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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 51 193 162 it is the complementary color RGB 204 62 93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 51 193 162. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 51 193 162 shade: RGB 56 193 157, RGB 73 211 176, RGB 90 229 195, RGB 107 247 214 and RGB 124 255 233

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 51 193 162. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 51 193 162 shade: RGB 51 193 162, RGB 34 175 143, RGB 17 157 124, RGB 0 139 105 and RGB 0 121 86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 51 193 162 shade: RGB 51 193 162, RGB 51 193 124, RGB 51 193 85, RGB 55 193 51 and RGB 93 193 51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 51 193 162 shade: RGB 51 193 162, RGB 51 186 193, RGB 51 147 193, RGB 51 109 193 and RGB 51 71 193

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 51 193 162 shade matches the following richer shades: RGB 51 193 162, RGB 31 213 173 and RGB 11 233 184

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 51 193 162 shade: RGB 51 193 162, RGB 71 173 151, RGB 91 153 140, RGB 110 133 128 and RGB 130 114 117

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 51 193 162 shade: RGB 51 193 84, RGB 51 193 122, RGB 51 193 160, RGB 51 188 193 and RGB 51 150 193

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 51 193 162 shade: RGB 34 128 107, RGB 42 160 135, RGB 51 193 162, RGB 78 207 179 and RGB 110 216 193

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 51 193 162 shade: RGB 51 193 162, RGB 51 56 193 and RGB 193 103 51

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 51 193 162 shade: RGB 51 193 162, RGB 160 51 193 and RGB 193 160 51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 51 193 162 shade: RGB 51 193 162, RGB 51 56 193, RGB 193 51 84 and RGB 193 188 51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 51 193 162 shade: RGB 51 193 162, RGB 89 51 193, RGB 193 51 84 and RGB 155 193 51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 16 / 24

HEX #33C1A2

RGB 51 193 162

HSL 166.9, 0.58%, 0.48%

LAB 70.49, -44.3, 4.98

 

Complementary color

CMYK 0 / 70 / 54 / 20

HEX #CC3E5D

RGB 204 62 93

HSL 346.9, 0.58%, 0.52%

LAB 48.35, 57.67, 14.68

 

CMYK 71 / 0 / 19 / 24

HEX #38C19D

RGB 56 193 157

HSL 164.23, 0.55%, 0.49%

LAB 70.47, -44.88, 7.68

 

CMYK 65 / 0 / 17 / 17

HEX #49D3B0

RGB 73 211 176

HSL 164.78, 0.61%, 0.56%

LAB 76.76, -45.33, 6.51

 

CMYK 61 / 0 / 15 / 10

HEX #5AE5C3

RGB 90 229 195

HSL 165.32, 0.73%, 0.63%

LAB 82.99, -45.6, 5.44

 

CMYK 57 / 0 / 13 / 3

HEX #6BF7D6

RGB 107 247 214

HSL 165.86, 0.9%, 0.69%

LAB 89.16, -45.75, 4.46

 

CMYK 51 / 0 / 9 / 0

HEX #7CFFE9

RGB 124 255 233

HSL 169.92, 1%, 0.74%

LAB 92.44, -41.41, -0.57

 

CMYK 74 / 0 / 16 / 24

HEX #33C1A2

RGB 51 193 162

HSL 166.9, 0.58%, 0.48%

LAB 70.49, -44.3, 4.98

 

CMYK 81 / 0 / 18 / 31

HEX #22AF8F

RGB 34 175 143

HSL 166.38, 0.67%, 0.41%

LAB 64.15, -43.44, 6.26

 

CMYK 89 / 0 / 21 / 38

HEX #119D7C

RGB 17 157 124

HSL 165.86, 0.8%, 0.34%

LAB 57.74, -42.19, 7.7

 

CMYK 100 / 0 / 24 / 45

HEX #008B69

RGB 0 139 105

HSL 165.32, 1%, 0.27%

LAB 51.25, -40.56, 9.31

 

CMYK 100 / 0 / 29 / 53

HEX #007956

RGB 0 121 86

HSL 162.64, 1%, 0.24%

LAB 44.73, -38, 11.2

 

