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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 52 53 36 it is the complementary color RGB 203 202 219. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 52 53 36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 52 53 36 shade: RGB 57 53 31, RGB 74 71 50, RGB 91 89 69, RGB 108 107 88 and RGB 125 125 107

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 52 53 36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 52 53 36 shade: RGB 52 53 36, RGB 35 35 17, RGB 18 17 0, RGB 1 0 0 and RGB 0 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 52 53 36 shade: RGB 51 52 35, RGB 52 48 35, RGB 52 44 35, RGB 52 39 35 and RGB 52 35 35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 52 53 36 shade: RGB 51 52 35, RGB 46 52 35, RGB 42 52 35, RGB 37 52 35 and RGB 35 52 37

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 52 53 36 shade matches the following richer shades: RGB 51 52 35, RGB 57 59 28, RGB 63 66 21, RGB 69 73 14 and RGB 75 80 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 52 53 36 shade: RGB 51 52 35, RGB 44 45 42, RGB 38 38 49, RGB 32 31 56 and RGB 26 24 63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 52 53 36 shade: RGB 52 44 35, RGB 52 48 35, RGB 51 52 35, RGB 46 52 35 and RGB 42 52 35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 52 53 36 shade: RGB 2 2 2, RGB 27 27 18, RGB 51 52 35, RGB 75 76 52 and RGB 99 101 69

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 52 53 36 shade: RGB 52 53 36, RGB 35 52 39 and RGB 46 35 52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 52 53 36 shade: RGB 52 53 36, RGB 35 51 52 and RGB 52 35 51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 52 53 36 shade: RGB 52 53 36, RGB 35 52 39, RGB 36 35 52 and RGB 52 35 47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 52 53 36 shade: RGB 52 53 36, RGB 35 52 44, RGB 36 35 52 and RGB 52 35 43

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 32 / 79

HEX #343524

RGB 52 53 36

HSL 63.53, 0.19%, 0.17%

LAB 21.59, -3.89, 10.61

 

Complementary color

CMYK 7 / 8 / 0 / 14

HEX #CBCADB

RGB 203 202 219

HSL 243.53, 0.19%, 0.83%

LAB 81.87, 3.56, -8.3

 

CMYK 0 / 7 / 46 / 78

HEX #39351F

RGB 57 53 31

HSL 50.77, 0.3%, 0.17%

LAB 22, -2.21, 14.51

 

CMYK 0 / 4 / 32 / 71

HEX #4A4732

RGB 74 71 50

HSL 52.5, 0.19%, 0.24%

LAB 29.89, -2.64, 13.11

 

CMYK 0 / 2 / 24 / 64

HEX #5B5945

RGB 91 89 69

HSL 54.55, 0.14%, 0.31%

LAB 37.48, -2.94, 11.9

 

CMYK 0 / 1 / 19 / 58

HEX #6C6B58

RGB 108 107 88

HSL 57, 0.1%, 0.38%

LAB 44.81, -3.17, 10.81

 

CMYK 0 / 0 / 14 / 51

HEX #7D7D6B

RGB 125 125 107

HSL 60, 0.08%, 0.45%

LAB 51.94, -3.36, 9.83

 

CMYK 2 / 0 / 32 / 79

HEX #343524

RGB 52 53 36

HSL 63.53, 0.19%, 0.17%

LAB 21.59, -3.89, 10.61

 

CMYK 0 / 0 / 51 / 86

HEX #232311

RGB 35 35 17

HSL 60, 0.35%, 0.1%

LAB 13.23, -3.56, 11.86

 

CMYK 0 / 6 / 100 / 93

HEX #121100

RGB 18 17 0

HSL 56.67, 1%, 0.04%

LAB 4.78, -2.19, 7.12

 

CMYK 0 / 100 / 100 / 100

HEX #010000

RGB 1 0 0

HSL 0, 1%, 0%

LAB 0.06, 0.26, 0.09

 

CMYK 2 / 0 / 33 / 80

HEX #333423

RGB 51 52 35

HSL 63.53, 0.2%, 0.17%

LAB 21.14, -3.89, 10.64

 

