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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53.1 108.8 46 it is the complementary color RGB 201.9 146.2 209. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53.1 108.8 46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53.1 108.8 46 shade: RGB 58.1 108.8 41, RGB 75.1 126.8 60, RGB 92.1 144.8 79, RGB 109.1 162.8 98 and RGB 126.1 180.8 117

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53.1 108.8 46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53.1 108.8 46 shade: RGB 53.1 108.8 46, RGB 36.1 90.8 27, RGB 19.1 72.8 8, RGB 2.1 54.8 0 and RGB 0 36.8 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53.1 108.8 46 shade: RGB 52 108 45, RGB 69 108 45, RGB 86 108 45, RGB 103 108 45 and RGB 108 96 45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53.1 108.8 46 shade: RGB 52 108 45, RGB 45 108 55, RGB 45 108 72, RGB 45 108 89 and RGB 45 108 106

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53.1 108.8 46 shade matches the following richer shades: RGB 52 108 45, RGB 43 120 33, RGB 33 133 20 and RGB 23 145 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53.1 108.8 46 shade: RGB 52 108 45, RGB 62 95 58, RGB 71 83 70, RGB 81 71 82 and RGB 91 58 95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53.1 108.8 46 shade: RGB 86 108 45, RGB 69 108 45, RGB 52 108 45, RGB 45 108 55 and RGB 45 108 71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53.1 108.8 46 shade: RGB 24 50 21, RGB 38 79 33, RGB 52 108 45, RGB 66 137 57 and RGB 80 166 69

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53.1 108.8 46 shade: RGB 53.1 108.8 46, RGB 45 103 108 and RGB 108 45 78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53.1 108.8 46 shade: RGB 53.1 108.8 46, RGB 45 52 108 and RGB 108 45 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53.1 108.8 46 shade: RGB 53.1 108.8 46, RGB 45 103 108, RGB 101 45 108 and RGB 108 50 45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53.1 108.8 46 shade: RGB 53.1 108.8 46, RGB 45 84 108, RGB 101 45 108 and RGB 108 69 45

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 58 / 57

HEX #356C2E

RGB 53.1 108.8 46

HSL 113.22, 0.41%, 0.3%

LAB 40.98, -31.96, 29.19

 

Complementary color

CMYK 3 / 30 / 0 / 18

HEX #C992D1

RGB 201.9 146.2 209

HSL 293.22, 0.41%, 0.7%

LAB 67.85, 31.57, -23.99

 

CMYK 47 / 0 / 62 / 57

HEX #3A6C29

RGB 58.1 108.8 41

HSL 104.87, 0.45%, 0.29%

LAB 41.15, -30.94, 32.02

 

CMYK 41 / 0 / 53 / 50

HEX #4B7E3C

RGB 75.1 126.8 60

HSL 106.44, 0.36%, 0.37%

LAB 48.2, -30.95, 30.75

 

CMYK 36 / 0 / 45 / 43

HEX #5C904F

RGB 92.1 144.8 79

HSL 108.05, 0.29%, 0.44%

LAB 55.11, -30.83, 29.44

 

CMYK 33 / 0 / 40 / 36

HEX #6DA262

RGB 109.1 162.8 98

HSL 109.72, 0.26%, 0.51%

LAB 61.88, -30.64, 28.17

 

CMYK 30 / 0 / 35 / 29

HEX #7EB475

RGB 126.1 180.8 117

HSL 111.44, 0.3%, 0.58%

LAB 68.53, -30.42, 26.96

 

CMYK 51 / 0 / 58 / 57

HEX #356C2E

RGB 53.1 108.8 46

HSL 113.22, 0.41%, 0.3%

LAB 40.98, -31.96, 29.19

 

CMYK 60 / 0 / 70 / 64

HEX #245A1B

RGB 36.1 90.8 27

HSL 111.44, 0.54%, 0.23%

LAB 33.78, -31.67, 30.41

 

CMYK 74 / 0 / 89 / 71

HEX #134808

RGB 19.1 72.8 8

HSL 109.72, 0.8%, 0.16%

LAB 26.44, -30.66, 30.82

 

CMYK 96 / 0 / 100 / 79

HEX #023600

RGB 2.1 54.8 0

HSL 117.7, 1%, 0.11%

LAB 18.92, -28.43, 26.13

 