CMYK 74 / 0 / 16 / 24

HEX #33C1A2

RGB 51 193 162

HSL 166.9, 0.58%, 0.48%

LAB 70.49, -44.3, 4.98

 

CMYK 74 / 0 / 36 / 24

HEX #33C17C

RGB 51 193 124

HSL 150.85, 0.58%, 0.48%

LAB 69.68, -52.97, 24.32

 

CMYK 74 / 0 / 56 / 24

HEX #33C155

RGB 51 193 85

HSL 134.37, 0.58%, 0.48%

LAB 69.11, -59.52, 43.32

 

CMYK 72 / 0 / 74 / 24

HEX #37C133

RGB 55 193 51

HSL 118.31, 0.58%, 0.48%

LAB 68.89, -62.47, 57.42

 

CMYK 52 / 0 / 74 / 24

HEX #5DC133

RGB 93 193 51

HSL 102.25, 0.58%, 0.48%

LAB 69.97, -53.73, 58.85

 

CMYK 74 / 0 / 16 / 24

HEX #33C1A2

RGB 51 193 162

HSL 166.9, 0.58%, 0.48%

LAB 70.49, -44.3, 4.98

 

CMYK 74 / 4 / 0 / 24

HEX #33BAC1

RGB 51 186 193

HSL 182.96, 0.58%, 0.48%

LAB 69.24, -32.54, -13.86

 

CMYK 74 / 24 / 0 / 24

HEX #3393C1

RGB 51 147 193

HSL 199.44, 0.58%, 0.48%

LAB 57.48, -12.45, -31.84

 

CMYK 74 / 44 / 0 / 24

HEX #336DC1

RGB 51 109 193

HSL 215.49, 0.58%, 0.48%

LAB 46.3, 10.16, -49.49

 

CMYK 74 / 63 / 0 / 24

HEX #3347C1

RGB 51 71 193

HSL 231.55, 0.58%, 0.48%

LAB 36.1, 34.65, -66

 

CMYK 74 / 0 / 16 / 24

HEX #33C1A2

RGB 51 193 162

HSL 166.9, 0.58%, 0.48%

LAB 70.49, -44.3, 4.98

 

CMYK 85 / 0 / 19 / 16

HEX #1FD5AD

RGB 31 213 173

HSL 166.81, 0.75%, 0.48%

LAB 76.62, -51.73, 7.81

 

CMYK 95 / 0 / 21 / 9

HEX #0BE9B8

RGB 11 233 184

HSL 166.76, 0.91%, 0.48%

LAB 82.81, -57.8, 10.82

 

CMYK 74 / 0 / 16 / 24

HEX #33C1A2

RGB 51 193 162

HSL 166.9, 0.58%, 0.48%

LAB 70.49, -44.3, 4.98

 

CMYK 59 / 0 / 13 / 32

HEX #47AD97

RGB 71 173 151

HSL 167.06, 0.42%, 0.48%

LAB 64.53, -34.97, 2.48

 

CMYK 41 / 0 / 8 / 40

HEX #5B998C

RGB 91 153 140

HSL 167.42, 0.25%, 0.48%

LAB 58.88, -23.21, 0.54

 

CMYK 17 / 0 / 4 / 48

HEX #6E8580

RGB 110 133 128

HSL 166.96, 0.09%, 0.48%

LAB 53.65, -9.34, -0.07

 

CMYK 0 / 12 / 10 / 49

HEX #827275

RGB 130 114 117

HSL 348.75, 0.07%, 0.48%

LAB 49.57, 6.77, 0.63

 

CMYK 74 / 0 / 56 / 24

HEX #33C154

RGB 51 193 84

HSL 133.94, 0.58%, 0.48%

LAB 69.1, -59.65, 43.78

 

CMYK 74 / 0 / 37 / 24

HEX #33C17A

RGB 51 193 122

HSL 150, 0.58%, 0.48%

LAB 69.65, -53.36, 25.33

 

CMYK 74 / 0 / 17 / 24

HEX #33C1A0

RGB 51 193 160

HSL 166.06, 0.58%, 0.48%

LAB 70.44, -44.81, 6

 

CMYK 74 / 3 / 0 / 24

HEX #33BCC1

RGB 51 188 193

HSL 182.11, 0.58%, 0.48%

LAB 69.84, -33.49, -12.95

 

