19, -16.28, -4.44

 

CMYK 47 / 0 / 14 / 61

HEX #356456

RGB 53 100 86

HSL 162.13, 0.31%, 0.3%

LAB 38.8, -19.81, 2.96

 

CMYK 47 / 0 / 26 / 61

HEX #35644A

RGB 53 100 74

HSL 146.81, 0.31%, 0.3%

LAB 38.49, -22.71, 9.85

 

CMYK 47 / 0 / 39 / 61

HEX #35643D

RGB 53 100 61

HSL 130.21, 0.31%, 0.3%

LAB 38.21, -25.42, 17.27

 

CMYK 42 / 0 / 47 / 61

HEX #3A6435

RGB 58 100 53

HSL 113.62, 0.31%, 0.3%

LAB 38.32, -25.13, 22.12

 

CMYK 47 / 0 / 1 / 61

HEX #356463

RGB 53 100 99

HSL 178.72, 0.31%, 0.3%

LAB 39.19, -16.28, -4.44

 

CMYK 47 / 12 / 0 / 61

HEX #355864

RGB 53 88 100

HSL 195.32, 0.31%, 0.3%

LAB 35.31, -9.05, -10.87

 

CMYK 47 / 24 / 0 / 61

HEX #354C64

RGB 53 76 100

HSL 210.64, 0.31%, 0.3%

LAB 31.45, -1.63, -16.77

 

CMYK 47 / 37 / 0 / 61

HEX #353F64

RGB 53 63 100

HSL 227.23, 0.31%, 0.3%

LAB 27.39, 6.92, -23.11

 

CMYK 47 / 47 / 0 / 61

HEX #353564

RGB 53 53 100

HSL 240, 0.31%, 0.3%

LAB 24.4, 13.74, -27.83

 

CMYK 47 / 0 / 1 / 61

HEX #356463

RGB 53 100 99

HSL 178.72, 0.31%, 0.3%

LAB 39.19, -16.28, -4.44

 

CMYK 65 / 0 / 2 / 56

HEX #28716F

RGB 40 113 111

HSL 178.36, 0.48%, 0.3%

LAB 43.37, -22.67, -5.58

 

CMYK 78 / 0 / 2 / 51

HEX #1C7D7B

RGB 28 125 123

HSL 178.76, 0.63%, 0.3%

LAB 47.42, -26.88, -6.74

 

CMYK 88 / 0 / 1 / 46

HEX #108987

RGB 16 137 135

HSL 179.01, 0.79%, 0.3%

LAB 51.55, -30.1, -7.64

 

CMYK 98 / 0 / 2 / 41

HEX #039693

RGB 3 150 147

HSL 178.78, 0.96%, 0.3%

LAB 56.03, -33.18, -7.91

 

CMYK 47 / 0 / 1 / 61

HEX #356463

RGB 53 100 99

HSL 178.72, 0.31%, 0.3%

LAB 39.19, -16.28, -4.44

 

CMYK 26 / 0 / 1 / 65

HEX #415857

RGB 65 88 87

HSL 177.39, 0.15%, 0.3%

LAB 35.58, -8.92, -2.27

 

CMYK 0 / 4 / 3 / 69

HEX #4E4B4C

RGB 78 75 76

HSL 340, 0.02%, 0.3%

LAB 32.2, 1.45, -0.16

 

CMYK 0 / 30 / 29 / 65

HEX #5A3F40

RGB 90 63 64

HSL 357.78, 0.18%, 0.3%

LAB 29.66, 11.96, 4.07

 

CMYK 0 / 50 / 49 / 60

HEX #663334

RGB 102 51 52

HSL 358.82, 0.33%, 0.3%

LAB 27.95, 22.91, 9.77

 

CMYK 47 / 0 / 27 / 61

HEX #356449

RGB 53 100 73

HSL 145.53, 0.31%, 0.3%

LAB 38.47, -22.94, 10.42

 

CMYK 47 / 0 / 14 / 61

HEX #356456

RGB 53 100 86

HSL 162.13, 0.31%, 0.3%

LAB 38.8, -19.81, 2.96

 

CMYK 47 / 0 / 1 / 61

HEX #356463

RGB 53 100 99

HSL 178.72, 0.31%, 0.3%

LAB 39.19, -16.28, -4.44

 

