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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 51.1 54 57 it is the complementary color RGB 203.9 201 198. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 51.1 54 57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 51.1 54 57 shade: RGB 56.1 54 52, RGB 73.1 72 71, RGB 90.1 90 90, RGB 107.1 108 109 and RGB 124.1 126 128

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 51.1 54 57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 51.1 54 57 shade: RGB 51.1 54 57, RGB 34.1 36 38, RGB 17.1 18 19 and RGB 0.1 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 51.1 54 57 shade: RGB 50 53 56, RGB 50 52 56, RGB 51 50 56, RGB 52 50 56 and RGB 54 50 56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 51.1 54 57 shade: RGB 50 53 56, RGB 50 52 56 and RGB 50 50 56

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 51.1 54 57 shade matches the following richer shades: RGB 50 53 56, RGB 42 53 64, RGB 33 53 73, RGB 24 53 82 and RGB 16 52 90

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 51.1 54 57 shade: RGB 50 53 56, RGB 59 53 47, RGB 68 53 38, RGB 76 53 30 and RGB 85 54 21

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 51.1 54 57 shade: RGB 50 56 56, RGB 50 54 56, RGB 50 53 56, RGB 50 52 56 and RGB 51 50 56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 51.1 54 57 shade: RGB 11 12 12, RGB 31 32 34, RGB 50 53 56, RGB 70 74 77 and RGB 90 94 99

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 51.1 54 57 shade: RGB 51.1 54 57, RGB 54 50 56 and RGB 55 56 50

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 51.1 54 57 shade: RGB 51.1 54 57, RGB 56 50 53 and RGB 53 56 50

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 51.1 54 57 shade: RGB 51.1 54 57, RGB 54 50 56, RGB 56 53 50 and RGB 52 56 50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 51.1 54 57 shade: RGB 51.1 54 57, RGB 56 50 56, RGB 56 53 50 and RGB 50 56 50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 5 / 0 / 78

HEX #333639

RGB 51.1 54 57

HSL 210.51, 0.05%, 0.21%

LAB 22.44, -0.51, -2.31

 

Complementary color

CMYK 0 / 1 / 3 / 20

HEX #CBC9C6

RGB 203.9 201 198

HSL 30.51, 0.05%, 0.79%

LAB 81.11, 0.47, 1.84

 

CMYK 0 / 4 / 7 / 78

HEX #383634

RGB 56.1 54 52

HSL 29.27, 0.04%, 0.21%

LAB 22.76, 0.47, 1.58

 

CMYK 0 / 2 / 3 / 71

HEX #494847

RGB 73.1 72 71

HSL 28.57, 0.01%, 0.28%

LAB 30.66, 0.24, 0.76

 

CMYK 0 / 0 / 0 / 65

HEX #5A5A5A

RGB 90.1 90 90

HSL 0, 0%, 0.35%

LAB 38.25, 0.04, 0.01

 

CMYK 2 / 1 / 0 / 57

HEX #6B6C6D

RGB 107.1 108 109

HSL 211.58, 0.01%, 0.42%

LAB 45.58, -0.14, -0.68

 

CMYK 3 / 2 / 0 / 50

HEX #7C7E80

RGB 124.1 126 128

HSL 210.77, 0.02%, 0.49%

LAB 52.7, -0.3, -1.34

 

CMYK 10 / 5 / 0 / 78

HEX #333639

RGB 51.1 54 57

HSL 210.51, 0.05%, 0.21%

LAB 22.44, -0.51, -2.31

 

CMYK 10 / 5 / 0 / 85

HEX #222426

RGB 34.1 36 38

HSL 210.77, 0.05%, 0.14%

LAB 14.08, -0.35, -1.63

 

CMYK 10 / 5 / 0 / 93

HEX #111213

RGB 17.1 18 19

HSL 211.58, 0.05%, 0.07%

LAB 5.42, -0.13, -0.7

 

CMYK 0 / 100 / 100 / 100

HEX #000000

RGB 0.1 0 0

HSL 0, 1%, 0%

LAB 0.01, 0.03, 0.01

 