CMYK 100 / 0 / 100 / 86

HEX #002400

RGB 0 36.8 0

HSL 120, 1%, 0.07%

LAB 11.35, -22.08, 16.44

 

CMYK 52 / 0 / 58 / 58

HEX #346C2D

RGB 52 108 45

HSL 113.33, 0.41%, 0.3%

LAB 40.65, -32.09, 29.3

 

CMYK 36 / 0 / 58 / 58

HEX #456C2D

RGB 69 108 45

HSL 97.14, 0.41%, 0.3%

LAB 41.5, -26.1, 30.52

 

CMYK 20 / 0 / 58 / 58

HEX #566C2D

RGB 86 108 45

HSL 80.95, 0.41%, 0.3%

LAB 42.6, -19.14, 32.09

 

CMYK 5 / 0 / 58 / 58

HEX #676C2D

RGB 103 108 45

HSL 64.76, 0.41%, 0.3%

LAB 43.94, -11.58, 33.98

 

CMYK 0 / 11 / 58 / 58

HEX #6C602D

RGB 108 96 45

HSL 48.57, 0.41%, 0.3%

LAB 40.81, -2.37, 30.48

 

CMYK 52 / 0 / 58 / 58

HEX #346C2D

RGB 52 108 45

HSL 113.33, 0.41%, 0.3%

LAB 40.65, -32.09, 29.3

 

CMYK 58 / 0 / 49 / 58

HEX #2D6C37

RGB 45 108 55

HSL 129.52, 0.41%, 0.3%

LAB 40.51, -32.65, 23.63

 

CMYK 58 / 0 / 33 / 58

HEX #2D6C48

RGB 45 108 72

HSL 145.71, 0.41%, 0.3%

LAB 40.82, -29.36, 14.2

 

CMYK 58 / 0 / 18 / 58

HEX #2D6C59

RGB 45 108 89

HSL 161.9, 0.41%, 0.3%

LAB 41.22, -25.29, 4.58

 

CMYK 58 / 0 / 2 / 58

HEX #2D6C6A

RGB 45 108 106

HSL 178.1, 0.41%, 0.3%

LAB 41.73, -20.53, -4.99

 

CMYK 52 / 0 / 58 / 58

HEX #346C2D

RGB 52 108 45

HSL 113.33, 0.41%, 0.3%

LAB 40.65, -32.09, 29.3

 

CMYK 64 / 0 / 73 / 53

HEX #2B7821

RGB 43 120 33

HSL 113.1, 0.57%, 0.3%

LAB 44.31, -40.97, 39.03

 

CMYK 75 / 0 / 85 / 48

HEX #218514

RGB 33 133 20

HSL 113.1, 0.74%, 0.3%

LAB 48.45, -48.71, 47.58

 

CMYK 84 / 0 / 94 / 43

HEX #179108

RGB 23 145 8

HSL 113.43, 0.9%, 0.3%

LAB 52.34, -54.5, 53.51

 

CMYK 52 / 0 / 58 / 58

HEX #346C2D

RGB 52 108 45

HSL 113.33, 0.41%, 0.3%

LAB 40.65, -32.09, 29.3

 

CMYK 35 / 0 / 39 / 63

HEX #3E5F3A

RGB 62 95 58

HSL 113.51, 0.24%, 0.3%

LAB 36.96, -20.26, 17.47

 

CMYK 14 / 0 / 16 / 67

HEX #475346

RGB 71 83 70

HSL 115.38, 0.08%, 0.3%

LAB 33.92, -7.62, 6.04

 

CMYK 1 / 13 / 0 / 68

HEX #514752

RGB 81 71 82

HSL 294.55, 0.07%, 0.3%

LAB 31.5, 6.53, -5

 

CMYK 4 / 39 / 0 / 63

HEX #5B3A5F

RGB 91 58 95

HSL 293.51, 0.24%, 0.3%

LAB 29.6, 21.57, -16.14

 

CMYK 20 / 0 / 58 / 58

HEX #566C2D

RGB 86 108 45

HSL 80.95, 0.41%, 0.3%

LAB 42.6, -19.14, 32.09

 

CMYK 36 / 0 / 58 / 58

HEX #456C2D

RGB 69 108 45

HSL 97.14, 0.41%, 0.3%

LAB 41.5, -26.1, 30.52

 

CMYK 52 / 0 / 58 / 58

HEX #346C2D

RGB 52 108 45

HSL 113.33, 0.41%, 0.3%

LAB 40.65, -32.09, 29.3

 

