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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 48.7 110.6 66 it is the complementary color RGB 206.3 144.4 189. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 48.7 110.6 66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 48.7 110.6 66 shade: RGB 53.7 110.6 61, RGB 70.7 128.6 80, RGB 87.7 146.6 99, RGB 104.7 164.6 118 and RGB 121.7 182.6 137

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 48.7 110.6 66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 48.7 110.6 66 shade: RGB 48.7 110.6 66, RGB 31.7 92.6 47, RGB 14.7 74.6 28, RGB 0 56.6 9 and RGB 0 38.6 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 48.7 110.6 66 shade: RGB 48 110 65, RGB 48 110 49, RGB 64 110 48, RGB 81 110 48 and RGB 97 110 48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 48.7 110.6 66 shade: RGB 48 110 65, RGB 48 110 82, RGB 48 110 99, RGB 48 104 110 and RGB 48 88 110

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 48.7 110.6 66 shade matches the following richer shades: RGB 48 110 65, RGB 35 123 60, RGB 23 135 54 and RGB 10 148 49

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 48.7 110.6 66 shade: RGB 48 110 65, RGB 61 97 71, RGB 74 84 77, RGB 87 72 82 and RGB 99 59 88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 48.7 110.6 66 shade: RGB 65 110 48, RGB 48 110 48, RGB 48 110 65, RGB 48 110 81 and RGB 48 110 98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 48.7 110.6 66 shade: RGB 23 53 31, RGB 36 81 48, RGB 48 110 65, RGB 61 139 83 and RGB 73 167 100

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 48.7 110.6 66 shade: RGB 48.7 110.6 66, RGB 48 81 110 and RGB 110 48 56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 48.7 110.6 66 shade: RGB 48.7 110.6 66, RGB 65 48 110 and RGB 110 65 48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 48.7 110.6 66 shade: RGB 48.7 110.6 66, RGB 48 81 110, RGB 110 48 93 and RGB 110 77 48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 48.7 110.6 66 shade: RGB 48.7 110.6 66, RGB 48 63 110, RGB 110 48 93 and RGB 110 95 48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 40 / 57

HEX #306E42

RGB 48.7 110.6 66

HSL 136.77, 0.39%, 0.31%

LAB 41.72, -30.81, 18.95

 

Complementary color

CMYK 0 / 30 / 8 / 19

HEX #CE90BD

RGB 206.3 144.4 189

HSL 316.77, 0.39%, 0.69%

LAB 67.21, 30.34, -13.78

 

CMYK 51 / 0 / 45 / 57

HEX #356E3D

RGB 53.7 110.6 61

HSL 127.7, 0.35%, 0.32%

LAB 41.84, -30.28, 22.01

 

CMYK 45 / 0 / 38 / 50

HEX #468050

RGB 70.7 128.6 80

HSL 129.64, 0.29%, 0.39%

LAB 48.89, -30.1, 20.61

 

CMYK 40 / 0 / 32 / 43

HEX #579263

RGB 87.7 146.6 99

HSL 131.51, 0.25%, 0.46%

LAB 55.79, -29.84, 19.34

 

CMYK 36 / 0 / 28 / 35

HEX #68A476

RGB 104.7 164.6 118

HSL 133.32, 0.25%, 0.53%

LAB 62.56, -29.57, 18.17

 

CMYK 33 / 0 / 25 / 28

HEX #79B689

RGB 121.7 182.6 137

HSL 135.07, 0.3%, 0.6%

LAB 69.2, -29.29, 17.09

 

CMYK 56 / 0 / 40 / 57

HEX #306E42

RGB 48.7 110.6 66

HSL 136.77, 0.39%, 0.31%

LAB 41.72, -30.81, 18.95

 

CMYK 66 / 0 / 49 / 64

HEX #1F5C2F

RGB 31.7 92.6 47

HSL 135.07, 0.49%, 0.24%

LAB 34.53, -30.72, 20.51

 

CMYK 80 / 0 / 62 / 71

HEX #0E4A1C

RGB 14.7 74.6 28

HSL 133.32, 0.67%, 0.18%

LAB 27.19, -30.08, 22.2

 

CMYK 100 / 0 / 84 / 78

HEX #003809

RGB 0 56.6 9

HSL 129.54, 1%, 0.11%

LAB 19.67, -28.52, 23.31

 

