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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 4 220 170 it is the complementary color RGB 251 35 85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 4 220 170. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 4 220 170 shade: RGB 9 220 165, RGB 26 238 184, RGB 43 255 203, RGB 60 255 222 and RGB 77 255 241

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 4 220 170. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 4 220 170 shade: RGB 4 220 170, RGB 0 202 151, RGB 0 184 132, RGB 0 166 113 and RGB 0 148 94

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 4 220 170 shade: RGB 4 220 170, RGB 4 220 112, RGB 4 220 54, RGB 13 220 4 and RGB 71 220 4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 4 220 170 shade: RGB 4 220 170, RGB 4 212 220, RGB 4 154 220, RGB 4 96 220 and RGB 4 37 220

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 4 220 170 shade matches the following richer shades: RGB 4 220 170

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 4 220 170 shade: RGB 4 220 170, RGB 23 202 160, RGB 41 184 151, RGB 59 165 141 and RGB 77 147 131

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 4 220 170 shade: RGB 4 220 55, RGB 4 220 112, RGB 4 220 170, RGB 4 213 220 and RGB 4 155 220

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 4 220 170 shade: RGB 3 139 108, RGB 4 179 139, RGB 4 220 170, RGB 16 250 196 and RGB 56 251 206

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 4 220 170 shade: RGB 4 220 170, RGB 4 12 220 and RGB 220 83 4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 4 220 170 shade: RGB 4 220 170, RGB 170 4 220 and RGB 220 170 4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 4 220 170 shade: RGB 4 220 170, RGB 4 12 220, RGB 220 4 55 and RGB 220 213 4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 4 220 170 shade: RGB 4 220 170, RGB 62 4 220, RGB 220 4 55 and RGB 162 220 4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 23 / 14

HEX #04DCAA

RGB 4 220 170

HSL 166.11, 0.96%, 0.44%

LAB 78.53, -56.39, 12.11

 

Complementary color

CMYK 0 / 86 / 66 / 2

HEX #FB2355

RGB 251 35 85

HSL 346.11, 0.96%, 0.56%

LAB 54.41, 77.4, 29.12

 

CMYK 96 / 0 / 25 / 14

HEX #09DCA5

RGB 9 220 165

HSL 164.36, 0.92%, 0.45%

LAB 78.44, -57.44, 14.63

 

CMYK 89 / 0 / 23 / 7

HEX #1AEEB8

RGB 26 238 184

HSL 164.72, 0.86%, 0.52%

LAB 84.4, -59.13, 13.07

 

CMYK 83 / 0 / 20 / 0

HEX #2BFFCB

RGB 43 255 203

HSL 165.28, 1%, 0.58%

LAB 90.02, -60.1, 11.23

 

CMYK 76 / 0 / 13 / 0

HEX #3CFFDE

RGB 60 255 222

HSL 169.85, 1%, 0.62%

LAB 90.67, -53.98, 2.36

 

CMYK 70 / 0 / 5 / 0

HEX #4DFFF1

RGB 77 255 241

HSL 175.28, 1%, 0.65%

LAB 91.44, -47.2, -6.32

 

CMYK 98 / 0 / 23 / 14

HEX #04DCAA

RGB 4 220 170

HSL 166.11, 0.96%, 0.44%

LAB 78.53, -56.39, 12.11

 

CMYK 100 / 0 / 25 / 21

HEX #00CA97

RGB 0 202 151

HSL 164.85, 1%, 0.4%

LAB 72.55, -54.17, 13.79

 

CMYK 100 / 0 / 28 / 28

HEX #00B884

RGB 0 184 132

HSL 163.04, 1%, 0.36%

LAB 66.48, -51.79, 15.56

 

CMYK 100 / 0 / 32 / 35

HEX #00A671

RGB 0 166 113

HSL 160.84, 1%, 0.33%

LAB 60.31, -49.33, 17.42

 

CMYK 100 / 0 / 36 / 42

HEX #00945E

RGB 0 148 94

HSL 158.11, 1%, 0.29%

LAB 54.01, -46.77, 19.36

 

