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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 4 241 209 it is the complementary color RGB 251 14 46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 4 241 209. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 4 241 209 shade: RGB 9 241 204, RGB 26 255 223, RGB 43 255 242, RGB 60 255 255 and RGB 77 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 4 241 209. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 4 241 209 shade: RGB 4 241 209, RGB 0 223 190, RGB 0 205 171, RGB 0 187 152 and RGB 0 169 133

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 4 241 209 shade: RGB 4 241 209, RGB 4 241 145, RGB 4 241 81, RGB 4 241 17 and RGB 54 241 4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 4 241 209 shade: RGB 4 241 209, RGB 4 209 241, RGB 4 145 241, RGB 4 81 241 and RGB 4 17 241

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 4 241 209 shade matches the following richer shades: RGB 4 241 209

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 4 241 209 shade: RGB 4 241 209, RGB 23 221 195, RGB 43 202 180, RGB 63 182 166 and RGB 83 162 151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 4 241 209 shade: RGB 4 241 79, RGB 4 241 142, RGB 4 241 206, RGB 4 213 241 and RGB 4 150 241

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 4 241 209 shade: RGB 2 160 139, RGB 3 200 174, RGB 4 241 209, RGB 34 252 222 and RGB 75 252 228

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 4 241 209 shade: RGB 4 241 209, RGB 16 4 241 and RGB 241 111 4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 4 241 209 shade: RGB 4 241 209, RGB 206 4 241 and RGB 241 206 4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 4 241 209 shade: RGB 4 241 209, RGB 16 4 241, RGB 241 4 39 and RGB 229 241 4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 4 241 209 shade: RGB 4 241 209, RGB 87 4 241, RGB 241 4 39 and RGB 158 241 4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 13 / 5

HEX #04F1D1

RGB 4 241 209

HSL 171.9, 0.97%, 0.48%

LAB 85.78, -54.81, 1.97

 

Complementary color

CMYK 0 / 94 / 82 / 2

HEX #FB0E2E

RGB 251 14 46

HSL 351.9, 0.97%, 0.52%

LAB 52.97, 78.75, 49.71

 

CMYK 96 / 0 / 15 / 5

HEX #09F1CC

RGB 9 241 204

HSL 170.43, 0.93%, 0.49%

LAB 85.67, -55.99, 4.44

 

CMYK 90 / 0 / 13 / 0

HEX #1AFFDF

RGB 26 255 223

HSL 171.62, 1%, 0.55%

LAB 90.35, -56.12, 1.35

 

CMYK 83 / 0 / 5 / 0

HEX #2BFFF2

RGB 43 255 242

HSL 176.32, 1%, 0.58%

LAB 90.98, -50.15, -7.57

 

CMYK 76 / 0 / 0 / 0

HEX #3CFFFF

RGB 60 255 255

HSL 180, 1%, 0.62%

LAB 91.55, -45.23, -13.44

 

CMYK 70 / 0 / 0 / 0

HEX #4DFFFF

RGB 77 255 255

HSL 180, 1%, 0.65%

LAB 91.83, -43.45, -13

 

CMYK 98 / 0 / 13 / 5

HEX #04F1D1

RGB 4 241 209

HSL 171.9, 0.97%, 0.48%

LAB 85.78, -54.81, 1.97

 

CMYK 100 / 0 / 15 / 13

HEX #00DFBE

RGB 0 223 190

HSL 171.12, 1%, 0.44%

LAB 79.89, -52.64, 3.45

 

CMYK 100 / 0 / 17 / 20

HEX #00CDAB

RGB 0 205 171

HSL 170.05, 1%, 0.4%

LAB 73.94, -50.34, 5.01

 

CMYK 100 / 0 / 19 / 27

HEX #00BB98

RGB 0 187 152

HSL 168.77, 1%, 0.37%

LAB 67.88, -48, 6.62

 

CMYK 100 / 0 / 21 / 34

HEX #00A985

RGB 0 169 133

HSL 167.22, 1%, 0.33%

LAB 61.71, -45.62, 8.3

 

