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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 52.1 144.8 71 it is the complementary color RGB 202.9 110.2 184. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 52.1 144.8 71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 52.1 144.8 71 shade: RGB 57.1 144.8 66, RGB 74.1 162.8 85, RGB 91.1 180.8 104, RGB 108.1 198.8 123 and RGB 125.1 216.8 142

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 52.1 144.8 71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 52.1 144.8 71 shade: RGB 52.1 144.8 71, RGB 35.1 126.8 52, RGB 18.1 108.8 33, RGB 1.1 90.8 14 and RGB 0 72.8 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 52.1 144.8 71 shade: RGB 53 146 72, RGB 59 146 53, RGB 84 146 53, RGB 109 146 53 and RGB 134 146 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 52.1 144.8 71 shade: RGB 53 146 72, RGB 53 146 97, RGB 53 146 122, RGB 53 145 146 and RGB 53 120 146

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 52.1 144.8 71 shade matches the following richer shades: RGB 53 146 72, RGB 37 162 62, RGB 21 178 53 and RGB 4 194 43

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 52.1 144.8 71 shade: RGB 53 146 72, RGB 69 130 81, RGB 85 114 91, RGB 101 98 100 and RGB 117 82 110

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 52.1 144.8 71 shade: RGB 84 146 53, RGB 59 146 53, RGB 53 146 71, RGB 53 146 96 and RGB 53 146 121

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 52.1 144.8 71 shade: RGB 31 86 42, RGB 42 116 57, RGB 53 146 72, RGB 64 177 87 and RGB 87 194 109

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 52.1 144.8 71 shade: RGB 52.1 144.8 71, RGB 53 109 146 and RGB 146 53 71

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 52.1 144.8 71 shade: RGB 52.1 144.8 71, RGB 71 53 146 and RGB 146 71 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 52.1 144.8 71 shade: RGB 52.1 144.8 71, RGB 53 109 146, RGB 146 53 127 and RGB 146 90 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 52.1 144.8 71 shade: RGB 52.1 144.8 71, RGB 53 81 146, RGB 146 53 127 and RGB 146 118 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 51 / 43

HEX #349047

RGB 52.1 144.8 71

HSL 132.23, 0.47%, 0.39%

LAB 53.36, -43.66, 31.13

 

Complementary color

CMYK 0 / 46 / 9 / 20

HEX #CA6EB8

RGB 202.9 110.2 184

HSL 312.23, 0.47%, 0.61%

LAB 59.29, 46.56, -23.02

 

CMYK 61 / 0 / 54 / 43

HEX #399042

RGB 57.1 144.8 66

HSL 126.09, 0.43%, 0.4%

LAB 53.44, -43.24, 33.85

 

CMYK 54 / 0 / 48 / 36

HEX #4AA255

RGB 74.1 162.8 85

HSL 127.37, 0.37%, 0.46%

LAB 60.1, -43.41, 32.43

 

CMYK 50 / 0 / 42 / 29

HEX #5BB468

RGB 91.1 180.8 104

HSL 128.63, 0.38%, 0.53%

LAB 66.67, -43.38, 31.06

 

CMYK 46 / 0 / 38 / 22

HEX #6CC67B

RGB 108.1 198.8 123

HSL 129.86, 0.45%, 0.6%

LAB 73.14, -43.23, 29.76

 

CMYK 42 / 0 / 35 / 15

HEX #7DD88E

RGB 125.1 216.8 142

HSL 131.06, 0.55%, 0.67%

LAB 79.52, -43.03, 28.53

 

CMYK 64 / 0 / 51 / 43

HEX #349047

RGB 52.1 144.8 71

HSL 132.23, 0.47%, 0.39%

LAB 53.36, -43.66, 31.13

 

CMYK 72 / 0 / 59 / 50

HEX #237E34

RGB 35.1 126.8 52

HSL 131.06, 0.57%, 0.32%

LAB 46.62, -43.05, 32.64

 

CMYK 83 / 0 / 70 / 57

HEX #126C21

RGB 18.1 108.8 33

HSL 129.86, 0.71%, 0.25%

LAB 39.81, -41.75, 34.03

 

CMYK 99 / 0 / 85 / 64

HEX #015A0E

RGB 1.1 90.8 14

HSL 128.63, 0.98%, 0.18%

LAB 32.89, -39.51, 34.71

 

