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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 48.7 110.6 129 it is the complementary color RGB 206.3 144.4 126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 48.7 110.6 129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 48.7 110.6 129 shade: RGB 53.7 110.6 124, RGB 70.7 128.6 143, RGB 87.7 146.6 162, RGB 104.7 164.6 181 and RGB 121.7 182.6 200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 48.7 110.6 129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 48.7 110.6 129 shade: RGB 48.7 110.6 129, RGB 31.7 92.6 110, RGB 14.7 74.6 91, RGB 0 56.6 72 and RGB 0 38.6 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 48.7 110.6 129 shade: RGB 49 111 129, RGB 49 89 129, RGB 49 68 129, RGB 52 49 129 and RGB 74 49 129

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 48.7 110.6 129 shade: RGB 49 111 129, RGB 49 89 129, RGB 49 68 129 and RGB 49 49 129

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 48.7 110.6 129 shade matches the following richer shades: RGB 49 111 129, RGB 35 119 144, RGB 20 127 158 and RGB 6 134 173

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 48.7 110.6 129 shade: RGB 49 111 129, RGB 64 103 115, RGB 78 95 101, RGB 92 88 86 and RGB 107 80 72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 48.7 110.6 129 shade: RGB 49 129 104, RGB 49 129 125, RGB 49 112 129, RGB 49 91 129 and RGB 49 69 129

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 48.7 110.6 129 shade: RGB 26 60 70, RGB 38 85 99, RGB 49 111 129, RGB 60 137 159 and RGB 74 161 187

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 48.7 110.6 129 shade: RGB 48.7 110.6 129, RGB 83 49 129 and RGB 129 115 49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 48.7 110.6 129 shade: RGB 48.7 110.6 129, RGB 129 49 112 and RGB 112 129 49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 48.7 110.6 129 shade: RGB 48.7 110.6 129, RGB 83 49 129, RGB 129 66 49 and RGB 96 129 49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 48.7 110.6 129 shade: RGB 48.7 110.6 129, RGB 107 49 129, RGB 129 66 49 and RGB 72 129 49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 14 / 0 / 49

HEX #306E81

RGB 48.7 110.6 129

HSL 193.75, 0.45%, 0.35%

LAB 43.53, -13.98, -16.14

 

Complementary color

CMYK 0 / 30 / 39 / 19

HEX #CE907E

RGB 206.3 144.4 126

HSL 13.75, 0.45%, 0.65%

LAB 65.54, 21.13, 19.16

 

CMYK 57 / 11 / 0 / 51

HEX #356E7C

RGB 53.7 110.6 124

HSL 191.44, 0.4%, 0.35%

LAB 43.53, -14.52, -13.12

 

CMYK 51 / 10 / 0 / 44

HEX #46808F

RGB 70.7 128.6 143

HSL 191.95, 0.34%, 0.42%

LAB 50.58, -14.79, -13.63

 

CMYK 46 / 10 / 0 / 36

HEX #5792A2

RGB 87.7 146.6 162

HSL 192.44, 0.3%, 0.49%

LAB 57.47, -14.96, -14.11

 

CMYK 42 / 9 / 0 / 29

HEX #68A4B5

RGB 104.7 164.6 181

HSL 192.9, 0.34%, 0.56%

LAB 64.23, -15.07, -14.57

 

CMYK 39 / 9 / 0 / 22

HEX #79B6C8

RGB 121.7 182.6 200

HSL 193.33, 0.42%, 0.63%

LAB 70.86, -15.14, -15.01

 

CMYK 62 / 14 / 0 / 49

HEX #306E81

RGB 48.7 110.6 129

HSL 193.75, 0.45%, 0.35%

LAB 43.53, -13.98, -16.14

 

CMYK 71 / 16 / 0 / 57

HEX #1F5C6E

RGB 31.7 92.6 110

HSL 193.33, 0.55%, 0.28%

LAB 36.34, -13.27, -15.61

 

CMYK 84 / 18 / 0 / 64

HEX #0E4A5B

RGB 14.7 74.6 91

HSL 192.9, 0.72%, 0.21%

LAB 28.99, -12.1, -14.97

 

CMYK 100 / 21 / 0 / 72

HEX #003848

RGB 0 56.6 72

HSL 192.83, 1%, 0.14%

LAB 21.41, -10.35, -14.22

 