CMYK 98 / 0 / 23 / 14

HEX #04DCAA

RGB 4 220 170

HSL 166.11, 0.96%, 0.44%

LAB 78.53, -56.39, 12.11

 

CMYK 98 / 0 / 49 / 14

HEX #04DC70

RGB 4 220 112

HSL 150, 0.96%, 0.44%

LAB 77.51, -68.13, 40.52

 

CMYK 98 / 0 / 75 / 14

HEX #04DC36

RGB 4 220 54

HSL 133.89, 0.96%, 0.44%

LAB 76.97, -74.87, 64.29

 

CMYK 94 / 0 / 98 / 14

HEX #0DDC04

RGB 13 220 4

HSL 117.5, 0.96%, 0.44%

LAB 76.85, -76.55, 74.09

 

CMYK 68 / 0 / 98 / 14

HEX #47DC04

RGB 71 220 4

HSL 101.39, 0.96%, 0.44%

LAB 77.6, -69.91, 75.01

 

CMYK 98 / 0 / 23 / 14

HEX #04DCAA

RGB 4 220 170

HSL 166.11, 0.96%, 0.44%

LAB 78.53, -56.39, 12.11

 

CMYK 98 / 4 / 0 / 14

HEX #04D4DC

RGB 4 212 220

HSL 182.22, 0.96%, 0.44%

LAB 77.45, -39.32, -16.2

 

CMYK 98 / 30 / 0 / 14

HEX #049ADC

RGB 4 154 220

HSL 198.33, 0.96%, 0.44%

LAB 60.16, -9.97, -42.83

 

CMYK 98 / 56 / 0 / 14

HEX #0460DC

RGB 4 96 220

HSL 214.44, 0.96%, 0.44%

LAB 43.59, 25.68, -69.39

 

CMYK 98 / 83 / 0 / 14

HEX #0425DC

RGB 4 37 220

HSL 230.83, 0.96%, 0.44%

LAB 30.68, 60.51, -90.68

 

CMYK 98 / 0 / 23 / 14

HEX #04DCAA

RGB 4 220 170

HSL 166.11, 0.96%, 0.44%

LAB 78.53, -56.39, 12.11

 

CMYK 98 / 0 / 23 / 14

HEX #04DCAA

RGB 4 220 170

HSL 166.11, 0.96%, 0.44%

LAB 78.53, -56.39, 12.11

 

CMYK 89 / 0 / 21 / 21

HEX #17CAA0

RGB 23 202 160

HSL 165.92, 0.8%, 0.44%

LAB 72.87, -51.07, 9.42

 

CMYK 78 / 0 / 18 / 28

HEX #29B897

RGB 41 184 151

HSL 166.15, 0.64%, 0.44%

LAB 67.27, -44.46, 6.34

 

CMYK 64 / 0 / 15 / 35

HEX #3BA58D

RGB 59 165 141

HSL 166.42, 0.47%, 0.44%

LAB 61.45, -36.11, 3.56

 

CMYK 48 / 0 / 11 / 42

HEX #4D9383

RGB 77 147 131

HSL 166.29, 0.31%, 0.44%

LAB 56.17, -26.14, 1.65

 

CMYK 98 / 0 / 75 / 14

HEX #04DC37

RGB 4 220 55

HSL 134.17, 0.96%, 0.44%

LAB 76.97, -74.79, 63.97

 

CMYK 98 / 0 / 49 / 14

HEX #04DC70

RGB 4 220 112

HSL 150, 0.96%, 0.44%

LAB 77.51, -68.13, 40.52

 

CMYK 98 / 0 / 23 / 14

HEX #04DCAA

RGB 4 220 170

HSL 166.11, 0.96%, 0.44%

LAB 78.53, -56.39, 12.11

 

CMYK 98 / 3 / 0 / 14

HEX #04D5DC

RGB 4 213 220

HSL 181.94, 0.96%, 0.44%

LAB 77.75, -39.78, -15.75

 

