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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53.1 165 135 it is the complementary color RGB 201.9 90 120. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53.1 165 135. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53.1 165 135 shade: RGB 58.1 165 130, RGB 75.1 183 149, RGB 92.1 201 168, RGB 109.1 219 187 and RGB 126.1 237 206

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53.1 165 135. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53.1 165 135 shade: RGB 53.1 165 135, RGB 36.1 147 116, RGB 19.1 129 97, RGB 2.1 111 78 and RGB 0 93 59

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53.1 165 135 shade: RGB 54 166 136, RGB 54 166 105, RGB 54 166 75, RGB 62 166 54 and RGB 93 166 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53.1 165 135 shade: RGB 54 166 136, RGB 54 165 166, RGB 54 135 166, RGB 54 105 166 and RGB 54 75 166

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53.1 165 135 shade matches the following richer shades: RGB 54 166 136, RGB 36 183 144, RGB 18 201 152 and RGB 1 219 160

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53.1 165 135 shade: RGB 54 166 136, RGB 71 148 127, RGB 89 130 119, RGB 107 112 111 and RGB 125 95 103

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53.1 165 135 shade: RGB 54 166 74, RGB 54 166 104, RGB 54 166 134, RGB 54 166 164 and RGB 54 138 166

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53.1 165 135 shade: RGB 34 103 85, RGB 44 134 110, RGB 54 166 136, RGB 67 194 160 and RGB 98 204 176

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53.1 165 135 shade: RGB 53.1 165 135, RGB 54 63 166 and RGB 166 89 54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53.1 165 135 shade: RGB 53.1 165 135, RGB 134 54 166 and RGB 166 134 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53.1 165 135 shade: RGB 53.1 165 135, RGB 54 63 166, RGB 166 54 85 and RGB 166 156 54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53.1 165 135 shade: RGB 53.1 165 135, RGB 78 54 166, RGB 166 54 85 and RGB 141 166 54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 18 / 35

HEX #35A587

RGB 53.1 165 135

HSL 163.91, 0.51%, 0.43%

LAB 61.15, -38.65, 6.47

 

Complementary color

CMYK 0 / 55 / 41 / 21

HEX #C95A78

RGB 201.9 90 120

HSL 343.91, 0.51%, 0.57%

LAB 53.18, 47.37, 5.19

 

CMYK 65 / 0 / 21 / 35

HEX #3AA582

RGB 58.1 165 130

HSL 160.36, 0.48%, 0.44%

LAB 61.15, -39.01, 9.29

 

CMYK 59 / 0 / 19 / 28

HEX #4BB795

RGB 75.1 183 149

HSL 161.09, 0.43%, 0.51%

LAB 67.68, -39.18, 8.13

 

CMYK 54 / 0 / 16 / 21

HEX #5CC9A8

RGB 92.1 201 168

HSL 161.82, 0.5%, 0.57%

LAB 74.11, -39.22, 7.07

 

CMYK 50 / 0 / 15 / 14

HEX #6DDBBB

RGB 109.1 219 187

HSL 162.53, 0.6%, 0.64%

LAB 80.46, -39.18, 6.1

 

CMYK 47 / 0 / 13 / 7

HEX #7EEDCE

RGB 126.1 237 206

HSL 163.23, 0.75%, 0.71%

LAB 86.74, -39.08, 5.21

 

CMYK 68 / 0 / 18 / 35

HEX #35A587

RGB 53.1 165 135

HSL 163.91, 0.51%, 0.43%

LAB 61.15, -38.65, 6.47

 

CMYK 75 / 0 / 21 / 42

HEX #249374

RGB 36.1 147 116

HSL 163.23, 0.61%, 0.36%

LAB 54.56, -38.1, 7.75

 

CMYK 85 / 0 / 25 / 49

HEX #138161

RGB 19.1 129 97

HSL 162.53, 0.74%, 0.29%

LAB 47.88, -37.15, 9.22

 

CMYK 98 / 0 / 30 / 56

HEX #026F4E

RGB 2.1 111 78

HSL 161.82, 0.96%, 0.22%

LAB 41.11, -35.72, 10.9

 

CMYK 100 / 0 / 37 / 64

HEX #005D3B

RGB 0 93 59

HSL 158.06, 1%, 0.18%

LAB 34.28, -33.16, 12.93

 