CMYK 100 / 27 / 0 / 79

HEX #002635

RGB 0 38.6 53

HSL 196.3, 1%, 0.1%

LAB 13.72, -6.87, -13.08

 

CMYK 62 / 14 / 0 / 49

HEX #316F81

RGB 49 111 129

HSL 193.5, 0.45%, 0.35%

LAB 43.66, -14.15, -15.93

 

CMYK 62 / 31 / 0 / 49

HEX #315981

RGB 49 89 129

HSL 210, 0.45%, 0.35%

LAB 36.71, -0.99, -26.68

 

CMYK 62 / 47 / 0 / 49

HEX #314481

RGB 49 68 129

HSL 225.75, 0.45%, 0.35%

LAB 30.33, 12.79, -36.79

 

CMYK 60 / 62 / 0 / 49

HEX #343181

RGB 52 49 129

HSL 242.25, 0.45%, 0.35%

LAB 25.3, 26.23, -44.9

 

CMYK 43 / 62 / 0 / 49

HEX #4A3181

RGB 74 49 129

HSL 258.75, 0.45%, 0.35%

LAB 27.4, 30.99, -41.39

 

CMYK 62 / 14 / 0 / 49

HEX #316F81

RGB 49 111 129

HSL 193.5, 0.45%, 0.35%

LAB 43.66, -14.15, -15.93

 

CMYK 62 / 31 / 0 / 49

HEX #315981

RGB 49 89 129

HSL 210, 0.45%, 0.35%

LAB 36.71, -0.99, -26.68

 

CMYK 62 / 47 / 0 / 49

HEX #314481

RGB 49 68 129

HSL 225.75, 0.45%, 0.35%

LAB 30.33, 12.79, -36.79

 

CMYK 62 / 62 / 0 / 49

HEX #313181

RGB 49 49 129

HSL 240, 0.45%, 0.35%

LAB 25.06, 25.66, -45.29

 

CMYK 62 / 14 / 0 / 49

HEX #316F81

RGB 49 111 129

HSL 193.5, 0.45%, 0.35%

LAB 43.66, -14.15, -15.93

 

CMYK 76 / 17 / 0 / 44

HEX #237790

RGB 35 119 144

HSL 193.76, 0.61%, 0.35%

LAB 46.4, -15.89, -20.71

 

CMYK 87 / 20 / 0 / 38

HEX #147F9E

RGB 20 127 158

HSL 193.48, 0.78%, 0.35%

LAB 49.25, -16.87, -24.56

 

CMYK 97 / 23 / 0 / 32

HEX #0686AD

RGB 6 134 173

HSL 194.01, 0.93%, 0.35%

LAB 51.96, -16.02, -29.07

 

CMYK 62 / 14 / 0 / 49

HEX #316F81

RGB 49 111 129

HSL 193.5, 0.45%, 0.35%

LAB 43.66, -14.15, -15.93

 

CMYK 44 / 10 / 0 / 55

HEX #406773

RGB 64 103 115

HSL 194.12, 0.28%, 0.35%

LAB 41.26, -10.31, -11.06

 

CMYK 23 / 6 / 0 / 60

HEX #4E5F65

RGB 78 95 101

HSL 195.65, 0.13%, 0.35%

LAB 39.15, -4.98, -5.58

 

CMYK 0 / 4 / 7 / 64

HEX #5C5856

RGB 92 88 86

HSL 20, 0.03%, 0.35%

LAB 37.71, 1.2, 1.73

 

CMYK 0 / 25 / 33 / 58

HEX #6B5048

RGB 107 80 72

HSL 13.71, 0.2%, 0.35%

LAB 36.61, 10.06, 9.1

 

CMYK 62 / 0 / 19 / 49

HEX #318168

RGB 49 129 104

HSL 161.25, 0.45%, 0.35%

LAB 48.7, -30.76, 6.38

 

CMYK 62 / 0 / 3 / 49

HEX #31817D

RGB 49 129 125

HSL 177, 0.45%, 0.35%

LAB 49.29, -25.03, -5.08

 

CMYK 62 / 13 / 0 / 49

HEX #317081

RGB 49 112 129

HSL 192.75, 0.45%, 0.35%

LAB 43.98, -14.71, -15.44

 

