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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 4 193 105 it is the complementary color RGB 251 62 150. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 4 193 105. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 4 193 105 shade: RGB 9 193 100, RGB 26 211 119, RGB 43 229 138, RGB 60 247 157 and RGB 77 255 176

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 4 193 105. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 4 193 105 shade: RGB 4 193 105, RGB 0 175 86, RGB 0 157 67, RGB 0 139 48 and RGB 0 121 29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 4 193 105 shade: RGB 3 194 106, RGB 3 194 54, RGB 4 194 3, RGB 56 194 3 and RGB 107 194 3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 4 193 105 shade: RGB 3 194 106, RGB 3 194 157, RGB 3 180 194, RGB 3 129 194 and RGB 3 77 194

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 4 193 105 shade matches the following richer shades: RGB 3 194 106

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 4 193 105 shade: RGB 3 194 106, RGB 20 178 104, RGB 36 162 103, RGB 52 146 102 and RGB 68 130 101

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 4 193 105 shade: RGB 3 194 3, RGB 3 194 54, RGB 3 194 105, RGB 3 194 156 and RGB 3 182 194

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 4 193 105 shade: RGB 2 114 62, RGB 3 154 84, RGB 3 194 106, RGB 4 235 127 and RGB 30 250 148

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 4 193 105 shade: RGB 4 193 105, RGB 3 54 194 and RGB 194 29 3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 4 193 105 shade: RGB 4 193 105, RGB 105 3 194 and RGB 194 105 3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 4 193 105 shade: RGB 4 193 105, RGB 3 54 194, RGB 194 3 93 and RGB 194 144 3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 4 193 105 shade: RGB 4 193 105, RGB 10 3 194, RGB 194 3 93 and RGB 188 194 3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 46 / 24

HEX #04C169

RGB 4 193 105

HSL 152.06, 0.96%, 0.39%

LAB 68.89, -60.43, 33.07

 

Complementary color

CMYK 0 / 75 / 40 / 2

HEX #FB3E96

RGB 251 62 150

HSL 332.06, 0.96%, 0.61%

LAB 58.19, 75.66, -4.27

 

CMYK 95 / 0 / 48 / 24

HEX #09C164

RGB 9 193 100

HSL 149.67, 0.91%, 0.4%

LAB 68.84, -61.1, 35.55

 

CMYK 88 / 0 / 44 / 17

HEX #1AD377

RGB 26 211 119

HSL 150.16, 0.78%, 0.46%

LAB 74.91, -62.98, 33.76

 

CMYK 81 / 0 / 40 / 10

HEX #2BE58A

RGB 43 229 138

HSL 150.65, 0.78%, 0.53%

LAB 80.95, -64.35, 32.08

 

CMYK 76 / 0 / 36 / 3

HEX #3CF79D

RGB 60 247 157

HSL 151.12, 0.92%, 0.6%

LAB 86.96, -65.34, 30.52

 

CMYK 70 / 0 / 31 / 0

HEX #4DFFB0

RGB 77 255 176

HSL 153.37, 1%, 0.65%

LAB 89.97, -62.33, 25.05

 

CMYK 98 / 0 / 46 / 24

HEX #04C169

RGB 4 193 105

HSL 152.06, 0.96%, 0.39%

LAB 68.89, -60.43, 33.07

 

CMYK 100 / 0 / 51 / 31

HEX #00AF56

RGB 0 175 86

HSL 149.49, 1%, 0.34%

LAB 62.79, -57.83, 35

 

CMYK 100 / 0 / 57 / 38

HEX #009D43

RGB 0 157 67

HSL 145.61, 1%, 0.31%

LAB 56.6, -54.87, 36.93

 

CMYK 100 / 0 / 65 / 45

HEX #008B30

RGB 0 139 48

HSL 140.72, 1%, 0.27%

LAB 50.31, -51.63, 38.7

 

CMYK 100 / 0 / 76 / 53

HEX #00791D

RGB 0 121 29

HSL 134.38, 1%, 0.24%

LAB 43.89, -47.98, 39.99

 

