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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 51.7 92.6 224 it is the complementary color RGB 203.3 162.4 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 51.7 92.6 224. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 51.7 92.6 224 shade: RGB 56.7 92.6 219, RGB 73.7 110.6 238, RGB 90.7 128.6 255, RGB 107.7 146.6 255 and RGB 124.7 164.6 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 51.7 92.6 224. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 51.7 92.6 224 shade: RGB 51.7 92.6 224, RGB 34.7 74.6 205, RGB 17.7 56.6 186, RGB 0.7 38.6 167 and RGB 0 20.6 148

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 51.7 92.6 224 shade: RGB 51 92 225, RGB 57 51 225, RGB 103 51 225, RGB 150 51 225 and RGB 197 51 225

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 51.7 92.6 224 shade: RGB 51 92 225 and RGB 51 51 225

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 51.7 92.6 224 shade matches the following richer shades: RGB 51 92 225 and RGB 32 82 243

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 51.7 92.6 224 shade: RGB 51 92 225, RGB 70 102 206, RGB 89 112 187, RGB 108 122 168 and RGB 127 132 149

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 51.7 92.6 224 shade: RGB 51 187 225, RGB 51 141 225, RGB 51 94 225, RGB 54 51 225 and RGB 100 51 225

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 51.7 92.6 224 shade: RGB 25 59 168, RGB 30 72 204, RGB 51 92 225, RGB 87 121 230 and RGB 123 149 235

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 51.7 92.6 224 shade: RGB 51.7 92.6 224, RGB 216 51 225 and RGB 164 225 51

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 51.7 92.6 224 shade: RGB 51.7 92.6 224, RGB 225 51 94 and RGB 94 225 51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 51.7 92.6 224 shade: RGB 51.7 92.6 224, RGB 216 51 225, RGB 225 181 51 and RGB 60 225 51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 51.7 92.6 224 shade: RGB 51.7 92.6 224, RGB 225 51 181, RGB 225 181 51 and RGB 51 225 94

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 59 / 0 / 12

HEX #335CE0

RGB 51.7 92.6 224

HSL 225.76, 0.74%, 0.54%

LAB 44.04, 32.21, -70.9

 

Complementary color

CMYK 0 / 20 / 85 / 20

HEX #CBA21F

RGB 203.3 162.4 31

HSL 45.76, 0.74%, 0.46%

LAB 68.62, 3.43, 66.59

 

CMYK 74 / 58 / 0 / 14

HEX #385CDB

RGB 56.7 92.6 219

HSL 226.73, 0.69%, 0.54%

LAB 43.85, 30.94, -68.35

 

CMYK 69 / 54 / 0 / 7

HEX #496EEE

RGB 73.7 110.6 238

HSL 226.52, 0.83%, 0.61%

LAB 50.57, 28.54, -68.13

 

CMYK 64 / 50 / 0 / 0

HEX #5A80FF

RGB 90.7 128.6 255

HSL 226.16, 1%, 0.68%

LAB 57.1, 25.85, -66.97

 

CMYK 58 / 43 / 0 / 0

HEX #6B92FF

RGB 107.7 146.6 255

HSL 224.15, 1%, 0.71%

LAB 62.62, 18.03, -58.07

 

CMYK 51 / 35 / 0 / 0

HEX #7CA4FF

RGB 124.7 164.6 255

HSL 221.63, 1%, 0.74%

LAB 68.26, 11.03, -49.07

 

CMYK 77 / 59 / 0 / 12

HEX #335CE0

RGB 51.7 92.6 224

HSL 225.76, 0.74%, 0.54%

LAB 44.04, 32.21, -70.9

 

CMYK 83 / 64 / 0 / 20

HEX #224ACD

RGB 34.7 74.6 205

HSL 225.94, 0.71%, 0.47%

LAB 37.37, 35.22, -70.94

 

CMYK 90 / 70 / 0 / 27

HEX #1138BA

RGB 17.7 56.6 186

HSL 226.13, 0.83%, 0.4%

LAB 30.78, 38.66, -70.67

 