CMYK 62 / 29 / 0 / 49

HEX #315B81

RGB 49 91 129

HSL 208.5, 0.45%, 0.35%

LAB 37.34, -2.25, -25.71

 

CMYK 62 / 47 / 0 / 49

HEX #314581

RGB 49 69 129

HSL 225, 0.45%, 0.35%

LAB 30.63, 12.11, -36.32

 

CMYK 63 / 14 / 0 / 73

HEX #1A3C46

RGB 26 60 70

HSL 193.64, 0.46%, 0.19%

LAB 23.32, -8.91, -9.89

 

CMYK 62 / 14 / 0 / 61

HEX #265563

RGB 38 85 99

HSL 193.77, 0.45%, 0.27%

LAB 33.58, -11.37, -12.94

 

CMYK 62 / 14 / 0 / 49

HEX #316F81

RGB 49 111 129

HSL 193.5, 0.45%, 0.35%

LAB 43.66, -14.15, -15.93

 

CMYK 62 / 14 / 0 / 38

HEX #3C899F

RGB 60 137 159

HSL 193.33, 0.45%, 0.43%

LAB 53.34, -16.78, -18.78

 

CMYK 60 / 14 / 0 / 27

HEX #4AA1BB

RGB 74 161 187

HSL 193.81, 0.45%, 0.51%

LAB 62.11, -18.31, -21.27

 

CMYK 62 / 14 / 0 / 49

HEX #306E81

RGB 48.7 110.6 129

HSL 193.75, 0.45%, 0.35%

LAB 43.53, -13.98, -16.14

 

CMYK 36 / 62 / 0 / 49

HEX #533181

RGB 83 49 129

HSL 265.5, 0.45%, 0.35%

LAB 28.43, 33.19, -39.67

 

CMYK 0 / 11 / 62 / 49

HEX #817331

RGB 129 115 49

HSL 49.5, 0.45%, 0.35%

LAB 48.45, -3.23, 37.7

 

CMYK 62 / 14 / 0 / 49

HEX #306E81

RGB 48.7 110.6 129

HSL 193.75, 0.45%, 0.35%

LAB 43.53, -13.98, -16.14

 

CMYK 0 / 62 / 13 / 49

HEX #813170

RGB 129 49 112

HSL 312.75, 0.45%, 0.35%

LAB 34.05, 42.37, -19.66

 

CMYK 13 / 0 / 62 / 49

HEX #708131

RGB 112 129 49

HSL 72.75, 0.45%, 0.35%

LAB 51.11, -18.56, 40.25

 

CMYK 62 / 14 / 0 / 49

HEX #306E81

RGB 48.7 110.6 129

HSL 193.75, 0.45%, 0.35%

LAB 43.53, -13.98, -16.14

 

CMYK 36 / 62 / 0 / 49

HEX #533181

RGB 83 49 129

HSL 265.5, 0.45%, 0.35%

LAB 28.43, 33.19, -39.67

 

CMYK 0 / 49 / 62 / 49

HEX #814231

RGB 129 66 49

HSL 12.75, 0.45%, 0.35%

LAB 35.57, 25.42, 22.47

 

CMYK 26 / 0 / 62 / 49

HEX #608131

RGB 96 129 49

HSL 84.75, 0.45%, 0.35%

LAB 49.99, -25.32, 38.69

 

CMYK 62 / 14 / 0 / 49

HEX #306E81

RGB 48.7 110.6 129

HSL 193.75, 0.45%, 0.35%

LAB 43.53, -13.98, -16.14

 

CMYK 17 / 62 / 0 / 49

HEX #6B3181

RGB 107 49 129

HSL 283.5, 0.45%, 0.35%

LAB 31.6, 39.42, -34.43

 

CMYK 0 / 49 / 62 / 49

HEX #814231

RGB 129 66 49

HSL 12.75, 0.45%, 0.35%

LAB 35.57, 25.42, 22.47

 

CMYK 44 / 0 / 62 / 49

HEX #488131

RGB 72 129 49

HSL 102.75, 0.45%, 0.35%

LAB 48.64, -34.37, 36.79

 

Description

Color code: RGB 48.7 110.6 129 | qconv.com Color code: RGB 48.7 110.6 129 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48.7 red, 110.6 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48.7 110.6 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 14 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 14% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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