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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 48 196 196 it is the complementary color RGB 207 59 59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 48 196 196. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 48 196 196 shade: RGB 53 196 191, RGB 70 214 210, RGB 87 232 229, RGB 104 250 248 and RGB 121 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 48 196 196. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 48 196 196 shade: RGB 48 196 196, RGB 31 178 177, RGB 14 160 158, RGB 0 142 139 and RGB 0 124 120

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 48 196 196 shade: RGB 47 197 197, RGB 47 197 156, RGB 47 197 116, RGB 47 197 76 and RGB 59 197 47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 48 196 196 shade: RGB 47 197 197, RGB 47 156 197, RGB 47 116 197, RGB 47 76 197 and RGB 47 47 197

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 48 196 196 shade matches the following richer shades: RGB 47 197 197, RGB 27 216 216 and RGB 8 236 236

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 48 196 196 shade: RGB 47 197 197, RGB 67 177 177, RGB 87 157 157, RGB 107 137 137 and RGB 126 117 117

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 48 196 196 shade: RGB 47 197 117, RGB 47 197 157, RGB 47 197 197, RGB 47 157 197 and RGB 47 117 197

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 48 196 196 shade: RGB 31 130 130, RGB 39 163 163, RGB 47 197 197, RGB 74 211 211 and RGB 107 219 219

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 48 196 196 shade: RGB 48 196 196, RGB 77 47 197 and RGB 197 137 47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 48 196 196 shade: RGB 48 196 196, RGB 197 47 197 and RGB 197 197 47

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 48 196 196 shade: RGB 48 196 196, RGB 77 47 197, RGB 197 47 47 and RGB 167 197 47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 48 196 196 shade: RGB 48 196 196, RGB 122 47 197, RGB 197 47 47 and RGB 122 197 47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 0 / 23

HEX #30C4C4

RGB 48 196 196

HSL 180, 0.61%, 0.48%

LAB 72.29, -36.68, -10.92

 

Complementary color

CMYK 0 / 71 / 71 / 19

HEX #CF3B3B

RGB 207 59 59

HSL 0, 0.61%, 0.52%

LAB 47.89, 57.64, 34.55

 

CMYK 73 / 0 / 3 / 23

HEX #35C4BF

RGB 53 196 191

HSL 177.9, 0.57%, 0.49%

LAB 72.23, -37.56, -8.29

 

CMYK 67 / 0 / 2 / 16

HEX #46D6D2

RGB 70 214 210

HSL 178.33, 0.64%, 0.56%

LAB 78.49, -38.28, -9.2

 

CMYK 63 / 0 / 1 / 9

HEX #57E8E5

RGB 87 232 229

HSL 178.76, 0.76%, 0.63%

LAB 84.69, -38.81, -10.03

 

CMYK 58 / 0 / 1 / 2

HEX #68FAF8

RGB 104 250 248

HSL 179.18, 0.94%, 0.69%

LAB 90.82, -39.19, -10.8

 

CMYK 53 / 0 / 0 / 0

HEX #79FFFF

RGB 121 255 255

HSL 180, 1%, 0.74%

LAB 92.93, -36.6, -11.24

 

CMYK 76 / 0 / 0 / 23

HEX #30C4C4

RGB 48 196 196

HSL 180, 0.61%, 0.48%

LAB 72.29, -36.68, -10.92

 

CMYK 83 / 0 / 1 / 30

HEX #1FB2B1

RGB 31 178 177

HSL 179.59, 0.7%, 0.41%

LAB 65.99, -35.52, -9.93

 

CMYK 91 / 0 / 1 / 37

HEX #0EA09E

RGB 14 160 158

HSL 179.18, 0.84%, 0.34%

LAB 59.62, -33.99, -8.8

 

CMYK 100 / 0 / 2 / 44

HEX #008E8B

RGB 0 142 139

HSL 178.73, 1%, 0.28%

LAB 53.18, -32.05, -7.55

 

CMYK 100 / 0 / 3 / 51

HEX #007C78

RGB 0 124 120

HSL 178.06, 1%, 0.24%

LAB 46.67, -29.49, -6.11

 

