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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 51.1 90.8 115 it is the complementary color RGB 203.9 164.2 140. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 51.1 90.8 115. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 51.1 90.8 115 shade: RGB 56.1 90.8 110, RGB 73.1 108.8 129, RGB 90.1 126.8 148, RGB 107.1 144.8 167 and RGB 124.1 162.8 186

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 51.1 90.8 115. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 51.1 90.8 115 shade: RGB 51.1 90.8 115, RGB 34.1 72.8 96, RGB 17.1 54.8 77, RGB 0.1 36.8 58 and RGB 0 18.8 39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 51.1 90.8 115 shade: RGB 52 92 116, RGB 52 75 116, RGB 52 57 116, RGB 64 52 116 and RGB 81 52 116

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 51.1 90.8 115 shade: RGB 52 92 116, RGB 52 75 116, RGB 52 57 116 and RGB 52 52 116

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 51.1 90.8 115 shade matches the following richer shades: RGB 52 92 116, RGB 39 95 130, RGB 25 99 143 and RGB 11 102 157

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 51.1 90.8 115 shade: RGB 52 92 116, RGB 66 89 103, RGB 79 85 89, RGB 93 82 75 and RGB 107 79 62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 51.1 90.8 115 shade: RGB 52 116 105, RGB 52 110 116, RGB 52 93 116, RGB 52 76 116 and RGB 52 59 116

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 51.1 90.8 115 shade: RGB 27 47 59, RGB 39 69 88, RGB 52 92 116, RGB 65 114 145 and RGB 78 137 173

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 51.1 90.8 115 shade: RGB 51.1 90.8 115, RGB 88 52 116 and RGB 116 114 52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 51.1 90.8 115 shade: RGB 51.1 90.8 115, RGB 116 52 93 and RGB 93 116 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 51.1 90.8 115 shade: RGB 51.1 90.8 115, RGB 88 52 116, RGB 116 76 52 and RGB 80 116 52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 51.1 90.8 115 shade: RGB 51.1 90.8 115, RGB 108 52 116, RGB 116 76 52 and RGB 61 116 52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 21 / 0 / 55

HEX #335A73

RGB 51.1 90.8 115

HSL 202.72, 0.38%, 0.33%

LAB 36.73, -6.45, -18.04

 

Complementary color

CMYK 0 / 19 / 31 / 20

HEX #CBA48C

RGB 203.9 164.2 140

HSL 22.72, 0.38%, 0.67%

LAB 70.41, 11.13, 18.09

 

CMYK 49 / 17 / 0 / 57

HEX #385A6E

RGB 56.1 90.8 110

HSL 201.37, 0.32%, 0.33%

LAB 36.78, -6.77, -14.85

 

CMYK 43 / 16 / 0 / 49

HEX #496C81

RGB 73.1 108.8 129

HSL 201.68, 0.28%, 0.4%

LAB 44.09, -7.03, -15.18

 

CMYK 39 / 14 / 0 / 42

HEX #5A7E94

RGB 90.1 126.8 148

HSL 201.97, 0.24%, 0.47%

LAB 51.2, -7.21, -15.52

 

CMYK 36 / 13 / 0 / 35

HEX #6B90A7

RGB 107.1 144.8 167

HSL 202.24, 0.25%, 0.54%

LAB 58.14, -7.35, -15.86

 

CMYK 33 / 12 / 0 / 27

HEX #7CA2BA

RGB 124.1 162.8 186

HSL 202.49, 0.31%, 0.61%

LAB 64.93, -7.46, -16.2

 

CMYK 56 / 21 / 0 / 55

HEX #335A73

RGB 51.1 90.8 115

HSL 202.72, 0.38%, 0.33%

LAB 36.73, -6.45, -18.04

 

CMYK 64 / 24 / 0 / 62

HEX #224860

RGB 34.1 72.8 96

HSL 202.49, 0.48%, 0.26%

LAB 29.22, -5.8, -17.76

 

CMYK 78 / 29 / 0 / 70

HEX #11364D

RGB 17.1 54.8 77

HSL 202.24, 0.64%, 0.18%

LAB 21.47, -4.73, -17.45

 

CMYK 100 / 37 / 0 / 77

HEX #00243A

RGB 0.1 36.8 58

HSL 201.97, 1%, 0.11%

LAB 13.33, -3.28, -17.22

 