CMYK 98 / 0 / 45 / 24

HEX #03C26A

RGB 3 194 106

HSL 152.36, 0.97%, 0.39%

LAB 69.21, -60.63, 32.98

 

CMYK 98 / 0 / 72 / 24

HEX #03C236

RGB 3 194 54

HSL 136.02, 0.97%, 0.39%

LAB 68.66, -67.53, 55.91

 

CMYK 98 / 0 / 98 / 24

HEX #04C203

RGB 4 194 3

HSL 119.69, 0.97%, 0.39%

LAB 68.47, -69.92, 67.4

 

CMYK 71 / 0 / 98 / 24

HEX #38C203

RGB 56 194 3

HSL 103.35, 0.97%, 0.39%

LAB 69.06, -64.67, 68.12

 

CMYK 45 / 0 / 98 / 24

HEX #6BC203

RGB 107 194 3

HSL 87.33, 0.97%, 0.39%

LAB 70.67, -51.66, 70.09

 

CMYK 98 / 0 / 45 / 24

HEX #03C26A

RGB 3 194 106

HSL 152.36, 0.97%, 0.39%

LAB 69.21, -60.63, 32.98

 

CMYK 98 / 0 / 19 / 24

HEX #03C29D

RGB 3 194 157

HSL 168.38, 0.97%, 0.39%

LAB 70.2, -49.44, 7.22

 

CMYK 98 / 7 / 0 / 24

HEX #03B4C2

RGB 3 180 194

HSL 184.4, 0.97%, 0.39%

LAB 66.94, -32.54, -17.92

 

CMYK 98 / 34 / 0 / 24

HEX #0381C2

RGB 3 129 194

HSL 200.42, 0.97%, 0.39%

LAB 51.4, -5.39, -42

 

CMYK 98 / 60 / 0 / 24

HEX #034DC2

RGB 3 77 194

HSL 216.75, 0.97%, 0.39%

LAB 36.41, 27.89, -66.14

 

CMYK 98 / 0 / 45 / 24

HEX #03C26A

RGB 3 194 106

HSL 152.36, 0.97%, 0.39%

LAB 69.21, -60.63, 32.98

 

CMYK 98 / 0 / 45 / 24

HEX #03C26A

RGB 3 194 106

HSL 152.36, 0.97%, 0.39%

LAB 69.21, -60.63, 32.98

 

CMYK 89 / 0 / 42 / 30

HEX #14B268

RGB 20 178 104

HSL 151.9, 0.8%, 0.39%

LAB 64.15, -54.64, 27.46

 

CMYK 78 / 0 / 36 / 36

HEX #24A267

RGB 36 162 103

HSL 151.9, 0.64%, 0.39%

LAB 59.15, -47.31, 21.39

 

CMYK 64 / 0 / 30 / 43

HEX #349266

RGB 52 146 102

HSL 151.91, 0.47%, 0.39%

LAB 54.29, -38.32, 15.38

 

CMYK 48 / 0 / 22 / 49

HEX #448265

RGB 68 130 101

HSL 151.94, 0.31%, 0.39%

LAB 49.66, -27.29, 9.59

 

CMYK 98 / 0 / 98 / 24

HEX #03C203

RGB 3 194 3

HSL 120, 0.97%, 0.39%

LAB 68.47, -69.97, 67.39

 

CMYK 98 / 0 / 72 / 24

HEX #03C236

RGB 3 194 54

HSL 136.02, 0.97%, 0.39%

LAB 68.66, -67.53, 55.91

 

CMYK 98 / 0 / 46 / 24

HEX #03C269

RGB 3 194 105

HSL 152.04, 0.97%, 0.39%

LAB 69.2, -60.81, 33.47

 

CMYK 98 / 0 / 20 / 24

HEX #03C29C

RGB 3 194 156

HSL 168.06, 0.97%, 0.39%

LAB 70.18, -49.69, 7.73

 