CMYK 98 / 0 / 13 / 5

HEX #04F1D1

RGB 4 241 209

HSL 171.9, 0.97%, 0.48%

LAB 85.78, -54.81, 1.97

 

CMYK 98 / 0 / 40 / 5

HEX #04F191

RGB 4 241 145

HSL 155.7, 0.97%, 0.48%

LAB 84.47, -69.26, 33.16

 

CMYK 98 / 0 / 66 / 5

HEX #04F151

RGB 4 241 81

HSL 139.49, 0.97%, 0.48%

LAB 83.72, -78.44, 61.54

 

CMYK 98 / 0 / 93 / 5

HEX #04F111

RGB 4 241 17

HSL 123.29, 0.97%, 0.48%

LAB 83.43, -82.17, 78.23

 

CMYK 78 / 0 / 98 / 5

HEX #36F104

RGB 54 241 4

HSL 107.34, 0.97%, 0.48%

LAB 83.81, -78.8, 79.88

 

CMYK 98 / 0 / 13 / 5

HEX #04F1D1

RGB 4 241 209

HSL 171.9, 0.97%, 0.48%

LAB 85.78, -54.81, 1.97

 

CMYK 98 / 13 / 0 / 5

HEX #04D1F1

RGB 4 209 241

HSL 188.1, 0.97%, 0.48%

LAB 77.27, -31.34, -27.73

 

CMYK 98 / 40 / 0 / 5

HEX #0491F1

RGB 4 145 241

HSL 204.3, 0.97%, 0.48%

LAB 58.63, 3.12, -56.91

 

CMYK 98 / 66 / 0 / 5

HEX #0451F1

RGB 4 81 241

HSL 220.51, 0.97%, 0.48%

LAB 41.63, 43.28, -84.5

 

CMYK 98 / 93 / 0 / 5

HEX #0411F1

RGB 4 17 241

HSL 236.71, 0.97%, 0.48%

LAB 31.3, 72.95, -101.65

 

CMYK 98 / 0 / 13 / 5

HEX #04F1D1

RGB 4 241 209

HSL 171.9, 0.97%, 0.48%

LAB 85.78, -54.81, 1.97

 

CMYK 98 / 0 / 13 / 5

HEX #04F1D1

RGB 4 241 209

HSL 171.9, 0.97%, 0.48%

LAB 85.78, -54.81, 1.97

 

CMYK 90 / 0 / 12 / 13

HEX #17DDC3

RGB 23 221 195

HSL 172.12, 0.81%, 0.48%

LAB 79.52, -49.76, 0.26

 

CMYK 79 / 0 / 11 / 21

HEX #2BCAB4

RGB 43 202 180

HSL 171.7, 0.65%, 0.48%

LAB 73.58, -44.34, -0.34

 

CMYK 65 / 0 / 9 / 29

HEX #3FB6A6

RGB 63 182 166

HSL 171.93, 0.49%, 0.48%

LAB 67.48, -36.65, -1.57

 

CMYK 49 / 0 / 7 / 36

HEX #53A297

RGB 83 162 151

HSL 171.65, 0.32%, 0.48%

LAB 61.58, -27.06, -1.78

 

CMYK 98 / 0 / 67 / 5

HEX #04F14F

RGB 4 241 79

HSL 138.99, 0.97%, 0.48%

LAB 83.71, -78.64, 62.3

 

CMYK 98 / 0 / 41 / 5

HEX #04F18E

RGB 4 241 142

HSL 154.94, 0.97%, 0.48%

LAB 84.43, -69.82, 34.6

 

CMYK 98 / 0 / 15 / 5

HEX #04F1CE

RGB 4 241 206

HSL 171.14, 0.97%, 0.48%

LAB 85.7, -55.59, 3.43

 

CMYK 98 / 12 / 0 / 5

HEX #04D5F1

RGB 4 213 241

HSL 187.09, 0.97%, 0.48%

LAB 78.44, -33.25, -25.93

 

