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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 48 103 19 it is the complementary color RGB 207 152 236. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 48 103 19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 48 103 19 shade: RGB 53 103 14, RGB 70 121 33, RGB 87 139 52, RGB 104 157 71 and RGB 121 175 90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 48 103 19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 48 103 19 shade: RGB 48 103 19, RGB 31 85 0, RGB 14 67 0, RGB 0 49 0 and RGB 0 31 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 48 103 19 shade: RGB 48 103 19, RGB 71 103 19, RGB 94 103 19, RGB 103 90 19 and RGB 103 68 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 48 103 19 shade: RGB 48 103 19, RGB 25 103 19, RGB 19 103 35, RGB 19 103 58 and RGB 19 103 81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 48 103 19 shade matches the following richer shades: RGB 48 103 19 and RGB 45 113 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 48 103 19 shade: RGB 48 103 19, RGB 51 94 29, RGB 54 84 39, RGB 57 74 49 and RGB 60 64 59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 48 103 19 shade: RGB 94 103 19, RGB 71 103 19, RGB 49 103 19, RGB 26 103 19 and RGB 19 103 34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 48 103 19 shade: RGB 16 34 6, RGB 32 69 13, RGB 48 103 19, RGB 64 138 25 and RGB 81 173 32

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 48 103 19 shade: RGB 48 103 19, RGB 19 103 91 and RGB 103 19 82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 48 103 19 shade: RGB 48 103 19, RGB 19 49 103 and RGB 103 19 49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 48 103 19 shade: RGB 48 103 19, RGB 19 103 91, RGB 74 19 103 and RGB 103 19 32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 48 103 19 shade: RGB 48 103 19, RGB 19 91 103, RGB 74 19 103 and RGB 103 32 19

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 82 / 60

HEX #306713

RGB 48 103 19

HSL 99.29, 0.69%, 0.24%

LAB 38.51, -33.82, 38.75

 

Complementary color

CMYK 12 / 36 / 0 / 7

HEX #CF98EC

RGB 207 152 236

HSL 279.29, 0.69%, 0.76%

LAB 70.72, 35.42, -34.41

 

CMYK 49 / 0 / 86 / 60

HEX #35670E

RGB 53 103 14

HSL 93.71, 0.76%, 0.23%

LAB 38.71, -32.41, 40.66

 

CMYK 42 / 0 / 73 / 53

HEX #467921

RGB 70 121 33

HSL 94.77, 0.57%, 0.3%

LAB 45.75, -33.02, 40.87

 

CMYK 37 / 0 / 63 / 45

HEX #578B34

RGB 87 139 52

HSL 95.86, 0.46%, 0.37%

LAB 52.66, -33.28, 40.12

 

CMYK 34 / 0 / 55 / 38

HEX #689D47

RGB 104 157 71

HSL 96.98, 0.38%, 0.45%

LAB 59.45, -33.34, 39.02

 

CMYK 31 / 0 / 49 / 31

HEX #79AF5A

RGB 121 175 90

HSL 98.12, 0.35%, 0.52%

LAB 66.11, -33.29, 37.82

 

CMYK 53 / 0 / 82 / 60

HEX #306713

RGB 48 103 19

HSL 99.29, 0.69%, 0.24%

LAB 38.51, -33.82, 38.75

 

CMYK 64 / 0 / 100 / 67

HEX #1F5500

RGB 31 85 0

HSL 98.12, 1%, 0.17%

LAB 31.32, -32.79, 38.23

 

CMYK 79 / 0 / 100 / 74

HEX #0E4300

RGB 14 67 0

HSL 107.46, 1%, 0.13%

LAB 24.02, -30.28, 31.73

 

CMYK 100 / 0 / 100 / 81

HEX #003100

RGB 0 49 0

HSL 120, 1%, 0.1%

LAB 16.49, -26.99, 23.19

 

CMYK 100 / 0 / 100 / 88

HEX #001F00

RGB 0 31 0

HSL 120, 1%, 0.06%

LAB 8.82, -17.96, 12.88

 

