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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 51 53 64 it is the complementary color RGB 204 202 191. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 51 53 64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 51 53 64 shade: RGB 56 53 59, RGB 73 71 78, RGB 90 89 97, RGB 107 107 116 and RGB 124 125 135

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 51 53 64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 51 53 64 shade: RGB 51 53 64, RGB 34 35 45, RGB 17 17 26, RGB 0 0 7 and RGB 0 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 51 53 64 shade: RGB 52 54 65, RGB 54 52 65, RGB 57 52 65, RGB 61 52 65 and RGB 64 52 65

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 51 53 64 shade: RGB 52 54 65 and RGB 52 52 65

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 51 53 64 shade matches the following richer shades: RGB 52 54 65, RGB 43 48 75, RGB 33 41 84, RGB 24 34 94 and RGB 14 28 103

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 51 53 64 shade: RGB 52 54 65, RGB 62 61 56, RGB 71 67 46, RGB 81 74 37 and RGB 90 80 27

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 51 53 64 shade: RGB 52 61 65, RGB 52 58 65, RGB 52 54 65, RGB 53 52 65 and RGB 57 52 65

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 51 53 64 shade: RGB 15 16 19, RGB 34 35 42, RGB 52 54 65, RGB 71 73 88 and RGB 89 92 111

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 51 53 64 shade: RGB 51 53 64, RGB 65 52 65 and RGB 60 65 52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 51 53 64 shade: RGB 51 53 64, RGB 65 52 54 and RGB 54 65 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 51 53 64 shade: RGB 51 53 64, RGB 65 52 65, RGB 65 63 52 and RGB 52 65 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 51 53 64 shade: RGB 51 53 64, RGB 65 52 61, RGB 65 63 52 and RGB 52 65 56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 17 / 0 / 75

HEX #333540

RGB 51 53 64

HSL 230.77, 0.11%, 0.23%

LAB 22.37, 1.95, -7.14

 

Complementary color

CMYK 0 / 1 / 6 / 20

HEX #CCCABF

RGB 204 202 191

HSL 50.77, 0.11%, 0.77%

LAB 81.2, -1.25, 5.72

 

CMYK 5 / 10 / 0 / 77

HEX #38353B

RGB 56 53 59

HSL 270, 0.05%, 0.22%

LAB 22.66, 2.7, -3.29

 

CMYK 6 / 9 / 0 / 69

HEX #49474E

RGB 73 71 78

HSL 257.14, 0.05%, 0.29%

LAB 30.58, 2.4, -3.88

 

CMYK 7 / 8 / 0 / 62

HEX #5A5961

RGB 90 89 97

HSL 247.5, 0.04%, 0.36%

LAB 38.17, 2.15, -4.46

 

CMYK 8 / 8 / 0 / 55

HEX #6B6B74

RGB 107 107 116

HSL 240, 0.04%, 0.44%

LAB 45.5, 1.92, -5.01

 

CMYK 8 / 7 / 0 / 47

HEX #7C7D87

RGB 124 125 135

HSL 234.55, 0.04%, 0.51%

LAB 52.62, 1.71, -5.55

 

CMYK 20 / 17 / 0 / 75

HEX #333540

RGB 51 53 64

HSL 230.77, 0.11%, 0.23%

LAB 22.37, 1.95, -7.14

 

CMYK 24 / 22 / 0 / 82

HEX #22232D

RGB 34 35 45

HSL 234.55, 0.14%, 0.15%

LAB 14.01, 2.28, -6.76

 

CMYK 35 / 35 / 0 / 90

HEX #11111A

RGB 17 17 26

HSL 240, 0.21%, 0.08%

LAB 5.37, 2.17, -5.85

 

CMYK 100 / 100 / 0 / 97

HEX #000007

RGB 0 0 7

HSL 240, 1%, 0.01%

LAB 0.14, 0.97, -2.65

 

CMYK 20 / 17 / 0 / 75

HEX #343641

RGB 52 54 65

HSL 230.77, 0.11%, 0.23%

LAB 22.83, 1.94, -7.12

 

CMYK 17 / 20 / 0 / 75

HEX #363441

RGB 54 52 65

HSL 249.23, 0.11%, 0.23%

LAB 22.38, 4.08, -7.78

 