CMYK 98 / 38 / 0 / 5

HEX #0496F1

RGB 4 150 241

HSL 203.04, 0.97%, 0.48%

LAB 60.06, 0.16, -54.63

 

CMYK 99 / 0 / 13 / 37

HEX #02A08B

RGB 2 160 139

HSL 172.03, 0.98%, 0.32%

LAB 58.99, -40.12, 1.01

 

CMYK 99 / 0 / 13 / 22

HEX #03C8AE

RGB 3 200 174

HSL 172.08, 0.97%, 0.4%

LAB 72.48, -47.4, 1.28

 

CMYK 98 / 0 / 13 / 5

HEX #04F1D1

RGB 4 241 209

HSL 171.9, 0.97%, 0.48%

LAB 85.78, -54.81, 1.97

 

CMYK 87 / 0 / 12 / 1

HEX #22FCDE

RGB 34 252 222

HSL 171.74, 0.97%, 0.56%

LAB 89.5, -54.78, 0.63

 

CMYK 70 / 0 / 10 / 1

HEX #4BFCE4

RGB 75 252 228

HSL 171.86, 0.97%, 0.64%

LAB 90.19, -49.53, -1.41

 

CMYK 98 / 0 / 13 / 5

HEX #04F1D1

RGB 4 241 209

HSL 171.9, 0.97%, 0.48%

LAB 85.78, -54.81, 1.97

 

CMYK 93 / 98 / 0 / 5

HEX #1004F1

RGB 16 4 241

HSL 243.04, 0.97%, 0.48%

LAB 30.75, 75.32, -102.55

 

CMYK 0 / 54 / 98 / 5

HEX #F16F04

RGB 241 111 4

HSL 27.09, 0.97%, 0.48%

LAB 61.72, 45.78, 69.18

 

CMYK 98 / 0 / 13 / 5

HEX #04F1D1

RGB 4 241 209

HSL 171.9, 0.97%, 0.48%

LAB 85.78, -54.81, 1.97

 

CMYK 15 / 98 / 0 / 5

HEX #CE04F1

RGB 206 4 241

HSL 291.14, 0.97%, 0.48%

LAB 51.34, 88.7, -67.92

 

CMYK 0 / 15 / 98 / 5

HEX #F1CE04

RGB 241 206 4

HSL 51.14, 0.97%, 0.48%

LAB 83.36, -3.3, 83.65

 

CMYK 98 / 0 / 13 / 5

HEX #04F1D1

RGB 4 241 209

HSL 171.9, 0.97%, 0.48%

LAB 85.78, -54.81, 1.97

 

CMYK 93 / 98 / 0 / 5

HEX #1004F1

RGB 16 4 241

HSL 243.04, 0.97%, 0.48%

LAB 30.75, 75.32, -102.55

 

CMYK 0 / 98 / 84 / 5

HEX #F10427

RGB 241 4 39

HSL 351.14, 0.97%, 0.48%

LAB 50.61, 76.93, 50.41

 

CMYK 5 / 0 / 98 / 5

HEX #E5F104

RGB 229 241 4

HSL 63.04, 0.97%, 0.48%

LAB 91.49, -25.57, 89.15

 

CMYK 98 / 0 / 13 / 5

HEX #04F1D1

RGB 4 241 209

HSL 171.9, 0.97%, 0.48%

LAB 85.78, -54.81, 1.97

 

CMYK 64 / 98 / 0 / 5

HEX #5704F1

RGB 87 4 241

HSL 261.01, 0.97%, 0.48%

LAB 34.93, 77.12, -95.48

 

CMYK 0 / 98 / 84 / 5

HEX #F10427

RGB 241 4 39

HSL 351.14, 0.97%, 0.48%

LAB 50.61, 76.93, 50.41

 

CMYK 34 / 0 / 98 / 5

HEX #9EF104

RGB 158 241 4

HSL 81.01, 0.97%, 0.48%

LAB 87.09, -52.99, 83.86

 

Description

Color code: RGB 4 241 209 | qconv.com Color code: RGB 4 241 209 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 4 red, 241 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
4 241 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 13 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 13% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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