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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 49 169 210 it is the complementary color RGB 206 86 45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 49 169 210. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 49 169 210 shade: RGB 54 169 205, RGB 71 187 224, RGB 88 205 243, RGB 105 223 255 and RGB 122 241 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 49 169 210. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 49 169 210 shade: RGB 49 169 210, RGB 32 151 191, RGB 15 133 172, RGB 0 115 153 and RGB 0 97 134

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 49 169 210 shade: RGB 50 169 210, RGB 50 126 210, RGB 50 83 210, RGB 60 50 210 and RGB 103 50 210

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 49 169 210 shade: RGB 50 169 210, RGB 50 126 210, RGB 50 83 210 and RGB 50 50 210

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 49 169 210 shade matches the following richer shades: RGB 50 169 210, RGB 29 179 230 and RGB 9 189 250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 49 169 210 shade: RGB 50 169 210, RGB 70 159 189, RGB 90 149 169, RGB 110 139 149 and RGB 130 129 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 49 169 210 shade: RGB 50 210 164, RGB 50 210 207, RGB 50 170 210, RGB 50 127 210 and RGB 50 84 210

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 49 169 210 shade: RGB 31 116 145, RGB 39 143 179, RGB 50 169 210, RGB 83 183 217 and RGB 117 197 224

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 49 169 210 shade: RGB 49 169 210, RGB 122 50 210 and RGB 210 186 50

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 49 169 210 shade: RGB 49 169 210, RGB 210 50 170 and RGB 170 210 50

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 49 169 210 shade: RGB 49 169 210, RGB 122 50 210, RGB 210 90 50 and RGB 138 210 50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 49 169 210 shade: RGB 49 169 210, RGB 170 50 210, RGB 210 90 50 and RGB 90 210 50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 20 / 0 / 18

HEX #31A9D2

RGB 49 169 210

HSL 195.28, 0.64%, 0.51%

LAB 64.71, -18.85, -30.15

 

Complementary color

CMYK 0 / 58 / 78 / 19

HEX #CE562D

RGB 206 86 45

HSL 15.28, 0.64%, 0.49%

LAB 51.8, 45.35, 46.27

 

CMYK 74 / 18 / 0 / 20

HEX #36A9CD

RGB 54 169 205

HSL 194.3, 0.6%, 0.51%

LAB 64.62, -19.91, -27.51

 

CMYK 68 / 17 / 0 / 12

HEX #47BBE0

RGB 71 187 224

HSL 194.51, 0.71%, 0.58%

LAB 71.05, -20.9, -28.02

 

CMYK 64 / 16 / 0 / 5

HEX #58CDF3

RGB 88 205 243

HSL 194.71, 0.87%, 0.65%

LAB 77.41, -21.67, -28.48

 

CMYK 59 / 13 / 0 / 0

HEX #69DFFF

RGB 105 223 255

HSL 192.8, 1%, 0.71%

LAB 83.44, -24.29, -25.59

 

CMYK 52 / 5 / 0 / 0

HEX #7AF1FF

RGB 122 241 255

HSL 186.32, 1%, 0.74%

LAB 89.05, -29.84, -17.04

 

CMYK 77 / 20 / 0 / 18

HEX #31A9D2

RGB 49 169 210

HSL 195.28, 0.64%, 0.51%

LAB 64.71, -18.85, -30.15

 

CMYK 83 / 21 / 0 / 25

HEX #2097BF

RGB 32 151 191

HSL 195.09, 0.71%, 0.44%

LAB 58.23, -17.36, -29.58

 

CMYK 91 / 23 / 0 / 33

HEX #0F85AC

RGB 15 133 172

HSL 194.9, 0.84%, 0.37%

LAB 51.67, -15.44, -28.93

 

CMYK 100 / 25 / 0 / 40

HEX #007399

RGB 0 115 153

HSL 194.9, 1%, 0.3%

LAB 45.03, -13.05, -28.2

 

CMYK 100 / 28 / 0 / 47

HEX #006186

RGB 0 97 134

HSL 196.57, 1%, 0.26%

LAB 38.32, -9.88, -27.29

 

