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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 51.7 92.6 191 it is the complementary color RGB 203.3 162.4 64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 51.7 92.6 191. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 51.7 92.6 191 shade: RGB 56.7 92.6 186, RGB 73.7 110.6 205, RGB 90.7 128.6 224, RGB 107.7 146.6 243 and RGB 124.7 164.6 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 51.7 92.6 191. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 51.7 92.6 191 shade: RGB 51.7 92.6 191, RGB 34.7 74.6 172, RGB 17.7 56.6 153, RGB 0.7 38.6 134 and RGB 0 20.6 115

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 51.7 92.6 191 shade: RGB 53 94 192, RGB 53 56 192, RGB 87 53 192, RGB 125 53 192 and RGB 162 53 192

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 51.7 92.6 191 shade: RGB 53 94 192, RGB 53 56 192 and RGB 53 53 192

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 51.7 92.6 191 shade matches the following richer shades: RGB 53 94 192, RGB 33 85 212 and RGB 13 77 232

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 51.7 92.6 191 shade: RGB 53 94 192, RGB 72 102 172, RGB 92 110 153, RGB 112 118 133 and RGB 132 126 113

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 51.7 92.6 191 shade: RGB 53 169 192, RGB 53 132 192, RGB 53 94 192, RGB 53 57 192 and RGB 85 53 192

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 51.7 92.6 191 shade: RGB 35 62 127, RGB 44 78 160, RGB 53 94 192, RGB 79 117 207 and RGB 112 142 216

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 51.7 92.6 191 shade: RGB 51.7 92.6 191, RGB 178 53 192 and RGB 150 192 53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 51.7 92.6 191 shade: RGB 51.7 92.6 191, RGB 192 53 94 and RGB 94 192 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 51.7 92.6 191 shade: RGB 51.7 92.6 191, RGB 178 53 192, RGB 192 150 53 and RGB 67 192 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 51.7 92.6 191 shade: RGB 51.7 92.6 191, RGB 192 53 164, RGB 192 150 53 and RGB 53 192 81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 52 / 0 / 25

HEX #335CBF

RGB 51.7 92.6 191

HSL 222.38, 0.57%, 0.48%

LAB 41.6, 20.02, -55.89

 

Complementary color

CMYK 0 / 20 / 69 / 20

HEX #CBA240

RGB 203.3 162.4 64

HSL 42.38, 0.57%, 0.52%

LAB 68.82, 4.77, 54.93

 

CMYK 70 / 50 / 0 / 27

HEX #385CBA

RGB 56.7 92.6 186

HSL 223.34, 0.53%, 0.48%

LAB 41.48, 18.88, -53.16

 

CMYK 64 / 46 / 0 / 20

HEX #496ECD

RGB 73.7 110.6 205

HSL 223.14, 0.57%, 0.55%

LAB 48.43, 16.99, -52.92

 

CMYK 60 / 43 / 0 / 12

HEX #5A80E0

RGB 90.7 128.6 224

HSL 222.94, 0.68%, 0.62%

LAB 55.26, 15.47, -52.7

 

CMYK 56 / 40 / 0 / 5

HEX #6B92F3

RGB 107.7 146.6 243

HSL 222.75, 0.85%, 0.69%

LAB 61.98, 14.21, -52.5

 

CMYK 51 / 35 / 0 / 0

HEX #7CA4FF

RGB 124.7 164.6 255

HSL 221.63, 1%, 0.74%

LAB 68.26, 11.03, -49.07

 

CMYK 73 / 52 / 0 / 25

HEX #335CBF

RGB 51.7 92.6 191

HSL 222.38, 0.57%, 0.48%

LAB 41.6, 20.02, -55.89

 

CMYK 80 / 57 / 0 / 33

HEX #224AAC

RGB 34.7 74.6 172

HSL 222.56, 0.66%, 0.41%

LAB 34.62, 22.63, -56.06

 

CMYK 88 / 63 / 0 / 40

HEX #113899

RGB 17.7 56.6 153

HSL 222.75, 0.79%, 0.33%

LAB 27.61, 25.9, -56.06

 

