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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53.1 108.8 242 it is the complementary color RGB 201.9 146.2 13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53.1 108.8 242. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53.1 108.8 242 shade: RGB 58.1 108.8 237, RGB 75.1 126.8 255, RGB 92.1 144.8 255, RGB 109.1 162.8 255 and RGB 126.1 180.8 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53.1 108.8 242. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53.1 108.8 242 shade: RGB 53.1 108.8 242, RGB 36.1 90.8 223, RGB 19.1 72.8 204, RGB 2.1 54.8 185 and RGB 0 36.8 166

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53.1 108.8 242 shade: RGB 54 109 242, RGB 54 58 242, RGB 100 54 242, RGB 151 54 242 and RGB 201 54 242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53.1 108.8 242 shade: RGB 54 109 242, RGB 54 58 242 and RGB 54 54 242

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53.1 108.8 242 shade matches the following richer shades: RGB 54 109 242

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53.1 108.8 242 shade: RGB 54 109 242, RGB 71 116 225, RGB 88 123 207, RGB 106 131 190 and RGB 123 138 173

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53.1 108.8 242 shade: RGB 54 211 242, RGB 54 160 242, RGB 54 110 242, RGB 54 60 242 and RGB 98 54 242

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53.1 108.8 242 shade: RGB 13 68 200, RGB 15 81 239, RGB 54 109 242, RGB 92 137 245 and RGB 131 165 247

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53.1 108.8 242 shade: RGB 53.1 108.8 242, RGB 223 54 242 and RGB 186 242 54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53.1 108.8 242 shade: RGB 53.1 108.8 242, RGB 242 54 110 and RGB 110 242 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53.1 108.8 242 shade: RGB 53.1 108.8 242, RGB 223 54 242, RGB 242 186 54 and RGB 73 242 54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53.1 108.8 242 shade: RGB 53.1 108.8 242, RGB 242 54 204, RGB 242 186 54 and RGB 54 242 91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 55 / 0 / 5

HEX #356CF2

RGB 53.1 108.8 242

HSL 222.31, 0.88%, 0.58%

LAB 49.57, 28.69, -72.02

 

Complementary color

CMYK 0 / 28 / 94 / 21

HEX #C9920D

RGB 201.9 146.2 13

HSL 42.31, 0.88%, 0.42%

LAB 64.32, 11.21, 67.06

 

CMYK 75 / 54 / 0 / 7

HEX #3A6CED

RGB 58.1 108.8 237

HSL 223, 0.83%, 0.58%

LAB 49.39, 27.38, -69.51

 

CMYK 71 / 50 / 0 / 0

HEX #4B7EFF

RGB 75.1 126.8 255

HSL 222.76, 1%, 0.65%

LAB 55.93, 24.69, -68.88

 

CMYK 64 / 43 / 0 / 0

HEX #5C90FF

RGB 92.1 144.8 255

HSL 220.59, 1%, 0.68%

LAB 61.39, 16.32, -60.08

 

CMYK 57 / 36 / 0 / 0

HEX #6DA2FF

RGB 109.1 162.8 255

HSL 217.92, 1%, 0.71%

LAB 66.98, 8.84, -51.15

 

CMYK 51 / 29 / 0 / 0

HEX #7EB4FF

RGB 126.1 180.8 255

HSL 214.54, 1%, 0.75%

LAB 72.65, 2.19, -42.18

 

CMYK 78 / 55 / 0 / 5

HEX #356CF2

RGB 53.1 108.8 242

HSL 222.31, 0.88%, 0.58%

LAB 49.57, 28.69, -72.02

 

CMYK 84 / 59 / 0 / 13

HEX #245ADF

RGB 36.1 90.8 223

HSL 222.44, 0.74%, 0.51%

LAB 42.99, 31.65, -72.06

 

CMYK 91 / 64 / 0 / 20

HEX #1348CC

RGB 19.1 72.8 204

HSL 222.57, 0.83%, 0.44%

LAB 36.44, 35.1, -71.9

 

