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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53.7 110.6 29 it is the complementary color RGB 201.3 144.4 226. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53.7 110.6 29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53.7 110.6 29 shade: RGB 58.7 110.6 24, RGB 75.7 128.6 43, RGB 92.7 146.6 62, RGB 109.7 164.6 81 and RGB 126.7 182.6 100

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53.7 110.6 29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53.7 110.6 29 shade: RGB 53.7 110.6 29, RGB 36.7 92.6 10, RGB 19.7 74.6 0, RGB 2.7 56.6 0 and RGB 0 38.6 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53.7 110.6 29 shade: RGB 53 109 29, RGB 75 109 29, RGB 96 109 29, RGB 109 100 29 and RGB 109 78 29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53.7 110.6 29 shade: RGB 53 109 29, RGB 32 109 29, RGB 29 109 48, RGB 29 109 69 and RGB 29 109 91

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53.7 110.6 29 shade matches the following richer shades: RGB 53 109 29, RGB 49 120 18 and RGB 44 131 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53.7 110.6 29 shade: RGB 53 109 29, RGB 57 98 40, RGB 62 87 51, RGB 66 75 62 and RGB 71 64 73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53.7 110.6 29 shade: RGB 97 109 29, RGB 76 109 29, RGB 54 109 29, RGB 33 109 29 and RGB 29 109 46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53.7 110.6 29 shade: RGB 21 44 12, RGB 37 76 20, RGB 53 109 29, RGB 69 141 38 and RGB 85 174 46

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53.7 110.6 29 shade: RGB 53.7 110.6 29, RGB 29 109 99 and RGB 109 29 86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53.7 110.6 29 shade: RGB 53.7 110.6 29, RGB 29 54 109 and RGB 109 29 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53.7 110.6 29 shade: RGB 53.7 110.6 29, RGB 29 109 99, RGB 83 29 109 and RGB 109 29 38

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53.7 110.6 29 shade: RGB 53.7 110.6 29, RGB 29 94 109, RGB 83 29 109 and RGB 109 44 29

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 74 / 57

HEX #356E1D

RGB 53.7 110.6 29

HSL 101.84, 0.58%, 0.27%

LAB 41.45, -34.43, 37.86

 

Complementary color

CMYK 11 / 36 / 0 / 11

HEX #C990E2

RGB 201.3 144.4 226

HSL 281.84, 0.58%, 0.73%

LAB 68.03, 35.76, -33.12

 

CMYK 47 / 0 / 78 / 57

HEX #3A6E18

RGB 58.7 110.6 24

HSL 95.96, 0.64%, 0.26%

LAB 41.64, -33.12, 40.12

 

CMYK 41 / 0 / 67 / 50

HEX #4B802B

RGB 75.7 128.6 43

HSL 97.08, 0.5%, 0.34%

LAB 48.63, -33.51, 39.65

 

CMYK 37 / 0 / 58 / 43

HEX #5C923E

RGB 92.7 146.6 62

HSL 98.23, 0.41%, 0.41%

LAB 55.48, -33.64, 38.63

 

CMYK 33 / 0 / 51 / 35

HEX #6DA451

RGB 109.7 164.6 81

HSL 99.4, 0.34%, 0.48%

LAB 62.22, -33.62, 37.44

 

CMYK 31 / 0 / 45 / 28

HEX #7EB664

RGB 126.7 182.6 100

HSL 100.61, 0.36%, 0.55%

LAB 68.83, -33.52, 36.22

 

CMYK 51 / 0 / 74 / 57

HEX #356E1D

RGB 53.7 110.6 29

HSL 101.84, 0.58%, 0.27%

LAB 41.45, -34.43, 37.86

 

CMYK 60 / 0 / 89 / 64

HEX #245C0A

RGB 36.7 92.6 10

HSL 100.61, 0.81%, 0.2%

LAB 34.33, -33.6, 37.62

 

CMYK 74 / 0 / 100 / 71

HEX #134A00

RGB 19.7 74.6 0

HSL 104.16, 1%, 0.15%

LAB 27.08, -31.81, 34.64

 

CMYK 95 / 0 / 100 / 78

HEX #023800

RGB 2.7 56.6 0

HSL 117.14, 1%, 0.11%

LAB 19.66, -28.91, 26.99

 

