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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 48 74.6 109.6 it is the complementary color RGB 207 180.4 145.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 48 74.6 109.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 48 74.6 109.6 shade: RGB 53 74.6 104.6, RGB 70 92.6 123.6, RGB 87 110.6 142.6, RGB 104 128.6 161.6 and RGB 121 146.6 180.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 48 74.6 109.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 48 74.6 109.6 shade: RGB 48 74.6 109.6, RGB 31 56.6 90.6, RGB 14 38.6 71.6, RGB 0 20.6 52.6 and RGB 0 2.6 33.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 48 74.6 109.6 shade: RGB 48 75 110, RGB 48 58 110, RGB 55 48 110, RGB 71 48 110 and RGB 88 48 110

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 48 74.6 109.6 shade: RGB 48 75 110, RGB 48 58 110 and RGB 48 48 110

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 48 74.6 109.6 shade matches the following richer shades: RGB 48 75 110, RGB 35 73 123, RGB 23 71 135 and RGB 10 70 148

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 48 74.6 109.6 shade: RGB 48 75 110, RGB 61 77 97, RGB 74 78 84, RGB 87 80 72 and RGB 99 82 59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 48 74.6 109.6 shade: RGB 48 108 110, RGB 48 91 110, RGB 48 75 110, RGB 48 58 110 and RGB 54 48 110

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 48 74.6 109.6 shade: RGB 23 36 53, RGB 36 55 81, RGB 48 75 110, RGB 61 94 139 and RGB 73 114 167

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 48 74.6 109.6 shade: RGB 48 74.6 109.6, RGB 95 48 110 and RGB 100 110 48

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 48 74.6 109.6 shade: RGB 48 74.6 109.6, RGB 110 48 75 and RGB 75 110 48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 48 74.6 109.6 shade: RGB 48 74.6 109.6, RGB 95 48 110, RGB 110 83 48 and RGB 63 110 48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 48 74.6 109.6 shade: RGB 48 74.6 109.6, RGB 110 48 106, RGB 110 83 48 and RGB 48 110 52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 32 / 0 / 57

HEX #304A6D

RGB 48 74.6 109.6

HSL 214.09, 0.39%, 0.31%

LAB 31.17, 1.16, -23.31

 

Complementary color

CMYK 0 / 13 / 30 / 19

HEX #CFB491

RGB 207 180.4 145.4

HSL 34.09, 0.39%, 0.69%

LAB 74.9, 4.33, 21.38

 

CMYK 49 / 29 / 0 / 59

HEX #354A68

RGB 53 74.6 104.6

HSL 214.88, 0.33%, 0.31%

LAB 31.22, 0.78, -20.05

 

CMYK 43 / 25 / 0 / 52

HEX #465C7B

RGB 70 92.6 123.6

HSL 214.7, 0.28%, 0.38%

LAB 38.74, 0.26, -20.14

 

CMYK 39 / 22 / 0 / 44

HEX #576E8E

RGB 87 110.6 142.6

HSL 214.53, 0.24%, 0.45%

LAB 46.01, -0.14, -20.28

 

CMYK 36 / 20 / 0 / 37

HEX #6880A1

RGB 104 128.6 161.6

HSL 214.38, 0.24%, 0.52%

LAB 53.09, -0.46, -20.46

 

CMYK 33 / 19 / 0 / 29

HEX #7992B4

RGB 121 146.6 180.6

HSL 214.23, 0.29%, 0.59%

LAB 60, -0.73, -20.68

 

CMYK 56 / 32 / 0 / 57

HEX #304A6D

RGB 48 74.6 109.6

HSL 214.09, 0.39%, 0.31%

LAB 31.17, 1.16, -23.31

 

CMYK 66 / 38 / 0 / 64

HEX #1F385A

RGB 31 56.6 90.6

HSL 214.23, 0.49%, 0.24%

LAB 23.43, 2.21, -23.33

 

CMYK 80 / 46 / 0 / 72

HEX #0E2647

RGB 14 38.6 71.6

HSL 214.38, 0.67%, 0.17%

LAB 15.39, 3.9, -23.39

 

CMYK 100 / 61 / 0 / 79

HEX #001434

RGB 0 20.6 52.6

HSL 216.5, 1%, 0.1%

LAB 7, 6.41, -23.46

 