CMYK 76 / 20 / 0 / 18

HEX #32A9D2

RGB 50 169 210

HSL 195.38, 0.64%, 0.51%

LAB 64.73, -18.74, -30.11

 

CMYK 76 / 40 / 0 / 18

HEX #327ED2

RGB 50 126 210

HSL 211.5, 0.64%, 0.51%

LAB 52.12, 5.78, -49.91

 

CMYK 76 / 60 / 0 / 18

HEX #3253D2

RGB 50 83 210

HSL 227.63, 0.64%, 0.51%

LAB 40.44, 33.04, -68.77

 

CMYK 71 / 76 / 0 / 18

HEX #3C32D2

RGB 60 50 210

HSL 243.75, 0.64%, 0.51%

LAB 33.76, 53.51, -79.73

 

CMYK 51 / 76 / 0 / 18

HEX #6732D2

RGB 103 50 210

HSL 259.88, 0.64%, 0.51%

LAB 37.51, 58.41, -73.42

 

CMYK 76 / 20 / 0 / 18

HEX #32A9D2

RGB 50 169 210

HSL 195.38, 0.64%, 0.51%

LAB 64.73, -18.74, -30.11

 

CMYK 76 / 40 / 0 / 18

HEX #327ED2

RGB 50 126 210

HSL 211.5, 0.64%, 0.51%

LAB 52.12, 5.78, -49.91

 

CMYK 76 / 60 / 0 / 18

HEX #3253D2

RGB 50 83 210

HSL 227.63, 0.64%, 0.51%

LAB 40.44, 33.04, -68.77

 

CMYK 76 / 76 / 0 / 18

HEX #3232D2

RGB 50 50 210

HSL 240, 0.64%, 0.51%

LAB 33.16, 52.71, -80.74

 

CMYK 76 / 20 / 0 / 18

HEX #32A9D2

RGB 50 169 210

HSL 195.38, 0.64%, 0.51%

LAB 64.73, -18.74, -30.11

 

CMYK 87 / 22 / 0 / 10

HEX #1DB3E6

RGB 29 179 230

HSL 195.22, 0.8%, 0.51%

LAB 68.18, -19, -35.79

 

CMYK 96 / 24 / 0 / 2

HEX #09BDFA

RGB 9 189 250

HSL 195.19, 0.96%, 0.51%

LAB 71.8, -18.13, -41.03

 

CMYK 76 / 20 / 0 / 18

HEX #32A9D2

RGB 50 169 210

HSL 195.38, 0.64%, 0.51%

LAB 64.73, -18.74, -30.11

 

CMYK 63 / 16 / 0 / 26

HEX #469FBD

RGB 70 159 189

HSL 195.13, 0.47%, 0.51%

LAB 61.46, -17.36, -23.4

 

CMYK 47 / 12 / 0 / 34

HEX #5A95A9

RGB 90 149 169

HSL 195.19, 0.31%, 0.51%

LAB 58.54, -13.71, -16.48

 

CMYK 26 / 7 / 0 / 42

HEX #6E8B95

RGB 110 139 149

HSL 195.38, 0.16%, 0.51%

LAB 56.04, -7.82, -8.69

 

CMYK 0 / 1 / 1 / 49

HEX #828181

RGB 130 129 129

HSL 0, 0%, 0.51%

LAB 54.06, 0.38, 0.13

 

CMYK 76 / 0 / 22 / 18

HEX #32D2A4

RGB 50 210 164

HSL 162.75, 0.64%, 0.51%

LAB 75.73, -50.99, 11.39

 

CMYK 76 / 0 / 1 / 18

HEX #32D2CF

RGB 50 210 207

HSL 178.88, 0.64%, 0.51%

LAB 76.85, -39.7, -10.08

 

CMYK 76 / 19 / 0 / 18

HEX #32AAD2

RGB 50 170 210

HSL 195, 0.64%, 0.51%

LAB 65.03, -19.26, -29.66

 

CMYK 76 / 40 / 0 / 18

HEX #327FD2

RGB 50 127 210

HSL 211.13, 0.64%, 0.51%

LAB 52.41, 5.17, -49.46

 

