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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 49 53 70 it is the complementary color RGB 206 202 185. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 49 53 70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 49 53 70 shade: RGB 54 53 65, RGB 71 71 84, RGB 88 89 103, RGB 105 107 122 and RGB 122 125 141

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 49 53 70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 49 53 70 shade: RGB 49 53 70, RGB 32 35 51, RGB 15 17 32, RGB 0 0 13 and RGB 0 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 49 53 70 shade: RGB 48 52 69, RGB 50 48 69, RGB 55 48 69, RGB 61 48 69 and RGB 67 48 69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 49 53 70 shade: RGB 48 52 69 and RGB 48 48 69

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 49 53 70 shade matches the following richer shades: RGB 48 52 69, RGB 39 46 79, RGB 29 40 88, RGB 20 34 98 and RGB 10 29 107

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 49 53 70 shade: RGB 48 52 69, RGB 58 58 60, RGB 67 64 50, RGB 77 70 41 and RGB 86 76 31

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 49 53 70 shade: RGB 48 64 69, RGB 48 58 69, RGB 48 52 69, RGB 50 48 69 and RGB 55 48 69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 49 53 70 shade: RGB 14 15 21, RGB 31 34 45, RGB 48 52 69, RGB 65 70 94 and RGB 82 89 118

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 49 53 70 shade: RGB 49 53 70, RGB 69 48 69 and RGB 61 69 48

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 49 53 70 shade: RGB 49 53 70, RGB 69 48 52 and RGB 52 69 48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 49 53 70 shade: RGB 49 53 70, RGB 69 48 69, RGB 69 65 48 and RGB 48 69 48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 49 53 70 shade: RGB 49 53 70, RGB 69 48 63, RGB 69 65 48 and RGB 48 69 54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 24 / 0 / 73

HEX #313546

RGB 49 53 70

HSL 228.57, 0.18%, 0.23%

LAB 22.45, 2.89, -11.09

 

Complementary color

CMYK 0 / 2 / 10 / 19

HEX #CECAB9

RGB 206 202 185

HSL 48.57, 0.18%, 0.77%

LAB 81.22, -1.55, 8.97

 

CMYK 17 / 18 / 0 / 75

HEX #363541

RGB 54 53 65

HSL 245, 0.1%, 0.23%

LAB 22.7, 3.4, -7.3

 

CMYK 15 / 15 / 0 / 67

HEX #474754

RGB 71 71 84

HSL 240, 0.08%, 0.3%

LAB 30.61, 3.07, -7.72

 

CMYK 15 / 14 / 0 / 60

HEX #585967

RGB 88 89 103

HSL 236, 0.08%, 0.37%

LAB 38.2, 2.79, -8.15

 

CMYK 14 / 12 / 0 / 52

HEX #696B7A

RGB 105 107 122

HSL 232.94, 0.07%, 0.45%

LAB 45.53, 2.54, -8.59

 

CMYK 13 / 11 / 0 / 45

HEX #7A7D8D

RGB 122 125 141

HSL 230.53, 0.08%, 0.52%

LAB 52.65, 2.32, -9.03

 

CMYK 30 / 24 / 0 / 73

HEX #313546

RGB 49 53 70

HSL 228.57, 0.18%, 0.23%

LAB 22.45, 2.89, -11.09

 

CMYK 37 / 31 / 0 / 80

HEX #202333

RGB 32 35 51

HSL 230.53, 0.23%, 0.16%

LAB 14.11, 3.37, -10.92

 

CMYK 53 / 47 / 0 / 87

HEX #0F1120

RGB 15 17 32

HSL 232.94, 0.36%, 0.09%

LAB 5.48, 3.34, -10.36

 

CMYK 100 / 100 / 0 / 95

HEX #00000D

RGB 0 0 13

HSL 240, 1%, 0.03%

LAB 0.26, 1.84, -5.02

 

CMYK 30 / 25 / 0 / 73

HEX #303445

RGB 48 52 69

HSL 228.57, 0.18%, 0.23%

LAB 22, 2.91, -11.12

 