CMYK 99 / 71 / 0 / 47

HEX #002686

RGB 0.7 38.6 134

HSL 222.94, 0.99%, 0.26%

LAB 20.64, 29.73, -55.77

 

CMYK 100 / 82 / 0 / 55

HEX #001473

RGB 0 20.6 115

HSL 229.25, 1%, 0.23%

LAB 14.17, 33.97, -54.35

 

CMYK 72 / 51 / 0 / 25

HEX #355EC0

RGB 53 94 192

HSL 222.3, 0.57%, 0.48%

LAB 42.11, 19.66, -55.65

 

CMYK 72 / 71 / 0 / 25

HEX #3538C0

RGB 53 56 192

HSL 238.71, 0.57%, 0.48%

LAB 32.68, 43.74, -71.03

 

CMYK 55 / 72 / 0 / 25

HEX #5735C0

RGB 87 53 192

HSL 254.68, 0.57%, 0.48%

LAB 34.76, 49.71, -67.51

 

CMYK 35 / 72 / 0 / 25

HEX #7D35C0

RGB 125 53 192

HSL 271.08, 0.57%, 0.48%

LAB 39.09, 56.14, -60.26

 

CMYK 16 / 72 / 0 / 25

HEX #A235C0

RGB 162 53 192

HSL 287.05, 0.57%, 0.48%

LAB 44.28, 63.44, -51.62

 

CMYK 72 / 51 / 0 / 25

HEX #355EC0

RGB 53 94 192

HSL 222.3, 0.57%, 0.48%

LAB 42.11, 19.66, -55.65

 

CMYK 72 / 71 / 0 / 25

HEX #3538C0

RGB 53 56 192

HSL 238.71, 0.57%, 0.48%

LAB 32.68, 43.74, -71.03

 

CMYK 72 / 72 / 0 / 25

HEX #3535C0

RGB 53 53 192

HSL 240, 0.57%, 0.48%

LAB 32.05, 45.48, -72.06

 

CMYK 72 / 51 / 0 / 25

HEX #355EC0

RGB 53 94 192

HSL 222.3, 0.57%, 0.48%

LAB 42.11, 19.66, -55.65

 

CMYK 84 / 60 / 0 / 17

HEX #2155D4

RGB 33 85 212

HSL 222.57, 0.73%, 0.48%

LAB 40.53, 31.02, -69.8

 

CMYK 94 / 67 / 0 / 9

HEX #0D4DE8

RGB 13 77 232

HSL 222.47, 0.89%, 0.48%

LAB 39.95, 42.67, -82.18

 

CMYK 72 / 51 / 0 / 25

HEX #355EC0

RGB 53 94 192

HSL 222.3, 0.57%, 0.48%

LAB 42.11, 19.66, -55.65

 

CMYK 58 / 41 / 0 / 33

HEX #4866AC

RGB 72 102 172

HSL 222, 0.41%, 0.48%

LAB 44.03, 10.67, -40.83

 

CMYK 40 / 28 / 0 / 40

HEX #5C6E99

RGB 92 110 153

HSL 222.3, 0.25%, 0.48%

LAB 46.61, 4.68, -25.49

 

CMYK 16 / 11 / 0 / 48

HEX #707685

RGB 112 118 133

HSL 222.86, 0.09%, 0.48%

LAB 49.61, 1.07, -8.96

 

CMYK 0 / 5 / 14 / 48

HEX #847E71

RGB 132 126 113

HSL 41.05, 0.08%, 0.48%

LAB 52.97, -0.11, 7.89

 

CMYK 72 / 12 / 0 / 25

HEX #35A9C0

RGB 53 169 192

HSL 189.93, 0.57%, 0.48%

LAB 64.11, -24.22, -21.06

 

CMYK 72 / 31 / 0 / 25

HEX #3584C0

RGB 53 132 192

HSL 205.9, 0.57%, 0.48%

LAB 53.02, -3.95, -38.25

 

CMYK 72 / 51 / 0 / 25

HEX #355EC0

RGB 53 94 192

HSL 222.3, 0.57%, 0.48%

LAB 42.11, 19.66, -55.65

 

CMYK 72 / 70 / 0 / 25

HEX #3539C0

RGB 53 57 192

HSL 238.27, 0.57%, 0.48%

LAB 32.89, 43.15, -70.67

 

