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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53.1 108.8 91 it is the complementary color RGB 201.9 146.2 164. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53.1 108.8 91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53.1 108.8 91 shade: RGB 58.1 108.8 86, RGB 75.1 126.8 105, RGB 92.1 144.8 124, RGB 109.1 162.8 143 and RGB 126.1 180.8 162

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53.1 108.8 91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53.1 108.8 91 shade: RGB 53.1 108.8 91, RGB 36.1 90.8 72, RGB 19.1 72.8 53, RGB 2.1 54.8 34 and RGB 0 36.8 15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53.1 108.8 91 shade: RGB 53 109 91, RGB 53 109 76, RGB 53 109 61, RGB 60 109 53 and RGB 75 109 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53.1 108.8 91 shade: RGB 53 109 91, RGB 53 109 106, RGB 53 97 109, RGB 53 82 109 and RGB 53 67 109

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53.1 108.8 91 shade matches the following richer shades: RGB 53 109 91, RGB 40 122 96, RGB 27 135 101, RGB 14 148 105 and RGB 1 162 110

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53.1 108.8 91 shade: RGB 53 109 91, RGB 67 96 86, RGB 80 82 82, RGB 93 69 77 and RGB 106 56 72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53.1 108.8 91 shade: RGB 53 109 61, RGB 53 109 76, RGB 53 109 90, RGB 53 109 105 and RGB 53 98 109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53.1 108.8 91 shade: RGB 26 54 45, RGB 40 81 68, RGB 53 109 91, RGB 67 136 114 and RGB 81 164 137

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53.1 108.8 91 shade: RGB 53.1 108.8 91, RGB 53 61 109 and RGB 109 68 53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53.1 108.8 91 shade: RGB 53.1 108.8 91, RGB 90 53 109 and RGB 109 90 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53.1 108.8 91 shade: RGB 53.1 108.8 91, RGB 53 61 109, RGB 109 53 72 and RGB 109 101 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53.1 108.8 91 shade: RGB 53.1 108.8 91, RGB 63 53 109, RGB 109 53 72 and RGB 100 109 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 16 / 57

HEX #356C5B

RGB 53.1 108.8 91

HSL 160.83, 0.34%, 0.32%

LAB 41.86, -23.12, 4.33

 

Complementary color

CMYK 0 / 28 / 19 / 21

HEX #C992A4

RGB 201.9 146.2 164

HSL 340.83, 0.34%, 0.68%

LAB 66.4, 23.66, -1.01

 

CMYK 47 / 0 / 21 / 57

HEX #3A6C56

RGB 58.1 108.8 86

HSL 153.02, 0.3%, 0.33%

LAB 41.95, -22.93, 7.5

 

CMYK 41 / 0 / 17 / 50

HEX #4B7E69

RGB 75.1 126.8 105

HSL 154.7, 0.26%, 0.4%

LAB 49.07, -22.69, 6.46

 

CMYK 36 / 0 / 14 / 43

HEX #5C907C

RGB 92.1 144.8 124

HSL 156.32, 0.22%, 0.46%

LAB 56.01, -22.44, 5.52

 

CMYK 33 / 0 / 12 / 36

HEX #6DA28F

RGB 109.1 162.8 143

HSL 157.88, 0.23%, 0.53%

LAB 62.81, -22.21, 4.66

 

CMYK 30 / 0 / 10 / 29

HEX #7EB4A2

RGB 126.1 180.8 162

HSL 159.38, 0.27%, 0.6%

LAB 69.48, -21.99, 3.86

 

CMYK 51 / 0 / 16 / 57

HEX #356C5B

RGB 53.1 108.8 91

HSL 160.83, 0.34%, 0.32%

LAB 41.86, -23.12, 4.33

 

CMYK 60 / 0 / 21 / 64

HEX #245A48

RGB 36.1 90.8 72

HSL 159.38, 0.43%, 0.25%

LAB 34.59, -23.19, 5.47

 

CMYK 74 / 0 / 27 / 71

HEX #134835

RGB 19.1 72.8 53

HSL 157.88, 0.58%, 0.18%

LAB 27.12, -23.02, 6.84

 

CMYK 96 / 0 / 38 / 79

HEX #023622

RGB 2.1 54.8 34

HSL 156.32, 0.93%, 0.11%

LAB 19.4, -22.56, 8.5

 

CMYK 100 / 0 / 59 / 86

HEX #00240F

RGB 0 36.8 15

HSL 144.46, 1%, 0.07%

LAB 11.59, -19.57, 10.36

 