CMYK 28 / 30 / 0 / 73

HEX #323045

RGB 50 48 69

HSL 245.71, 0.18%, 0.23%

LAB 20.91, 6.4, -12.76

 

CMYK 20 / 30 / 0 / 73

HEX #373045

RGB 55 48 69

HSL 260, 0.18%, 0.23%

LAB 21.42, 8.28, -11.94

 

CMYK 12 / 30 / 0 / 73

HEX #3D3045

RGB 61 48 69

HSL 277.14, 0.18%, 0.23%

LAB 22.07, 10.61, -10.88

 

CMYK 3 / 30 / 0 / 73

HEX #433045

RGB 67 48 69

HSL 294.29, 0.18%, 0.23%

LAB 22.78, 12.99, -9.73

 

CMYK 30 / 25 / 0 / 73

HEX #303445

RGB 48 52 69

HSL 228.57, 0.18%, 0.23%

LAB 22, 2.91, -11.12

 

CMYK 30 / 30 / 0 / 73

HEX #303045

RGB 48 48 69

HSL 240, 0.18%, 0.23%

LAB 20.72, 5.66, -13.08

 

CMYK 30 / 25 / 0 / 73

HEX #303445

RGB 48 52 69

HSL 228.57, 0.18%, 0.23%

LAB 22, 2.91, -11.12

 

CMYK 51 / 42 / 0 / 69

HEX #272E4F

RGB 39 46 79

HSL 229.5, 0.34%, 0.23%

LAB 19.84, 7.38, -21.25

 

CMYK 67 / 55 / 0 / 65

HEX #1D2858

RGB 29 40 88

HSL 228.81, 0.5%, 0.23%

LAB 17.84, 12.61, -30.52

 

CMYK 80 / 65 / 0 / 62

HEX #142262

RGB 20 34 98

HSL 229.23, 0.66%, 0.23%

LAB 16.38, 19.59, -39.57

 

CMYK 91 / 73 / 0 / 58

HEX #0A1D6B

RGB 10 29 107

HSL 228.25, 0.83%, 0.23%

LAB 15.51, 25.93, -46.92

 

CMYK 30 / 25 / 0 / 73

HEX #303445

RGB 48 52 69

HSL 228.57, 0.18%, 0.23%

LAB 22, 2.91, -11.12

 

CMYK 3 / 3 / 0 / 76

HEX #3A3A3C

RGB 58 58 60

HSL 240, 0.02%, 0.23%

LAB 24.49, 0.46, -1.24

 

CMYK 0 / 4 / 25 / 74

HEX #434032

RGB 67 64 50

HSL 49.41, 0.15%, 0.23%

LAB 26.99, -1.47, 9.04

 

CMYK 0 / 9 / 47 / 70

HEX #4D4629

RGB 77 70 41

HSL 48.33, 0.31%, 0.23%

LAB 29.71, -1.87, 18.53

 

CMYK 0 / 12 / 64 / 66

HEX #564C1F

RGB 86 76 31

HSL 49.09, 0.47%, 0.23%

LAB 32.36, -2.22, 27.75

 

CMYK 30 / 7 / 0 / 73

HEX #304045

RGB 48 64 69

HSL 194.29, 0.18%, 0.23%

LAB 25.94, -5.03, -5.15

 

CMYK 30 / 16 / 0 / 73

HEX #303A45

RGB 48 58 69

HSL 211.43, 0.18%, 0.23%

LAB 23.95, -1.13, -8.14

 

CMYK 30 / 25 / 0 / 73

HEX #303445

RGB 48 52 69

HSL 228.57, 0.18%, 0.23%

LAB 22, 2.91, -11.12

 

CMYK 28 / 30 / 0 / 73

HEX #323045

RGB 50 48 69

HSL 245.71, 0.18%, 0.23%

LAB 20.91, 6.4, -12.76

 