CMYK 67 / 0 / 18 / 35

HEX #36A688

RGB 54 166 136

HSL 163.93, 0.51%, 0.43%

LAB 61.51, -38.69, 6.43

 

CMYK 67 / 0 / 37 / 35

HEX #36A669

RGB 54 166 105

HSL 147.32, 0.51%, 0.43%

LAB 60.85, -45.68, 22.64

 

CMYK 67 / 0 / 55 / 35

HEX #36A64B

RGB 54 166 75

HSL 131.25, 0.51%, 0.43%

LAB 60.4, -50.78, 37.72

 

CMYK 63 / 0 / 67 / 35

HEX #3EA636

RGB 62 166 54

HSL 115.71, 0.51%, 0.43%

LAB 60.39, -51.56, 47.44

 

CMYK 44 / 0 / 67 / 35

HEX #5DA636

RGB 93 166 54

HSL 99.11, 0.51%, 0.43%

LAB 61.54, -42.81, 49.01

 

CMYK 67 / 0 / 18 / 35

HEX #36A688

RGB 54 166 136

HSL 163.93, 0.51%, 0.43%

LAB 61.51, -38.69, 6.43

 

CMYK 67 / 1 / 0 / 35

HEX #36A5A6

RGB 54 165 166

HSL 180.54, 0.51%, 0.43%

LAB 62.04, -30.03, -9.64

 

CMYK 67 / 19 / 0 / 35

HEX #3687A6

RGB 54 135 166

HSL 196.61, 0.51%, 0.43%

LAB 52.8, -14.47, -23.66

 

CMYK 67 / 37 / 0 / 35

HEX #3669A6

RGB 54 105 166

HSL 212.68, 0.51%, 0.43%

LAB 43.71, 3.21, -37.86

 

CMYK 67 / 55 / 0 / 35

HEX #364BA6

RGB 54 75 166

HSL 228.75, 0.51%, 0.43%

LAB 35.14, 22.63, -51.58

 

CMYK 67 / 0 / 18 / 35

HEX #36A688

RGB 54 166 136

HSL 163.93, 0.51%, 0.43%

LAB 61.51, -38.69, 6.43

 

CMYK 80 / 0 / 21 / 28

HEX #24B790

RGB 36 183 144

HSL 164.08, 0.67%, 0.43%

LAB 66.71, -46.33, 9.38

 

CMYK 91 / 0 / 24 / 21

HEX #12C998

RGB 18 201 152

HSL 163.93, 0.84%, 0.43%

LAB 72.34, -52.9, 12.98

 

CMYK 100 / 0 / 27 / 14

HEX #01DBA0

RGB 1 219 160

HSL 163.76, 0.99%, 0.43%

LAB 78, -58.46, 16.64

 

CMYK 67 / 0 / 18 / 35

HEX #36A688

RGB 54 166 136

HSL 163.93, 0.51%, 0.43%

LAB 61.51, -38.69, 6.43

 

CMYK 52 / 0 / 14 / 42

HEX #47947F

RGB 71 148 127

HSL 163.64, 0.35%, 0.43%

LAB 56.14, -29.13, 3.86

 

CMYK 32 / 0 / 8 / 49

HEX #598277

RGB 89 130 119

HSL 163.9, 0.19%, 0.43%

LAB 51.18, -16.78, 1.4

 

CMYK 4 / 0 / 1 / 56

HEX #6B706F

RGB 107 112 111

HSL 168, 0.02%, 0.43%

LAB 46.79, -2.11, -0.11

 

CMYK 0 / 24 / 18 / 51

HEX #7D5F67

RGB 125 95 103

HSL 344, 0.14%, 0.43%

LAB 43.54, 13.54, 0.17

 

CMYK 67 / 0 / 55 / 35

HEX #36A64A

RGB 54 166 74

HSL 130.71, 0.51%, 0.43%

LAB 60.38, -50.92, 38.19

 

CMYK 67 / 0 / 37 / 35

HEX #36A668

RGB 54 166 104

HSL 146.79, 0.51%, 0.43%

LAB 60.83, -45.88, 23.16

 

CMYK 67 / 0 / 19 / 35

HEX #36A686

RGB 54 166 134

HSL 162.86, 0.51%, 0.43%

LAB 61.46, -39.19, 7.48

 