CMYK 51 / 0 / 17 / 57

HEX #356D5B

RGB 53 109 91

HSL 160.71, 0.35%, 0.32%

LAB 41.92, -23.25, 4.42

 

CMYK 51 / 0 / 30 / 57

HEX #356D4C

RGB 53 109 76

HSL 144.64, 0.35%, 0.32%

LAB 41.56, -26.79, 12.89

 

CMYK 51 / 0 / 44 / 57

HEX #356D3D

RGB 53 109 61

HSL 128.57, 0.35%, 0.32%

LAB 41.27, -29.75, 21.27

 

CMYK 45 / 0 / 51 / 57

HEX #3C6D35

RGB 60 109 53

HSL 112.5, 0.35%, 0.32%

LAB 41.46, -28.79, 26.07

 

CMYK 31 / 0 / 51 / 57

HEX #4B6D35

RGB 75 109 53

HSL 96.43, 0.35%, 0.32%

LAB 42.29, -23.26, 27.29

 

CMYK 51 / 0 / 17 / 57

HEX #356D5B

RGB 53 109 91

HSL 160.71, 0.35%, 0.32%

LAB 41.92, -23.25, 4.42

 

CMYK 51 / 0 / 3 / 57

HEX #356D6A

RGB 53 109 106

HSL 176.79, 0.35%, 0.32%

LAB 42.36, -19.2, -4.01

 

CMYK 51 / 11 / 0 / 57

HEX #35616D

RGB 53 97 109

HSL 192.86, 0.35%, 0.32%

LAB 38.57, -11.59, -11.52

 

CMYK 51 / 25 / 0 / 57

HEX #35526D

RGB 53 82 109

HSL 208.93, 0.35%, 0.32%

LAB 33.76, -2.49, -18.87

 

CMYK 51 / 39 / 0 / 57

HEX #35436D

RGB 53 67 109

HSL 225, 0.35%, 0.32%

LAB 29.1, 7.28, -26.17

 

CMYK 51 / 0 / 17 / 57

HEX #356D5B

RGB 53 109 91

HSL 160.71, 0.35%, 0.32%

LAB 41.92, -23.25, 4.42

 

CMYK 67 / 0 / 21 / 52

HEX #287A60

RGB 40 122 96

HSL 160.98, 0.51%, 0.32%

LAB 45.93, -31.31, 7.09

 

CMYK 80 / 0 / 25 / 47

HEX #1B8765

RGB 27 135 101

HSL 161.11, 0.67%, 0.32%

LAB 50.1, -37.86, 10.03

 

CMYK 91 / 0 / 29 / 42

HEX #0E9469

RGB 14 148 105

HSL 160.75, 0.83%, 0.32%

LAB 54.34, -43.46, 13.65

 

CMYK 99 / 0 / 32 / 36

HEX #01A26E

RGB 1 162 110

HSL 160.62, 0.99%, 0.32%

LAB 58.95, -48.44, 17.21

 

CMYK 51 / 0 / 17 / 57

HEX #356D5B

RGB 53 109 91

HSL 160.71, 0.35%, 0.32%

LAB 41.92, -23.25, 4.42

 

CMYK 30 / 0 / 10 / 62

HEX #436056

RGB 67 96 86

HSL 159.31, 0.18%, 0.32%

LAB 38.25, -13.12, 2.27

 

CMYK 2 / 0 / 0 / 68

HEX #505252

RGB 80 82 82

HSL 180, 0.01%, 0.32%

LAB 34.7, -0.8, -0.29

 

CMYK 0 / 26 / 17 / 64

HEX #5D454D

RGB 93 69 77

HSL 340, 0.15%, 0.32%

LAB 32.08, 11.73, -0.79

 

CMYK 0 / 47 / 32 / 58

HEX #6A3848

RGB 106 56 72

HSL 340.8, 0.31%, 0.32%

LAB 30.3, 24.25, 0.06

 

CMYK 51 / 0 / 44 / 57

HEX #356D3D

RGB 53 109 61

HSL 128.57, 0.35%, 0.32%

LAB 41.27, -29.75, 21.27

 

CMYK 51 / 0 / 30 / 57

HEX #356D4C

RGB 53 109 76

HSL 144.64, 0.35%, 0.32%

LAB 41.56, -26.79, 12.89

 