CMYK 98 / 30 / 0 / 14

HEX #049BDC

RGB 4 155 220

HSL 198.06, 0.96%, 0.44%

LAB 60.46, -10.54, -42.37

 

CMYK 98 / 0 / 22 / 45

HEX #038B6C

RGB 3 139 108

HSL 166.32, 0.96%, 0.28%

LAB 51.34, -39.61, 7.72

 

CMYK 98 / 0 / 22 / 30

HEX #04B38B

RGB 4 179 139

HSL 166.29, 0.96%, 0.36%

LAB 65.07, -47.97, 9.75

 

CMYK 98 / 0 / 23 / 14

HEX #04DCAA

RGB 4 220 170

HSL 166.11, 0.96%, 0.44%

LAB 78.53, -56.39, 12.11

 

CMYK 94 / 0 / 22 / 2

HEX #10FAC4

RGB 16 250 196

HSL 166.15, 0.96%, 0.52%

LAB 88.19, -61.26, 12.22

 

CMYK 78 / 0 / 18 / 2

HEX #38FBCE

RGB 56 251 206

HSL 166.15, 0.96%, 0.6%

LAB 89.06, -56.71, 8.33

 

CMYK 98 / 0 / 23 / 14

HEX #04DCAA

RGB 4 220 170

HSL 166.11, 0.96%, 0.44%

LAB 78.53, -56.39, 12.11

 

CMYK 98 / 95 / 0 / 14

HEX #040CDC

RGB 4 12 220

HSL 237.78, 0.96%, 0.44%

LAB 28, 68.63, -95.16

 

CMYK 0 / 62 / 98 / 14

HEX #DC5304

RGB 220 83 4

HSL 21.94, 0.96%, 0.44%

LAB 53.4, 50.98, 62.59

 

CMYK 98 / 0 / 23 / 14

HEX #04DCAA

RGB 4 220 170

HSL 166.11, 0.96%, 0.44%

LAB 78.53, -56.39, 12.11

 

CMYK 23 / 98 / 0 / 14

HEX #AA04DC

RGB 170 4 220

HSL 286.11, 0.96%, 0.44%

LAB 43.95, 80.3, -68.28

 

CMYK 0 / 23 / 98 / 14

HEX #DCAA04

RGB 220 170 4

HSL 46.11, 0.96%, 0.44%

LAB 72.21, 6.31, 74.78

 

CMYK 98 / 0 / 23 / 14

HEX #04DCAA

RGB 4 220 170

HSL 166.11, 0.96%, 0.44%

LAB 78.53, -56.39, 12.11

 

CMYK 98 / 95 / 0 / 14

HEX #040CDC

RGB 4 12 220

HSL 237.78, 0.96%, 0.44%

LAB 28, 68.63, -95.16

 

CMYK 0 / 98 / 75 / 14

HEX #DC0437

RGB 220 4 55

HSL 345.83, 0.96%, 0.44%

LAB 46.42, 72.33, 35.87

 

CMYK 0 / 3 / 98 / 14

HEX #DCD504

RGB 220 213 4

HSL 58.06, 0.96%, 0.44%

LAB 83.34, -15.81, 82.8

 

CMYK 98 / 0 / 23 / 14

HEX #04DCAA

RGB 4 220 170

HSL 166.11, 0.96%, 0.44%

LAB 78.53, -56.39, 12.11

 

CMYK 72 / 98 / 0 / 14

HEX #3E04DC

RGB 62 4 220

HSL 256.11, 0.96%, 0.44%

LAB 30.1, 71.17, -91.58

 

CMYK 0 / 98 / 75 / 14

HEX #DC0437

RGB 220 4 55

HSL 345.83, 0.96%, 0.44%

LAB 46.42, 72.33, 35.87

 

CMYK 26 / 0 / 98 / 14

HEX #A2DC04

RGB 162 220 4

HSL 76.11, 0.96%, 0.44%

LAB 81.22, -42.77, 79.41

 

Description

Color code: RGB 4 220 170 | qconv.com Color code: RGB 4 220 170 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 4 red, 220 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
4 220 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 23 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 23% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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