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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 4 199 224 it is the complementary color RGB 251 56 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 4 199 224. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 4 199 224 shade: RGB 9 199 219, RGB 26 217 238, RGB 43 235 255, RGB 60 253 255 and RGB 77 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 4 199 224. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 4 199 224 shade: RGB 4 199 224, RGB 0 181 205, RGB 0 163 186, RGB 0 145 167 and RGB 0 127 148

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 4 199 224 shade: RGB 4 199 224, RGB 4 140 224, RGB 4 81 224, RGB 4 21 224 and RGB 46 4 224

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 4 199 224 shade: RGB 4 199 224, RGB 4 140 224, RGB 4 81 224, RGB 4 21 224 and RGB 4 4 224

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 4 199 224 shade matches the following richer shades: RGB 4 199 224

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 4 199 224 shade: RGB 4 199 224, RGB 23 185 206, RGB 41 171 187, RGB 60 156 169 and RGB 78 142 150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 4 199 224 shade: RGB 4 224 129, RGB 4 224 188, RGB 4 202 224, RGB 4 144 224 and RGB 4 85 224

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 4 199 224 shade: RGB 2 128 144, RGB 3 163 184, RGB 4 199 224, RGB 20 224 250 and RGB 60 229 251

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 4 199 224 shade: RGB 4 199 224, RGB 70 4 224 and RGB 224 158 4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 4 199 224 shade: RGB 4 199 224, RGB 224 4 202 and RGB 202 224 4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 4 199 224 shade: RGB 4 199 224, RGB 70 4 224, RGB 224 26 4 and RGB 158 224 4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 4 199 224 shade: RGB 4 199 224, RGB 136 4 224, RGB 224 26 4 and RGB 92 224 4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 11 / 0 / 12

HEX #04C7E0

RGB 4 199 224

HSL 186.82, 0.96%, 0.45%

LAB 73.71, -32, -24.02

 

Complementary color

CMYK 0 / 78 / 88 / 2

HEX #FB381F

RGB 251 56 31

HSL 6.82, 0.96%, 0.55%

LAB 55.52, 70.88, 58.91

 

CMYK 96 / 9 / 0 / 14

HEX #09C7DB

RGB 9 199 219

HSL 185.71, 0.92%, 0.45%

LAB 73.56, -33.46, -21.54

 

CMYK 89 / 9 / 0 / 7

HEX #1AD9EE

RGB 26 217 238

HSL 185.94, 0.86%, 0.52%

LAB 79.62, -35.39, -22.52

 

CMYK 83 / 8 / 0 / 0

HEX #2BEBFF

RGB 43 235 255

HSL 185.66, 1%, 0.58%

LAB 85.58, -37.6, -22.46

 

CMYK 76 / 1 / 0 / 0

HEX #3CFDFF

RGB 60 253 255

HSL 180.62, 1%, 0.62%

LAB 90.98, -44.35, -14.3

 

CMYK 70 / 0 / 0 / 0

HEX #4DFFFF

RGB 77 255 255

HSL 180, 1%, 0.65%

LAB 91.83, -43.45, -13

 

CMYK 98 / 11 / 0 / 12

HEX #04C7E0

RGB 4 199 224

HSL 186.82, 0.96%, 0.45%

LAB 73.71, -32, -24.02

 

CMYK 100 / 12 / 0 / 20

HEX #00B5CD

RGB 0 181 205

HSL 187.02, 1%, 0.4%

LAB 67.62, -29.55, -22.96

 

CMYK 100 / 12 / 0 / 27

HEX #00A3BA

RGB 0 163 186

HSL 187.42, 1%, 0.36%

LAB 61.43, -26.94, -21.86

 

CMYK 100 / 13 / 0 / 35

HEX #0091A7

RGB 0 145 167

HSL 187.9, 1%, 0.33%

LAB 55.11, -24.26, -20.75

 

CMYK 100 / 14 / 0 / 42

HEX #007F94

RGB 0 127 148

HSL 188.51, 1%, 0.29%

LAB 48.66, -21.51, -19.64

 