CMYK 51 / 0 / 17 / 57

HEX #356D5A

RGB 53 109 90

HSL 159.64, 0.35%, 0.32%

LAB 41.9, -23.5, 4.98

 

CMYK 51 / 0 / 4 / 57

HEX #356D69

RGB 53 109 105

HSL 175.71, 0.35%, 0.32%

LAB 42.33, -19.49, -3.45

 

CMYK 51 / 10 / 0 / 57

HEX #35626D

RGB 53 98 109

HSL 191.79, 0.35%, 0.32%

LAB 38.89, -12.17, -11.03

 

CMYK 52 / 0 / 17 / 79

HEX #1A362D

RGB 26 54 45

HSL 160.71, 0.35%, 0.16%

LAB 20.23, -13.28, 2.37

 

CMYK 51 / 0 / 16 / 68

HEX #285144

RGB 40 81 68

HSL 160.98, 0.34%, 0.24%

LAB 31.24, -18.02, 3.22

 

CMYK 51 / 0 / 17 / 57

HEX #356D5B

RGB 53 109 91

HSL 160.71, 0.35%, 0.32%

LAB 41.92, -23.25, 4.42

 

CMYK 51 / 0 / 16 / 47

HEX #438872

RGB 67 136 114

HSL 160.87, 0.34%, 0.4%

LAB 51.86, -27.45, 5.16

 

CMYK 51 / 0 / 16 / 36

HEX #51A489

RGB 81 164 137

HSL 160.48, 0.34%, 0.48%

LAB 61.75, -31.96, 6.32

 

CMYK 51 / 0 / 16 / 57

HEX #356C5B

RGB 53.1 108.8 91

HSL 160.83, 0.34%, 0.32%

LAB 41.86, -23.12, 4.33

 

CMYK 51 / 44 / 0 / 57

HEX #353D6D

RGB 53 61 109

HSL 231.43, 0.35%, 0.32%

LAB 27.29, 11.34, -29.02

 

CMYK 0 / 38 / 51 / 57

HEX #6D4435

RGB 109 68 53

HSL 16.07, 0.35%, 0.32%

LAB 33.23, 15.85, 16.41

 

CMYK 51 / 0 / 16 / 57

HEX #356C5B

RGB 53.1 108.8 91

HSL 160.83, 0.34%, 0.32%

LAB 41.86, -23.12, 4.33

 

CMYK 17 / 51 / 0 / 57

HEX #5A356D

RGB 90 53 109

HSL 279.64, 0.35%, 0.32%

LAB 28.96, 27.57, -26.13

 

CMYK 0 / 17 / 51 / 57

HEX #6D5A35

RGB 109 90 53

HSL 39.64, 0.35%, 0.32%

LAB 39.28, 2.45, 24.18

 

CMYK 51 / 0 / 16 / 57

HEX #356C5B

RGB 53.1 108.8 91

HSL 160.83, 0.34%, 0.32%

LAB 41.86, -23.12, 4.33

 

CMYK 51 / 44 / 0 / 57

HEX #353D6D

RGB 53 61 109

HSL 231.43, 0.35%, 0.32%

LAB 27.29, 11.34, -29.02

 

CMYK 0 / 51 / 34 / 57

HEX #6D3548

RGB 109 53 72

HSL 339.64, 0.35%, 0.32%

LAB 30.07, 27.18, -0.22

 

CMYK 0 / 7 / 51 / 57

HEX #6D6535

RGB 109 101 53

HSL 51.43, 0.35%, 0.32%

LAB 42.48, -4.05, 28.13

 

CMYK 51 / 0 / 16 / 57

HEX #356C5B

RGB 53.1 108.8 91

HSL 160.83, 0.34%, 0.32%

LAB 41.86, -23.12, 4.33

 

CMYK 42 / 51 / 0 / 57

HEX #3F356D

RGB 63 53 109

HSL 250.71, 0.35%, 0.32%

LAB 25.88, 19.47, -31.21

 

CMYK 0 / 51 / 34 / 57

HEX #6D3548

RGB 109 53 72

HSL 339.64, 0.35%, 0.32%

LAB 30.07, 27.18, -0.22

 

CMYK 8 / 0 / 51 / 57

HEX #646D35

RGB 100 109 53

HSL 69.64, 0.35%, 0.32%

LAB 44.09, -12.69, 29.89

 

Description

Color code: RGB 53.1 108.8 91 | qconv.com Color code: RGB 53.1 108.8 91 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53.1 red, 108.8 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53.1 108.8 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 16 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 16% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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