CMYK 100 / 92 / 0 / 87

HEX #000221

RGB 0 2.6 33.6

HSL 235.36, 1%, 0.07%

LAB 1.53, 6.14, -17.71

 

CMYK 56 / 32 / 0 / 57

HEX #304B6E

RGB 48 75 110

HSL 213.87, 0.39%, 0.31%

LAB 31.32, 1.04, -23.33

 

CMYK 56 / 47 / 0 / 57

HEX #303A6E

RGB 48 58 110

HSL 230.32, 0.39%, 0.31%

LAB 26.1, 12.47, -31.58

 

CMYK 50 / 56 / 0 / 57

HEX #37306E

RGB 55 48 110

HSL 246.77, 0.39%, 0.31%

LAB 23.84, 21.04, -35.16

 

CMYK 35 / 56 / 0 / 57

HEX #47306E

RGB 71 48 110

HSL 262.26, 0.39%, 0.31%

LAB 25.5, 25.27, -32.41

 

CMYK 20 / 56 / 0 / 57

HEX #58306E

RGB 88 48 110

HSL 278.71, 0.39%, 0.31%

LAB 27.61, 30.18, -28.92

 

CMYK 56 / 32 / 0 / 57

HEX #304B6E

RGB 48 75 110

HSL 213.87, 0.39%, 0.31%

LAB 31.32, 1.04, -23.33

 

CMYK 56 / 47 / 0 / 57

HEX #303A6E

RGB 48 58 110

HSL 230.32, 0.39%, 0.31%

LAB 26.1, 12.47, -31.58

 

CMYK 56 / 56 / 0 / 57

HEX #30306E

RGB 48 48 110

HSL 240, 0.39%, 0.31%

LAB 23.23, 19.37, -36.18

 

CMYK 56 / 32 / 0 / 57

HEX #304B6E

RGB 48 75 110

HSL 213.87, 0.39%, 0.31%

LAB 31.32, 1.04, -23.33

 

CMYK 72 / 41 / 0 / 52

HEX #23497B

RGB 35 73 123

HSL 214.09, 0.56%, 0.31%

LAB 30.77, 4.46, -32.4

 

CMYK 83 / 47 / 0 / 47

HEX #174787

RGB 23 71 135

HSL 214.29, 0.71%, 0.31%

LAB 30.49, 8.99, -40.31

 

CMYK 93 / 53 / 0 / 42

HEX #0A4694

RGB 10 70 148

HSL 213.91, 0.87%, 0.31%

LAB 30.84, 14.09, -47.75

 

CMYK 56 / 32 / 0 / 57

HEX #304B6E

RGB 48 75 110

HSL 213.87, 0.39%, 0.31%

LAB 31.32, 1.04, -23.33

 

CMYK 37 / 21 / 0 / 62

HEX #3D4D61

RGB 61 77 97

HSL 213.33, 0.23%, 0.31%

LAB 32.17, -0.74, -13.72

 

CMYK 12 / 7 / 0 / 67

HEX #4A4E54

RGB 74 78 84

HSL 216, 0.06%, 0.31%

LAB 33.02, -0.22, -4.09

 

CMYK 0 / 8 / 17 / 66

HEX #575048

RGB 87 80 72

HSL 32, 0.09%, 0.31%

LAB 34.46, 1.34, 5.75

 

CMYK 0 / 17 / 40 / 61

HEX #63523B

RGB 99 82 59

HSL 34.5, 0.25%, 0.31%

LAB 35.99, 3.4, 16.14

 

CMYK 56 / 2 / 0 / 57

HEX #306C6E

RGB 48 108 110

HSL 181.94, 0.39%, 0.31%

LAB 41.97, -18.67, -7.04

 

CMYK 56 / 17 / 0 / 57

HEX #305B6E

RGB 48 91 110

HSL 198.39, 0.39%, 0.31%

LAB 36.44, -8.97, -15.41

 

CMYK 56 / 32 / 0 / 57

HEX #304B6E

RGB 48 75 110

HSL 213.87, 0.39%, 0.31%

LAB 31.32, 1.04, -23.33

 

CMYK 56 / 47 / 0 / 57

HEX #303A6E

RGB 48 58 110

HSL 230.32, 0.39%, 0.31%

LAB 26.1, 12.47, -31.58

 

