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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 52.1 54.8 10 it is the complementary color RGB 202.9 200.2 245. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 52.1 54.8 10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 52.1 54.8 10 shade: RGB 57.1 54.8 5, RGB 74.1 72.8 24, RGB 91.1 90.8 43, RGB 108.1 108.8 62 and RGB 125.1 126.8 81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 52.1 54.8 10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 52.1 54.8 10 shade: RGB 52.1 54.8 10, RGB 35.1 36.8 0, RGB 18.1 18.8 0, RGB 1.1 0.8 0 and RGB 0 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 52.1 54.8 10 shade: RGB 53 56 10, RGB 56 46 10, RGB 56 34 10, RGB 56 22 10 and RGB 56 10 10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 52.1 54.8 10 shade: RGB 53 56 10, RGB 41 56 10, RGB 29 56 10, RGB 16 56 10 and RGB 10 56 17

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 52.1 54.8 10 shade matches the following richer shades: RGB 53 56 10 and RGB 58 61 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 52.1 54.8 10 shade: RGB 53 56 10, RGB 49 51 16, RGB 44 45 21, RGB 39 40 26 and RGB 34 35 32

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 52.1 54.8 10 shade: RGB 56 34 10, RGB 56 46 10, RGB 54 56 10, RGB 42 56 10 and RGB 29 56 10

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 52.1 54.8 10 shade: RGB 0 0 0, RGB 20 21 4, RGB 53 56 10, RGB 86 91 17 and RGB 120 126 23

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 52.1 54.8 10 shade: RGB 52.1 54.8 10, RGB 10 56 22 and RGB 40 10 56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 52.1 54.8 10 shade: RGB 52.1 54.8 10, RGB 10 54 56 and RGB 56 10 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 52.1 54.8 10 shade: RGB 52.1 54.8 10, RGB 10 56 22, RGB 13 10 56 and RGB 56 10 45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 52.1 54.8 10 shade: RGB 52.1 54.8 10, RGB 10 56 35, RGB 13 10 56 and RGB 56 10 31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 82 / 79

HEX #34360A

RGB 52.1 54.8 10

HSL 63.62, 0.69%, 0.13%

LAB 21.83, -8.03, 26.09

 

Complementary color

CMYK 17 / 18 / 0 / 4

HEX #CAC8F5

RGB 202.9 200.2 245

HSL 243.62, 0.69%, 0.87%

LAB 82.2, 9.83, -21.69

 

CMYK 0 / 4 / 91 / 78

HEX #393605

RGB 57.1 54.8 5

HSL 57.35, 0.84%, 0.12%

LAB 22.29, -5.7, 28.77

 

CMYK 0 / 2 / 68 / 71

HEX #4A4818

RGB 74.1 72.8 24

HSL 58.44, 0.51%, 0.19%

LAB 30.07, -6.77, 28.57

 

CMYK 0 / 0 / 53 / 64

HEX #5B5A2B

RGB 91.1 90.8 43

HSL 59.63, 0.36%, 0.26%

LAB 37.57, -7.47, 27.36

 

CMYK 1 / 0 / 43 / 57

HEX #6C6C3E

RGB 108.1 108.8 62

HSL 60.9, 0.27%, 0.33%

LAB 44.85, -7.94, 26.02

 

CMYK 1 / 0 / 36 / 50

HEX #7D7E51

RGB 125.1 126.8 81

HSL 62.23, 0.22%, 0.41%

LAB 51.94, -8.27, 24.73

 

CMYK 5 / 0 / 82 / 79

HEX #34360A

RGB 52.1 54.8 10

HSL 63.62, 0.69%, 0.13%

LAB 21.83, -8.03, 26.09

 

CMYK 5 / 0 / 100 / 86

HEX #232400

RGB 35.1 36.8 0

HSL 62.77, 1%, 0.07%

LAB 13.65, -6.65, 19.94

 

CMYK 4 / 0 / 100 / 93

HEX #121200

RGB 18.1 18.8 0

HSL 62.23, 1%, 0.04%

LAB 5.32, -3.22, 7.9

 

