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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 48.7 110.6 82 it is the complementary color RGB 206.3 144.4 173. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 48.7 110.6 82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 48.7 110.6 82 shade: RGB 53.7 110.6 77, RGB 70.7 128.6 96, RGB 87.7 146.6 115, RGB 104.7 164.6 134 and RGB 121.7 182.6 153

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 48.7 110.6 82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 48.7 110.6 82 shade: RGB 48.7 110.6 82, RGB 31.7 92.6 63, RGB 14.7 74.6 44, RGB 0 56.6 25 and RGB 0 38.6 6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 48.7 110.6 82 shade: RGB 48 110 81, RGB 48 110 65, RGB 48 110 48, RGB 65 110 48 and RGB 82 110 48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 48.7 110.6 82 shade: RGB 48 110 81, RGB 48 110 98, RGB 48 105 110, RGB 48 88 110 and RGB 48 72 110

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 48.7 110.6 82 shade matches the following richer shades: RGB 48 110 81, RGB 35 123 82, RGB 23 135 83 and RGB 10 148 84

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 48.7 110.6 82 shade: RGB 48 110 81, RGB 61 97 80, RGB 74 84 79, RGB 87 72 78 and RGB 99 59 78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 48.7 110.6 82 shade: RGB 48 110 48, RGB 48 110 65, RGB 48 110 81, RGB 48 110 98 and RGB 48 106 110

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 48.7 110.6 82 shade: RGB 23 53 39, RGB 36 81 60, RGB 48 110 81, RGB 61 139 103 and RGB 73 167 124

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 48.7 110.6 82 shade: RGB 48.7 110.6 82, RGB 48 65 110 and RGB 110 56 48

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 48.7 110.6 82 shade: RGB 48.7 110.6 82, RGB 81 48 110 and RGB 110 81 48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 48.7 110.6 82 shade: RGB 48.7 110.6 82, RGB 48 65 110, RGB 110 48 77 and RGB 110 93 48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 48.7 110.6 82 shade: RGB 48.7 110.6 82, RGB 50 48 110, RGB 110 48 77 and RGB 108 110 48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 26 / 57

HEX #306E52

RGB 48.7 110.6 82

HSL 152.28, 0.39%, 0.31%

LAB 42.06, -27.39, 9.99

 

Complementary color

CMYK 0 / 30 / 16 / 19

HEX #CE90AD

RGB 206.3 144.4 173

HSL 332.28, 0.39%, 0.69%

LAB 66.71, 27.66, -5.55

 

CMYK 51 / 0 / 30 / 57

HEX #356E4D

RGB 53.7 110.6 77

HSL 144.57, 0.35%, 0.32%

LAB 42.14, -27.15, 13.11

 

CMYK 45 / 0 / 25 / 50

HEX #468060

RGB 70.7 128.6 96

HSL 146.22, 0.29%, 0.39%

LAB 49.21, -26.92, 11.88

 

CMYK 40 / 0 / 22 / 43

HEX #579273

RGB 87.7 146.6 115

HSL 147.81, 0.25%, 0.46%

LAB 56.13, -26.66, 10.79

 

CMYK 36 / 0 / 19 / 35

HEX #68A486

RGB 104.7 164.6 134

HSL 149.35, 0.25%, 0.53%

LAB 62.9, -26.39, 9.79

 

CMYK 33 / 0 / 16 / 28

HEX #79B699

RGB 121.7 182.6 153

HSL 150.84, 0.3%, 0.6%

LAB 69.55, -26.14, 8.87

 

CMYK 56 / 0 / 26 / 57

HEX #306E52

RGB 48.7 110.6 82

HSL 152.28, 0.39%, 0.31%

LAB 42.06, -27.39, 9.99

 

CMYK 66 / 0 / 32 / 64

HEX #1F5C3F

RGB 31.7 92.6 63

HSL 150.84, 0.49%, 0.24%

LAB 34.84, -27.37, 11.36

 

CMYK 80 / 0 / 41 / 71

HEX #0E4A2C

RGB 14.7 74.6 44

HSL 149.35, 0.67%, 0.18%

LAB 27.46, -26.96, 13

 

CMYK 100 / 0 / 56 / 78

HEX #003819

RGB 0 56.6 25

HSL 146.5, 1%, 0.11%

LAB 19.87, -25.97, 14.93

 

