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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 50 183 40 it is the complementary color RGB 205 72 215. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 50 183 40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 50 183 40: RGB 55 183 35, RGB 72 201 54, RGB 89 219 73, RGB 106 237 92 and RGB 123 255 111

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 50 183 40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 50 183 40: RGB 50 183 40, RGB 33 165 21, RGB 16 147 2, RGB 0 129 0 and RGB 0 111 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 78 / 28

HEX #32B728

RGB 50 183 40

HSL 115.8, 0.64%, 0.44%

LAB 65.51, -60.9, 57.75

 

Complementary color

CMYK 5 / 67 / 0 / 16

HEX #CD48D7

RGB 205 72 215

HSL 295.8, 0.64%, 0.56%

LAB 54.57, 69.74, -48.04

 

CMYK 70 / 0 / 81 / 28

HEX #37B723

RGB 55 183 35

HSL 111.89, 0.68%, 0.43%

LAB 65.59, -60.31, 59.37

 

CMYK 64 / 0 / 73 / 21

HEX #48C936

RGB 72 201 54

HSL 112.65, 0.58%, 0.5%

LAB 71.84, -61.6, 59.46

 

CMYK 59 / 0 / 67 / 14

HEX #59DB49

RGB 89 219 73

HSL 113.42, 0.67%, 0.57%

LAB 78.03, -62.43, 58.9

 

CMYK 55 / 0 / 61 / 7

HEX #6AED5C

RGB 106 237 92

HSL 114.21, 0.8%, 0.65%

LAB 84.18, -62.94, 58

 

CMYK 52 / 0 / 56 / 0

HEX #7BFF6F

RGB 123 255 111

HSL 115, 1%, 0.72%

LAB 90.27, -63.22, 56.93

 

CMYK 73 / 0 / 78 / 28

HEX #32B728

RGB 50 183 40

HSL 115.8, 0.64%, 0.44%

LAB 65.51, -60.9, 57.75

 

CMYK 80 / 0 / 87 / 35

HEX #21A515

RGB 33 165 21

HSL 115, 0.77%, 0.36%

LAB 59.24, -58.89, 57.04

 

CMYK 89 / 0 / 99 / 42

HEX #109302

RGB 16 147 2

HSL 114.21, 0.97%, 0.29%

LAB 52.93, -56, 54.98

 

CMYK 100 / 0 / 100 / 49

HEX #008100

RGB 0 129 0

HSL 120, 1%, 0.25%

LAB 46.58, -51.99, 50.18

 

CMYK 100 / 0 / 100 / 56

HEX #006F00

RGB 0 111 0

HSL 120, 1%, 0.22%

LAB 40.19, -46.69, 45.06

 

CMYK 73 / 0 / 78 / 28

HEX #32B728

RGB 50 183 40

HSL 115.8, 0.64%, 0.44%

LAB 65.51, -60.9, 57.75

 

CMYK 78 / 0 / 72 / 28

HEX #28B834

RGB 40 184 52

HSL 125, 0.64%, 0.44%

LAB 65.73, -61.83, 53.74

 

CMYK 78 / 0 / 59 / 28

HEX #28B84C

RGB 40 184 76

HSL 135, 0.64%, 0.44%

LAB 65.95, -59.23, 43.76

 

CMYK 78 / 0 / 46 / 28

HEX #28B864

RGB 40 184 100

HSL 145, 0.64%, 0.44%

LAB 66.25, -55.59, 32.32

 

CMYK 78 / 0 / 33 / 28

HEX #28B87C

RGB 40 184 124

HSL 155, 0.64%, 0.44%

LAB 66.66, -50.93, 20.2

 

CMYK 73 / 0 / 78 / 28

HEX #32B728

RGB 50 183 40

HSL 115.8, 0.64%, 0.44%

LAB 65.51, -60.9, 57.75

 

CMYK 73 / 0 / 78 / 8

HEX #40EA33

RGB 64 234 51

HSL 115.74, 0.81%, 0.56%

LAB 81.93, -73.8, 70.23

 

CMYK 73 / 0 / 77 / 88

HEX #081E07

RGB 8 30 7

HSL 117.39, 0.62%, 0.07%

LAB 8.95, -13.9, 10.27

 

CMYK 73 / 0 / 78 / 68

HEX #165112

RGB 22 81 18

HSL 116.19, 0.64%, 0.19%

LAB 29.66, -32.35, 30.03

 

CMYK 73 / 0 / 78 / 48

HEX #24841D

RGB 36 132 29

HSL 115.92, 0.64%, 0.32%

LAB 48.22, -47.22, 44.5

 

CMYK 73 / 0 / 78 / 28

HEX #32B728

RGB 50 183 40

HSL 115.8, 0.64%, 0.44%

LAB 65.51, -60.9, 57.75

 

CMYK 78 / 9 / 0 / 28

HEX #28A7B8

RGB 40 167 184

HSL 187.08, 0.64%, 0.44%

LAB 62.97, -27.25, -18.36

 

CMYK 0 / 78 / 41 / 28

HEX #B8286D

RGB 184 40 109

HSL 331.25, 0.64%, 0.44%

LAB 42.48, 60.8, -4.08

 

CMYK 73 / 0 / 78 / 28

HEX #32B728

RGB 50 183 40

HSL 115.8, 0.64%, 0.44%

LAB 65.51, -60.9, 57.75

 

CMYK 78 / 72 / 0 / 28

HEX #2834B8

RGB 40 52 184

HSL 235, 0.64%, 0.44%

LAB 30.32, 42.17, -70.22

 

CMYK 0 / 78 / 72 / 28

HEX #B82834

RGB 184 40 52

HSL 355, 0.64%, 0.44%

LAB 41.15, 56.65, 29.68

 

CMYK 73 / 0 / 78 / 28

HEX #32B728

RGB 50 183 40

HSL 115.8, 0.64%, 0.44%

LAB 65.51, -60.9, 57.75

 

CMYK 78 / 9 / 0 / 28

HEX #28A7B8

RGB 40 167 184

HSL 187.08, 0.64%, 0.44%

LAB 62.97, -27.25, -18.36

 

CMYK 7 / 78 / 0 / 28

HEX #AC28B8

RGB 172 40 184

HSL 295, 0.64%, 0.44%

LAB 43.87, 68.27, -47.5

 

CMYK 0 / 69 / 78 / 28

HEX #B83928

RGB 184 57 40

HSL 7.08, 0.64%, 0.44%

LAB 43.17, 50.16, 38.85

 

CMYK 73 / 0 / 78 / 28

HEX #32B728

RGB 50 183 40

HSL 115.8, 0.64%, 0.44%

LAB 65.51, -60.9, 57.75

 

CMYK 78 / 33 / 0 / 28

HEX #287CB8

RGB 40 124 184

HSL 205, 0.64%, 0.44%

LAB 49.89, -3.77, -38.61

 

CMYK 7 / 78 / 0 / 28

HEX #AC28B8

RGB 172 40 184

HSL 295, 0.64%, 0.44%

LAB 43.87, 68.27, -47.5

 

CMYK 0 / 46 / 78 / 28

HEX #B86428

RGB 184 100 40

HSL 25, 0.64%, 0.44%

LAB 51.22, 29.37, 46.95

 

Description

Color code: RGB 50 183 40 | qconv.com Color code: RGB 50 183 40 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 183 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 183 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 78 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 78% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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