CMYK 0 / 27 / 100 / 100

HEX #010000

RGB 1.1 0.8 0

HSL 43.64, 1%, 0%

LAB 0.22, -0.03, 0.33

 

CMYK 5 / 0 / 82 / 78

HEX #35380A

RGB 53 56 10

HSL 63.91, 0.7%, 0.13%

LAB 22.33, -8.3, 26.64

 

CMYK 0 / 18 / 82 / 78

HEX #382E0A

RGB 56 46 10

HSL 46.96, 0.7%, 0.13%

LAB 19.29, -0.27, 23.39

 

CMYK 0 / 39 / 82 / 78

HEX #38220A

RGB 56 34 10

HSL 31.3, 0.7%, 0.13%

LAB 15.52, 7.86, 18.82

 

CMYK 0 / 61 / 82 / 78

HEX #38160A

RGB 56 22 10

HSL 15.65, 0.7%, 0.13%

LAB 12.2, 15.86, 14.45

 

CMYK 0 / 82 / 82 / 78

HEX #380A0A

RGB 56 10 10

HSL 0, 0.7%, 0.13%

LAB 9.64, 22.62, 10.88

 

CMYK 5 / 0 / 82 / 78

HEX #35380A

RGB 53 56 10

HSL 63.91, 0.7%, 0.13%

LAB 22.33, -8.3, 26.64

 

CMYK 27 / 0 / 82 / 78

HEX #29380A

RGB 41 56 10

HSL 79.57, 0.7%, 0.13%

LAB 21.29, -14.38, 25.22

 

CMYK 48 / 0 / 82 / 78

HEX #1D380A

RGB 29 56 10

HSL 95.22, 0.7%, 0.13%

LAB 20.48, -19.79, 24.11

 

CMYK 71 / 0 / 82 / 78

HEX #10380A

RGB 16 56 10

HSL 112.17, 0.7%, 0.13%

LAB 19.88, -24.36, 23.27

 

CMYK 82 / 0 / 70 / 78

HEX #0A3811

RGB 10 56 17

HSL 129.13, 0.7%, 0.13%

LAB 19.77, -24.99, 19.66

 

CMYK 5 / 0 / 82 / 78

HEX #35380A

RGB 53 56 10

HSL 63.91, 0.7%, 0.13%

LAB 22.33, -8.3, 26.64

 

CMYK 5 / 0 / 92 / 76

HEX #3A3D05

RGB 58 61 5

HSL 63.21, 0.85%, 0.13%

LAB 24.47, -9.05, 31.01

 

CMYK 5 / 0 / 82 / 78

HEX #35380A

RGB 53 56 10

HSL 63.91, 0.7%, 0.13%

LAB 22.33, -8.3, 26.64

 

CMYK 4 / 0 / 69 / 80

HEX #313310

RGB 49 51 16

HSL 63.43, 0.52%, 0.13%

LAB 20.27, -6.79, 21.42

 

CMYK 2 / 0 / 53 / 82

HEX #2C2D15

RGB 44 45 21

HSL 62.5, 0.36%, 0.13%

LAB 17.77, -4.96, 15.32

 

CMYK 2 / 0 / 35 / 84

HEX #27281A

RGB 39 40 26

HSL 64.29, 0.21%, 0.13%

LAB 15.61, -3.42, 9.1

 

CMYK 3 / 0 / 9 / 86

HEX #222320

RGB 34 35 32

HSL 80, 0.04%, 0.13%

LAB 13.51, -1.19, 1.85

 

CMYK 0 / 39 / 82 / 78

HEX #38220A

RGB 56 34 10

HSL 31.3, 0.7%, 0.13%

LAB 15.52, 7.86, 18.82

 

CMYK 0 / 18 / 82 / 78

HEX #382E0A

RGB 56 46 10

HSL 46.96, 0.7%, 0.13%

LAB 19.29, -0.27, 23.39

 

CMYK 4 / 0 / 82 / 78

HEX #36380A

RGB 54 56 10

HSL 62.61, 0.7%, 0.13%

LAB 22.42, -7.78, 26.78

 

