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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 4 201 191 it is the complementary color RGB 251 54 64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 4 201 191. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 4 201 191 shade: RGB 9 201 186, RGB 26 219 205, RGB 43 237 224, RGB 60 255 243 and RGB 77 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 4 201 191. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 4 201 191 shade: RGB 4 201 191, RGB 0 183 172, RGB 0 165 153, RGB 0 147 134 and RGB 0 129 115

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 4 201 191 shade: RGB 4 199 189, RGB 4 199 137, RGB 4 199 84, RGB 4 199 31 and RGB 29 199 4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 4 201 191 shade: RGB 4 199 189, RGB 4 157 199, RGB 4 104 199, RGB 4 51 199 and RGB 4 4 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 4 201 191 shade matches the following richer shades: RGB 4 199 189

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 4 201 191 shade: RGB 4 199 189, RGB 20 183 175, RGB 37 166 160, RGB 53 150 145 and RGB 70 133 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 4 201 191 shade: RGB 4 199 82, RGB 4 199 134, RGB 4 199 186, RGB 4 160 199 and RGB 4 108 199

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 4 201 191 shade: RGB 2 119 113, RGB 3 159 151, RGB 4 199 189, RGB 4 240 228 and RGB 35 250 239

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 4 201 191 shade: RGB 4 201 191, RGB 30 4 199 and RGB 199 108 4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 4 201 191 shade: RGB 4 201 191, RGB 186 4 199 and RGB 199 186 4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 4 201 191 shade: RGB 4 201 191, RGB 30 4 199, RGB 199 4 17 and RGB 173 199 4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 4 201 191 shade: RGB 4 201 191, RGB 88 4 199, RGB 199 4 17 and RGB 115 199 4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 5 / 21

HEX #04C9BF

RGB 4 201 191

HSL 176.95, 0.96%, 0.4%

LAB 73.26, -43.02, -6.81

 

Complementary color

CMYK 0 / 78 / 75 / 2

HEX #FB3640

RGB 251 54 64

HSL 356.95, 0.96%, 0.6%

LAB 55.6, 72.3, 42.67

 

CMYK 96 / 0 / 7 / 21

HEX #09C9BA

RGB 9 201 186

HSL 175.31, 0.91%, 0.41%

LAB 73.14, -44.31, -4.27

 

CMYK 88 / 0 / 6 / 14

HEX #1ADBCD

RGB 26 219 205

HSL 175.65, 0.79%, 0.48%

LAB 79.21, -46.03, -5.53

 

CMYK 82 / 0 / 5 / 7

HEX #2BEDE0

RGB 43 237 224

HSL 175.98, 0.84%, 0.55%

LAB 85.23, -47.42, -6.67

 

CMYK 76 / 0 / 5 / 0

HEX #3CFFF3

RGB 60 255 243

HSL 176.31, 1%, 0.62%

LAB 91.21, -48.52, -7.72

 

CMYK 70 / 0 / 0 / 0

HEX #4DFFFF

RGB 77 255 255

HSL 180, 1%, 0.65%

LAB 91.83, -43.45, -13

 

CMYK 98 / 0 / 5 / 21

HEX #04C9BF

RGB 4 201 191

HSL 176.95, 0.96%, 0.4%

LAB 73.26, -43.02, -6.81

 

CMYK 100 / 0 / 6 / 28

HEX #00B7AC

RGB 0 183 172

HSL 176.39, 1%, 0.36%

LAB 67.16, -40.76, -5.44

 

CMYK 100 / 0 / 7 / 35

HEX #00A599

RGB 0 165 153

HSL 175.64, 1%, 0.32%

LAB 60.97, -38.35, -3.99

 

CMYK 100 / 0 / 9 / 42

HEX #009386

RGB 0 147 134

HSL 174.69, 1%, 0.29%

LAB 54.65, -35.9, -2.49

 

CMYK 100 / 0 / 11 / 49

HEX #008173

RGB 0 129 115

HSL 173.49, 1%, 0.25%

LAB 48.18, -33.39, -0.93

 

