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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 51 92.2 138.6 it is the complementary color RGB 204 162.8 116.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 51 92.2 138.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 51 92.2 138.6 shade: RGB 56 92.2 133.6, RGB 73 110.2 152.6, RGB 90 128.2 171.6, RGB 107 146.2 190.6 and RGB 124 164.2 209.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 51 92.2 138.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 51 92.2 138.6 shade: RGB 51 92.2 138.6, RGB 34 74.2 119.6, RGB 17 56.2 100.6, RGB 0 38.2 81.6 and RGB 0 20.2 62.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 51 92.2 138.6 shade: RGB 51 92 138, RGB 51 68 138, RGB 57 51 138, RGB 80 51 138 and RGB 104 51 138

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 51 92.2 138.6 shade: RGB 51 92 138, RGB 51 68 138 and RGB 51 51 138

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 51 92.2 138.6 shade matches the following richer shades: RGB 51 92 138, RGB 36 91 153, RGB 20 90 168 and RGB 5 89 184

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 51 92.2 138.6 shade: RGB 51 92 138, RGB 66 93 122, RGB 81 94 107, RGB 97 94 92 and RGB 112 95 77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 51 92.2 138.6 shade: RGB 51 138 136, RGB 51 116 138, RGB 51 93 138, RGB 51 70 138 and RGB 55 51 138

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 51 92.2 138.6 shade: RGB 29 52 78, RGB 40 72 108, RGB 51 92 138, RGB 62 112 168 and RGB 81 132 191

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 51 92.2 138.6 shade: RGB 51 92.2 138.6, RGB 113 51 138 and RGB 128 138 51

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 51 92.2 138.6 shade: RGB 51 92.2 138.6, RGB 138 51 93 and RGB 93 138 51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 51 92.2 138.6 shade: RGB 51 92.2 138.6, RGB 113 51 138, RGB 138 96 51 and RGB 76 138 51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 51 92.2 138.6 shade: RGB 51 92.2 138.6, RGB 138 51 136, RGB 138 96 51 and RGB 51 138 52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 33 / 0 / 46

HEX #335C8A

RGB 51 92.2 138.6

HSL 211.78, 0.46%, 0.37%

LAB 38.28, 0.82, -30.07

 

Complementary color

CMYK 0 / 20 / 43 / 20

HEX #CCA274

RGB 204 162.8 116.4

HSL 31.78, 0.46%, 0.63%

LAB 69.63, 9.11, 29.86

 

CMYK 58 / 31 / 0 / 48

HEX #385C85

RGB 56 92.2 133.6

HSL 212.01, 0.41%, 0.37%

LAB 38.27, 0.14, -27.03

 

CMYK 52 / 28 / 0 / 40

HEX #496E98

RGB 73 110.2 152.6

HSL 211.96, 0.35%, 0.44%

LAB 45.49, -0.62, -27.08

 

CMYK 48 / 25 / 0 / 33

HEX #5A80AB

RGB 90 128.2 171.6

HSL 211.91, 0.33%, 0.51%

LAB 52.54, -1.19, -27.17

 

CMYK 44 / 23 / 0 / 25

HEX #6B92BE

RGB 107 146.2 190.6

HSL 211.87, 0.39%, 0.58%

LAB 59.42, -1.64, -27.29

 

CMYK 41 / 22 / 0 / 18

HEX #7CA4D1

RGB 124 164.2 209.6

HSL 211.82, 0.49%, 0.65%

LAB 66.17, -2.02, -27.44

 

CMYK 63 / 33 / 0 / 46

HEX #335C8A

RGB 51 92.2 138.6

HSL 211.78, 0.46%, 0.37%

LAB 38.28, 0.82, -30.07

 

CMYK 72 / 38 / 0 / 53

HEX #224A77

RGB 34 74.2 119.6

HSL 211.82, 0.56%, 0.3%

LAB 30.9, 2.17, -30.06

 

CMYK 83 / 44 / 0 / 61

HEX #113864

RGB 17 56.2 100.6

HSL 211.87, 0.71%, 0.23%

LAB 23.33, 4.15, -30.04

 

CMYK 100 / 53 / 0 / 68

HEX #002651

RGB 0 38.2 81.6

HSL 211.91, 1%, 0.16%

LAB 15.5, 6.88, -30.06

 