CMYK 100 / 0 / 100 / 71

HEX #004800

RGB 0 72.8 0

HSL 120, 1%, 0.14%

LAB 25.98, -34.87, 33.49

 

CMYK 64 / 0 / 51 / 43

HEX #359248

RGB 53 146 72

HSL 132.26, 0.47%, 0.39%

LAB 53.8, -43.78, 31.15

 

CMYK 60 / 0 / 64 / 43

HEX #3B9235

RGB 59 146 53

HSL 116.13, 0.47%, 0.39%

LAB 53.75, -44.88, 40.55

 

CMYK 42 / 0 / 64 / 43

HEX #549235

RGB 84 146 53

HSL 100, 0.47%, 0.39%

LAB 54.76, -37.37, 41.95

 

CMYK 25 / 0 / 64 / 43

HEX #6D9235

RGB 109 146 53

HSL 83.87, 0.47%, 0.39%

LAB 56.15, -28.04, 43.88

 

CMYK 8 / 0 / 64 / 43

HEX #869235

RGB 134 146 53

HSL 67.74, 0.47%, 0.39%

LAB 57.93, -17.56, 46.32

 

CMYK 64 / 0 / 51 / 43

HEX #359248

RGB 53 146 72

HSL 132.26, 0.47%, 0.39%

LAB 53.8, -43.78, 31.15

 

CMYK 64 / 0 / 34 / 43

HEX #359261

RGB 53 146 97

HSL 148.39, 0.47%, 0.39%

LAB 54.22, -39.19, 18.1

 

CMYK 64 / 0 / 16 / 43

HEX #35927A

RGB 53 146 122

HSL 164.52, 0.47%, 0.39%

LAB 54.78, -33.34, 4.69

 

CMYK 64 / 1 / 0 / 43

HEX #359192

RGB 53 145 146

HSL 180.65, 0.47%, 0.39%

LAB 55.16, -26.21, -8.55

 

CMYK 64 / 18 / 0 / 43

HEX #357892

RGB 53 120 146

HSL 196.77, 0.47%, 0.39%

LAB 47.32, -12.88, -20.43

 

CMYK 64 / 0 / 51 / 43

HEX #359248

RGB 53 146 72

HSL 132.26, 0.47%, 0.39%

LAB 53.8, -43.78, 31.15

 

CMYK 77 / 0 / 62 / 36

HEX #25A23E

RGB 37 162 62

HSL 132, 0.63%, 0.39%

LAB 58.59, -54, 41.73

 

CMYK 88 / 0 / 70 / 30

HEX #15B235

RGB 21 178 53

HSL 132.23, 0.79%, 0.39%

LAB 63.55, -61.9, 51

 

CMYK 98 / 0 / 78 / 24

HEX #04C22B

RGB 4 194 43

HSL 132.32, 0.96%, 0.39%

LAB 68.59, -68.34, 59.61

 

CMYK 64 / 0 / 51 / 43

HEX #359248

RGB 53 146 72

HSL 132.26, 0.47%, 0.39%

LAB 53.8, -43.78, 31.15

 

CMYK 47 / 0 / 38 / 49

HEX #458251

RGB 69 130 81

HSL 131.8, 0.31%, 0.39%

LAB 49.28, -31.1, 20.56

 

CMYK 25 / 0 / 20 / 55

HEX #55725B

RGB 85 114 91

HSL 132.41, 0.15%, 0.39%

LAB 45.25, -15.62, 9.38

 

CMYK 0 / 3 / 1 / 60

HEX #656264

RGB 101 98 100

HSL 320, 0.02%, 0.39%

LAB 41.88, 1.59, -0.72

 

CMYK 0 / 30 / 6 / 54

HEX #75526E

RGB 117 82 110

HSL 312, 0.18%, 0.39%

LAB 39.48, 19.57, -10.25

 

CMYK 42 / 0 / 64 / 43

HEX #549235

RGB 84 146 53

HSL 100, 0.47%, 0.39%

LAB 54.76, -37.37, 41.95

 

CMYK 60 / 0 / 64 / 43

HEX #3B9235

RGB 59 146 53

HSL 116.13, 0.47%, 0.39%

LAB 53.75, -44.88, 40.55

 

CMYK 64 / 0 / 51 / 43

HEX #359247

RGB 53 146 71

HSL 131.61, 0.47%, 0.39%

LAB 53.78, -43.93, 31.66

 

