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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 100 9 it is the complementary color RGB 202 155 246. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 100 9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 100 9 shade: RGB 58 100 4, RGB 75 118 23, RGB 92 136 42, RGB 109 154 61 and RGB 126 172 80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 100 9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 100 9 shade: RGB 53 100 9, RGB 36 82 0, RGB 19 64 0, RGB 2 46 0 and RGB 0 28 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 100 9 shade: RGB 52 98 9, RGB 76 98 9, RGB 98 96 9, RGB 98 72 9 and RGB 98 48 9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 100 9 shade: RGB 52 98 9, RGB 28 98 9, RGB 9 98 14, RGB 9 98 38 and RGB 9 98 62

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 100 9 shade matches the following richer shades: RGB 52 98 9 and RGB 52 107 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 100 9 shade: RGB 52 98 9, RGB 52 89 18, RGB 53 81 26, RGB 53 72 35 and RGB 53 63 44

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 100 9 shade: RGB 98 95 9, RGB 77 98 9, RGB 54 98 9, RGB 30 98 9 and RGB 9 98 12

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 100 9 shade: RGB 12 22 2, RGB 32 60 6, RGB 52 98 9, RGB 72 136 13 and RGB 92 174 16

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 100 9 shade: RGB 53 100 9, RGB 9 98 71 and RGB 98 9 89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 100 9 shade: RGB 53 100 9, RGB 9 54 98 and RGB 98 9 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 100 9 shade: RGB 53 100 9, RGB 9 98 71, RGB 54 9 98 and RGB 98 9 36

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 100 9 shade: RGB 53 100 9, RGB 9 98 98, RGB 54 9 98 and RGB 98 9 9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 91 / 61

HEX #356409

RGB 53 100 9

HSL 90.99, 0.83%, 0.21%

LAB 37.65, -31.32, 41.1

 

Complementary color

CMYK 18 / 37 / 0 / 4

HEX #CA9BF6

RGB 202 155 246

HSL 270.99, 0.83%, 0.79%

LAB 71.32, 34.43, -38.97

 

CMYK 42 / 0 / 96 / 61

HEX #3A6404

RGB 58 100 4

HSL 86.25, 0.92%, 0.2%

LAB 37.88, -29.65, 42.76

 

CMYK 36 / 0 / 81 / 54

HEX #4B7617

RGB 75 118 23

HSL 87.16, 0.67%, 0.28%

LAB 44.96, -30.44, 43.97

 

CMYK 32 / 0 / 69 / 47

HEX #5C882A

RGB 92 136 42

HSL 88.09, 0.53%, 0.35%

LAB 51.89, -30.9, 43.84

 

CMYK 29 / 0 / 60 / 40

HEX #6D9A3D

RGB 109 154 61

HSL 89.03, 0.43%, 0.42%

LAB 58.69, -31.13, 43.03

 

CMYK 27 / 0 / 53 / 33

HEX #7EAC50

RGB 126 172 80

HSL 90, 0.37%, 0.49%

LAB 65.37, -31.22, 41.96

 

CMYK 47 / 0 / 91 / 61

HEX #356409

RGB 53 100 9

HSL 90.99, 0.83%, 0.21%

LAB 37.65, -31.32, 41.1

 

CMYK 56 / 0 / 100 / 68

HEX #245200

RGB 36 82 0

HSL 93.66, 1%, 0.16%

LAB 30.42, -29.96, 37.61

 

CMYK 70 / 0 / 100 / 75

HEX #134000

RGB 19 64 0

HSL 102.19, 1%, 0.13%

LAB 23.02, -27.83, 30.76

 

CMYK 96 / 0 / 100 / 82

HEX #022E00

RGB 2 46 0

HSL 117.39, 1%, 0.09%

LAB 15.31, -25.33, 21.73

 

CMYK 100 / 0 / 100 / 89

HEX #001C00

RGB 0 28 0

HSL 120, 1%, 0.05%

LAB 7.5, -15.33, 10.95

 