CMYK 100 / 68 / 0 / 75

HEX #00143E

RGB 0 20.2 62.6

HSL 220.64, 1%, 0.12%

LAB 7.78, 11.92, -29.4

 

CMYK 63 / 33 / 0 / 46

HEX #335C8A

RGB 51 92 138

HSL 211.72, 0.46%, 0.37%

LAB 38.19, 0.73, -29.85

 

CMYK 63 / 51 / 0 / 46

HEX #33448A

RGB 51 68 138

HSL 228.28, 0.46%, 0.37%

LAB 31.05, 16.5, -41.2

 

CMYK 59 / 63 / 0 / 46

HEX #39338A

RGB 57 51 138

HSL 244.14, 0.46%, 0.37%

LAB 26.94, 28.98, -47.83

 

CMYK 42 / 63 / 0 / 46

HEX #50338A

RGB 80 51 138

HSL 260, 0.46%, 0.37%

LAB 29.18, 33.83, -44.09

 

CMYK 25 / 63 / 0 / 46

HEX #68338A

RGB 104 51 138

HSL 276.55, 0.46%, 0.37%

LAB 32.14, 39.67, -39.18

 

CMYK 63 / 33 / 0 / 46

HEX #335C8A

RGB 51 92 138

HSL 211.72, 0.46%, 0.37%

LAB 38.19, 0.73, -29.85

 

CMYK 63 / 51 / 0 / 46

HEX #33448A

RGB 51 68 138

HSL 228.28, 0.46%, 0.37%

LAB 31.05, 16.5, -41.2

 

CMYK 63 / 63 / 0 / 46

HEX #33338A

RGB 51 51 138

HSL 240, 0.46%, 0.37%

LAB 26.47, 27.89, -48.62

 

CMYK 63 / 33 / 0 / 46

HEX #335C8A

RGB 51 92 138

HSL 211.72, 0.46%, 0.37%

LAB 38.19, 0.73, -29.85

 

CMYK 76 / 41 / 0 / 40

HEX #245B99

RGB 36 91 153

HSL 211.79, 0.62%, 0.37%

LAB 38.12, 4.46, -39.04

 

CMYK 88 / 46 / 0 / 34

HEX #145AA8

RGB 20 90 168

HSL 211.62, 0.79%, 0.37%

LAB 38.35, 9.47, -47.65

 

CMYK 97 / 52 / 0 / 28

HEX #0559B8

RGB 5 89 184

HSL 211.84, 0.95%, 0.37%

LAB 38.96, 15.9, -56.12

 

CMYK 63 / 33 / 0 / 46

HEX #335C8A

RGB 51 92 138

HSL 211.72, 0.46%, 0.37%

LAB 38.19, 0.73, -29.85

 

CMYK 46 / 24 / 0 / 52

HEX #425D7A

RGB 66 93 122

HSL 211.07, 0.3%, 0.37%

LAB 38.54, -1.62, -19.49

 

CMYK 24 / 12 / 0 / 58

HEX #515E6B

RGB 81 94 107

HSL 210, 0.14%, 0.37%

LAB 39.27, -1.8, -9.07

 

CMYK 0 / 3 / 5 / 62

HEX #615E5C

RGB 97 94 92

HSL 24, 0.03%, 0.37%

LAB 40.11, 0.79, 1.56

 

CMYK 0 / 15 / 31 / 56

HEX #705F4D

RGB 112 95 77

HSL 30.86, 0.19%, 0.37%

LAB 41.48, 3.88, 12.85

 

CMYK 63 / 0 / 1 / 46

HEX #338A88

RGB 51 138 136

HSL 178.62, 0.46%, 0.37%

LAB 52.57, -25.99, -6.63

 

CMYK 63 / 16 / 0 / 46

HEX #33748A

RGB 51 116 138

HSL 195.17, 0.46%, 0.37%

LAB 45.67, -13.63, -18.22

 

CMYK 63 / 33 / 0 / 46

HEX #335D8A

RGB 51 93 138

HSL 211.03, 0.46%, 0.37%

LAB 38.49, 0.1, -29.37

 

CMYK 63 / 49 / 0 / 46

HEX #33468A

RGB 51 70 138

HSL 226.9, 0.46%, 0.37%

LAB 31.62, 15.15, -40.28

 

