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Color name
RGB 48 128.2 171.6

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 48 128.2 171.6 it is the complementary color RGB 207 126.8 83.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 48 128.2 171.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 48 128.2 171.6 shade: RGB 53 128.2 166.6, RGB 70 146.2 185.6, RGB 87 164.2 204.6, RGB 104 182.2 223.6 and RGB 121 200.2 242.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 48 128.2 171.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 48 128.2 171.6 shade: RGB 48 128.2 171.6, RGB 31 110.2 152.6, RGB 14 92.2 133.6, RGB 0 74.2 114.6 and RGB 0 56.2 95.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 48 128.2 171.6 shade: RGB 48 128 171, RGB 48 95 171, RGB 48 62 171, RGB 68 48 171 and RGB 101 48 171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 48 128.2 171.6 shade: RGB 48 128 171, RGB 48 95 171, RGB 48 62 171 and RGB 48 48 171

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 48 128.2 171.6 shade matches the following richer shades: RGB 48 128 171, RGB 31 133 189 and RGB 13 138 207

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 48 128.2 171.6 shade: RGB 48 128 171, RGB 66 123 153, RGB 84 117 136, RGB 101 112 118 and RGB 119 107 100

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 48 128.2 171.6 shade: RGB 48 171 149, RGB 48 161 171, RGB 48 128 171, RGB 48 95 171 and RGB 48 63 171

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 48 128.2 171.6 shade: RGB 30 80 107, RGB 39 104 139, RGB 48 128 171, RGB 60 151 200 and RGB 93 168 209

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 48 128.2 171.6 shade: RGB 48 128.2 171.6, RGB 116 48 171 and RGB 171 165 48

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 48 128.2 171.6 shade: RGB 48 128.2 171.6, RGB 171 48 128 and RGB 128 171 48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 48 128.2 171.6 shade: RGB 48 128.2 171.6, RGB 116 48 171, RGB 171 91 48 and RGB 104 171 48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 48 128.2 171.6 shade: RGB 48 128.2 171.6, RGB 153 48 171, RGB 171 91 48 and RGB 67 171 48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 25 / 0 / 33

HEX #3080AB

RGB 48 128.2 171.6

HSL 201.07, 0.56%, 0.43%

LAB 50.78, -9.66, -30.04

 

Complementary color

CMYK 0 / 39 / 60 / 19

HEX #CF7E53

RGB 207 126.8 83.4

HSL 21.07, 0.56%, 0.57%

LAB 60.8, 26.9, 36.45

 

CMYK 68 / 23 / 0 / 35

HEX #3580A6

RGB 53 128.2 166.6

HSL 200.28, 0.52%, 0.43%

LAB 50.71, -10.61, -27.24

 

CMYK 62 / 21 / 0 / 27

HEX #4692B9

RGB 70 146.2 185.6

HSL 200.45, 0.45%, 0.5%

LAB 57.51, -11.47, -27.56

 

CMYK 57 / 20 / 0 / 20

HEX #57A4CC

RGB 87 164.2 204.6

HSL 200.61, 0.54%, 0.57%

LAB 64.19, -12.12, -27.86

 

CMYK 53 / 19 / 0 / 12

HEX #68B6DF

RGB 104 182.2 223.6

HSL 200.77, 0.66%, 0.64%

LAB 70.76, -12.62, -28.15

 

CMYK 50 / 17 / 0 / 5

HEX #79C8F2

RGB 121 200.2 242.6

HSL 200.92, 0.83%, 0.71%

LAB 77.23, -13.01, -28.43

 

CMYK 72 / 25 / 0 / 33

HEX #3080AB

RGB 48 128.2 171.6

HSL 201.07, 0.56%, 0.43%

LAB 50.78, -9.66, -30.04

 

CMYK 80 / 28 / 0 / 40

HEX #1F6E98

RGB 31 110.2 152.6

HSL 200.92, 0.66%, 0.36%

LAB 43.91, -8.22, -29.68

 

CMYK 90 / 31 / 0 / 48

HEX #0E5C85

RGB 14 92.2 133.6

HSL 200.77, 0.81%, 0.29%

LAB 36.92, -6.25, -29.25

 

CMYK 100 / 35 / 0 / 55

HEX #004A72

RGB 0 74.2 114.6

HSL 201.15, 1%, 0.22%

LAB 29.8, -3.6, -28.73

 