CMYK 98 / 0 / 5 / 22

HEX #04C7BD

RGB 4 199 189

HSL 176.92, 0.96%, 0.4%

LAB 72.59, -42.73, -6.71

 

CMYK 98 / 0 / 31 / 22

HEX #04C789

RGB 4 199 137

HSL 160.92, 0.96%, 0.4%

LAB 71.34, -56.14, 19.59

 

CMYK 98 / 0 / 58 / 22

HEX #04C754

RGB 4 199 84

HSL 144.62, 0.96%, 0.4%

LAB 70.53, -65.65, 45.36

 

CMYK 98 / 0 / 84 / 22

HEX #04C71F

RGB 4 199 31

HSL 128.31, 0.96%, 0.4%

LAB 70.16, -70.44, 64.39

 

CMYK 85 / 0 / 98 / 22

HEX #1DC704

RGB 29 199 4

HSL 112.31, 0.96%, 0.4%

LAB 70.26, -69.76, 68.8

 

CMYK 98 / 0 / 5 / 22

HEX #04C7BD

RGB 4 199 189

HSL 176.92, 0.96%, 0.4%

LAB 72.59, -42.73, -6.71

 

CMYK 98 / 21 / 0 / 22

HEX #049DC7

RGB 4 157 199

HSL 192.92, 0.96%, 0.4%

LAB 60.13, -19.21, -31.16

 

CMYK 98 / 48 / 0 / 22

HEX #0468C7

RGB 4 104 199

HSL 209.23, 0.96%, 0.4%

LAB 44.3, 12.11, -56.21

 

CMYK 98 / 74 / 0 / 22

HEX #0433C7

RGB 4 51 199

HSL 225.54, 0.96%, 0.4%

LAB 30.68, 46.39, -78.49

 

CMYK 98 / 98 / 0 / 22

HEX #0404C7

RGB 4 4 199

HSL 240, 0.96%, 0.4%

LAB 24.44, 64.87, -88.89

 

CMYK 98 / 0 / 5 / 22

HEX #04C7BD

RGB 4 199 189

HSL 176.92, 0.96%, 0.4%

LAB 72.59, -42.73, -6.71

 

CMYK 98 / 0 / 5 / 22

HEX #04C7BD

RGB 4 199 189

HSL 176.92, 0.96%, 0.4%

LAB 72.59, -42.73, -6.71

 

CMYK 89 / 0 / 4 / 28

HEX #14B7AF

RGB 20 183 175

HSL 177.06, 0.8%, 0.4%

LAB 67.36, -39.12, -6.79

 

CMYK 78 / 0 / 4 / 35

HEX #25A6A0

RGB 37 166 160

HSL 177.21, 0.64%, 0.4%

LAB 61.83, -34.43, -6.62

 

CMYK 65 / 0 / 3 / 41

HEX #359691

RGB 53 150 145

HSL 176.91, 0.48%, 0.4%

LAB 56.7, -28.98, -5.69

 

CMYK 47 / 0 / 2 / 48

HEX #468582

RGB 70 133 130

HSL 177.14, 0.31%, 0.4%

LAB 51.48, -21.02, -4.68

 

CMYK 98 / 0 / 59 / 22

HEX #04C752

RGB 4 199 82

HSL 144, 0.96%, 0.4%

LAB 70.51, -65.92, 46.26

 

CMYK 98 / 0 / 33 / 22

HEX #04C786

RGB 4 199 134

HSL 160, 0.96%, 0.4%

LAB 71.28, -56.8, 21.11

 

CMYK 98 / 0 / 7 / 22

HEX #04C7BA

RGB 4 199 186

HSL 176, 0.96%, 0.4%

LAB 72.51, -43.59, -5.2

 

CMYK 98 / 20 / 0 / 22

HEX #04A0C7

RGB 4 160 199

HSL 192, 0.96%, 0.4%

LAB 61.04, -20.8, -29.75

 