CMYK 76 / 60 / 0 / 18

HEX #3254D2

RGB 50 84 210

HSL 227.25, 0.64%, 0.51%

LAB 40.69, 32.4, -68.36

 

CMYK 79 / 20 / 0 / 43

HEX #1F7491

RGB 31 116 145

HSL 195.26, 0.65%, 0.35%

LAB 45.4, -14.35, -22.86

 

CMYK 78 / 20 / 0 / 30

HEX #278FB3

RGB 39 143 179

HSL 195.43, 0.64%, 0.43%

LAB 55.41, -16.51, -27.12

 

CMYK 76 / 20 / 0 / 18

HEX #32A9D2

RGB 50 169 210

HSL 195.38, 0.64%, 0.51%

LAB 64.73, -18.74, -30.11

 

CMYK 62 / 16 / 0 / 15

HEX #53B7D9

RGB 83 183 217

HSL 195.22, 0.64%, 0.59%

LAB 69.98, -19.08, -25.82

 

CMYK 48 / 12 / 0 / 12

HEX #75C5E0

RGB 117 197 224

HSL 195.14, 0.63%, 0.67%

LAB 75.51, -17.4, -21.06

 

CMYK 77 / 20 / 0 / 18

HEX #31A9D2

RGB 49 169 210

HSL 195.28, 0.64%, 0.51%

LAB 64.71, -18.85, -30.15

 

CMYK 42 / 76 / 0 / 18

HEX #7A32D2

RGB 122 50 210

HSL 267, 0.64%, 0.51%

LAB 39.7, 61.21, -69.75

 

CMYK 0 / 11 / 76 / 18

HEX #D2BA32

RGB 210 186 50

HSL 51, 0.64%, 0.51%

LAB 75.48, -5.45, 67.11

 

CMYK 77 / 20 / 0 / 18

HEX #31A9D2

RGB 49 169 210

HSL 195.28, 0.64%, 0.51%

LAB 64.71, -18.85, -30.15

 

CMYK 0 / 76 / 19 / 18

HEX #D232AA

RGB 210 50 170

HSL 315, 0.64%, 0.51%

LAB 50.55, 71.43, -28.29

 

CMYK 19 / 0 / 76 / 18

HEX #AAD232

RGB 170 210 50

HSL 75, 0.64%, 0.51%

LAB 78.97, -34.02, 69.22

 

CMYK 77 / 20 / 0 / 18

HEX #31A9D2

RGB 49 169 210

HSL 195.28, 0.64%, 0.51%

LAB 64.71, -18.85, -30.15

 

CMYK 42 / 76 / 0 / 18

HEX #7A32D2

RGB 122 50 210

HSL 267, 0.64%, 0.51%

LAB 39.7, 61.21, -69.75

 

CMYK 0 / 57 / 76 / 18

HEX #D25A32

RGB 210 90 50

HSL 15, 0.64%, 0.51%

LAB 53.22, 45.13, 45.43

 

CMYK 34 / 0 / 76 / 18

HEX #8AD232

RGB 138 210 50

HSL 87, 0.64%, 0.51%

LAB 77.12, -46.07, 66.83

 

CMYK 77 / 20 / 0 / 18

HEX #31A9D2

RGB 49 169 210

HSL 195.28, 0.64%, 0.51%

LAB 64.71, -18.85, -30.15

 

CMYK 19 / 76 / 0 / 18

HEX #AA32D2

RGB 170 50 210

HSL 285, 0.64%, 0.51%

LAB 46.29, 69.49, -58.75

 

CMYK 0 / 57 / 76 / 18

HEX #D25A32

RGB 210 90 50

HSL 15, 0.64%, 0.51%

LAB 53.22, 45.13, 45.43

 

CMYK 57 / 0 / 76 / 18

HEX #5AD232

RGB 90 210 50

HSL 105, 0.64%, 0.51%

LAB 75.14, -60.78, 64.24

 

Description

Color code: RGB 49 169 210 | qconv.com Color code: RGB 49 169 210 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 169 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 169 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 20 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 20% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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