CMYK 100 / 0 / 100 / 85

HEX #002600

RGB 0 38.6 0

HSL 120, 1%, 0.08%

LAB 12.12, -23.07, 17.5

 

CMYK 56 / 0 / 41 / 57

HEX #306E41

RGB 48 110 65

HSL 136.45, 0.39%, 0.31%

LAB 41.47, -30.92, 19.2

 

CMYK 56 / 0 / 55 / 57

HEX #306E31

RGB 48 110 49

HSL 120.97, 0.39%, 0.31%

LAB 41.22, -33.62, 27.83

 

CMYK 42 / 0 / 56 / 57

HEX #406E30

RGB 64 110 48

HSL 104.52, 0.39%, 0.31%

LAB 41.93, -28.55, 29.39

 

CMYK 26 / 0 / 56 / 57

HEX #516E30

RGB 81 110 48

HSL 88.06, 0.39%, 0.31%

LAB 42.94, -21.97, 30.83

 

CMYK 12 / 0 / 56 / 57

HEX #616E30

RGB 97 110 48

HSL 72.58, 0.39%, 0.31%

LAB 44.1, -15.1, 32.49

 

CMYK 56 / 0 / 41 / 57

HEX #306E41

RGB 48 110 65

HSL 136.45, 0.39%, 0.31%

LAB 41.47, -30.92, 19.2

 

CMYK 56 / 0 / 25 / 57

HEX #306E52

RGB 48 110 82

HSL 152.9, 0.39%, 0.31%

LAB 41.83, -27.27, 9.66

 

CMYK 56 / 0 / 10 / 57

HEX #306E63

RGB 48 110 99

HSL 169.35, 0.39%, 0.31%

LAB 42.28, -22.91, 0.08

 

CMYK 56 / 5 / 0 / 57

HEX #30686E

RGB 48 104 110

HSL 185.81, 0.39%, 0.31%

LAB 40.66, -16.47, -8.99

 

CMYK 56 / 20 / 0 / 57

HEX #30586E

RGB 48 88 110

HSL 201.29, 0.39%, 0.31%

LAB 35.47, -7.16, -16.9

 

CMYK 56 / 0 / 41 / 57

HEX #306E41

RGB 48 110 65

HSL 136.45, 0.39%, 0.31%

LAB 41.47, -30.92, 19.2

 

CMYK 72 / 0 / 51 / 52

HEX #237B3C

RGB 35 123 60

HSL 137.05, 0.56%, 0.31%

LAB 45.43, -40.38, 27

 

CMYK 83 / 0 / 60 / 47

HEX #178736

RGB 23 135 54

HSL 136.61, 0.71%, 0.31%

LAB 49.22, -47.61, 34.65

 

CMYK 93 / 0 / 67 / 42

HEX #0A9431

RGB 10 148 49

HSL 136.96, 0.87%, 0.31%

LAB 53.46, -53.74, 41.77

 

CMYK 56 / 0 / 41 / 57

HEX #306E41

RGB 48 110 65

HSL 136.45, 0.39%, 0.31%

LAB 41.47, -30.92, 19.2

 

CMYK 37 / 0 / 27 / 62

HEX #3D6147

RGB 61 97 71

HSL 136.67, 0.23%, 0.31%

LAB 37.84, -19.16, 10.82

 

CMYK 12 / 0 / 8 / 67

HEX #4A544D

RGB 74 84 77

HSL 138, 0.06%, 0.31%

LAB 34.67, -5.52, 2.75

 

CMYK 0 / 17 / 6 / 66

HEX #574852

RGB 87 72 82

HSL 320, 0.09%, 0.31%

LAB 32.41, 8.33, -3.57

 

CMYK 0 / 40 / 11 / 61

HEX #633B58

RGB 99 59 88

HSL 316.5, 0.25%, 0.31%

LAB 30.6, 22.46, -10

 

CMYK 41 / 0 / 56 / 57

HEX #416E30

RGB 65 110 48

HSL 103.55, 0.39%, 0.31%

LAB 41.98, -28.19, 29.47

 

CMYK 56 / 0 / 56 / 57

HEX #306E30

RGB 48 110 48

HSL 120, 0.39%, 0.31%

LAB 41.21, -33.77, 28.35

 

CMYK 56 / 0 / 41 / 57

HEX #306E41

RGB 48 110 65

HSL 136.45, 0.39%, 0.31%

LAB 41.47, -30.92, 19.2

 