CMYK 100 / 52 / 0 / 85

HEX #001227

RGB 0 18.8 39

HSL 211.08, 1%, 0.08%

LAB 5.47, 0.83, -15.8

 

CMYK 55 / 21 / 0 / 55

HEX #345C74

RGB 52 92 116

HSL 202.5, 0.38%, 0.33%

LAB 37.2, -6.63, -17.93

 

CMYK 55 / 35 / 0 / 55

HEX #344B74

RGB 52 75 116

HSL 218.44, 0.38%, 0.33%

LAB 31.86, 4.13, -26.23

 

CMYK 55 / 51 / 0 / 55

HEX #343974

RGB 52 57 116

HSL 235.31, 0.38%, 0.33%

LAB 26.5, 16.26, -34.75

 

CMYK 45 / 55 / 0 / 55

HEX #403474

RGB 64 52 116

HSL 251.25, 0.38%, 0.33%

LAB 26.18, 22.61, -35.2

 

CMYK 30 / 55 / 0 / 55

HEX #513474

RGB 81 52 116

HSL 267.19, 0.38%, 0.33%

LAB 28.02, 27.28, -32.15

 

CMYK 55 / 21 / 0 / 55

HEX #345C74

RGB 52 92 116

HSL 202.5, 0.38%, 0.33%

LAB 37.2, -6.63, -17.93

 

CMYK 55 / 35 / 0 / 55

HEX #344B74

RGB 52 75 116

HSL 218.44, 0.38%, 0.33%

LAB 31.86, 4.13, -26.23

 

CMYK 55 / 51 / 0 / 55

HEX #343974

RGB 52 57 116

HSL 235.31, 0.38%, 0.33%

LAB 26.5, 16.26, -34.75

 

CMYK 55 / 55 / 0 / 55

HEX #343474

RGB 52 52 116

HSL 240, 0.38%, 0.33%

LAB 25.1, 19.67, -37

 

CMYK 55 / 21 / 0 / 55

HEX #345C74

RGB 52 92 116

HSL 202.5, 0.38%, 0.33%

LAB 37.2, -6.63, -17.93

 

CMYK 70 / 27 / 0 / 49

HEX #275F82

RGB 39 95 130

HSL 203.08, 0.54%, 0.33%

LAB 38.25, -6.28, -24.92

 

CMYK 83 / 31 / 0 / 44

HEX #19638F

RGB 25 99 143

HSL 202.37, 0.7%, 0.33%

LAB 39.77, -5.77, -30.44

 

CMYK 93 / 35 / 0 / 38

HEX #0B669D

RGB 11 102 157

HSL 202.6, 0.87%, 0.33%

LAB 41.23, -3.2, -36.53

 

CMYK 55 / 21 / 0 / 55

HEX #345C74

RGB 52 92 116

HSL 202.5, 0.38%, 0.33%

LAB 37.2, -6.63, -17.93

 

CMYK 36 / 14 / 0 / 60

HEX #425967

RGB 66 89 103

HSL 202.7, 0.22%, 0.33%

LAB 36.52, -4.85, -10.84

 

CMYK 11 / 4 / 0 / 65

HEX #4F5559

RGB 79 85 89

HSL 204, 0.06%, 0.33%

LAB 35.75, -1.46, -3.15

 

CMYK 0 / 12 / 19 / 64

HEX #5D524B

RGB 93 82 75

HSL 23.33, 0.11%, 0.33%

LAB 35.73, 3.22, 5.76

 

CMYK 0 / 26 / 42 / 58

HEX #6B4F3E

RGB 107 79 62

HSL 22.67, 0.27%, 0.33%

LAB 36.11, 9.28, 14.62

 

CMYK 55 / 0 / 9 / 55

HEX #347469

RGB 52 116 105

HSL 169.69, 0.38%, 0.33%

LAB 44.58, -23.41, -0.16

 

CMYK 55 / 5 / 0 / 55

HEX #346E74

RGB 52 110 116

HSL 185.63, 0.38%, 0.33%

LAB 42.98, -17.04, -9.14

 

CMYK 55 / 20 / 0 / 55

HEX #345D74

RGB 52 93 116

HSL 201.56, 0.38%, 0.33%

LAB 37.52, -7.23, -17.44

 