CMYK 76 / 0 / 0 / 23

HEX #2FC5C5

RGB 47 197 197

HSL 180, 0.61%, 0.48%

LAB 72.61, -36.95, -11

 

CMYK 76 / 0 / 21 / 23

HEX #2FC59C

RGB 47 197 156

HSL 163.6, 0.61%, 0.48%

LAB 71.51, -47.96, 9.69

 

CMYK 76 / 0 / 41 / 23

HEX #2FC574

RGB 47 197 116

HSL 147.6, 0.61%, 0.48%

LAB 70.73, -56.54, 29.89

 

CMYK 76 / 0 / 61 / 23

HEX #2FC54C

RGB 47 197 76

HSL 131.6, 0.61%, 0.48%

LAB 70.22, -62.58, 48.73

 

CMYK 70 / 0 / 76 / 23

HEX #3BC52F

RGB 59 197 47

HSL 115.2, 0.61%, 0.48%

LAB 70.22, -63.35, 60.14

 

CMYK 76 / 0 / 0 / 23

HEX #2FC5C5

RGB 47 197 197

HSL 180, 0.61%, 0.48%

LAB 72.61, -36.95, -11

 

CMYK 76 / 21 / 0 / 23

HEX #2F9CC5

RGB 47 156 197

HSL 196.4, 0.61%, 0.48%

LAB 60.26, -16.5, -29.79

 

CMYK 76 / 41 / 0 / 23

HEX #2F74C5

RGB 47 116 197

HSL 212.4, 0.61%, 0.48%

LAB 48.42, 6.76, -48.41

 

CMYK 76 / 61 / 0 / 23

HEX #2F4CC5

RGB 47 76 197

HSL 228.4, 0.61%, 0.48%

LAB 37.49, 32.46, -66.07

 

CMYK 76 / 76 / 0 / 23

HEX #2F2FC5

RGB 47 47 197

HSL 240, 0.61%, 0.48%

LAB 31.04, 49.92, -76.68

 

CMYK 76 / 0 / 0 / 23

HEX #2FC5C5

RGB 47 197 197

HSL 180, 0.61%, 0.48%

LAB 72.61, -36.95, -11

 

CMYK 88 / 0 / 0 / 15

HEX #1BD8D8

RGB 27 216 216

HSL 180, 0.78%, 0.48%

LAB 78.64, -41.52, -12.26

 

CMYK 97 / 0 / 0 / 7

HEX #08ECEC

RGB 8 236 236

HSL 180, 0.93%, 0.48%

LAB 85.05, -45.17, -13.29

 

CMYK 76 / 0 / 0 / 23

HEX #2FC5C5

RGB 47 197 197

HSL 180, 0.61%, 0.48%

LAB 72.61, -36.95, -11

 

CMYK 62 / 0 / 0 / 31

HEX #43B1B1

RGB 67 177 177

HSL 180, 0.45%, 0.48%

LAB 66.38, -30.61, -9.27

 

CMYK 45 / 0 / 0 / 38

HEX #579D9D

RGB 87 157 157

HSL 180, 0.29%, 0.48%

LAB 60.4, -21.99, -6.88

 

CMYK 22 / 0 / 0 / 46

HEX #6B8989

RGB 107 137 137

HSL 180, 0.12%, 0.48%

LAB 54.89, -10.54, -3.49

 

CMYK 0 / 7 / 7 / 51

HEX #7E7575

RGB 126 117 117

HSL 0, 0.04%, 0.48%

LAB 50.03, 3.46, 1.24

 

CMYK 76 / 0 / 41 / 23

HEX #2FC575

RGB 47 197 117

HSL 148, 0.61%, 0.48%

LAB 70.75, -56.36, 29.4

 

CMYK 76 / 0 / 20 / 23

HEX #2FC59D

RGB 47 197 157

HSL 164, 0.61%, 0.48%

LAB 71.54, -47.72, 9.18

 

CMYK 76 / 0 / 0 / 23

HEX #2FC5C5

RGB 47 197 197

HSL 180, 0.61%, 0.48%

LAB 72.61, -36.95, -11

 