CMYK 11 / 5 / 0 / 78

HEX #323538

RGB 50 53 56

HSL 210, 0.06%, 0.21%

LAB 21.98, -0.55, -2.33

 

CMYK 11 / 7 / 0 / 78

HEX #323438

RGB 50 52 56

HSL 220, 0.06%, 0.21%

LAB 21.65, 0.12, -2.82

 

CMYK 9 / 11 / 0 / 78

HEX #333238

RGB 51 50 56

HSL 250, 0.06%, 0.21%

LAB 21.1, 1.88, -3.63

 

CMYK 7 / 11 / 0 / 78

HEX #343238

RGB 52 50 56

HSL 260, 0.06%, 0.21%

LAB 21.2, 2.3, -3.47

 

CMYK 4 / 11 / 0 / 78

HEX #363238

RGB 54 50 56

HSL 280, 0.06%, 0.21%

LAB 21.4, 3.16, -3.15

 

CMYK 11 / 5 / 0 / 78

HEX #323538

RGB 50 53 56

HSL 210, 0.06%, 0.21%

LAB 21.98, -0.55, -2.33

 

CMYK 11 / 7 / 0 / 78

HEX #323438

RGB 50 52 56

HSL 220, 0.06%, 0.21%

LAB 21.65, 0.12, -2.82

 

CMYK 11 / 11 / 0 / 78

HEX #323238

RGB 50 50 56

HSL 240, 0.06%, 0.21%

LAB 21, 1.46, -3.79

 

CMYK 11 / 5 / 0 / 78

HEX #323538

RGB 50 53 56

HSL 210, 0.06%, 0.21%

LAB 21.98, -0.55, -2.33

 

CMYK 34 / 17 / 0 / 75

HEX #2A3540

RGB 42 53 64

HSL 210, 0.21%, 0.21%

LAB 21.61, -1.45, -8.37

 

CMYK 55 / 27 / 0 / 71

HEX #213549

RGB 33 53 73

HSL 210, 0.38%, 0.21%

LAB 21.4, -1.39, -14.82

 

CMYK 71 / 35 / 0 / 68

HEX #183552

RGB 24 53 82

HSL 210, 0.55%, 0.21%

LAB 21.39, -0.18, -20.88

 

CMYK 82 / 42 / 0 / 65

HEX #10345A

RGB 16 52 90

HSL 210.81, 0.7%, 0.21%

LAB 21.22, 2.46, -26.47

 

CMYK 11 / 5 / 0 / 78

HEX #323538

RGB 50 53 56

HSL 210, 0.06%, 0.21%

LAB 21.98, -0.55, -2.33

 

CMYK 0 / 10 / 20 / 77

HEX #3B352F

RGB 59 53 47

HSL 30, 0.11%, 0.21%

LAB 22.59, 1.43, 4.74

 

CMYK 0 / 22 / 44 / 73

HEX #443526

RGB 68 53 38

HSL 30, 0.28%, 0.21%

LAB 23.39, 4.24, 12.01

 

CMYK 0 / 30 / 61 / 70

HEX #4C351E

RGB 76 53 30

HSL 30, 0.43%, 0.21%

LAB 24.25, 7.24, 18.46

 

CMYK 0 / 36 / 75 / 67

HEX #553615

RGB 85 54 21

HSL 30.94, 0.6%, 0.21%

LAB 25.63, 10.36, 25.75

 

CMYK 11 / 0 / 0 / 78

HEX #323838

RGB 50 56 56

HSL 180, 0.06%, 0.21%

LAB 22.97, -2.54, -0.87

 

CMYK 11 / 4 / 0 / 78

HEX #323638

RGB 50 54 56

HSL 200, 0.06%, 0.21%

LAB 22.31, -1.22, -1.85

 

CMYK 11 / 5 / 0 / 78

HEX #323538

RGB 50 53 56

HSL 210, 0.06%, 0.21%

LAB 21.98, -0.55, -2.33

 

CMYK 11 / 7 / 0 / 78

HEX #323438

RGB 50 52 56

HSL 220, 0.06%, 0.21%

LAB 21.65, 0.12, -2.82

 