CMYK 47 / 0 / 91 / 62

HEX #346209

RGB 52 98 9

HSL 91.01, 0.83%, 0.21%

LAB 36.9, -30.8, 40.43

 

CMYK 22 / 0 / 91 / 62

HEX #4C6209

RGB 76 98 9

HSL 74.83, 0.83%, 0.21%

LAB 38.36, -20.84, 42.26

 

CMYK 0 / 2 / 91 / 62

HEX #626009

RGB 98 96 9

HSL 58.65, 0.83%, 0.21%

LAB 39.55, -9.29, 44

 

CMYK 0 / 27 / 91 / 62

HEX #624809

RGB 98 72 9

HSL 42.47, 0.83%, 0.21%

LAB 32.37, 5.04, 38.07

 

CMYK 0 / 51 / 91 / 62

HEX #623009

RGB 98 48 9

HSL 26.29, 0.83%, 0.21%

LAB 25.95, 19.83, 32.62

 

CMYK 47 / 0 / 91 / 62

HEX #346209

RGB 52 98 9

HSL 91.01, 0.83%, 0.21%

LAB 36.9, -30.8, 40.43

 

CMYK 71 / 0 / 91 / 62

HEX #1C6209

RGB 28 98 9

HSL 107.19, 0.83%, 0.21%

LAB 35.99, -38.05, 39.28

 

CMYK 91 / 0 / 86 / 62

HEX #09620E

RGB 9 98 14

HSL 123.37, 0.83%, 0.21%

LAB 35.65, -40.93, 37.36

 

CMYK 91 / 0 / 61 / 62

HEX #096226

RGB 9 98 38

HSL 139.55, 0.83%, 0.21%

LAB 35.86, -38.31, 27.03

 

CMYK 91 / 0 / 37 / 62

HEX #09623E

RGB 9 98 62

HSL 155.73, 0.83%, 0.21%

LAB 36.25, -33.62, 13.82

 

CMYK 47 / 0 / 91 / 62

HEX #346209

RGB 52 98 9

HSL 91.01, 0.83%, 0.21%

LAB 36.9, -30.8, 40.43

 

CMYK 51 / 0 / 100 / 58

HEX #346B00

RGB 52 107 0

HSL 90.84, 1%, 0.21%

LAB 39.99, -35.06, 45.41

 

CMYK 47 / 0 / 91 / 62

HEX #346209

RGB 52 98 9

HSL 91.01, 0.83%, 0.21%

LAB 36.9, -30.8, 40.43

 

CMYK 42 / 0 / 80 / 65

HEX #345912

RGB 52 89 18

HSL 91.27, 0.66%, 0.21%

LAB 33.81, -26.15, 34.63

 

CMYK 35 / 0 / 68 / 68

HEX #35511A

RGB 53 81 26

HSL 90.55, 0.51%, 0.21%

LAB 31.15, -21.07, 28.25

 

CMYK 26 / 0 / 51 / 72

HEX #354823

RGB 53 72 35

HSL 90.81, 0.35%, 0.21%

LAB 28.15, -15.1, 19.74

 

CMYK 16 / 0 / 30 / 75

HEX #353F2C

RGB 53 63 44

HSL 91.58, 0.18%, 0.21%

LAB 25.24, -8.3, 10.33

 

CMYK 0 / 3 / 91 / 62

HEX #625F09

RGB 98 95 9

HSL 57.98, 0.83%, 0.21%

LAB 39.24, -8.72, 43.74

 

CMYK 21 / 0 / 91 / 62

HEX #4D6209

RGB 77 98 9

HSL 74.16, 0.83%, 0.21%

LAB 38.43, -20.38, 42.35

 

CMYK 45 / 0 / 91 / 62

HEX #366209

RGB 54 98 9

HSL 89.66, 0.83%, 0.21%

LAB 37, -30.06, 40.56

 

CMYK 69 / 0 / 91 / 62

HEX #1E6209

RGB 30 98 9

HSL 105.84, 0.83%, 0.21%

LAB 36.04, -37.58, 39.35

 