CMYK 76 / 20 / 0 / 23

HEX #2F9DC5

RGB 47 157 197

HSL 196, 0.61%, 0.48%

LAB 60.56, -17.04, -29.32

 

CMYK 76 / 41 / 0 / 23

HEX #2F75C5

RGB 47 117 197

HSL 212, 0.61%, 0.48%

LAB 48.71, 6.14, -47.95

 

CMYK 76 / 0 / 0 / 49

HEX #1F8282

RGB 31 130 130

HSL 180, 0.61%, 0.32%

LAB 49.34, -26.83, -8.01

 

CMYK 76 / 0 / 0 / 36

HEX #27A3A3

RGB 39 163 163

HSL 180, 0.61%, 0.4%

LAB 61.02, -31.91, -9.51

 

CMYK 76 / 0 / 0 / 23

HEX #2FC5C5

RGB 47 197 197

HSL 180, 0.61%, 0.48%

LAB 72.61, -36.95, -11

 

CMYK 65 / 0 / 0 / 17

HEX #4AD3D3

RGB 74 211 211

HSL 180, 0.61%, 0.56%

LAB 77.73, -36.05, -10.86

 

CMYK 51 / 0 / 0 / 14

HEX #6BDBDB

RGB 107 219 219

HSL 180, 0.61%, 0.64%

LAB 81.24, -31.81, -9.8

 

CMYK 76 / 0 / 0 / 23

HEX #30C4C4

RGB 48 196 196

HSL 180, 0.61%, 0.48%

LAB 72.29, -36.68, -10.92

 

CMYK 61 / 76 / 0 / 23

HEX #4D2FC5

RGB 77 47 197

HSL 252, 0.61%, 0.48%

LAB 33.23, 52.85, -73

 

CMYK 0 / 30 / 76 / 23

HEX #C5892F

RGB 197 137 47

HSL 36, 0.61%, 0.48%

LAB 61.63, 14.99, 54.64

 

CMYK 76 / 0 / 0 / 23

HEX #30C4C4

RGB 48 196 196

HSL 180, 0.61%, 0.48%

LAB 72.29, -36.68, -10.92

 

CMYK 0 / 76 / 0 / 23

HEX #C52FC5

RGB 197 47 197

HSL 300, 0.61%, 0.48%

LAB 49.42, 73.39, -46

 

CMYK 0 / 0 / 76 / 23

HEX #C5C52F

RGB 197 197 47

HSL 60, 0.61%, 0.48%

LAB 77.29, -16.76, 69.31

 

CMYK 76 / 0 / 0 / 23

HEX #30C4C4

RGB 48 196 196

HSL 180, 0.61%, 0.48%

LAB 72.29, -36.68, -10.92

 

CMYK 61 / 76 / 0 / 23

HEX #4D2FC5

RGB 77 47 197

HSL 252, 0.61%, 0.48%

LAB 33.23, 52.85, -73

 

CMYK 0 / 76 / 76 / 23

HEX #C52F2F

RGB 197 47 47

HSL 0, 0.61%, 0.48%

LAB 44.39, 58.16, 36.98

 

CMYK 15 / 0 / 76 / 23

HEX #A7C52F

RGB 167 197 47

HSL 72, 0.61%, 0.48%

LAB 75.05, -29.29, 66.43

 

CMYK 76 / 0 / 0 / 23

HEX #30C4C4

RGB 48 196 196

HSL 180, 0.61%, 0.48%

LAB 72.29, -36.68, -10.92

 

CMYK 38 / 76 / 0 / 23

HEX #7A2FC5

RGB 122 47 197

HSL 270, 0.61%, 0.48%

LAB 38.2, 59.34, -64.65

 

CMYK 0 / 76 / 76 / 23

HEX #C52F2F

RGB 197 47 47

HSL 0, 0.61%, 0.48%

LAB 44.39, 58.16, 36.98

 

CMYK 38 / 0 / 76 / 23

HEX #7AC52F

RGB 122 197 47

HSL 90, 0.61%, 0.48%

LAB 72.41, -46.4, 63.01

 

Description

Color code: RGB 48 196 196 | qconv.com Color code: RGB 48 196 196 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 196 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 196 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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