CMYK 55 / 34 / 0 / 55

HEX #344C74

RGB 52 76 116

HSL 217.5, 0.38%, 0.33%

LAB 32.17, 3.48, -25.75

 

CMYK 55 / 49 / 0 / 55

HEX #343B74

RGB 52 59 116

HSL 233.44, 0.38%, 0.33%

LAB 27.07, 14.89, -33.83

 

CMYK 54 / 20 / 0 / 77

HEX #1B2F3B

RGB 27 47 59

HSL 202.5, 0.37%, 0.17%

LAB 18.28, -4.04, -10.12

 

CMYK 56 / 22 / 0 / 65

HEX #274558

RGB 39 69 88

HSL 203.27, 0.39%, 0.25%

LAB 27.82, -5.03, -14.75

 

CMYK 55 / 21 / 0 / 55

HEX #345C74

RGB 52 92 116

HSL 202.5, 0.38%, 0.33%

LAB 37.2, -6.63, -17.93

 

CMYK 55 / 21 / 0 / 43

HEX #417291

RGB 65 114 145

HSL 203.25, 0.38%, 0.41%

LAB 45.91, -7.22, -21.97

 

CMYK 55 / 21 / 0 / 32

HEX #4E89AD

RGB 78 137 173

HSL 202.74, 0.38%, 0.49%

LAB 54.58, -8.69, -24.87

 

CMYK 56 / 21 / 0 / 55

HEX #335A73

RGB 51.1 90.8 115

HSL 202.72, 0.38%, 0.33%

LAB 36.73, -6.45, -18.04

 

CMYK 24 / 55 / 0 / 55

HEX #583474

RGB 88 52 116

HSL 273.75, 0.38%, 0.33%

LAB 28.88, 29.31, -30.73

 

CMYK 0 / 2 / 55 / 55

HEX #747234

RGB 116 114 52

HSL 58.13, 0.38%, 0.33%

LAB 46.97, -8.37, 34.16

 

CMYK 56 / 21 / 0 / 55

HEX #335A73

RGB 51.1 90.8 115

HSL 202.72, 0.38%, 0.33%

LAB 36.73, -6.45, -18.04

 

CMYK 0 / 55 / 20 / 55

HEX #74345D

RGB 116 52 93

HSL 321.56, 0.38%, 0.33%

LAB 31.71, 33.53, -11.31

 

CMYK 20 / 0 / 55 / 55

HEX #5D7434

RGB 93 116 52

HSL 81.56, 0.38%, 0.33%

LAB 45.72, -19.62, 32.23

 

CMYK 56 / 21 / 0 / 55

HEX #335A73

RGB 51.1 90.8 115

HSL 202.72, 0.38%, 0.33%

LAB 36.73, -6.45, -18.04

 

CMYK 24 / 55 / 0 / 55

HEX #583474

RGB 88 52 116

HSL 273.75, 0.38%, 0.33%

LAB 28.88, 29.31, -30.73

 

CMYK 0 / 34 / 55 / 55

HEX #744C34

RGB 116 76 52

HSL 22.5, 0.38%, 0.33%

LAB 36.23, 14.06, 21.1

 

CMYK 31 / 0 / 55 / 55

HEX #507434

RGB 80 116 52

HSL 93.75, 0.38%, 0.33%

LAB 44.86, -24.94, 31

 

CMYK 56 / 21 / 0 / 55

HEX #335A73

RGB 51.1 90.8 115

HSL 202.72, 0.38%, 0.33%

LAB 36.73, -6.45, -18.04

 

CMYK 7 / 55 / 0 / 55

HEX #6C3474

RGB 108 52 116

HSL 292.5, 0.38%, 0.33%

LAB 31.59, 35.28, -26.27

 

CMYK 0 / 34 / 55 / 55

HEX #744C34

RGB 116 76 52

HSL 22.5, 0.38%, 0.33%

LAB 36.23, 14.06, 21.1

 

CMYK 47 / 0 / 55 / 55

HEX #3D7434

RGB 61 116 52

HSL 111.56, 0.38%, 0.33%

LAB 43.84, -31.84, 29.54

 

Description

Color code: RGB 51.1 90.8 115 | qconv.com Color code: RGB 51.1 90.8 115 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51.1 red, 90.8 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51.1 90.8 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 21 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 21% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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