CMYK 100 / 0 / 84 / 85

HEX #002606

RGB 0 38.6 6

HSL 129.33, 1%, 0.08%

LAB 12.21, -22.09, 15.18

 

CMYK 56 / 0 / 26 / 57

HEX #306E51

RGB 48 110 81

HSL 151.94, 0.39%, 0.31%

LAB 41.8, -27.51, 10.23

 

CMYK 56 / 0 / 41 / 57

HEX #306E41

RGB 48 110 65

HSL 136.45, 0.39%, 0.31%

LAB 41.47, -30.92, 19.2

 

CMYK 56 / 0 / 56 / 57

HEX #306E30

RGB 48 110 48

HSL 120, 0.39%, 0.31%

LAB 41.21, -33.77, 28.35

 

CMYK 41 / 0 / 56 / 57

HEX #416E30

RGB 65 110 48

HSL 103.55, 0.39%, 0.31%

LAB 41.98, -28.19, 29.47

 

CMYK 25 / 0 / 56 / 57

HEX #526E30

RGB 82 110 48

HSL 87.1, 0.39%, 0.31%

LAB 43, -21.55, 30.92

 

CMYK 56 / 0 / 26 / 57

HEX #306E51

RGB 48 110 81

HSL 151.94, 0.39%, 0.31%

LAB 41.8, -27.51, 10.23

 

CMYK 56 / 0 / 11 / 57

HEX #306E62

RGB 48 110 98

HSL 168.39, 0.39%, 0.31%

LAB 42.25, -23.18, 0.64

 

CMYK 56 / 5 / 0 / 57

HEX #30696E

RGB 48 105 110

HSL 184.84, 0.39%, 0.31%

LAB 40.99, -17.03, -8.5

 

CMYK 56 / 20 / 0 / 57

HEX #30586E

RGB 48 88 110

HSL 201.29, 0.39%, 0.31%

LAB 35.47, -7.16, -16.9

 

CMYK 56 / 35 / 0 / 57

HEX #30486E

RGB 48 72 110

HSL 216.77, 0.39%, 0.31%

LAB 30.37, 3.01, -24.81

 

CMYK 56 / 0 / 26 / 57

HEX #306E51

RGB 48 110 81

HSL 151.94, 0.39%, 0.31%

LAB 41.8, -27.51, 10.23

 

CMYK 72 / 0 / 33 / 52

HEX #237B52

RGB 35 123 82

HSL 152.05, 0.56%, 0.31%

LAB 45.82, -36.05, 15.12

 

CMYK 83 / 0 / 39 / 47

HEX #178753

RGB 23 135 83

HSL 152.14, 0.71%, 0.31%

LAB 49.66, -42.5, 19.7

 

CMYK 93 / 0 / 43 / 42

HEX #0A9454

RGB 10 148 84

HSL 152.17, 0.87%, 0.31%

LAB 53.9, -48.3, 24.73

 

CMYK 56 / 0 / 26 / 57

HEX #306E51

RGB 48 110 81

HSL 151.94, 0.39%, 0.31%

LAB 41.8, -27.51, 10.23

 

CMYK 37 / 0 / 18 / 62

HEX #3D6150

RGB 61 97 80

HSL 151.67, 0.23%, 0.31%

LAB 38.06, -17.16, 5.63

 

CMYK 12 / 0 / 6 / 67

HEX #4A544F

RGB 74 84 79

HSL 150, 0.06%, 0.31%

LAB 34.72, -5.08, 1.58

 

CMYK 0 / 17 / 10 / 66

HEX #57484E

RGB 87 72 78

HSL 336, 0.09%, 0.31%

LAB 32.28, 7.51, -1.21

 

CMYK 0 / 40 / 21 / 61

HEX #633B4E

RGB 99 59 78

HSL 331.5, 0.25%, 0.31%

LAB 30.23, 20.62, -4.07

 

CMYK 56 / 0 / 56 / 57

HEX #306E30

RGB 48 110 48

HSL 120, 0.39%, 0.31%

LAB 41.21, -33.77, 28.35

 

CMYK 56 / 0 / 41 / 57

HEX #306E41

RGB 48 110 65

HSL 136.45, 0.39%, 0.31%

LAB 41.47, -30.92, 19.2

 

CMYK 56 / 0 / 26 / 57

HEX #306E51

RGB 48 110 81

HSL 151.94, 0.39%, 0.31%

LAB 41.8, -27.51, 10.23

 