CMYK 0 / 8 / 33 / 80

HEX #343023

RGB 52 48 35

HSL 45.88, 0.2%, 0.17%

LAB 19.9, -0.77, 8.99

 

CMYK 0 / 15 / 33 / 80

HEX #342C23

RGB 52 44 35

HSL 31.76, 0.2%, 0.17%

LAB 18.6, 1.92, 7.2

 

CMYK 0 / 25 / 33 / 80

HEX #342723

RGB 52 39 35

HSL 14.12, 0.2%, 0.17%

LAB 17, 5.36, 4.97

 

CMYK 0 / 33 / 33 / 80

HEX #342323

RGB 52 35 35

HSL 0, 0.2%, 0.17%

LAB 15.77, 8.13, 3.22

 

CMYK 2 / 0 / 33 / 80

HEX #333423

RGB 51 52 35

HSL 63.53, 0.2%, 0.17%

LAB 21.14, -3.89, 10.64

 

CMYK 12 / 0 / 33 / 80

HEX #2E3423

RGB 46 52 35

HSL 81.18, 0.2%, 0.17%

LAB 20.67, -6.28, 9.93

 

CMYK 19 / 0 / 33 / 80

HEX #2A3423

RGB 42 52 35

HSL 95.29, 0.2%, 0.17%

LAB 20.32, -8.13, 9.4

 

CMYK 29 / 0 / 33 / 80

HEX #253423

RGB 37 52 35

HSL 112.94, 0.2%, 0.17%

LAB 19.93, -10.35, 8.8

 

CMYK 33 / 0 / 29 / 80

HEX #233425

RGB 35 52 37

HSL 127.06, 0.2%, 0.17%

LAB 19.83, -10.77, 7.3

 

CMYK 2 / 0 / 33 / 80

HEX #333423

RGB 51 52 35

HSL 63.53, 0.2%, 0.17%

LAB 21.14, -3.89, 10.64

 

CMYK 3 / 0 / 53 / 77

HEX #393B1C

RGB 57 59 28

HSL 63.87, 0.36%, 0.17%

LAB 23.94, -6.43, 18.83

 

CMYK 5 / 0 / 68 / 74

HEX #3F4215

RGB 63 66 21

HSL 64, 0.52%, 0.17%

LAB 26.76, -8.46, 26.22

 

CMYK 5 / 0 / 81 / 71

HEX #45490E

RGB 69 73 14

HSL 64.07, 0.68%, 0.17%

LAB 29.57, -10.12, 32.55

 

CMYK 6 / 0 / 91 / 69

HEX #4B5007

RGB 75 80 7

HSL 64.11, 0.84%, 0.17%

LAB 32.37, -11.53, 37.75

 

CMYK 2 / 0 / 33 / 80

HEX #333423

RGB 51 52 35

HSL 63.53, 0.2%, 0.17%

LAB 21.14, -3.89, 10.64

 

CMYK 2 / 0 / 7 / 82

HEX #2C2D2A

RGB 44 45 42

HSL 80, 0.03%, 0.17%

LAB 18.27, -1.15, 1.78

 

CMYK 22 / 22 / 0 / 81

HEX #262631

RGB 38 38 49

HSL 240, 0.13%, 0.17%

LAB 15.59, 2.93, -7.17

 

CMYK 43 / 45 / 0 / 78

HEX #201F38

RGB 32 31 56

HSL 242.4, 0.29%, 0.17%

LAB 13.06, 7.99, -16.1

 

CMYK 59 / 62 / 0 / 75

HEX #1A183F

RGB 26 24 63

HSL 243.08, 0.45%, 0.17%

LAB 10.79, 13.99, -24.72

 

CMYK 0 / 15 / 33 / 80

HEX #342C23

RGB 52 44 35

HSL 31.76, 0.2%, 0.17%

LAB 18.6, 1.92, 7.2

 

CMYK 0 / 8 / 33 / 80

HEX #343023

RGB 52 48 35

HSL 45.88, 0.2%, 0.17%

LAB 19.9, -0.77, 8.99

 

CMYK 2 / 0 / 33 / 80

HEX #333423

RGB 51 52 35

HSL 63.53, 0.2%, 0.17%

LAB 21.14, -3.89, 10.64

 