CMYK 20 / 30 / 0 / 73

HEX #373045

RGB 55 48 69

HSL 260, 0.18%, 0.23%

LAB 21.42, 8.28, -11.94

 

CMYK 33 / 29 / 0 / 92

HEX #0E0F15

RGB 14 15 21

HSL 231.43, 0.2%, 0.07%

LAB 4.42, 0.92, -3.51

 

CMYK 31 / 24 / 0 / 82

HEX #1F222D

RGB 31 34 45

HSL 227.14, 0.18%, 0.15%

LAB 13.38, 1.79, -7.75

 

CMYK 30 / 25 / 0 / 73

HEX #303445

RGB 48 52 69

HSL 228.57, 0.18%, 0.23%

LAB 22, 2.91, -11.12

 

CMYK 31 / 26 / 0 / 63

HEX #41465E

RGB 65 70 94

HSL 229.66, 0.18%, 0.31%

LAB 30.19, 4.23, -14.83

 

CMYK 31 / 25 / 0 / 54

HEX #525976

RGB 82 89 118

HSL 228.33, 0.18%, 0.39%

LAB 38.28, 4.58, -17.33

 

CMYK 30 / 24 / 0 / 73

HEX #313546

RGB 49 53 70

HSL 228.57, 0.18%, 0.23%

LAB 22.45, 2.89, -11.09

 

CMYK 0 / 30 / 0 / 73

HEX #453045

RGB 69 48 69

HSL 300, 0.18%, 0.23%

LAB 23.03, 13.79, -9.34

 

CMYK 12 / 0 / 30 / 73

HEX #3D4530

RGB 61 69 48

HSL 82.86, 0.18%, 0.23%

LAB 28.01, -7.68, 11.64

 

CMYK 30 / 24 / 0 / 73

HEX #313546

RGB 49 53 70

HSL 228.57, 0.18%, 0.23%

LAB 22.45, 2.89, -11.09

 

CMYK 0 / 30 / 25 / 73

HEX #453034

RGB 69 48 52

HSL 348.57, 0.18%, 0.23%

LAB 22.4, 10.29, 1.24

 

CMYK 25 / 0 / 30 / 73

HEX #344530

RGB 52 69 48

HSL 108.57, 0.18%, 0.23%

LAB 27.3, -11.58, 10.55

 

CMYK 30 / 24 / 0 / 73

HEX #313546

RGB 49 53 70

HSL 228.57, 0.18%, 0.23%

LAB 22.45, 2.89, -11.09

 

CMYK 0 / 30 / 0 / 73

HEX #453045

RGB 69 48 69

HSL 300, 0.18%, 0.23%

LAB 23.03, 13.79, -9.34

 

CMYK 0 / 6 / 30 / 73

HEX #454130

RGB 69 65 48

HSL 48.57, 0.18%, 0.23%

LAB 27.46, -1.52, 11.01

 

CMYK 30 / 0 / 30 / 73

HEX #304530

RGB 48 69 48

HSL 120, 0.18%, 0.23%

LAB 27.01, -13.23, 10.11

 

CMYK 30 / 24 / 0 / 73

HEX #313546

RGB 49 53 70

HSL 228.57, 0.18%, 0.23%

LAB 22.45, 2.89, -11.09

 

CMYK 0 / 30 / 9 / 73

HEX #45303F

RGB 69 48 63

HSL 317.14, 0.18%, 0.23%

LAB 22.79, 12.47, -5.65

 

CMYK 0 / 6 / 30 / 73

HEX #454130

RGB 69 65 48

HSL 48.57, 0.18%, 0.23%

LAB 27.46, -1.52, 11.01

 

CMYK 30 / 0 / 22 / 73

HEX #304536

RGB 48 69 54

HSL 137.14, 0.18%, 0.23%

LAB 27.16, -11.93, 6.45

 

Description

Color code: RGB 49 53 70 | qconv.com Color code: RGB 49 53 70 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 53 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 53 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 24 magenta, none yellow and 73 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 24% 0% 73% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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