CMYK 98 / 11 / 0 / 12

HEX #04C7E0

RGB 4 199 224

HSL 186.82, 0.96%, 0.45%

LAB 73.71, -32, -24.02

 

CMYK 98 / 38 / 0 / 12

HEX #048CE0

RGB 4 140 224

HSL 202.91, 0.96%, 0.45%

LAB 56.25, -0.38, -51.25

 

CMYK 98 / 64 / 0 / 12

HEX #0451E0

RGB 4 81 224

HSL 219, 0.96%, 0.45%

LAB 40.07, 36.95, -77.44

 

CMYK 98 / 91 / 0 / 12

HEX #0415E0

RGB 4 21 224

HSL 235.36, 0.96%, 0.45%

LAB 29.27, 67.49, -95.33

 

CMYK 79 / 98 / 0 / 12

HEX #2E04E0

RGB 46 4 224

HSL 251.45, 0.96%, 0.45%

LAB 29.54, 71.65, -94.85

 

CMYK 98 / 11 / 0 / 12

HEX #04C7E0

RGB 4 199 224

HSL 186.82, 0.96%, 0.45%

LAB 73.71, -32, -24.02

 

CMYK 98 / 38 / 0 / 12

HEX #048CE0

RGB 4 140 224

HSL 202.91, 0.96%, 0.45%

LAB 56.25, -0.38, -51.25

 

CMYK 98 / 64 / 0 / 12

HEX #0451E0

RGB 4 81 224

HSL 219, 0.96%, 0.45%

LAB 40.07, 36.95, -77.44

 

CMYK 98 / 91 / 0 / 12

HEX #0415E0

RGB 4 21 224

HSL 235.36, 0.96%, 0.45%

LAB 29.27, 67.49, -95.33

 

CMYK 98 / 98 / 0 / 12

HEX #0404E0

RGB 4 4 224

HSL 240, 0.96%, 0.45%

LAB 28.1, 71.1, -97.29

 

CMYK 98 / 11 / 0 / 12

HEX #04C7E0

RGB 4 199 224

HSL 186.82, 0.96%, 0.45%

LAB 73.71, -32, -24.02

 

CMYK 98 / 11 / 0 / 12

HEX #04C7E0

RGB 4 199 224

HSL 186.82, 0.96%, 0.45%

LAB 73.71, -32, -24.02

 

CMYK 89 / 10 / 0 / 19

HEX #17B9CE

RGB 23 185 206

HSL 186.89, 0.8%, 0.45%

LAB 68.99, -30.36, -21.4

 

CMYK 78 / 9 / 0 / 27

HEX #29ABBB

RGB 41 171 187

HSL 186.58, 0.64%, 0.45%

LAB 64.31, -28.19, -18

 

CMYK 64 / 8 / 0 / 34

HEX #3C9CA9

RGB 60 156 169

HSL 187.16, 0.48%, 0.45%

LAB 59.53, -23.69, -15.09

 

CMYK 48 / 5 / 0 / 41

HEX #4E8E96

RGB 78 142 150

HSL 186.67, 0.32%, 0.45%

LAB 55.24, -18.27, -10.63

 

CMYK 98 / 0 / 42 / 12

HEX #04E081

RGB 4 224 129

HSL 154.09, 0.96%, 0.45%

LAB 79, -66.53, 34

 

CMYK 98 / 0 / 16 / 12

HEX #04E0BC

RGB 4 224 188

HSL 170.18, 0.96%, 0.45%

LAB 80.16, -53.45, 4.9

 

CMYK 98 / 10 / 0 / 12

HEX #04CAE0

RGB 4 202 224

HSL 186, 0.96%, 0.45%

LAB 74.6, -33.43, -22.66

 

CMYK 98 / 36 / 0 / 12

HEX #0490E0

RGB 4 144 224

HSL 201.82, 0.96%, 0.45%

LAB 57.42, -2.74, -49.4

 