CMYK 25 / 0 / 82 / 78

HEX #2A380A

RGB 42 56 10

HSL 78.26, 0.7%, 0.13%

LAB 21.37, -13.89, 25.33

 

CMYK 48 / 0 / 82 / 78

HEX #1D380A

RGB 29 56 10

HSL 95.22, 0.7%, 0.13%

LAB 20.48, -19.79, 24.11

 

CMYK 5 / 0 / 81 / 92

HEX #141504

RGB 20 21 4

HSL 63.53, 0.68%, 0.05%

LAB 6.27, -3.31, 7.68

 

CMYK 5 / 0 / 82 / 78

HEX #35380A

RGB 53 56 10

HSL 63.91, 0.7%, 0.13%

LAB 22.33, -8.3, 26.64

 

CMYK 5 / 0 / 81 / 64

HEX #565B11

RGB 86 91 17

HSL 64.05, 0.69%, 0.21%

LAB 36.93, -11.99, 38.85

 

CMYK 5 / 0 / 82 / 51

HEX #787E17

RGB 120 126 23

HSL 63.5, 0.69%, 0.29%

LAB 50.66, -14.97, 50.36

 

CMYK 5 / 0 / 82 / 79

HEX #34360A

RGB 52.1 54.8 10

HSL 63.62, 0.69%, 0.13%

LAB 21.83, -8.03, 26.09

 

CMYK 82 / 0 / 61 / 78

HEX #0A3816

RGB 10 56 22

HSL 135.65, 0.7%, 0.13%

LAB 19.85, -24.16, 16.81

 

CMYK 29 / 82 / 0 / 78

HEX #280A38

RGB 40 10 56

HSL 279.13, 0.7%, 0.13%

LAB 8.6, 24.66, -23.15

 

CMYK 5 / 0 / 82 / 79

HEX #34360A

RGB 52.1 54.8 10

HSL 63.62, 0.69%, 0.13%

LAB 21.83, -8.03, 26.09

 

CMYK 82 / 4 / 0 / 78

HEX #0A3638

RGB 10 54 56

HSL 182.61, 0.7%, 0.13%

LAB 20, -13.58, -5.54

 

CMYK 0 / 82 / 4 / 78

HEX #380A36

RGB 56 10 54

HSL 302.61, 0.7%, 0.13%

LAB 11.44, 28.5, -16.99

 

CMYK 5 / 0 / 82 / 79

HEX #34360A

RGB 52.1 54.8 10

HSL 63.62, 0.69%, 0.13%

LAB 21.83, -8.03, 26.09

 

CMYK 82 / 0 / 61 / 78

HEX #0A3816

RGB 10 56 22

HSL 135.65, 0.7%, 0.13%

LAB 19.85, -24.16, 16.81

 

CMYK 77 / 82 / 0 / 78

HEX #0D0A38

RGB 13 10 56

HSL 243.91, 0.7%, 0.13%

LAB 5.31, 17.27, -28.63

 

CMYK 0 / 82 / 20 / 78

HEX #380A2D

RGB 56 10 45

HSL 314.35, 0.7%, 0.13%

LAB 10.9, 26.82, -11.26

 

CMYK 5 / 0 / 82 / 79

HEX #34360A

RGB 52.1 54.8 10

HSL 63.62, 0.69%, 0.13%

LAB 21.83, -8.03, 26.09

 

CMYK 82 / 0 / 38 / 78

HEX #0A3823

RGB 10 56 35

HSL 152.61, 0.7%, 0.13%

LAB 20.1, -21.29, 8.82

 

CMYK 77 / 82 / 0 / 78

HEX #0D0A38

RGB 13 10 56

HSL 243.91, 0.7%, 0.13%

LAB 5.31, 17.27, -28.63

 

CMYK 0 / 82 / 45 / 78

HEX #380A1F

RGB 56 10 31

HSL 332.61, 0.7%, 0.13%

LAB 10.23, 24.65, -1.79

 

Description

Color code: RGB 52.1 54.8 10 | qconv.com Color code: RGB 52.1 54.8 10 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52.1 red, 54.8 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52.1 54.8 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 82 yellow and 79 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 82% 79% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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