CMYK 98 / 6 / 0 / 24

HEX #03B6C2

RGB 3 182 194

HSL 183.77, 0.97%, 0.39%

LAB 67.55, -33.49, -16.99

 

CMYK 98 / 0 / 46 / 55

HEX #02723E

RGB 2 114 62

HSL 152.14, 0.97%, 0.23%

LAB 41.84, -40.6, 21.21

 

CMYK 98 / 0 / 45 / 40

HEX #039A54

RGB 3 154 84

HSL 152.19, 0.96%, 0.31%

LAB 55.86, -50.84, 27.26

 

CMYK 98 / 0 / 45 / 24

HEX #03C26A

RGB 3 194 106

HSL 152.36, 0.97%, 0.39%

LAB 69.21, -60.63, 32.98

 

CMYK 98 / 0 / 46 / 8

HEX #04EB7F

RGB 4 235 127

HSL 151.95, 0.97%, 0.47%

LAB 82.37, -70.49, 39.34

 

CMYK 88 / 0 / 41 / 2

HEX #1EFA94

RGB 30 250 148

HSL 152.18, 0.96%, 0.55%

LAB 87.38, -70.7, 35.52

 

CMYK 98 / 0 / 46 / 24

HEX #04C169

RGB 4 193 105

HSL 152.06, 0.96%, 0.39%

LAB 68.89, -60.43, 33.07

 

CMYK 98 / 72 / 0 / 24

HEX #0336C2

RGB 3 54 194

HSL 223.98, 0.97%, 0.39%

LAB 30.77, 42.78, -75.42

 

CMYK 0 / 85 / 98 / 24

HEX #C21D03

RGB 194 29 3

HSL 8.17, 0.97%, 0.39%

LAB 41.77, 61.21, 54.2

 

CMYK 98 / 0 / 46 / 24

HEX #04C169

RGB 4 193 105

HSL 152.06, 0.96%, 0.39%

LAB 68.89, -60.43, 33.07

 

CMYK 46 / 98 / 0 / 24

HEX #6903C2

RGB 105 3 194

HSL 272.04, 0.97%, 0.39%

LAB 31.72, 68.03, -73.61

 

CMYK 0 / 46 / 98 / 24

HEX #C26903

RGB 194 105 3

HSL 32.04, 0.97%, 0.39%

LAB 53.58, 30.06, 60.85

 

CMYK 98 / 0 / 46 / 24

HEX #04C169

RGB 4 193 105

HSL 152.06, 0.96%, 0.39%

LAB 68.89, -60.43, 33.07

 

CMYK 98 / 72 / 0 / 24

HEX #0336C2

RGB 3 54 194

HSL 223.98, 0.97%, 0.39%

LAB 30.77, 42.78, -75.42

 

CMYK 0 / 98 / 52 / 24

HEX #C2035D

RGB 194 3 93

HSL 331.73, 0.97%, 0.39%

LAB 41.73, 68.32, 5.11

 

CMYK 0 / 26 / 98 / 24

HEX #C29003

RGB 194 144 3

HSL 44.29, 0.97%, 0.39%

LAB 62.86, 8.77, 67.07

 

CMYK 98 / 0 / 46 / 24

HEX #04C169

RGB 4 193 105

HSL 152.06, 0.96%, 0.39%

LAB 68.89, -60.43, 33.07

 

CMYK 95 / 98 / 0 / 24

HEX #0A03C2

RGB 10 3 194

HSL 242.2, 0.97%, 0.39%

LAB 23.75, 63.87, -87.08

 

CMYK 0 / 98 / 52 / 24

HEX #C2035D

RGB 194 3 93

HSL 331.73, 0.97%, 0.39%

LAB 41.73, 68.32, 5.11

 

CMYK 3 / 0 / 98 / 24

HEX #BCC203

RGB 188 194 3

HSL 61.88, 0.97%, 0.39%

LAB 75.63, -20.1, 76.04

 

Description

Color code: RGB 4 193 105 | qconv.com Color code: RGB 4 193 105 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 4 red, 193 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
4 193 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 46 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 46% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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