CMYK 12 / 20 / 0 / 75

HEX #393441

RGB 57 52 65

HSL 263.08, 0.11%, 0.23%

LAB 22.68, 5.28, -7.3

 

CMYK 6 / 20 / 0 / 75

HEX #3D3441

RGB 61 52 65

HSL 281.54, 0.11%, 0.23%

LAB 23.1, 6.91, -6.62

 

CMYK 2 / 20 / 0 / 75

HEX #403441

RGB 64 52 65

HSL 295.38, 0.11%, 0.23%

LAB 23.43, 8.15, -6.09

 

CMYK 20 / 17 / 0 / 75

HEX #343641

RGB 52 54 65

HSL 230.77, 0.11%, 0.23%

LAB 22.83, 1.94, -7.12

 

CMYK 20 / 20 / 0 / 75

HEX #343441

RGB 52 52 65

HSL 240, 0.11%, 0.23%

LAB 22.19, 3.29, -8.09

 

CMYK 20 / 17 / 0 / 75

HEX #343641

RGB 52 54 65

HSL 230.77, 0.11%, 0.23%

LAB 22.83, 1.94, -7.12

 

CMYK 43 / 36 / 0 / 71

HEX #2B304B

RGB 43 48 75

HSL 230.63, 0.27%, 0.23%

LAB 20.58, 5.83, -17.38

 

CMYK 61 / 51 / 0 / 67

HEX #212954

RGB 33 41 84

HSL 230.59, 0.44%, 0.23%

LAB 18.14, 11.22, -27.35

 

CMYK 74 / 64 / 0 / 63

HEX #18225E

RGB 24 34 94

HSL 231.43, 0.59%, 0.23%

LAB 16.24, 18.52, -37.13

 

CMYK 86 / 73 / 0 / 60

HEX #0E1C67

RGB 14 28 103

HSL 230.56, 0.76%, 0.23%

LAB 14.97, 25.3, -45.18

 

CMYK 20 / 17 / 0 / 75

HEX #343641

RGB 52 54 65

HSL 230.77, 0.11%, 0.23%

LAB 22.83, 1.94, -7.12

 

CMYK 0 / 2 / 10 / 76

HEX #3E3D38

RGB 62 61 56

HSL 50, 0.05%, 0.23%

LAB 25.7, -0.65, 3.23

 

CMYK 0 / 6 / 35 / 72

HEX #47432E

RGB 71 67 46

HSL 50.4, 0.21%, 0.23%

LAB 28.25, -2.16, 13.39

 

CMYK 0 / 9 / 54 / 68

HEX #514A25

RGB 81 74 37

HSL 50.45, 0.37%, 0.23%

LAB 31.3, -2.87, 22.99

 

CMYK 0 / 11 / 70 / 65

HEX #5A501B

RGB 90 80 27

HSL 50.48, 0.54%, 0.23%

LAB 33.96, -2.98, 31.71

 

CMYK 20 / 6 / 0 / 75

HEX #343D41

RGB 52 61 65

HSL 198.46, 0.11%, 0.23%

LAB 25.1, -2.69, -3.72

 

CMYK 20 / 11 / 0 / 75

HEX #343A41

RGB 52 58 65

HSL 212.31, 0.11%, 0.23%

LAB 24.12, -0.73, -5.18

 

CMYK 20 / 17 / 0 / 75

HEX #343641

RGB 52 54 65

HSL 230.77, 0.11%, 0.23%

LAB 22.83, 1.94, -7.12

 

CMYK 18 / 20 / 0 / 75

HEX #353441

RGB 53 52 65

HSL 244.62, 0.11%, 0.23%

LAB 22.28, 3.68, -7.94

 

CMYK 12 / 20 / 0 / 75

HEX #393441

RGB 57 52 65

HSL 263.08, 0.11%, 0.23%

LAB 22.68, 5.28, -7.3

 

CMYK 21 / 16 / 0 / 93

HEX #0F1013

RGB 15 16 19

HSL 225, 0.12%, 0.07%

LAB 4.69, 0.26, -1.78

 