CMYK 12 / 0 / 33 / 80

HEX #2E3423

RGB 46 52 35

HSL 81.18, 0.2%, 0.17%

LAB 20.67, -6.28, 9.93

 

CMYK 19 / 0 / 33 / 80

HEX #2A3423

RGB 42 52 35

HSL 95.29, 0.2%, 0.17%

LAB 20.32, -8.13, 9.4

 

CMYK 0 / 0 / 0 / 99

HEX #020202

RGB 2 2 2

HSL 0, 0%, 0.01%

LAB 0.55, 0, -0

 

CMYK 0 / 0 / 33 / 89

HEX #1B1B12

RGB 27 27 18

HSL 60, 0.2%, 0.09%

LAB 9.49, -2.03, 5.96

 

CMYK 2 / 0 / 33 / 80

HEX #333423

RGB 51 52 35

HSL 63.53, 0.2%, 0.17%

LAB 21.14, -3.89, 10.64

 

CMYK 1 / 0 / 32 / 70

HEX #4B4C34

RGB 75 76 52

HSL 62.5, 0.19%, 0.25%

LAB 31.61, -4.95, 14.18

 

CMYK 2 / 0 / 32 / 60

HEX #636545

RGB 99 101 69

HSL 63.75, 0.19%, 0.33%

LAB 41.83, -6.54, 17.91

 

CMYK 2 / 0 / 32 / 79

HEX #343524

RGB 52 53 36

HSL 63.53, 0.19%, 0.17%

LAB 21.59, -3.89, 10.61

 

CMYK 33 / 0 / 25 / 80

HEX #233427

RGB 35 52 39

HSL 134.12, 0.2%, 0.17%

LAB 19.88, -10.31, 6.02

 

CMYK 12 / 33 / 0 / 80

HEX #2E2334

RGB 46 35 52

HSL 278.82, 0.2%, 0.17%

LAB 15.65, 9.2, -9.13

 

CMYK 2 / 0 / 32 / 79

HEX #343524

RGB 52 53 36

HSL 63.53, 0.19%, 0.17%

LAB 21.59, -3.89, 10.61

 

CMYK 33 / 2 / 0 / 80

HEX #233334

RGB 35 51 52

HSL 183.53, 0.2%, 0.17%

LAB 19.94, -6.26, -2.77

 

CMYK 0 / 33 / 2 / 80

HEX #342333

RGB 52 35 51

HSL 303.53, 0.2%, 0.17%

LAB 16.36, 11.45, -7.27

 

CMYK 2 / 0 / 32 / 79

HEX #343524

RGB 52 53 36

HSL 63.53, 0.19%, 0.17%

LAB 21.59, -3.89, 10.61

 

CMYK 33 / 0 / 25 / 80

HEX #233427

RGB 35 52 39

HSL 134.12, 0.2%, 0.17%

LAB 19.88, -10.31, 6.02

 

CMYK 31 / 33 / 0 / 80

HEX #242334

RGB 36 35 52

HSL 243.53, 0.2%, 0.17%

LAB 14.54, 5.2, -10.92

 

CMYK 0 / 33 / 10 / 80

HEX #34232F

RGB 52 35 47

HSL 317.65, 0.2%, 0.17%

LAB 16.19, 10.54, -4.69

 

CMYK 2 / 0 / 32 / 79

HEX #343524

RGB 52 53 36

HSL 63.53, 0.19%, 0.17%

LAB 21.59, -3.89, 10.61

 

CMYK 33 / 0 / 15 / 80

HEX #23342C

RGB 35 52 44

HSL 151.76, 0.2%, 0.17%

LAB 20.02, -9.09, 2.83

 

CMYK 31 / 33 / 0 / 80

HEX #242334

RGB 36 35 52

HSL 243.53, 0.2%, 0.17%

LAB 14.54, 5.2, -10.92

 

CMYK 0 / 33 / 17 / 80

HEX #34232B

RGB 52 35 43

HSL 331.76, 0.2%, 0.17%

LAB 16.04, 9.68, -2.08

 

Description

Color code: RGB 52 53 36 | qconv.com Color code: RGB 52 53 36 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 53 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 53 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 32 yellow and 79 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 32% 79% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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