CMYK 56 / 0 / 11 / 57

HEX #306E62

RGB 48 110 98

HSL 168.39, 0.39%, 0.31%

LAB 42.25, -23.18, 0.64

 

CMYK 56 / 4 / 0 / 57

HEX #306A6E

RGB 48 106 110

HSL 183.87, 0.39%, 0.31%

LAB 41.31, -17.58, -8.02

 

CMYK 57 / 0 / 26 / 79

HEX #173527

RGB 23 53 39

HSL 152, 0.39%, 0.15%

LAB 19.54, -15.3, 5.43

 

CMYK 56 / 0 / 26 / 68

HEX #24513C

RGB 36 81 60

HSL 152, 0.38%, 0.23%

LAB 30.85, -21.23, 7.7

 

CMYK 56 / 0 / 26 / 57

HEX #306E51

RGB 48 110 81

HSL 151.94, 0.39%, 0.31%

LAB 41.8, -27.51, 10.23

 

CMYK 56 / 0 / 26 / 45

HEX #3D8B67

RGB 61 139 103

HSL 152.31, 0.39%, 0.39%

LAB 52.33, -32.96, 12.14

 

CMYK 56 / 0 / 26 / 35

HEX #49A77C

RGB 73 167 124

HSL 152.55, 0.39%, 0.47%

LAB 62.09, -38.19, 14.01

 

CMYK 56 / 0 / 26 / 57

HEX #306E52

RGB 48.7 110.6 82

HSL 152.28, 0.39%, 0.31%

LAB 42.06, -27.39, 9.99

 

CMYK 56 / 41 / 0 / 57

HEX #30416E

RGB 48 65 110

HSL 223.55, 0.39%, 0.31%

LAB 28.21, 7.69, -28.23

 

CMYK 0 / 49 / 56 / 57

HEX #6E3830

RGB 110 56 48

HSL 7.74, 0.39%, 0.31%

LAB 30.3, 22.97, 15.74

 

CMYK 56 / 0 / 26 / 57

HEX #306E52

RGB 48.7 110.6 82

HSL 152.28, 0.39%, 0.31%

LAB 42.06, -27.39, 9.99

 

CMYK 26 / 56 / 0 / 57

HEX #51306E

RGB 81 48 110

HSL 271.94, 0.39%, 0.31%

LAB 26.7, 28.13, -30.42

 

CMYK 0 / 26 / 56 / 57

HEX #6E5130

RGB 110 81 48

HSL 31.94, 0.39%, 0.31%

LAB 36.77, 7.85, 23.99

 

CMYK 56 / 0 / 26 / 57

HEX #306E52

RGB 48.7 110.6 82

HSL 152.28, 0.39%, 0.31%

LAB 42.06, -27.39, 9.99

 

CMYK 56 / 41 / 0 / 57

HEX #30416E

RGB 48 65 110

HSL 223.55, 0.39%, 0.31%

LAB 28.21, 7.69, -28.23

 

CMYK 0 / 56 / 30 / 57

HEX #6E304D

RGB 110 48 77

HSL 331.94, 0.39%, 0.31%

LAB 29.32, 31.07, -4.59

 

CMYK 0 / 15 / 56 / 57

HEX #6E5D30

RGB 110 93 48

HSL 43.55, 0.39%, 0.31%

LAB 40.18, 0.62, 28.14

 

CMYK 56 / 0 / 26 / 57

HEX #306E52

RGB 48.7 110.6 82

HSL 152.28, 0.39%, 0.31%

LAB 42.06, -27.39, 9.99

 

CMYK 55 / 56 / 0 / 57

HEX #32306E

RGB 50 48 110

HSL 241.94, 0.39%, 0.31%

LAB 23.4, 19.83, -35.9

 

CMYK 0 / 56 / 30 / 57

HEX #6E304D

RGB 110 48 77

HSL 331.94, 0.39%, 0.31%

LAB 29.32, 31.07, -4.59

 

CMYK 2 / 0 / 56 / 57

HEX #6C6E30

RGB 108 110 48

HSL 61.94, 0.39%, 0.31%

LAB 45.02, -10.14, 33.78

 

Description

Color code: RGB 48.7 110.6 82 | qconv.com Color code: RGB 48.7 110.6 82 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48.7 red, 110.6 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48.7 110.6 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 26 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 26% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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