CMYK 60 / 63 / 0 / 46

HEX #37338A

RGB 55 51 138

HSL 242.76, 0.46%, 0.37%

LAB 26.78, 28.61, -48.1

 

CMYK 63 / 33 / 0 / 69

HEX #1D344E

RGB 29 52 78

HSL 211.84, 0.46%, 0.21%

LAB 21.08, 0.08, -18.68

 

CMYK 63 / 33 / 0 / 58

HEX #28486C

RGB 40 72 108

HSL 211.76, 0.46%, 0.29%

LAB 29.83, 0.41, -24.42

 

CMYK 63 / 33 / 0 / 46

HEX #335C8A

RGB 51 92 138

HSL 211.72, 0.46%, 0.37%

LAB 38.19, 0.73, -29.85

 

CMYK 63 / 33 / 0 / 34

HEX #3E70A8

RGB 62 112 168

HSL 211.7, 0.46%, 0.45%

LAB 46.23, 1.05, -35.04

 

CMYK 58 / 31 / 0 / 25

HEX #5184BF

RGB 81 132 191

HSL 212.18, 0.46%, 0.53%

LAB 54.04, 0.6, -36

 

CMYK 63 / 33 / 0 / 46

HEX #335C8A

RGB 51 92.2 138.6

HSL 211.78, 0.46%, 0.37%

LAB 38.28, 0.82, -30.07

 

CMYK 18 / 63 / 0 / 46

HEX #71338A

RGB 113 51 138

HSL 282.76, 0.46%, 0.37%

LAB 33.38, 41.98, -37.12

 

CMYK 7 / 0 / 63 / 46

HEX #808A33

RGB 128 138 51

HSL 66.9, 0.46%, 0.37%

LAB 55.08, -16.14, 44.01

 

CMYK 63 / 33 / 0 / 46

HEX #335C8A

RGB 51 92.2 138.6

HSL 211.78, 0.46%, 0.37%

LAB 38.28, 0.82, -30.07

 

CMYK 0 / 63 / 33 / 46

HEX #8A335D

RGB 138 51 93

HSL 331.03, 0.46%, 0.37%

LAB 35.13, 41.41, -5.81

 

CMYK 33 / 0 / 63 / 46

HEX #5D8A33

RGB 93 138 51

HSL 91.03, 0.46%, 0.37%

LAB 52.67, -30.67, 40.68

 

CMYK 63 / 33 / 0 / 46

HEX #335C8A

RGB 51 92.2 138.6

HSL 211.78, 0.46%, 0.37%

LAB 38.28, 0.82, -30.07

 

CMYK 18 / 63 / 0 / 46

HEX #71338A

RGB 113 51 138

HSL 282.76, 0.46%, 0.37%

LAB 33.38, 41.98, -37.12

 

CMYK 0 / 30 / 63 / 46

HEX #8A6033

RGB 138 96 51

HSL 31.03, 0.46%, 0.37%

LAB 44.24, 12.09, 32.1

 

CMYK 45 / 0 / 63 / 46

HEX #4C8A33

RGB 76 138 51

HSL 102.76, 0.46%, 0.37%

LAB 51.78, -36.78, 39.45

 

CMYK 63 / 33 / 0 / 46

HEX #335C8A

RGB 51 92.2 138.6

HSL 211.78, 0.46%, 0.37%

LAB 38.28, 0.82, -30.07

 

CMYK 0 / 63 / 1 / 46

HEX #8A3388

RGB 138 51 136

HSL 301.38, 0.46%, 0.37%

LAB 37.02, 48.17, -29.88

 

CMYK 0 / 30 / 63 / 46

HEX #8A6033

RGB 138 96 51

HSL 31.03, 0.46%, 0.37%

LAB 44.24, 12.09, 32.1

 

CMYK 63 / 0 / 62 / 46

HEX #338A34

RGB 51 138 52

HSL 120.69, 0.46%, 0.37%

LAB 50.84, -43.89, 37.65

 

Description

Color code: RGB 51 92.2 138.6 | qconv.com Color code: RGB 51 92.2 138.6 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 92.2 green and 138.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 92.2 138.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 33 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 33% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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