CMYK 53 / 0 / 82 / 60

HEX #306713

RGB 48 103 19

HSL 99.29, 0.69%, 0.24%

LAB 38.51, -33.82, 38.75

 

CMYK 31 / 0 / 82 / 60

HEX #476713

RGB 71 103 19

HSL 82.86, 0.69%, 0.24%

LAB 39.73, -25.11, 40.34

 

CMYK 9 / 0 / 82 / 60

HEX #5E6713

RGB 94 103 19

HSL 66.43, 0.69%, 0.24%

LAB 41.42, -14.77, 42.52

 

CMYK 0 / 13 / 82 / 60

HEX #675A13

RGB 103 90 19

HSL 50.71, 0.69%, 0.24%

LAB 38.27, -2.99, 39.95

 

CMYK 0 / 34 / 82 / 60

HEX #674413

RGB 103 68 19

HSL 35, 0.69%, 0.24%

LAB 31.95, 10.38, 34

 

CMYK 53 / 0 / 82 / 60

HEX #306713

RGB 48 103 19

HSL 99.29, 0.69%, 0.24%

LAB 38.51, -33.82, 38.75

 

CMYK 76 / 0 / 82 / 60

HEX #196713

RGB 25 103 19

HSL 115.71, 0.69%, 0.24%

LAB 37.76, -39.88, 37.77

 

CMYK 82 / 0 / 66 / 60

HEX #136723

RGB 19 103 35

HSL 131.43, 0.69%, 0.24%

LAB 37.77, -39.29, 30.82

 

CMYK 82 / 0 / 44 / 60

HEX #13673A

RGB 19 103 58

HSL 147.86, 0.69%, 0.24%

LAB 38.1, -35.41, 18.67

 

CMYK 82 / 0 / 21 / 60

HEX #136751

RGB 19 103 81

HSL 164.29, 0.69%, 0.24%

LAB 38.61, -29.83, 5.6

 

CMYK 53 / 0 / 82 / 60

HEX #306713

RGB 48 103 19

HSL 99.29, 0.69%, 0.24%

LAB 38.51, -33.82, 38.75

 

CMYK 60 / 0 / 92 / 56

HEX #2D7109

RGB 45 113 9

HSL 99.23, 0.85%, 0.24%

LAB 41.83, -39.3, 44.58

 

CMYK 53 / 0 / 82 / 60

HEX #306713

RGB 48 103 19

HSL 99.29, 0.69%, 0.24%

LAB 38.51, -33.82, 38.75

 

CMYK 46 / 0 / 69 / 63

HEX #335E1D

RGB 51 94 29

HSL 99.69, 0.53%, 0.24%

LAB 35.59, -27.94, 31.61

 

CMYK 36 / 0 / 54 / 67

HEX #365427

RGB 54 84 39

HSL 100, 0.37%, 0.24%

LAB 32.42, -20.63, 22.69

 

CMYK 23 / 0 / 34 / 71

HEX #394A31

RGB 57 74 49

HSL 100.8, 0.2%, 0.24%

LAB 29.39, -12.23, 12.81

 

CMYK 6 / 0 / 8 / 75

HEX #3C403B

RGB 60 64 59

HSL 108, 0.04%, 0.24%

LAB 26.57, -2.8, 2.48

 

CMYK 9 / 0 / 82 / 60

HEX #5E6713

RGB 94 103 19

HSL 66.43, 0.69%, 0.24%

LAB 41.42, -14.77, 42.52

 

CMYK 31 / 0 / 82 / 60

HEX #476713

RGB 71 103 19

HSL 82.86, 0.69%, 0.24%

LAB 39.73, -25.11, 40.34

 

CMYK 52 / 0 / 82 / 60

HEX #316713

RGB 49 103 19

HSL 98.57, 0.69%, 0.24%

LAB 38.55, -33.49, 38.81

 

CMYK 75 / 0 / 82 / 60

HEX #1A6713

RGB 26 103 19

HSL 115, 0.69%, 0.24%

LAB 37.78, -39.68, 37.8

 