CMYK 100 / 77 / 0 / 35

HEX #0026A7

RGB 0.7 38.6 167

HSL 226.33, 0.99%, 0.33%

LAB 24.38, 42.24, -69.9

 

CMYK 100 / 86 / 0 / 42

HEX #001494

RGB 0 20.6 148

HSL 231.65, 1%, 0.29%

LAB 18.63, 45.38, -67.84

 

CMYK 77 / 59 / 0 / 12

HEX #335CE1

RGB 51 92 225

HSL 225.86, 0.74%, 0.54%

LAB 43.94, 32.89, -71.63

 

CMYK 75 / 77 / 0 / 12

HEX #3933E1

RGB 57 51 225

HSL 242.07, 0.74%, 0.54%

LAB 35.35, 57.38, -85.74

 

CMYK 54 / 77 / 0 / 12

HEX #6733E1

RGB 103 51 225

HSL 257.93, 0.74%, 0.54%

LAB 39.05, 61.93, -79.51

 

CMYK 33 / 77 / 0 / 12

HEX #9633E1

RGB 150 51 225

HSL 274.14, 0.74%, 0.54%

LAB 44.64, 68.71, -70.13

 

CMYK 12 / 77 / 0 / 12

HEX #C533E1

RGB 197 51 225

HSL 290.34, 0.74%, 0.54%

LAB 51.47, 76.89, -58.75

 

CMYK 77 / 59 / 0 / 12

HEX #335CE1

RGB 51 92 225

HSL 225.86, 0.74%, 0.54%

LAB 43.94, 32.89, -71.63

 

CMYK 77 / 77 / 0 / 12

HEX #3333E1

RGB 51 51 225

HSL 240, 0.74%, 0.54%

LAB 35.02, 56.97, -86.3

 

CMYK 77 / 59 / 0 / 12

HEX #335CE1

RGB 51 92 225

HSL 225.86, 0.74%, 0.54%

LAB 43.94, 32.89, -71.63

 

CMYK 87 / 66 / 0 / 5

HEX #2052F3

RGB 32 82 243

HSL 225.78, 0.9%, 0.54%

LAB 42.48, 44.29, -84.21

 

CMYK 77 / 59 / 0 / 12

HEX #335CE1

RGB 51 92 225

HSL 225.86, 0.74%, 0.54%

LAB 43.94, 32.89, -71.63

 

CMYK 66 / 50 / 0 / 19

HEX #4666CE

RGB 70 102 206

HSL 225.88, 0.58%, 0.54%

LAB 45.99, 22.14, -57.42

 

CMYK 52 / 40 / 0 / 27

HEX #5970BB

RGB 89 112 187

HSL 225.92, 0.42%, 0.54%

LAB 48.64, 13.15, -42.2

 

CMYK 36 / 27 / 0 / 34

HEX #6C7AA8

RGB 108 122 168

HSL 226, 0.26%, 0.54%

LAB 51.76, 6.36, -26.2

 

CMYK 15 / 11 / 0 / 42

HEX #7F8495

RGB 127 132 149

HSL 226.36, 0.09%, 0.54%

LAB 55.26, 1.81, -9.73

 

CMYK 77 / 17 / 0 / 12

HEX #33BBE1

RGB 51 187 225

HSL 193.1, 0.74%, 0.54%

LAB 70.65, -23.05, -29.22

 

CMYK 77 / 37 / 0 / 12

HEX #338DE1

RGB 51 141 225

HSL 208.97, 0.74%, 0.54%

LAB 57.26, 2.35, -50.17

 

CMYK 77 / 58 / 0 / 12

HEX #335EE1

RGB 51 94 225

HSL 225.17, 0.74%, 0.54%

LAB 44.44, 31.62, -70.81

 

CMYK 76 / 77 / 0 / 12

HEX #3633E1

RGB 54 51 225

HSL 241.03, 0.74%, 0.54%

LAB 35.18, 57.17, -86.03

 

CMYK 56 / 77 / 0 / 12

HEX #6433E1

RGB 100 51 225

HSL 256.9, 0.74%, 0.54%

LAB 38.75, 61.56, -80.02

 