CMYK 99 / 70 / 0 / 27

HEX #0236B9

RGB 2.1 54.8 185

HSL 222.71, 0.98%, 0.37%

LAB 29.98, 38.93, -71.4

 

CMYK 100 / 78 / 0 / 35

HEX #0024A6

RGB 0 36.8 166

HSL 226.7, 1%, 0.33%

LAB 23.88, 42.92, -70.13

 

CMYK 78 / 55 / 0 / 5

HEX #366DF2

RGB 54 109 242

HSL 222.45, 0.88%, 0.58%

LAB 49.66, 28.65, -71.88

 

CMYK 78 / 76 / 0 / 5

HEX #363AF2

RGB 54 58 242

HSL 238.72, 0.88%, 0.58%

LAB 38.24, 58.89, -90.62

 

CMYK 59 / 78 / 0 / 5

HEX #6436F2

RGB 100 54 242

HSL 254.68, 0.88%, 0.58%

LAB 40.83, 64.81, -86.23

 

CMYK 38 / 78 / 0 / 5

HEX #9736F2

RGB 151 54 242

HSL 270.96, 0.88%, 0.58%

LAB 46.48, 71.52, -76.74

 

CMYK 17 / 78 / 0 / 5

HEX #C936F2

RGB 201 54 242

HSL 286.91, 0.88%, 0.58%

LAB 53.46, 79.74, -65.1

 

CMYK 78 / 55 / 0 / 5

HEX #366DF2

RGB 54 109 242

HSL 222.45, 0.88%, 0.58%

LAB 49.66, 28.65, -71.88

 

CMYK 78 / 76 / 0 / 5

HEX #363AF2

RGB 54 58 242

HSL 238.72, 0.88%, 0.58%

LAB 38.24, 58.89, -90.62

 

CMYK 78 / 78 / 0 / 5

HEX #3636F2

RGB 54 54 242

HSL 240, 0.88%, 0.58%

LAB 37.54, 60.89, -91.77

 

CMYK 78 / 55 / 0 / 5

HEX #366DF2

RGB 54 109 242

HSL 222.45, 0.88%, 0.58%

LAB 49.66, 28.65, -71.88

 

CMYK 78 / 55 / 0 / 5

HEX #366DF2

RGB 54 109 242

HSL 222.45, 0.88%, 0.58%

LAB 49.66, 28.65, -71.88

 

CMYK 68 / 48 / 0 / 12

HEX #4774E1

RGB 71 116 225

HSL 222.47, 0.72%, 0.58%

LAB 51, 20.22, -60.15

 

CMYK 57 / 41 / 0 / 19

HEX #587BCF

RGB 88 123 207

HSL 222.35, 0.55%, 0.58%

LAB 52.67, 12.72, -47.25

 

CMYK 44 / 31 / 0 / 25

HEX #6A83BE

RGB 106 131 190

HSL 222.14, 0.39%, 0.58%

LAB 55.09, 6.76, -33.69

 

CMYK 29 / 20 / 0 / 32

HEX #7B8AAD

RGB 123 138 173

HSL 222, 0.23%, 0.58%

LAB 57.47, 2.83, -20.22

 

CMYK 78 / 13 / 0 / 5

HEX #36D3F2

RGB 54 211 242

HSL 189.89, 0.88%, 0.58%

LAB 78.34, -29.31, -26.59

 

CMYK 78 / 34 / 0 / 5

HEX #36A0F2

RGB 54 160 242

HSL 206.17, 0.88%, 0.58%

LAB 63.62, -2.31, -49.48

 

CMYK 78 / 55 / 0 / 5

HEX #366EF2

RGB 54 110 242

HSL 222.13, 0.88%, 0.58%

LAB 49.91, 28.02, -71.46

 

CMYK 78 / 75 / 0 / 5

HEX #363CF2

RGB 54 60 242

HSL 238.09, 0.88%, 0.58%

LAB 38.6, 57.86, -90.03

 

CMYK 60 / 78 / 0 / 5

HEX #6236F2

RGB 98 54 242

HSL 254.04, 0.88%, 0.58%

LAB 40.65, 64.6, -86.54

 

