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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 51 237 133 it is the complementary color RGB 204 18 122. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 51 237 133. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 51 237 133: RGB 56 237 128, RGB 73 255 147, RGB 90 255 166, RGB 107 255 185 and RGB 124 255 204

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 51 237 133. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 51 237 133: RGB 51 237 133, RGB 34 219 114, RGB 17 201 95, RGB 0 183 76 and RGB 0 165 57

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 44 / 7

HEX #33ED85

RGB 51 237 133

HSL 146.45, 0.84%, 0.56%

LAB 83.42, -67.18, 37.83

 

Complementary color

CMYK 0 / 91 / 40 / 20

HEX #CC127A

RGB 204 18 122

HSL 326.45, 0.84%, 0.44%

LAB 45.19, 71.44, -7.69

 

CMYK 76 / 0 / 46 / 7

HEX #38ED80

RGB 56 237 128

HSL 143.87, 0.83%, 0.57%

LAB 83.43, -67.43, 40.29

 

CMYK 71 / 0 / 42 / 0

HEX #49FF93

RGB 73 255 147

HSL 144.4, 1%, 0.64%

LAB 89.41, -68.24, 38.77

 

CMYK 65 / 0 / 35 / 0

HEX #5AFFA6

RGB 90 255 166

HSL 147.64, 1%, 0.68%

LAB 90.07, -62.19, 30.28

 

CMYK 58 / 0 / 27 / 0

HEX #6BFFB9

RGB 107 255 185

HSL 151.62, 1%, 0.71%

LAB 90.85, -55.37, 21.8

 

CMYK 51 / 0 / 20 / 0

HEX #7CFFCC

RGB 124 255 204

HSL 156.64, 1%, 0.74%

LAB 91.76, -47.89, 13.42

 

CMYK 78 / 0 / 44 / 7

HEX #33ED85

RGB 51 237 133

HSL 146.45, 0.84%, 0.56%

LAB 83.42, -67.18, 37.83

 

CMYK 84 / 0 / 48 / 14

HEX #22DB72

RGB 34 219 114

HSL 145.95, 0.73%, 0.5%

LAB 77.41, -65.92, 39.46

 

CMYK 92 / 0 / 53 / 21

HEX #11C95F

RGB 17 201 95

HSL 145.43, 0.84%, 0.43%

LAB 71.36, -64.16, 41.17

 

CMYK 100 / 0 / 58 / 28

HEX #00B74C

RGB 0 183 76

HSL 144.92, 1%, 0.36%

LAB 65.27, -61.91, 42.88

 

CMYK 100 / 0 / 65 / 35

HEX #00A539

RGB 0 165 57

HSL 140.73, 1%, 0.32%

LAB 59.16, -58.71, 44.54

 

CMYK 78 / 0 / 44 / 7

HEX #33ED85

RGB 51 237 133

HSL 146.45, 0.84%, 0.56%

LAB 83.42, -67.18, 37.83

 

CMYK 80 / 0 / 32 / 7

HEX #30EDA1

RGB 48 237 161

HSL 155.87, 0.84%, 0.56%

LAB 83.85, -62.23, 24.25

 

CMYK 80 / 0 / 19 / 7

HEX #30EDC1

RGB 48 237 193

HSL 166.03, 0.84%, 0.56%

LAB 84.51, -55.04, 8.56

 

CMYK 80 / 0 / 5 / 7

HEX #30EDE0

RGB 48 237 224

HSL 175.87, 0.84%, 0.56%

LAB 85.29, -47.02, -6.58

 

CMYK 80 / 8 / 0 / 7

HEX #30DAED

RGB 48 218 237

HSL 186.03, 0.84%, 0.56%

LAB 80.12, -34.74, -21.22

 

CMYK 78 / 0 / 44 / 7

HEX #33ED85

RGB 51 237 133

HSL 146.45, 0.84%, 0.56%

LAB 83.42, -67.18, 37.83

 

CMYK 79 / 0 / 42 / 87

HEX #072113

RGB 7 33 19

HSL 147.69, 0.65%, 0.08%

LAB 10.41, -14.18, 6.44

 

CMYK 79 / 0 / 44 / 67

HEX #12542F

RGB 18 84 47

HSL 146.36, 0.65%, 0.2%

LAB 31.05, -29.88, 15.94

 

CMYK 79 / 0 / 44 / 47

HEX #1D874C

RGB 29 135 76

HSL 146.6, 0.65%, 0.32%

LAB 49.63, -43.17, 23.58

 

CMYK 78 / 0 / 44 / 27

HEX #28BA68

RGB 40 186 104

HSL 146.3, 0.65%, 0.44%

LAB 66.95, -55.6, 31.16

 

CMYK 78 / 0 / 44 / 7

HEX #33ED85

RGB 51 237 133

HSL 146.45, 0.84%, 0.56%

LAB 83.42, -67.18, 37.83

 

CMYK 80 / 51 / 0 / 7

HEX #3075ED

RGB 48 117 237

HSL 218.1, 0.84%, 0.56%

LAB 51.23, 21.2, -66.55

 

CMYK 0 / 77 / 80 / 7

HEX #ED3630

RGB 237 54 48

HSL 1.9, 0.84%, 0.56%

LAB 52.79, 67.83, 47.55

 

CMYK 78 / 0 / 44 / 7

HEX #33ED85

RGB 51 237 133

HSL 146.45, 0.84%, 0.56%

LAB 83.42, -67.18, 37.83

 

CMYK 45 / 80 / 0 / 7

HEX #8230ED

RGB 130 48 237

HSL 266.03, 0.84%, 0.56%

LAB 42.72, 69.57, -80.18

 

CMYK 0 / 45 / 80 / 7

HEX #ED8230

RGB 237 130 48

HSL 26.03, 0.84%, 0.56%

LAB 65.11, 35.54, 59.32

 

CMYK 78 / 0 / 44 / 7

HEX #33ED85

RGB 51 237 133

HSL 146.45, 0.84%, 0.56%

LAB 83.42, -67.18, 37.83

 

CMYK 80 / 51 / 0 / 7

HEX #3075ED

RGB 48 117 237

HSL 218.1, 0.84%, 0.56%

LAB 51.23, 21.2, -66.55

 

CMYK 0 / 80 / 35 / 7

HEX #ED309B

RGB 237 48 155

HSL 326.03, 0.84%, 0.56%

LAB 54.54, 76.49, -12.92

 

CMYK 0 / 30 / 80 / 7

HEX #EDA730

RGB 237 167 48

HSL 37.78, 0.84%, 0.56%

LAB 73.45, 16.11, 66.94

 

CMYK 78 / 0 / 44 / 7

HEX #33ED85

RGB 51 237 133

HSL 146.45, 0.84%, 0.56%

LAB 83.42, -67.18, 37.83

 

CMYK 80 / 74 / 0 / 7

HEX #303DED

RGB 48 61 237

HSL 235.87, 0.84%, 0.56%

LAB 37.99, 55.35, -88.22

 

CMYK 0 / 80 / 35 / 7

HEX #ED309B

RGB 237 48 155

HSL 326.03, 0.84%, 0.56%

LAB 54.54, 76.49, -12.92

 

CMYK 0 / 5 / 80 / 7

HEX #EDE030

RGB 237 224 48

HSL 55.87, 0.84%, 0.56%

LAB 87.74, -13.26, 79.56

 

Description

Color code: RGB 51 237 133 | qconv.com Color code: RGB 51 237 133 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 237 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 237 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 44 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 44% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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