CMYK 58 / 0 / 49 / 58

HEX #2D6C37

RGB 45 108 55

HSL 129.52, 0.41%, 0.3%

LAB 40.51, -32.65, 23.63

 

CMYK 58 / 0 / 34 / 58

HEX #2D6C47

RGB 45 108 71

HSL 144.76, 0.41%, 0.3%

LAB 40.8, -29.57, 14.77

 

CMYK 52 / 0 / 58 / 80

HEX #183215

RGB 24 50 21

HSL 113.79, 0.41%, 0.14%

LAB 18.05, -17.24, 15.34

 

CMYK 52 / 0 / 58 / 69

HEX #264F21

RGB 38 79 33

HSL 113.48, 0.41%, 0.22%

LAB 29.7, -24.96, 22.6

 

CMYK 52 / 0 / 58 / 58

HEX #346C2D

RGB 52 108 45

HSL 113.33, 0.41%, 0.3%

LAB 40.65, -32.09, 29.3

 

CMYK 52 / 0 / 58 / 46

HEX #428939

RGB 66 137 57

HSL 113.25, 0.41%, 0.38%

LAB 51.09, -38.82, 35.64

 

CMYK 52 / 0 / 58 / 35

HEX #50A645

RGB 80 166 69

HSL 113.2, 0.41%, 0.46%

LAB 61.14, -45.27, 41.7

 

CMYK 51 / 0 / 58 / 57

HEX #356C2E

RGB 53.1 108.8 46

HSL 113.22, 0.41%, 0.3%

LAB 40.98, -31.96, 29.19

 

CMYK 58 / 5 / 0 / 58

HEX #2D676C

RGB 45 103 108

HSL 184.76, 0.41%, 0.3%

LAB 40.15, -17.21, -8.56

 

CMYK 0 / 58 / 28 / 58

HEX #6C2D4E

RGB 108 45 78

HSL 328.57, 0.41%, 0.3%

LAB 28.42, 32.11, -6.63

 

CMYK 51 / 0 / 58 / 57

HEX #356C2E

RGB 53.1 108.8 46

HSL 113.22, 0.41%, 0.3%

LAB 40.98, -31.96, 29.19

 

CMYK 58 / 52 / 0 / 58

HEX #2D346C

RGB 45 52 108

HSL 233.33, 0.41%, 0.3%

LAB 23.99, 15.2, -33.69

 

CMYK 0 / 58 / 52 / 58

HEX #6C2D34

RGB 108 45 52

HSL 353.33, 0.41%, 0.3%

LAB 27.61, 28.78, 9.45

 

CMYK 51 / 0 / 58 / 57

HEX #356C2E

RGB 53.1 108.8 46

HSL 113.22, 0.41%, 0.3%

LAB 40.98, -31.96, 29.19

 

CMYK 58 / 5 / 0 / 58

HEX #2D676C

RGB 45 103 108

HSL 184.76, 0.41%, 0.3%

LAB 40.15, -17.21, -8.56

 

CMYK 6 / 58 / 0 / 58

HEX #652D6C

RGB 101 45 108

HSL 293.33, 0.41%, 0.3%

LAB 28.71, 35.28, -25.79

 

CMYK 0 / 54 / 58 / 58

HEX #6C322D

RGB 108 50 45

HSL 4.76, 0.41%, 0.3%

LAB 28.53, 25.31, 15.3

 

CMYK 51 / 0 / 58 / 57

HEX #356C2E

RGB 53.1 108.8 46

HSL 113.22, 0.41%, 0.3%

LAB 40.98, -31.96, 29.19

 

CMYK 58 / 22 / 0 / 58

HEX #2D546C

RGB 45 84 108

HSL 202.86, 0.41%, 0.3%

LAB 33.94, -6.1, -18.01

 

CMYK 6 / 58 / 0 / 58

HEX #652D6C

RGB 101 45 108

HSL 293.33, 0.41%, 0.3%

LAB 28.71, 35.28, -25.79

 

CMYK 0 / 36 / 58 / 58

HEX #6C452D

RGB 108 69 45

HSL 22.86, 0.41%, 0.3%

LAB 33.21, 13.97, 21.29

 

Description

Color code: RGB 53.1 108.8 46 | qconv.com Color code: RGB 53.1 108.8 46 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53.1 red, 108.8 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53.1 108.8 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 58 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 58% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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