CMYK 64 / 0 / 34 / 43

HEX #359260

RGB 53 146 96

HSL 147.74, 0.47%, 0.39%

LAB 54.2, -39.4, 18.63

 

CMYK 64 / 0 / 17 / 43

HEX #359279

RGB 53 146 121

HSL 163.87, 0.47%, 0.39%

LAB 54.76, -33.6, 5.23

 

CMYK 64 / 0 / 51 / 66

HEX #1F562A

RGB 31 86 42

HSL 132, 0.47%, 0.23%

LAB 32.07, -28.87, 20.29

 

CMYK 64 / 0 / 51 / 55

HEX #2A7439

RGB 42 116 57

HSL 132.16, 0.47%, 0.31%

LAB 43.18, -36.52, 25.86

 

CMYK 64 / 0 / 51 / 43

HEX #359248

RGB 53 146 72

HSL 132.26, 0.47%, 0.39%

LAB 53.8, -43.78, 31.15

 

CMYK 64 / 0 / 51 / 31

HEX #40B157

RGB 64 177 87

HSL 132.21, 0.47%, 0.47%

LAB 64.34, -51.11, 36.62

 

CMYK 55 / 0 / 44 / 24

HEX #57C26D

RGB 87 194 109

HSL 132.34, 0.47%, 0.55%

LAB 70.67, -49.09, 33.61

 

CMYK 64 / 0 / 51 / 43

HEX #349047

RGB 52.1 144.8 71

HSL 132.23, 0.47%, 0.39%

LAB 53.36, -43.66, 31.13

 

CMYK 64 / 25 / 0 / 43

HEX #356D92

RGB 53 109 146

HSL 203.87, 0.47%, 0.39%

LAB 43.9, -6.49, -25.72

 

CMYK 0 / 64 / 51 / 43

HEX #923547

RGB 146 53 71

HSL 348.39, 0.47%, 0.39%

LAB 36.2, 40.71, 10

 

CMYK 64 / 0 / 51 / 43

HEX #349047

RGB 52.1 144.8 71

HSL 132.23, 0.47%, 0.39%

LAB 53.36, -43.66, 31.13

 

CMYK 51 / 64 / 0 / 43

HEX #473592

RGB 71 53 146

HSL 251.61, 0.47%, 0.39%

LAB 29.31, 33.08, -48.85

 

CMYK 0 / 51 / 64 / 43

HEX #924735

RGB 146 71 53

HSL 11.61, 0.47%, 0.39%

LAB 39.37, 30.03, 25.36

 

CMYK 64 / 0 / 51 / 43

HEX #349047

RGB 52.1 144.8 71

HSL 132.23, 0.47%, 0.39%

LAB 53.36, -43.66, 31.13

 

CMYK 64 / 25 / 0 / 43

HEX #356D92

RGB 53 109 146

HSL 203.87, 0.47%, 0.39%

LAB 43.9, -6.49, -25.72

 

CMYK 0 / 64 / 13 / 43

HEX #92357F

RGB 146 53 127

HSL 312.26, 0.47%, 0.39%

LAB 38.18, 47.94, -22.42

 

CMYK 0 / 38 / 64 / 43

HEX #925A35

RGB 146 90 53

HSL 23.87, 0.47%, 0.39%

LAB 43.77, 19.32, 30.69

 

CMYK 64 / 0 / 51 / 43

HEX #349047

RGB 52.1 144.8 71

HSL 132.23, 0.47%, 0.39%

LAB 53.36, -43.66, 31.13

 

CMYK 64 / 45 / 0 / 43

HEX #355192

RGB 53 81 146

HSL 221.94, 0.47%, 0.39%

LAB 35.43, 11.15, -39.06

 

CMYK 0 / 64 / 13 / 43

HEX #92357F

RGB 146 53 127

HSL 312.26, 0.47%, 0.39%

LAB 38.18, 47.94, -22.42

 

CMYK 0 / 19 / 64 / 43

HEX #927635

RGB 146 118 53

HSL 41.94, 0.47%, 0.39%

LAB 51.07, 3.15, 39.11

 

Description

Color code: RGB 52.1 144.8 71 | qconv.com Color code: RGB 52.1 144.8 71 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52.1 red, 144.8 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52.1 144.8 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 51 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 51% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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