CMYK 67 / 0 / 1 / 35

HEX #36A6A4

RGB 54 166 164

HSL 178.93, 0.51%, 0.43%

LAB 62.29, -31.1, -8.15

 

CMYK 67 / 17 / 0 / 35

HEX #368AA6

RGB 54 138 166

HSL 195, 0.51%, 0.43%

LAB 53.72, -16.12, -22.24

 

CMYK 67 / 0 / 17 / 60

HEX #226755

RGB 34 103 85

HSL 164.35, 0.5%, 0.27%

LAB 39.06, -26.28, 3.86

 

CMYK 67 / 0 / 18 / 47

HEX #2C866E

RGB 44 134 110

HSL 164, 0.51%, 0.35%

LAB 50.35, -32.54, 5.22

 

CMYK 67 / 0 / 18 / 35

HEX #36A688

RGB 54 166 136

HSL 163.93, 0.51%, 0.43%

LAB 61.51, -38.69, 6.43

 

CMYK 65 / 0 / 18 / 24

HEX #43C2A0

RGB 67 194 160

HSL 163.94, 0.51%, 0.51%

LAB 71.09, -42.88, 6.97

 

CMYK 52 / 0 / 14 / 20

HEX #62CCB0

RGB 98 204 176

HSL 164.15, 0.51%, 0.59%

LAB 75.4, -37.41, 4.63

 

CMYK 68 / 0 / 18 / 35

HEX #35A587

RGB 53.1 165 135

HSL 163.91, 0.51%, 0.43%

LAB 61.15, -38.65, 6.47

 

CMYK 67 / 62 / 0 / 35

HEX #363FA6

RGB 54 63 166

HSL 235.18, 0.51%, 0.43%

LAB 32.02, 30.5, -56.66

 

CMYK 0 / 46 / 67 / 35

HEX #A65936

RGB 166 89 54

HSL 18.75, 0.51%, 0.43%

LAB 46.34, 28.53, 33.84

 

CMYK 68 / 0 / 18 / 35

HEX #35A587

RGB 53.1 165 135

HSL 163.91, 0.51%, 0.43%

LAB 61.15, -38.65, 6.47

 

CMYK 19 / 67 / 0 / 35

HEX #8636A6

RGB 134 54 166

HSL 282.86, 0.51%, 0.43%

LAB 38.66, 51.73, -45.51

 

CMYK 0 / 19 / 67 / 35

HEX #A68636

RGB 166 134 54

HSL 42.86, 0.51%, 0.43%

LAB 57.49, 3.25, 46.26

 

CMYK 68 / 0 / 18 / 35

HEX #35A587

RGB 53.1 165 135

HSL 163.91, 0.51%, 0.43%

LAB 61.15, -38.65, 6.47

 

CMYK 67 / 62 / 0 / 35

HEX #363FA6

RGB 54 63 166

HSL 235.18, 0.51%, 0.43%

LAB 32.02, 30.5, -56.66

 

CMYK 0 / 67 / 49 / 35

HEX #A63655

RGB 166 54 85

HSL 343.39, 0.51%, 0.43%

LAB 40.25, 48.28, 7.32

 

CMYK 0 / 6 / 67 / 35

HEX #A69C36

RGB 166 156 54

HSL 54.64, 0.51%, 0.43%

LAB 63.47, -8.73, 52.53

 

CMYK 68 / 0 / 18 / 35

HEX #35A587

RGB 53.1 165 135

HSL 163.91, 0.51%, 0.43%

LAB 61.15, -38.65, 6.47

 

CMYK 53 / 67 / 0 / 35

HEX #4E36A6

RGB 78 54 166

HSL 252.86, 0.51%, 0.43%

LAB 31.83, 40, -56.88

 

CMYK 0 / 67 / 49 / 35

HEX #A63655

RGB 166 54 85

HSL 343.39, 0.51%, 0.43%

LAB 40.25, 48.28, 7.32

 

CMYK 15 / 0 / 67 / 35

HEX #8DA636

RGB 141 166 54

HSL 73.39, 0.51%, 0.43%

LAB 64.32, -24.64, 52.79

 

Description

Color code: RGB 53.1 165 135 | qconv.com Color code: RGB 53.1 165 135 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53.1 red, 165 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53.1 165 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 18 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 18% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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