CMYK 98 / 46 / 0 / 22

HEX #046CC7

RGB 4 108 199

HSL 208, 0.96%, 0.4%

LAB 45.46, 9.54, -54.34

 

CMYK 98 / 0 / 5 / 53

HEX #027771

RGB 2 119 113

HSL 176.92, 0.97%, 0.24%

LAB 44.8, -29.19, -4.73

 

CMYK 98 / 0 / 5 / 38

HEX #039F97

RGB 3 159 151

HSL 176.92, 0.96%, 0.32%

LAB 59.02, -36.12, -5.74

 

CMYK 98 / 0 / 5 / 22

HEX #04C7BD

RGB 4 199 189

HSL 176.92, 0.96%, 0.4%

LAB 72.59, -42.73, -6.71

 

CMYK 98 / 0 / 5 / 6

HEX #04F0E4

RGB 4 240 228

HSL 176.95, 0.97%, 0.48%

LAB 85.98, -49.26, -7.7

 

CMYK 86 / 0 / 4 / 2

HEX #23FAEF

RGB 35 250 239

HSL 176.93, 0.96%, 0.56%

LAB 89.37, -49.34, -8.4

 

CMYK 98 / 0 / 5 / 21

HEX #04C9BF

RGB 4 201 191

HSL 176.95, 0.96%, 0.4%

LAB 73.26, -43.02, -6.81

 

CMYK 85 / 98 / 0 / 22

HEX #1E04C7

RGB 30 4 199

HSL 248, 0.96%, 0.4%

LAB 25.22, 65.16, -87.56

 

CMYK 0 / 46 / 98 / 22

HEX #C76C04

RGB 199 108 4

HSL 32, 0.96%, 0.4%

LAB 54.94, 30.57, 61.88

 

CMYK 98 / 0 / 5 / 21

HEX #04C9BF

RGB 4 201 191

HSL 176.95, 0.96%, 0.4%

LAB 73.26, -43.02, -6.81

 

CMYK 7 / 98 / 0 / 22

HEX #BA04C7

RGB 186 4 199

HSL 296, 0.96%, 0.4%

LAB 45.15, 79.12, -54.09

 

CMYK 0 / 7 / 98 / 22

HEX #C7BA04

RGB 199 186 4

HSL 56, 0.96%, 0.4%

LAB 74.36, -11.29, 75.41

 

CMYK 98 / 0 / 5 / 21

HEX #04C9BF

RGB 4 201 191

HSL 176.95, 0.96%, 0.4%

LAB 73.26, -43.02, -6.81

 

CMYK 85 / 98 / 0 / 22

HEX #1E04C7

RGB 30 4 199

HSL 248, 0.96%, 0.4%

LAB 25.22, 65.16, -87.56

 

CMYK 0 / 98 / 91 / 22

HEX #C70411

RGB 199 4 17

HSL 356, 0.96%, 0.4%

LAB 41.64, 66.24, 49.89

 

CMYK 13 / 0 / 98 / 22

HEX #ADC704

RGB 173 199 4

HSL 68, 0.96%, 0.4%

LAB 75.91, -28.86, 75.65

 

CMYK 98 / 0 / 5 / 21

HEX #04C9BF

RGB 4 201 191

HSL 176.95, 0.96%, 0.4%

LAB 73.26, -43.02, -6.81

 

CMYK 56 / 98 / 0 / 22

HEX #5804C7

RGB 88 4 199

HSL 265.85, 0.96%, 0.4%

LAB 30.12, 67.61, -79.27

 

CMYK 0 / 98 / 91 / 22

HEX #C70411

RGB 199 4 17

HSL 356, 0.96%, 0.4%

LAB 41.64, 66.24, 49.89

 

CMYK 42 / 0 / 98 / 22

HEX #73C704

RGB 115 199 4

HSL 85.85, 0.96%, 0.4%

LAB 72.56, -50.97, 71.61

 

Description

Color code: RGB 4 201 191 | qconv.com Color code: RGB 4 201 191 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 4 red, 201 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
4 201 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 5 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 5% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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