CMYK 19 / 17 / 0 / 84

HEX #22232A

RGB 34 35 42

HSL 232.5, 0.11%, 0.15%

LAB 13.88, 1.41, -4.8

 

CMYK 20 / 17 / 0 / 75

HEX #343641

RGB 52 54 65

HSL 230.77, 0.11%, 0.23%

LAB 22.83, 1.94, -7.12

 

CMYK 19 / 17 / 0 / 65

HEX #474958

RGB 71 73 88

HSL 232.94, 0.11%, 0.31%

LAB 31.37, 2.81, -9.14

 

CMYK 20 / 17 / 0 / 56

HEX #595C6F

RGB 89 92 111

HSL 231.82, 0.11%, 0.39%

LAB 39.46, 3.27, -11.18

 

CMYK 20 / 17 / 0 / 75

HEX #333540

RGB 51 53 64

HSL 230.77, 0.11%, 0.23%

LAB 22.37, 1.95, -7.14

 

CMYK 0 / 20 / 0 / 75

HEX #413441

RGB 65 52 65

HSL 300, 0.11%, 0.23%

LAB 23.54, 8.57, -5.91

 

CMYK 8 / 0 / 20 / 75

HEX #3C4134

RGB 60 65 52

HSL 83.08, 0.11%, 0.23%

LAB 26.7, -4.9, 7.25

 

CMYK 20 / 17 / 0 / 75

HEX #333540

RGB 51 53 64

HSL 230.77, 0.11%, 0.23%

LAB 22.37, 1.95, -7.14

 

CMYK 0 / 20 / 17 / 75

HEX #413436

RGB 65 52 54

HSL 350.77, 0.11%, 0.23%

LAB 23.16, 6.2, 0.93

 

CMYK 17 / 0 / 20 / 75

HEX #364134

RGB 54 65 52

HSL 110.77, 0.11%, 0.23%

LAB 26.19, -7.5, 6.46

 

CMYK 20 / 17 / 0 / 75

HEX #333540

RGB 51 53 64

HSL 230.77, 0.11%, 0.23%

LAB 22.37, 1.95, -7.14

 

CMYK 0 / 20 / 0 / 75

HEX #413441

RGB 65 52 65

HSL 300, 0.11%, 0.23%

LAB 23.54, 8.57, -5.91

 

CMYK 0 / 3 / 20 / 75

HEX #413F34

RGB 65 63 52

HSL 50.77, 0.11%, 0.23%

LAB 26.53, -1.39, 7.06

 

CMYK 20 / 0 / 18 / 75

HEX #344135

RGB 52 65 53

HSL 124.62, 0.11%, 0.23%

LAB 26.06, -8.13, 5.59

 

CMYK 20 / 17 / 0 / 75

HEX #333540

RGB 51 53 64

HSL 230.77, 0.11%, 0.23%

LAB 22.37, 1.95, -7.14

 

CMYK 0 / 20 / 6 / 75

HEX #41343D

RGB 65 52 61

HSL 318.46, 0.11%, 0.23%

LAB 23.39, 7.67, -3.44

 

CMYK 0 / 3 / 20 / 75

HEX #413F34

RGB 65 63 52

HSL 50.77, 0.11%, 0.23%

LAB 26.53, -1.39, 7.06

 

CMYK 20 / 0 / 14 / 75

HEX #344138

RGB 52 65 56

HSL 138.46, 0.11%, 0.23%

LAB 26.15, -7.45, 3.75

 

Description

Color code: RGB 51 53 64 | qconv.com Color code: RGB 51 53 64 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 53 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 53 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 17 magenta, none yellow and 75 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 17% 0% 75% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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convert from #RRGGBB to Pantone®-number (Pantone 0000)

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RAL® to HEX

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RAL® to HKS®

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RAL® to PANTONE®

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RAL® to Sherwin Williams®

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convert from HKS®-number (HKS 00) to RGB red green blue

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convert from Pantone®-number (Pantone 0000) to RGB red green blue

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PANTONE® to HKS®

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PANTONE® to Sherwin Williams®

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Sherwin Williams® to HKS®

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convert from Sherwin Williams®-number (SW 0000) to Pantone®-number (Pantone 0000)

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