CMYK 9 / 11 / 0 / 78

HEX #333238

RGB 51 50 56

HSL 250, 0.06%, 0.21%

LAB 21.1, 1.88, -3.63

 

CMYK 8 / 0 / 0 / 95

HEX #0B0C0C

RGB 11 12 12

HSL 180, 0.04%, 0.05%

LAB 3.26, -0.28, -0.1

 

CMYK 9 / 6 / 0 / 87

HEX #1F2022

RGB 31 32 34

HSL 220, 0.05%, 0.13%

LAB 12.22, 0.05, -1.52

 

CMYK 11 / 5 / 0 / 78

HEX #323538

RGB 50 53 56

HSL 210, 0.06%, 0.21%

LAB 21.98, -0.55, -2.33

 

CMYK 9 / 4 / 0 / 70

HEX #464A4D

RGB 70 74 77

HSL 205.71, 0.05%, 0.29%

LAB 31.2, -0.93, -2.35

 

CMYK 9 / 5 / 0 / 61

HEX #5A5E63

RGB 90 94 99

HSL 213.33, 0.05%, 0.37%

LAB 39.71, -0.46, -3.4

 

CMYK 10 / 5 / 0 / 78

HEX #333639

RGB 51.1 54 57

HSL 210.51, 0.05%, 0.21%

LAB 22.44, -0.51, -2.31

 

CMYK 4 / 11 / 0 / 78

HEX #363238

RGB 54 50 56

HSL 280, 0.06%, 0.21%

LAB 21.4, 3.16, -3.15

 

CMYK 2 / 0 / 11 / 78

HEX #373832

RGB 55 56 50

HSL 70, 0.06%, 0.21%

LAB 23.24, -1.76, 3.6

 

CMYK 10 / 5 / 0 / 78

HEX #333639

RGB 51.1 54 57

HSL 210.51, 0.05%, 0.21%

LAB 22.44, -0.51, -2.31

 

CMYK 0 / 11 / 5 / 78

HEX #383235

RGB 56 50 53

HSL 330, 0.06%, 0.21%

LAB 21.5, 3.33, -0.93

 

CMYK 5 / 0 / 11 / 78

HEX #353832

RGB 53 56 50

HSL 90, 0.06%, 0.21%

LAB 23.05, -2.65, 3.31

 

CMYK 10 / 5 / 0 / 78

HEX #333639

RGB 51.1 54 57

HSL 210.51, 0.05%, 0.21%

LAB 22.44, -0.51, -2.31

 

CMYK 4 / 11 / 0 / 78

HEX #363238

RGB 54 50 56

HSL 280, 0.06%, 0.21%

LAB 21.4, 3.16, -3.15

 

CMYK 0 / 5 / 11 / 78

HEX #383532

RGB 56 53 50

HSL 30, 0.06%, 0.21%

LAB 22.36, 0.66, 2.36

 

CMYK 7 / 0 / 11 / 78

HEX #343832

RGB 52 56 50

HSL 100, 0.06%, 0.21%

LAB 22.96, -3.09, 3.16

 

CMYK 10 / 5 / 0 / 78

HEX #333639

RGB 51.1 54 57

HSL 210.51, 0.05%, 0.21%

LAB 22.44, -0.51, -2.31

 

CMYK 0 / 11 / 0 / 78

HEX #383238

RGB 56 50 56

HSL 300, 0.06%, 0.21%

LAB 21.61, 4.01, -2.82

 

CMYK 0 / 5 / 11 / 78

HEX #383532

RGB 56 53 50

HSL 30, 0.06%, 0.21%

LAB 22.36, 0.66, 2.36

 

CMYK 11 / 0 / 11 / 78

HEX #323832

RGB 50 56 50

HSL 120, 0.06%, 0.21%

LAB 22.78, -3.96, 2.88

 

Description

Color code: RGB 51.1 54 57 | qconv.com Color code: RGB 51.1 54 57 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51.1 red, 54 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51.1 54 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 5 magenta, none yellow and 78 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 5% 0% 78% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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