CMYK 47 / 11 / 0 / 61

HEX #355964

RGB 53 89 100

HSL 194.04, 0.31%, 0.3%

LAB 35.64, -9.65, -10.38

 

CMYK 47 / 23 / 0 / 61

HEX #354D64

RGB 53 77 100

HSL 209.36, 0.31%, 0.3%

LAB 31.77, -2.26, -16.28

 

CMYK 48 / 0 / 0 / 82

HEX #182E2E

RGB 24 46 46

HSL 180, 0.31%, 0.14%

LAB 17.2, -8.7, -2.75

 

CMYK 47 / 0 / 1 / 71

HEX #274948

RGB 39 73 72

HSL 178.24, 0.3%, 0.22%

LAB 28.55, -12.64, -3.28

 

CMYK 47 / 0 / 1 / 61

HEX #356463

RGB 53 100 99

HSL 178.72, 0.31%, 0.3%

LAB 39.19, -16.28, -4.44

 

CMYK 47 / 0 / 1 / 50

HEX #437F7E

RGB 67 127 126

HSL 179, 0.31%, 0.38%

LAB 49.35, -19.71, -5.52

 

CMYK 47 / 0 / 1 / 40

HEX #519A99

RGB 81 154 153

HSL 179.18, 0.31%, 0.46%

LAB 59.12, -22.99, -6.55

 

CMYK 47 / 0 / 1 / 61

HEX #356463

RGB 53 100 99

HSL 178.72, 0.31%, 0.3%

LAB 39.19, -16.28, -4.44

 

CMYK 39 / 47 / 0 / 61

HEX #3D3564

RGB 61 53 100

HSL 250.21, 0.31%, 0.3%

LAB 25.13, 16.07, -26.61

 

CMYK 0 / 20 / 47 / 61

HEX #645035

RGB 100 80 53

HSL 34.47, 0.31%, 0.3%

LAB 35.41, 4.33, 19.05

 

CMYK 47 / 0 / 1 / 61

HEX #356463

RGB 53 100 99

HSL 178.72, 0.31%, 0.3%

LAB 39.19, -16.28, -4.44

 

CMYK 1 / 47 / 0 / 61

HEX #633564

RGB 99 53 100

HSL 298.72, 0.31%, 0.3%

LAB 29.71, 28.47, -19.11

 

CMYK 0 / 1 / 47 / 61

HEX #646335

RGB 100 99 53

HSL 58.72, 0.31%, 0.3%

LAB 41.04, -7.02, 26.17

 

CMYK 47 / 0 / 1 / 61

HEX #356463

RGB 53 100 99

HSL 178.72, 0.31%, 0.3%

LAB 39.19, -16.28, -4.44

 

CMYK 39 / 47 / 0 / 61

HEX #3D3564

RGB 61 53 100

HSL 250.21, 0.31%, 0.3%

LAB 25.13, 16.07, -26.61

 

CMYK 0 / 47 / 46 / 61

HEX #643536

RGB 100 53 54

HSL 358.72, 0.31%, 0.3%

LAB 28.17, 21.11, 8.71

 

CMYK 8 / 0 / 47 / 61

HEX #5C6435

RGB 92 100 53

HSL 70.21, 0.31%, 0.3%

LAB 40.65, -11.22, 25.53

 

CMYK 47 / 0 / 1 / 61

HEX #356463

RGB 53 100 99

HSL 178.72, 0.31%, 0.3%

LAB 39.19, -16.28, -4.44

 

CMYK 25 / 47 / 0 / 61

HEX #4B3564

RGB 75 53 100

HSL 268.09, 0.31%, 0.3%

LAB 26.63, 20.47, -24.16

 

CMYK 0 / 47 / 46 / 61

HEX #643536

RGB 100 53 54

HSL 358.72, 0.31%, 0.3%

LAB 28.17, 21.11, 8.71

 

CMYK 22 / 0 / 47 / 61

HEX #4E6435

RGB 78 100 53

HSL 88.09, 0.31%, 0.3%

LAB 39.57, -17.31, 23.94

 

Description

Color code: RGB 53 100 99 | qconv.com Color code: RGB 53 100 99 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 100 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 100 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 1 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 1% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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