CMYK 56 / 0 / 26 / 57

HEX #306E51

RGB 48 110 81

HSL 151.94, 0.39%, 0.31%

LAB 41.8, -27.51, 10.23

 

CMYK 56 / 0 / 11 / 57

HEX #306E62

RGB 48 110 98

HSL 168.39, 0.39%, 0.31%

LAB 42.25, -23.18, 0.64

 

CMYK 57 / 0 / 42 / 79

HEX #17351F

RGB 23 53 31

HSL 136, 0.39%, 0.15%

LAB 19.34, -17.25, 10.52

 

CMYK 56 / 0 / 41 / 68

HEX #245130

RGB 36 81 48

HSL 136, 0.38%, 0.23%

LAB 30.58, -23.94, 14.81

 

CMYK 56 / 0 / 41 / 57

HEX #306E41

RGB 48 110 65

HSL 136.45, 0.39%, 0.31%

LAB 41.47, -30.92, 19.2

 

CMYK 56 / 0 / 40 / 45

HEX #3D8B53

RGB 61 139 83

HSL 136.92, 0.39%, 0.39%

LAB 51.93, -37.06, 22.89

 

CMYK 56 / 0 / 40 / 35

HEX #49A764

RGB 73 167 100

HSL 137.23, 0.39%, 0.47%

LAB 61.63, -42.95, 26.48

 

CMYK 56 / 0 / 40 / 57

HEX #306E42

RGB 48.7 110.6 66

HSL 136.77, 0.39%, 0.31%

LAB 41.72, -30.81, 18.95

 

CMYK 56 / 26 / 0 / 57

HEX #30516E

RGB 48 81 110

HSL 208.06, 0.39%, 0.31%

LAB 33.22, -2.81, -20.37

 

CMYK 0 / 56 / 49 / 57

HEX #6E3038

RGB 110 48 56

HSL 352.26, 0.39%, 0.31%

LAB 28.68, 28.36, 8.34

 

CMYK 56 / 0 / 40 / 57

HEX #306E42

RGB 48.7 110.6 66

HSL 136.77, 0.39%, 0.31%

LAB 41.72, -30.81, 18.95

 

CMYK 41 / 56 / 0 / 57

HEX #41306E

RGB 65 48 110

HSL 256.45, 0.39%, 0.31%

LAB 24.84, 23.62, -33.51

 

CMYK 0 / 41 / 56 / 57

HEX #6E4130

RGB 110 65 48

HSL 16.45, 0.39%, 0.31%

LAB 32.5, 17.61, 18.61

 

CMYK 56 / 0 / 40 / 57

HEX #306E42

RGB 48.7 110.6 66

HSL 136.77, 0.39%, 0.31%

LAB 41.72, -30.81, 18.95

 

CMYK 56 / 26 / 0 / 57

HEX #30516E

RGB 48 81 110

HSL 208.06, 0.39%, 0.31%

LAB 33.22, -2.81, -20.37

 

CMYK 0 / 56 / 15 / 57

HEX #6E305D

RGB 110 48 93

HSL 316.45, 0.39%, 0.31%

LAB 29.96, 33.64, -14.07

 

CMYK 0 / 30 / 56 / 57

HEX #6E4D30

RGB 110 77 48

HSL 28.06, 0.39%, 0.31%

LAB 35.67, 10.29, 22.62

 

CMYK 56 / 0 / 40 / 57

HEX #306E42

RGB 48.7 110.6 66

HSL 136.77, 0.39%, 0.31%

LAB 41.72, -30.81, 18.95

 

CMYK 56 / 43 / 0 / 57

HEX #303F6E

RGB 48 63 110

HSL 225.48, 0.39%, 0.31%

LAB 27.6, 9.05, -29.19

 

CMYK 0 / 56 / 15 / 57

HEX #6E305D

RGB 110 48 93

HSL 316.45, 0.39%, 0.31%

LAB 29.96, 33.64, -14.07

 

CMYK 0 / 14 / 56 / 57

HEX #6E5F30

RGB 110 95 48

HSL 45.48, 0.39%, 0.31%

LAB 40.76, -0.56, 28.84

 

Description

Color code: RGB 48.7 110.6 66 | qconv.com Color code: RGB 48.7 110.6 66 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48.7 red, 110.6 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48.7 110.6 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 40 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 40% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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