CMYK 100 / 41 / 0 / 63

HEX #00385F

RGB 0 56.2 95.6

HSL 204.73, 1%, 0.19%

LAB 22.6, 0.23, -27.97

 

CMYK 72 / 25 / 0 / 33

HEX #3080AB

RGB 48 128 171

HSL 200.98, 0.56%, 0.43%

LAB 50.7, -9.75, -29.83

 

CMYK 72 / 44 / 0 / 33

HEX #305FAB

RGB 48 95 171

HSL 217.07, 0.56%, 0.43%

LAB 40.82, 10.44, -45.43

 

CMYK 72 / 64 / 0 / 33

HEX #303EAB

RGB 48 62 171

HSL 233.17, 0.56%, 0.43%

LAB 31.84, 32.12, -59.97

 

CMYK 60 / 72 / 0 / 33

HEX #4430AB

RGB 68 48 171

HSL 249.76, 0.56%, 0.43%

LAB 30.12, 43.34, -62.73

 

CMYK 41 / 72 / 0 / 33

HEX #6530AB

RGB 101 48 171

HSL 265.85, 0.56%, 0.43%

LAB 33.61, 48.81, -56.88

 

CMYK 72 / 25 / 0 / 33

HEX #3080AB

RGB 48 128 171

HSL 200.98, 0.56%, 0.43%

LAB 50.7, -9.75, -29.83

 

CMYK 72 / 44 / 0 / 33

HEX #305FAB

RGB 48 95 171

HSL 217.07, 0.56%, 0.43%

LAB 40.82, 10.44, -45.43

 

CMYK 72 / 64 / 0 / 33

HEX #303EAB

RGB 48 62 171

HSL 233.17, 0.56%, 0.43%

LAB 31.84, 32.12, -59.97

 

CMYK 72 / 72 / 0 / 33

HEX #3030AB

RGB 48 48 171

HSL 240, 0.56%, 0.43%

LAB 28.6, 40.84, -65.29

 

CMYK 72 / 25 / 0 / 33

HEX #3080AB

RGB 48 128 171

HSL 200.98, 0.56%, 0.43%

LAB 50.7, -9.75, -29.83

 

CMYK 84 / 30 / 0 / 26

HEX #1F85BD

RGB 31 133 189

HSL 201.27, 0.72%, 0.43%

LAB 52.66, -8.1, -37.13

 

CMYK 94 / 33 / 0 / 19

HEX #0D8ACF

RGB 13 138 207

HSL 201.34, 0.88%, 0.43%

LAB 54.83, -5.37, -43.95

 

CMYK 72 / 25 / 0 / 33

HEX #3080AB

RGB 48 128 171

HSL 200.98, 0.56%, 0.43%

LAB 50.7, -9.75, -29.83

 

CMYK 57 / 20 / 0 / 40

HEX #427B99

RGB 66 123 153

HSL 200.69, 0.4%, 0.43%

LAB 49.04, -9.65, -21.86

 

CMYK 38 / 14 / 0 / 47

HEX #547588

RGB 84 117 136

HSL 201.92, 0.24%, 0.43%

LAB 47.48, -6.67, -14.15

 

CMYK 14 / 5 / 0 / 54

HEX #657076

RGB 101 112 118

HSL 201.18, 0.08%, 0.43%

LAB 46.53, -2.78, -4.74

 

CMYK 0 / 10 / 16 / 53

HEX #776B64

RGB 119 107 100

HSL 22.11, 0.09%, 0.43%

LAB 46.12, 3.43, 5.63

 

CMYK 72 / 0 / 13 / 33

HEX #30AB95

RGB 48 171 149

HSL 169.27, 0.56%, 0.43%

LAB 63.28, -38.47, 1.7

 

CMYK 72 / 6 / 0 / 33

HEX #30A1AB

RGB 48 161 171

HSL 184.88, 0.56%, 0.43%

LAB 60.83, -27.4, -14.28

 

CMYK 72 / 25 / 0 / 33

HEX #3080AB

RGB 48 128 171

HSL 200.98, 0.56%, 0.43%

LAB 50.7, -9.75, -29.83

 