CMYK 98 / 62 / 0 / 12

HEX #0455E0

RGB 4 85 224

HSL 217.91, 0.96%, 0.45%

LAB 41.06, 34.38, -75.8

 

CMYK 99 / 11 / 0 / 44

HEX #028090

RGB 2 128 144

HSL 186.76, 0.97%, 0.29%

LAB 48.84, -23.34, -17.01

 

CMYK 98 / 11 / 0 / 28

HEX #03A3B8

RGB 3 163 184

HSL 186.96, 0.97%, 0.37%

LAB 61.37, -27.5, -20.82

 

CMYK 98 / 11 / 0 / 12

HEX #04C7E0

RGB 4 199 224

HSL 186.82, 0.96%, 0.45%

LAB 73.71, -32, -24.02

 

CMYK 92 / 10 / 0 / 2

HEX #14E0FA

RGB 20 224 250

HSL 186.78, 0.96%, 0.53%

LAB 82.03, -35.19, -25.23

 

CMYK 76 / 9 / 0 / 2

HEX #3CE5FB

RGB 60 229 251

HSL 186.91, 0.96%, 0.61%

LAB 83.95, -34.59, -22.81

 

CMYK 98 / 11 / 0 / 12

HEX #04C7E0

RGB 4 199 224

HSL 186.82, 0.96%, 0.45%

LAB 73.71, -32, -24.02

 

CMYK 69 / 98 / 0 / 12

HEX #4604E0

RGB 70 4 224

HSL 258, 0.96%, 0.45%

LAB 31.28, 72.42, -91.9

 

CMYK 0 / 29 / 98 / 12

HEX #E09E04

RGB 224 158 4

HSL 42, 0.96%, 0.45%

LAB 69.69, 14.45, 73.23

 

CMYK 98 / 11 / 0 / 12

HEX #04C7E0

RGB 4 199 224

HSL 186.82, 0.96%, 0.45%

LAB 73.71, -32, -24.02

 

CMYK 0 / 98 / 10 / 12

HEX #E004CA

RGB 224 4 202

HSL 306, 0.96%, 0.45%

LAB 52.06, 85.79, -44.4

 

CMYK 10 / 0 / 98 / 12

HEX #CAE004

RGB 202 224 4

HSL 66, 0.96%, 0.45%

LAB 84.93, -28.67, 83.37

 

CMYK 98 / 11 / 0 / 12

HEX #04C7E0

RGB 4 199 224

HSL 186.82, 0.96%, 0.45%

LAB 73.71, -32, -24.02

 

CMYK 69 / 98 / 0 / 12

HEX #4604E0

RGB 70 4 224

HSL 258, 0.96%, 0.45%

LAB 31.28, 72.42, -91.9

 

CMYK 0 / 88 / 98 / 12

HEX #E01A04

RGB 224 26 4

HSL 6, 0.96%, 0.45%

LAB 47.75, 69.9, 60.14

 

CMYK 29 / 0 / 98 / 12

HEX #9EE004

RGB 158 224 4

HSL 78, 0.96%, 0.45%

LAB 82.16, -45.98, 80.03

 

CMYK 98 / 11 / 0 / 12

HEX #04C7E0

RGB 4 199 224

HSL 186.82, 0.96%, 0.45%

LAB 73.71, -32, -24.02

 

CMYK 39 / 98 / 0 / 12

HEX #8804E0

RGB 136 4 224

HSL 276, 0.96%, 0.45%

LAB 39.08, 77.1, -78.75

 

CMYK 0 / 88 / 98 / 12

HEX #E01A04

RGB 224 26 4

HSL 6, 0.96%, 0.45%

LAB 47.75, 69.9, 60.14

 

CMYK 59 / 0 / 98 / 12

HEX #5CE004

RGB 92 224 4

HSL 96, 0.96%, 0.45%

LAB 79.38, -66.62, 76.67

 

Description

Color code: RGB 4 199 224 | qconv.com Color code: RGB 4 199 224 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 4 red, 199 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
4 199 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, 11 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 11% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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