CMYK 85 / 65 / 0 / 34

HEX #193BA8

RGB 25 59 168

HSL 225.73, 0.74%, 0.38%

LAB 29.82, 30.69, -61.52

 

CMYK 85 / 65 / 0 / 20

HEX #1E48CC

RGB 30 72 204

HSL 225.52, 0.74%, 0.46%

LAB 36.5, 36.2, -71.79

 

CMYK 77 / 59 / 0 / 12

HEX #335CE1

RGB 51 92 225

HSL 225.86, 0.74%, 0.54%

LAB 43.94, 32.89, -71.63

 

CMYK 62 / 47 / 0 / 10

HEX #5779E6

RGB 87 121 230

HSL 225.73, 0.74%, 0.62%

LAB 53.4, 21.44, -59.05

 

CMYK 48 / 37 / 0 / 8

HEX #7B95EB

RGB 123 149 235

HSL 226.07, 0.74%, 0.7%

LAB 63.1, 13.69, -46.27

 

CMYK 77 / 59 / 0 / 12

HEX #335CE0

RGB 51.7 92.6 224

HSL 225.76, 0.74%, 0.54%

LAB 44.04, 32.21, -70.9

 

CMYK 4 / 77 / 0 / 12

HEX #D833E1

RGB 216 51 225

HSL 296.9, 0.74%, 0.54%

LAB 54.45, 80.44, -53.81

 

CMYK 27 / 0 / 77 / 12

HEX #A4E133

RGB 164 225 51

HSL 81.03, 0.74%, 0.54%

LAB 82.9, -42.97, 72.45

 

CMYK 77 / 59 / 0 / 12

HEX #335CE0

RGB 51.7 92.6 224

HSL 225.76, 0.74%, 0.54%

LAB 44.04, 32.21, -70.9

 

CMYK 0 / 77 / 58 / 12

HEX #E1335E

RGB 225 51 94

HSL 345.17, 0.74%, 0.54%

LAB 50.9, 67.46, 18.18

 

CMYK 58 / 0 / 77 / 12

HEX #5EE133

RGB 94 225 51

HSL 105.17, 0.74%, 0.54%

LAB 79.88, -64.94, 68.53

 

CMYK 77 / 59 / 0 / 12

HEX #335CE0

RGB 51.7 92.6 224

HSL 225.76, 0.74%, 0.54%

LAB 44.04, 32.21, -70.9

 

CMYK 4 / 77 / 0 / 12

HEX #D833E1

RGB 216 51 225

HSL 296.9, 0.74%, 0.54%

LAB 54.45, 80.44, -53.81

 

CMYK 0 / 20 / 77 / 12

HEX #E1B533

RGB 225 181 51

HSL 44.83, 0.74%, 0.54%

LAB 75.63, 3.67, 67.43

 

CMYK 73 / 0 / 77 / 12

HEX #3CE133

RGB 60 225 51

HSL 116.9, 0.74%, 0.54%

LAB 79.07, -71.69, 67.47

 

CMYK 77 / 59 / 0 / 12

HEX #335CE0

RGB 51.7 92.6 224

HSL 225.76, 0.74%, 0.54%

LAB 44.04, 32.21, -70.9

 

CMYK 0 / 77 / 20 / 12

HEX #E133B5

RGB 225 51 181

HSL 315.17, 0.74%, 0.54%

LAB 53.72, 75.97, -29.61

 

CMYK 0 / 20 / 77 / 12

HEX #E1B533

RGB 225 181 51

HSL 44.83, 0.74%, 0.54%

LAB 75.63, 3.67, 67.43

 

CMYK 77 / 0 / 58 / 12

HEX #33E15E

RGB 51 225 94

HSL 134.83, 0.74%, 0.54%

LAB 79.25, -68.95, 51.15

 

Description

Color code: RGB 51.7 92.6 224 | qconv.com Color code: RGB 51.7 92.6 224 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51.7 red, 92.6 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51.7 92.6 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 59 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 59% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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