CMYK 72 / 44 / 0 / 33

HEX #305FAB

RGB 48 95 171

HSL 217.07, 0.56%, 0.43%

LAB 40.82, 10.44, -45.43

 

CMYK 72 / 63 / 0 / 33

HEX #303FAB

RGB 48 63 171

HSL 232.68, 0.56%, 0.43%

LAB 32.09, 31.47, -59.56

 

CMYK 72 / 25 / 0 / 58

HEX #1E506B

RGB 30 80 107

HSL 201.04, 0.56%, 0.27%

LAB 31.98, -7.07, -20.47

 

CMYK 72 / 25 / 0 / 45

HEX #27688B

RGB 39 104 139

HSL 201, 0.56%, 0.35%

LAB 41.53, -8.45, -25.26

 

CMYK 72 / 25 / 0 / 33

HEX #3080AB

RGB 48 128 171

HSL 200.98, 0.56%, 0.43%

LAB 50.7, -9.75, -29.83

 

CMYK 70 / 25 / 0 / 22

HEX #3C97C8

RGB 60 151 200

HSL 201, 0.56%, 0.51%

LAB 59.22, -11.04, -33.07

 

CMYK 56 / 20 / 0 / 18

HEX #5DA8D1

RGB 93 168 209

HSL 201.21, 0.56%, 0.59%

LAB 65.7, -11.62, -27.96

 

CMYK 72 / 25 / 0 / 33

HEX #3080AB

RGB 48 128.2 171.6

HSL 201.07, 0.56%, 0.43%

LAB 50.78, -9.66, -30.04

 

CMYK 32 / 72 / 0 / 33

HEX #7430AB

RGB 116 48 171

HSL 273.17, 0.56%, 0.43%

LAB 35.53, 51.69, -53.67

 

CMYK 0 / 4 / 72 / 33

HEX #ABA530

RGB 171 165 48

HSL 57.07, 0.56%, 0.43%

LAB 66.35, -11.6, 57.94

 

CMYK 72 / 25 / 0 / 33

HEX #3080AB

RGB 48 128.2 171.6

HSL 201.07, 0.56%, 0.43%

LAB 50.78, -9.66, -30.04

 

CMYK 0 / 72 / 25 / 33

HEX #AB3080

RGB 171 48 128

HSL 320.98, 0.56%, 0.43%

LAB 41.74, 56.95, -17.2

 

CMYK 25 / 0 / 72 / 33

HEX #80AB30

RGB 128 171 48

HSL 80.98, 0.56%, 0.43%

LAB 64.91, -32.71, 55.45

 

CMYK 72 / 25 / 0 / 33

HEX #3080AB

RGB 48 128.2 171.6

HSL 201.07, 0.56%, 0.43%

LAB 50.78, -9.66, -30.04

 

CMYK 32 / 72 / 0 / 33

HEX #7430AB

RGB 116 48 171

HSL 273.17, 0.56%, 0.43%

LAB 35.53, 51.69, -53.67

 

CMYK 0 / 47 / 72 / 33

HEX #AB5B30

RGB 171 91 48

HSL 20.98, 0.56%, 0.43%

LAB 47.43, 29.18, 38.51

 

CMYK 39 / 0 / 72 / 33

HEX #68AB30

RGB 104 171 48

HSL 92.68, 0.56%, 0.43%

LAB 63.58, -41.66, 53.67

 

CMYK 72 / 25 / 0 / 33

HEX #3080AB

RGB 48 128.2 171.6

HSL 201.07, 0.56%, 0.43%

LAB 50.78, -9.66, -30.04

 

CMYK 11 / 72 / 0 / 33

HEX #9930AB

RGB 153 48 171

HSL 291.22, 0.56%, 0.43%

LAB 40.94, 59.43, -44.68

 

CMYK 0 / 47 / 72 / 33

HEX #AB5B30

RGB 171 91 48

HSL 20.98, 0.56%, 0.43%

LAB 47.43, 29.18, 38.51

 

CMYK 61 / 0 / 72 / 33

HEX #43AB30

RGB 67 171 48

HSL 110.73, 0.56%, 0.43%

LAB 62.11, -52.72, 51.71

 

Description

Color code: RGB 48 128.2 171.6 | qconv.com Color code: RGB 48 128.2 171.6 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 128.2 green and 171.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 128.2 171.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 25 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 25% 0% 33% C M Y K

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