CMYK 94 / 66 / 0 / 22

HEX #0D44C8

RGB 13 68 200

HSL 222.35, 0.88%, 0.42%

LAB 34.78, 36.45, -72.3

 

CMYK 94 / 66 / 0 / 6

HEX #0F51EF

RGB 15 81 239

HSL 222.32, 0.88%, 0.5%

LAB 41.56, 42.8, -83.48

 

CMYK 78 / 55 / 0 / 5

HEX #366DF2

RGB 54 109 242

HSL 222.45, 0.88%, 0.58%

LAB 49.66, 28.65, -71.88

 

CMYK 62 / 44 / 0 / 4

HEX #5C89F5

RGB 92 137 245

HSL 222.35, 0.88%, 0.66%

LAB 58.75, 17.63, -58.8

 

CMYK 47 / 33 / 0 / 3

HEX #83A5F7

RGB 131 165 247

HSL 222.41, 0.88%, 0.74%

LAB 68.35, 9.87, -44.55

 

CMYK 78 / 55 / 0 / 5

HEX #356CF2

RGB 53.1 108.8 242

HSL 222.31, 0.88%, 0.58%

LAB 49.57, 28.69, -72.02

 

CMYK 8 / 78 / 0 / 5

HEX #DF36F2

RGB 223 54 242

HSL 293.94, 0.88%, 0.58%

LAB 56.82, 83.68, -59.51

 

CMYK 23 / 0 / 78 / 5

HEX #BAF236

RGB 186 242 54

HSL 77.87, 0.88%, 0.58%

LAB 89.02, -42, 77.69

 

CMYK 78 / 55 / 0 / 5

HEX #356CF2

RGB 53.1 108.8 242

HSL 222.31, 0.88%, 0.58%

LAB 49.57, 28.69, -72.02

 

CMYK 0 / 78 / 55 / 5

HEX #F2366E

RGB 242 54 110

HSL 342.13, 0.88%, 0.58%

LAB 54.7, 72.28, 14.26

 

CMYK 55 / 0 / 78 / 5

HEX #6EF236

RGB 110 242 54

HSL 102.13, 0.88%, 0.58%

LAB 85.55, -66.64, 73.2

 

CMYK 78 / 55 / 0 / 5

HEX #356CF2

RGB 53.1 108.8 242

HSL 222.31, 0.88%, 0.58%

LAB 49.57, 28.69, -72.02

 

CMYK 8 / 78 / 0 / 5

HEX #DF36F2

RGB 223 54 242

HSL 293.94, 0.88%, 0.58%

LAB 56.82, 83.68, -59.51

 

CMYK 0 / 23 / 78 / 5

HEX #F2BA36

RGB 242 186 54

HSL 42.13, 0.88%, 0.58%

LAB 78.61, 8.44, 69.77

 

CMYK 70 / 0 / 78 / 5

HEX #49F236

RGB 73 242 54

HSL 113.94, 0.88%, 0.58%

LAB 84.58, -74.59, 71.95

 

CMYK 78 / 55 / 0 / 5

HEX #356CF2

RGB 53.1 108.8 242

HSL 222.31, 0.88%, 0.58%

LAB 49.57, 28.69, -72.02

 

CMYK 0 / 78 / 16 / 5

HEX #F236CC

RGB 242 54 204

HSL 312.13, 0.88%, 0.58%

LAB 57.92, 81.86, -36.11

 

CMYK 0 / 23 / 78 / 5

HEX #F2BA36

RGB 242 186 54

HSL 42.13, 0.88%, 0.58%

LAB 78.61, 8.44, 69.77

 

CMYK 78 / 0 / 62 / 5

HEX #36F25B

RGB 54 242 91

HSL 131.81, 0.88%, 0.58%

LAB 84.51, -74.28, 58.47

 

Description

Color code: RGB 53.1 108.8 242 | qconv.com Color code: RGB 53.1 108.8 242 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53.1 red, 108.8 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53.1 108.8 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 55 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 55% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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