CMYK 74 / 22 / 0 / 24

HEX #3396C1

RGB 51 150 193

HSL 198.17, 0.58%, 0.48%

LAB 58.38, -14.1, -30.44

 

CMYK 73 / 0 / 16 / 50

HEX #22806B

RGB 34 128 107

HSL 166.6, 0.58%, 0.32%

LAB 48.06, -32.21, 3.65

 

CMYK 74 / 0 / 16 / 37

HEX #2AA087

RGB 42 160 135

HSL 167.29, 0.58%, 0.4%

LAB 59.33, -38.09, 3.82

 

CMYK 74 / 0 / 16 / 24

HEX #33C1A2

RGB 51 193 162

HSL 166.9, 0.58%, 0.48%

LAB 70.49, -44.3, 4.98

 

CMYK 62 / 0 / 14 / 19

HEX #4ECFB3

RGB 78 207 179

HSL 166.98, 0.57%, 0.56%

LAB 75.76, -42.01, 3.47

 

CMYK 49 / 0 / 11 / 15

HEX #6ED8C1

RGB 110 216 193

HSL 166.98, 0.58%, 0.64%

LAB 79.77, -36.21, 1.91

 

CMYK 74 / 0 / 16 / 24

HEX #33C1A2

RGB 51 193 162

HSL 166.9, 0.58%, 0.48%

LAB 70.49, -44.3, 4.98

 

CMYK 74 / 71 / 0 / 24

HEX #3338C1

RGB 51 56 193

HSL 237.89, 0.58%, 0.48%

LAB 32.66, 43.87, -71.65

 

CMYK 0 / 47 / 74 / 24

HEX #C16733

RGB 193 103 51

HSL 21.97, 0.58%, 0.48%

LAB 53.25, 31.96, 44.18

 

CMYK 74 / 0 / 16 / 24

HEX #33C1A2

RGB 51 193 162

HSL 166.9, 0.58%, 0.48%

LAB 70.49, -44.3, 4.98

 

CMYK 17 / 74 / 0 / 24

HEX #A033C1

RGB 160 51 193

HSL 286.06, 0.58%, 0.48%

LAB 43.79, 63.96, -53.01

 

CMYK 0 / 17 / 74 / 24

HEX #C1A033

RGB 193 160 51

HSL 46.06, 0.58%, 0.48%

LAB 67.06, 0.89, 58.19

 

CMYK 74 / 0 / 16 / 24

HEX #33C1A2

RGB 51 193 162

HSL 166.9, 0.58%, 0.48%

LAB 70.49, -44.3, 4.98

 

CMYK 74 / 71 / 0 / 24

HEX #3338C1

RGB 51 56 193

HSL 237.89, 0.58%, 0.48%

LAB 32.66, 43.87, -71.65

 

CMYK 0 / 74 / 56 / 24

HEX #C13354

RGB 193 51 84

HSL 346.06, 0.58%, 0.48%

LAB 44.72, 57.66, 14.91

 

CMYK 0 / 3 / 74 / 24

HEX #C1BC33

RGB 193 188 51

HSL 57.89, 0.58%, 0.48%

LAB 74.54, -13.76, 65.35

 

CMYK 74 / 0 / 16 / 24

HEX #33C1A2

RGB 51 193 162

HSL 166.9, 0.58%, 0.48%

LAB 70.49, -44.3, 4.98

 

CMYK 54 / 74 / 0 / 24

HEX #5933C1

RGB 89 51 193

HSL 256.06, 0.58%, 0.48%

LAB 34.68, 51.31, -68.21

 

CMYK 0 / 74 / 56 / 24

HEX #C13354

RGB 193 51 84

HSL 346.06, 0.58%, 0.48%

LAB 44.72, 57.66, 14.91

 

CMYK 20 / 0 / 74 / 24

HEX #9BC133

RGB 155 193 51

HSL 76.06, 0.58%, 0.48%

LAB 73.12, -32.06, 63.01

 

Description

Color code: RGB 51 193 162 | qconv.com Color code: RGB 51 193 162 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 193 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 193 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 16 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 16% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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