CMYK 100 / 0 / 100 / 85

HEX #002600

RGB 0 38.6 0

HSL 120, 1%, 0.08%

LAB 12.12, -23.07, 17.5

 

CMYK 51 / 0 / 73 / 57

HEX #356D1D

RGB 53 109 29

HSL 102, 0.58%, 0.27%

LAB 40.87, -33.97, 37.25

 

CMYK 31 / 0 / 73 / 57

HEX #4B6D1D

RGB 75 109 29

HSL 85.5, 0.58%, 0.27%

LAB 42.03, -25.75, 38.81

 

CMYK 12 / 0 / 73 / 57

HEX #606D1D

RGB 96 109 29

HSL 69.75, 0.58%, 0.27%

LAB 43.53, -16.56, 40.81

 

CMYK 0 / 8 / 73 / 57

HEX #6D641D

RGB 109 100 29

HSL 53.25, 0.58%, 0.27%

LAB 41.93, -5.4, 39.59

 

CMYK 0 / 28 / 73 / 57

HEX #6D4E1D

RGB 109 78 29

HSL 36.75, 0.58%, 0.27%

LAB 35.57, 7.71, 33.07

 

CMYK 51 / 0 / 73 / 57

HEX #356D1D

RGB 53 109 29

HSL 102, 0.58%, 0.27%

LAB 40.87, -33.97, 37.25

 

CMYK 71 / 0 / 73 / 57

HEX #206D1D

RGB 32 109 29

HSL 117.75, 0.58%, 0.27%

LAB 40.14, -39.76, 36.25

 

CMYK 73 / 0 / 56 / 57

HEX #1D6D30

RGB 29 109 48

HSL 134.25, 0.58%, 0.27%

LAB 40.27, -37.96, 27.07

 

CMYK 73 / 0 / 37 / 57

HEX #1D6D45

RGB 29 109 69

HSL 150, 0.58%, 0.27%

LAB 40.62, -33.97, 15.62

 

CMYK 73 / 0 / 17 / 57

HEX #1D6D5B

RGB 29 109 91

HSL 166.5, 0.58%, 0.27%

LAB 41.14, -28.43, 3.19

 

CMYK 51 / 0 / 73 / 57

HEX #356D1D

RGB 53 109 29

HSL 102, 0.58%, 0.27%

LAB 40.87, -33.97, 37.25

 

CMYK 59 / 0 / 85 / 53

HEX #317812

RGB 49 120 18

HSL 101.76, 0.74%, 0.27%

LAB 44.42, -40.46, 44.63

 

CMYK 66 / 0 / 95 / 49

HEX #2C8307

RGB 44 131 7

HSL 102.1, 0.9%, 0.27%

LAB 47.99, -46.28, 50.21

 

CMYK 51 / 0 / 73 / 57

HEX #356D1D

RGB 53 109 29

HSL 102, 0.58%, 0.27%

LAB 40.87, -33.97, 37.25

 

CMYK 42 / 0 / 59 / 62

HEX #396228

RGB 57 98 40

HSL 102.41, 0.42%, 0.27%

LAB 37.41, -26.38, 28.17

 

CMYK 29 / 0 / 41 / 66

HEX #3E5733

RGB 62 87 51

HSL 101.67, 0.26%, 0.27%

LAB 34.15, -17.15, 17.96

 

CMYK 12 / 0 / 17 / 71

HEX #424B3E

RGB 66 75 62

HSL 101.54, 0.09%, 0.27%

LAB 30.73, -6.5, 6.54

 

CMYK 3 / 12 / 0 / 71

HEX #474049

RGB 71 64 73

HSL 286.67, 0.07%, 0.27%

LAB 28.08, 4.96, -4.37

 

CMYK 11 / 0 / 73 / 57

HEX #616D1D

RGB 97 109 29

HSL 69, 0.58%, 0.27%

LAB 43.61, -16.1, 40.91

 

CMYK 30 / 0 / 73 / 57

HEX #4C6D1D

RGB 76 109 29

HSL 84.75, 0.58%, 0.27%

LAB 42.1, -25.33, 38.9

 

CMYK 50 / 0 / 73 / 57

HEX #366D1D

RGB 54 109 29

HSL 101.25, 0.58%, 0.27%

LAB 40.91, -33.64, 37.31

 