CMYK 91 / 0 / 88 / 62

HEX #09620C

RGB 9 98 12

HSL 122.02, 0.83%, 0.21%

LAB 35.64, -41.06, 37.98

 

CMYK 45 / 0 / 91 / 91

HEX #0C1602

RGB 12 22 2

HSL 90, 0.83%, 0.05%

LAB 5.93, -7.14, 7.93

 

CMYK 47 / 0 / 90 / 76

HEX #203C06

RGB 32 60 6

HSL 91.11, 0.82%, 0.13%

LAB 22.13, -20.91, 27.58

 

CMYK 47 / 0 / 91 / 62

HEX #346209

RGB 52 98 9

HSL 91.01, 0.83%, 0.21%

LAB 36.9, -30.8, 40.43

 

CMYK 47 / 0 / 90 / 47

HEX #48880D

RGB 72 136 13

HSL 91.22, 0.83%, 0.29%

LAB 50.7, -39.87, 51.77

 

CMYK 47 / 0 / 91 / 32

HEX #5CAE10

RGB 92 174 16

HSL 91.14, 0.83%, 0.37%

LAB 63.82, -48.45, 62.62

 

CMYK 47 / 0 / 91 / 61

HEX #356409

RGB 53 100 9

HSL 90.99, 0.83%, 0.21%

LAB 37.65, -31.32, 41.1

 

CMYK 91 / 0 / 28 / 62

HEX #096247

RGB 9 98 71

HSL 161.8, 0.83%, 0.21%

LAB 36.46, -31.35, 8.64

 

CMYK 0 / 91 / 9 / 62

HEX #620959

RGB 98 9 89

HSL 306.07, 0.83%, 0.21%

LAB 21.99, 45.2, -24.01

 

CMYK 47 / 0 / 91 / 61

HEX #356409

RGB 53 100 9

HSL 90.99, 0.83%, 0.21%

LAB 37.65, -31.32, 41.1

 

CMYK 91 / 45 / 0 / 62

HEX #093662

RGB 9 54 98

HSL 209.66, 0.83%, 0.21%

LAB 22.23, 3.72, -30.13

 

CMYK 0 / 91 / 45 / 62

HEX #620936

RGB 98 9 54

HSL 329.66, 0.83%, 0.21%

LAB 20.28, 40.49, -2.67

 

CMYK 47 / 0 / 91 / 61

HEX #356409

RGB 53 100 9

HSL 90.99, 0.83%, 0.21%

LAB 37.65, -31.32, 41.1

 

CMYK 91 / 0 / 28 / 62

HEX #096247

RGB 9 98 71

HSL 161.8, 0.83%, 0.21%

LAB 36.46, -31.35, 8.64

 

CMYK 45 / 91 / 0 / 62

HEX #360962

RGB 54 9 98

HSL 270.34, 0.83%, 0.21%

LAB 14.74, 38.81, -42.11

 

CMYK 0 / 91 / 63 / 62

HEX #620924

RGB 98 9 36

HSL 341.8, 0.83%, 0.21%

LAB 19.72, 38.89, 9.3

 

CMYK 47 / 0 / 91 / 61

HEX #356409

RGB 53 100 9

HSL 90.99, 0.83%, 0.21%

LAB 37.65, -31.32, 41.1

 

CMYK 91 / 0 / 0 / 62

HEX #096262

RGB 9 98 98

HSL 180, 0.83%, 0.21%

LAB 37.25, -23.15, -6.84

 

CMYK 45 / 91 / 0 / 62

HEX #360962

RGB 54 9 98

HSL 270.34, 0.83%, 0.21%

LAB 14.74, 38.81, -42.11

 

CMYK 0 / 91 / 91 / 62

HEX #620909

RGB 98 9 9

HSL 0, 0.83%, 0.21%

LAB 19.27, 37.58, 25.68

 

Description

Color code: RGB 53 100 9 | qconv.com Color code: RGB 53 100 9 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 100 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 100 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 91 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 91% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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