CMYK 56 / 72 / 0 / 25

HEX #5535C0

RGB 85 53 192

HSL 253.81, 0.57%, 0.48%

LAB 34.57, 49.42, -67.84

 

CMYK 72 / 51 / 0 / 50

HEX #233E7F

RGB 35 62 127

HSL 222.39, 0.57%, 0.32%

LAB 27.67, 13.55, -39.86

 

CMYK 73 / 51 / 0 / 37

HEX #2C4EA0

RGB 44 78 160

HSL 222.41, 0.57%, 0.4%

LAB 35.05, 16.86, -48.16

 

CMYK 72 / 51 / 0 / 25

HEX #355EC0

RGB 53 94 192

HSL 222.3, 0.57%, 0.48%

LAB 42.11, 19.66, -55.65

 

CMYK 62 / 43 / 0 / 19

HEX #4F75CF

RGB 79 117 207

HSL 222.19, 0.57%, 0.56%

LAB 50.56, 14.65, -50.64

 

CMYK 48 / 34 / 0 / 15

HEX #708ED8

RGB 112 142 216

HSL 222.69, 0.57%, 0.64%

LAB 59.66, 9.51, -41.18

 

CMYK 73 / 52 / 0 / 25

HEX #335CBF

RGB 51.7 92.6 191

HSL 222.38, 0.57%, 0.48%

LAB 41.6, 20.02, -55.89

 

CMYK 7 / 72 / 0 / 25

HEX #B235C0

RGB 178 53 192

HSL 293.96, 0.57%, 0.48%

LAB 46.73, 66.77, -47.55

 

CMYK 22 / 0 / 72 / 25

HEX #96C035

RGB 150 192 53

HSL 78.13, 0.57%, 0.48%

LAB 72.52, -33.47, 61.63

 

CMYK 73 / 52 / 0 / 25

HEX #335CBF

RGB 51.7 92.6 191

HSL 222.38, 0.57%, 0.48%

LAB 41.6, 20.02, -55.89

 

CMYK 0 / 72 / 51 / 25

HEX #C0355E

RGB 192 53 94

HSL 342.3, 0.57%, 0.48%

LAB 45.03, 57.45, 9.11

 

CMYK 51 / 0 / 72 / 25

HEX #5EC035

RGB 94 192 53

HSL 102.3, 0.57%, 0.48%

LAB 69.71, -52.93, 57.89

 

CMYK 73 / 52 / 0 / 25

HEX #335CBF

RGB 51.7 92.6 191

HSL 222.38, 0.57%, 0.48%

LAB 41.6, 20.02, -55.89

 

CMYK 7 / 72 / 0 / 25

HEX #B235C0

RGB 178 53 192

HSL 293.96, 0.57%, 0.48%

LAB 46.73, 66.77, -47.55

 

CMYK 0 / 22 / 72 / 25

HEX #C09635

RGB 192 150 53

HSL 41.87, 0.57%, 0.48%

LAB 64.38, 5.96, 54.7

 

CMYK 65 / 0 / 72 / 25

HEX #43C035

RGB 67 192 53

HSL 113.96, 0.57%, 0.48%

LAB 68.86, -59.68, 56.75

 

CMYK 73 / 52 / 0 / 25

HEX #335CBF

RGB 51.7 92.6 191

HSL 222.38, 0.57%, 0.48%

LAB 41.6, 20.02, -55.89

 

CMYK 0 / 72 / 15 / 25

HEX #C035A4

RGB 192 53 164

HSL 312.09, 0.57%, 0.48%

LAB 47.54, 65.47, -29.67

 

CMYK 0 / 22 / 72 / 25

HEX #C09635

RGB 192 150 53

HSL 41.87, 0.57%, 0.48%

LAB 64.38, 5.96, 54.7

 

CMYK 72 / 0 / 58 / 25

HEX #35C051

RGB 53 192 81

HSL 132.09, 0.57%, 0.48%

LAB 68.79, -59.39, 44.83

 

Description

Color code: RGB 51.7 92.6 191 | qconv.com Color code: RGB 51.7 92.6 191 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51.7 red, 92.6 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51.7 92.6 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 52 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 52% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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