CMYK 70 / 0 / 73 / 57

HEX #216D1D

RGB 33 109 29

HSL 117, 0.58%, 0.27%

LAB 40.16, -39.54, 36.29

 

CMYK 73 / 0 / 58 / 57

HEX #1D6D2E

RGB 29 109 46

HSL 132.75, 0.58%, 0.27%

LAB 40.24, -38.27, 28.11

 

CMYK 52 / 0 / 73 / 83

HEX #152C0C

RGB 21 44 12

HSL 103.13, 0.57%, 0.11%

LAB 15.42, -16.59, 17.09

 

CMYK 51 / 0 / 74 / 70

HEX #254C14

RGB 37 76 20

HSL 101.79, 0.58%, 0.19%

LAB 28.41, -25.51, 27.98

 

CMYK 51 / 0 / 73 / 57

HEX #356D1D

RGB 53 109 29

HSL 102, 0.58%, 0.27%

LAB 40.87, -33.97, 37.25

 

CMYK 51 / 0 / 73 / 45

HEX #458D26

RGB 69 141 38

HSL 101.94, 0.58%, 0.35%

LAB 52.35, -41.5, 45.6

 

CMYK 51 / 0 / 74 / 32

HEX #55AE2E

RGB 85 174 46

HSL 101.72, 0.58%, 0.43%

LAB 63.67, -49.15, 54.24

 

CMYK 51 / 0 / 74 / 57

HEX #356E1D

RGB 53.7 110.6 29

HSL 101.84, 0.58%, 0.27%

LAB 41.45, -34.43, 37.86

 

CMYK 73 / 0 / 9 / 57

HEX #1D6D63

RGB 29 109 99

HSL 172.5, 0.58%, 0.27%

LAB 41.37, -26.12, -1.31

 

CMYK 0 / 73 / 21 / 57

HEX #6D1D56

RGB 109 29 86

HSL 317.25, 0.58%, 0.27%

LAB 26.16, 41.21, -15.34

 

CMYK 51 / 0 / 74 / 57

HEX #356E1D

RGB 53.7 110.6 29

HSL 101.84, 0.58%, 0.27%

LAB 41.45, -34.43, 37.86

 

CMYK 73 / 50 / 0 / 57

HEX #1D366D

RGB 29 54 109

HSL 221.25, 0.58%, 0.27%

LAB 23.68, 10.98, -34.87

 

CMYK 0 / 73 / 50 / 57

HEX #6D1D36

RGB 109 29 54

HSL 341.25, 0.58%, 0.27%

LAB 24.94, 37.15, 4.39

 

CMYK 51 / 0 / 74 / 57

HEX #356E1D

RGB 53.7 110.6 29

HSL 101.84, 0.58%, 0.27%

LAB 41.45, -34.43, 37.86

 

CMYK 73 / 0 / 9 / 57

HEX #1D6D63

RGB 29 109 99

HSL 172.5, 0.58%, 0.27%

LAB 41.37, -26.12, -1.31

 

CMYK 24 / 73 / 0 / 57

HEX #531D6D

RGB 83 29 109

HSL 280.5, 0.58%, 0.27%

LAB 23.07, 38.81, -35.58

 

CMYK 0 / 73 / 65 / 57

HEX #6D1D26

RGB 109 29 38

HSL 353.25, 0.58%, 0.27%

LAB 24.54, 35.78, 14.75

 

CMYK 51 / 0 / 74 / 57

HEX #356E1D

RGB 53.7 110.6 29

HSL 101.84, 0.58%, 0.27%

LAB 41.45, -34.43, 37.86

 

CMYK 73 / 14 / 0 / 57

HEX #1D5E6D

RGB 29 94 109

HSL 191.25, 0.58%, 0.27%

LAB 36.69, -14.86, -14.46

 

CMYK 24 / 73 / 0 / 57

HEX #531D6D

RGB 83 29 109

HSL 280.5, 0.58%, 0.27%

LAB 23.07, 38.81, -35.58

 

CMYK 0 / 60 / 73 / 57

HEX #6D2C1D

RGB 109 44 29

HSL 11.25, 0.58%, 0.27%

LAB 27.13, 27.86, 23.77

 

Description

Color code: RGB 53.7 110.6 29 | qconv.com Color code: RGB 53.7 110.6 29 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53.7 red, 110.6 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53.7 110.6 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 74 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 74% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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