CMYK 51 / 56 / 0 / 57

HEX #36306E

RGB 54 48 110

HSL 245.81, 0.39%, 0.31%

LAB 23.75, 20.79, -35.32

 

CMYK 57 / 32 / 0 / 79

HEX #172435

RGB 23 36 53

HSL 214, 0.39%, 0.15%

LAB 13.83, 0.27, -12.82

 

CMYK 56 / 32 / 0 / 68

HEX #243751

RGB 36 55 81

HSL 214.67, 0.38%, 0.23%

LAB 22.66, 0.95, -18.18

 

CMYK 56 / 32 / 0 / 57

HEX #304B6E

RGB 48 75 110

HSL 213.87, 0.39%, 0.31%

LAB 31.32, 1.04, -23.33

 

CMYK 56 / 32 / 0 / 45

HEX #3D5E8B

RGB 61 94 139

HSL 214.62, 0.39%, 0.39%

LAB 39.35, 2.01, -28.6

 

CMYK 56 / 32 / 0 / 35

HEX #4972A7

RGB 73 114 167

HSL 213.83, 0.39%, 0.47%

LAB 47.29, 1.78, -32.75

 

CMYK 56 / 32 / 0 / 57

HEX #304A6D

RGB 48 74.6 109.6

HSL 214.09, 0.39%, 0.31%

LAB 31.17, 1.16, -23.31

 

CMYK 14 / 56 / 0 / 57

HEX #5F306E

RGB 95 48 110

HSL 285.48, 0.39%, 0.31%

LAB 28.57, 32.27, -27.34

 

CMYK 9 / 0 / 56 / 57

HEX #646E30

RGB 100 110 48

HSL 69.68, 0.39%, 0.31%

LAB 44.34, -13.76, 32.83

 

CMYK 56 / 32 / 0 / 57

HEX #304A6D

RGB 48 74.6 109.6

HSL 214.09, 0.39%, 0.31%

LAB 31.17, 1.16, -23.31

 

CMYK 0 / 56 / 32 / 57

HEX #6E304B

RGB 110 48 75

HSL 333.87, 0.39%, 0.31%

LAB 29.25, 30.78, -3.38

 

CMYK 32 / 0 / 56 / 57

HEX #4B6E30

RGB 75 110 48

HSL 93.87, 0.39%, 0.31%

LAB 42.55, -24.39, 30.28

 

CMYK 56 / 32 / 0 / 57

HEX #304A6D

RGB 48 74.6 109.6

HSL 214.09, 0.39%, 0.31%

LAB 31.17, 1.16, -23.31

 

CMYK 14 / 56 / 0 / 57

HEX #5F306E

RGB 95 48 110

HSL 285.48, 0.39%, 0.31%

LAB 28.57, 32.27, -27.34

 

CMYK 0 / 25 / 56 / 57

HEX #6E5330

RGB 110 83 48

HSL 33.87, 0.39%, 0.31%

LAB 37.33, 6.64, 24.68

 

CMYK 43 / 0 / 56 / 57

HEX #3F6E30

RGB 63 110 48

HSL 105.48, 0.39%, 0.31%

LAB 41.88, -28.91, 29.32

 

CMYK 56 / 32 / 0 / 57

HEX #304A6D

RGB 48 74.6 109.6

HSL 214.09, 0.39%, 0.31%

LAB 31.17, 1.16, -23.31

 

CMYK 0 / 56 / 4 / 57

HEX #6E306A

RGB 110 48 106

HSL 303.87, 0.39%, 0.31%

LAB 30.57, 36.02, -21.5

 

CMYK 0 / 25 / 56 / 57

HEX #6E5330

RGB 110 83 48

HSL 33.87, 0.39%, 0.31%

LAB 37.33, 6.64, 24.68

 

CMYK 56 / 0 / 53 / 57

HEX #306E34

RGB 48 110 52

HSL 123.87, 0.39%, 0.31%

LAB 41.26, -33.17, 26.26

 

Description

Color code: RGB 48 74.6 109.6 | qconv.com Color code: RGB 48 74.6 109.6 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 74.6 green and 109.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 74.6 109.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 32 magenta, none yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 32% 0% 57% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

20% - Promity
Link: http://promity.pl

Verification of their color palette as a manufacturer!

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