CMYK 82 / 0 / 67 / 60

HEX #136722

RGB 19 103 34

HSL 130.71, 0.69%, 0.24%

LAB 37.76, -39.42, 31.3

 

CMYK 53 / 0 / 82 / 87

HEX #102206

RGB 16 34 6

HSL 98.57, 0.7%, 0.08%

LAB 11.05, -14.08, 13.7

 

CMYK 54 / 0 / 81 / 73

HEX #20450D

RGB 32 69 13

HSL 99.64, 0.68%, 0.16%

LAB 25.54, -24.7, 28.13

 

CMYK 53 / 0 / 82 / 60

HEX #306713

RGB 48 103 19

HSL 99.29, 0.69%, 0.24%

LAB 38.51, -33.82, 38.75

 

CMYK 54 / 0 / 82 / 46

HEX #408A19

RGB 64 138 25

HSL 99.29, 0.69%, 0.32%

LAB 51.08, -42.71, 48.88

 

CMYK 53 / 0 / 82 / 32

HEX #51AD20

RGB 81 173 32

HSL 99.15, 0.69%, 0.4%

LAB 63.13, -50.79, 58.21

 

CMYK 53 / 0 / 82 / 60

HEX #306713

RGB 48 103 19

HSL 99.29, 0.69%, 0.24%

LAB 38.51, -33.82, 38.75

 

CMYK 82 / 0 / 12 / 60

HEX #13675B

RGB 19 103 91

HSL 171.43, 0.69%, 0.24%

LAB 38.89, -26.93, -0.1

 

CMYK 0 / 82 / 20 / 60

HEX #671352

RGB 103 19 82

HSL 315, 0.69%, 0.24%

LAB 23.53, 42.61, -16.84

 

CMYK 53 / 0 / 82 / 60

HEX #306713

RGB 48 103 19

HSL 99.29, 0.69%, 0.24%

LAB 38.51, -33.82, 38.75

 

CMYK 82 / 52 / 0 / 60

HEX #133167

RGB 19 49 103

HSL 218.57, 0.69%, 0.24%

LAB 21.26, 10.59, -34.92

 

CMYK 0 / 82 / 52 / 60

HEX #671331

RGB 103 19 49

HSL 338.57, 0.69%, 0.24%

LAB 22.2, 38.56, 3.77

 

CMYK 53 / 0 / 82 / 60

HEX #306713

RGB 48 103 19

HSL 99.29, 0.69%, 0.24%

LAB 38.51, -33.82, 38.75

 

CMYK 82 / 0 / 12 / 60

HEX #13675B

RGB 19 103 91

HSL 171.43, 0.69%, 0.24%

LAB 38.89, -26.93, -0.1

 

CMYK 28 / 82 / 0 / 60

HEX #4A1367

RGB 74 19 103

HSL 279.29, 0.69%, 0.24%

LAB 19.64, 39.82, -37.29

 

CMYK 0 / 82 / 69 / 60

HEX #671320

RGB 103 19 32

HSL 350.71, 0.69%, 0.24%

LAB 21.78, 37.22, 15.02

 

CMYK 53 / 0 / 82 / 60

HEX #306713

RGB 48 103 19

HSL 99.29, 0.69%, 0.24%

LAB 38.51, -33.82, 38.75

 

CMYK 82 / 12 / 0 / 60

HEX #135B67

RGB 19 91 103

HSL 188.57, 0.69%, 0.24%

LAB 35.2, -16.67, -13.03

 

CMYK 28 / 82 / 0 / 60

HEX #4A1367

RGB 74 19 103

HSL 279.29, 0.69%, 0.24%

LAB 19.64, 39.82, -37.29

 

CMYK 0 / 69 / 82 / 60

HEX #672013

RGB 103 32 19

HSL 9.29, 0.69%, 0.24%

LAB 23.55, 31.09, 25.58

 

Description

Color code: RGB 48 103 19 | qconv.com Color code: RGB 48 103 19 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 103 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 103 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 82 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 82% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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